Related Research Articles
Flappers were a subculture of young Western women prominent after the First World War and through the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for prevailing codes of decent behavior. Flappers were seen as brash for wearing excessive makeup, drinking alcohol, smoking cigarettes in public, driving automobiles, treating sex in a casual manner, and otherwise flouting social and sexual norms. As automobiles became more available, flappers gained freedom of movement and privacy.
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a very strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill established character archetypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers further cues to the audience of the dramatic beats being presented.
A grindhouse or action house is an American term for a theatre that mainly shows low-budget horror, splatter, and exploitation films for adults. According to historian David Church, this theater type was named after the "grind policy", a film-programming strategy dating back to the early 1920s which continuously showed films at cut-rate ticket prices that typically rose over the course of each day. This exhibition practice was markedly different from the era's more common practice of fewer shows per day and graduated pricing for different seating sections in large urban theatres, which were typically studio-owned.
Christmas in August is a 1998 South Korean romance drama film. It was director Hur Jin-ho's debut and stars Han Suk-kyu and Shim Eun-ha.
The Mob is a 1951 American film noir crime-thriller produced by Columbia Pictures, directed by Robert Parrish, and starring Broderick Crawford. The screenplay, which was written by William Bowers, is based on the novel Waterfront by Ferguson Findley.
Death Proof is a 2007 American action slasher film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women with modified cars he purports to be "death-proof". Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell co-star as the women he targets.
The Unholy Night is a 1929 American pre-Code mystery film directed by Lionel Barrymore and starring Ernest Torrence.
Hell Morgan's Girl is a 1917 American silent drama film directed by Joseph De Grasse, and starring William Stowell, Dorothy Phillips and Lon Chaney. The screenplay was written by Ida May Park, based on the Harvey Gates story entitled The Wrong Side of Paradise, which was the film's working title. The film's tagline read: "This is "Hell Morgan's Girl". You Doubt Her. You Accuse Her. You Pity Her. You Condemn Her. You Hate Her. You Love Her. SHE'S WONDERFUL!"
In the Name of the Law is a 1922 American silent melodrama directed by Emory Johnson with Dick Posson acting as assistant director. FBO released the film in August 1922. The film's "All-Star" cast included Ralph Lewis, Johnnie Walker, and Claire McDowell. The cast also included Johnson and his wife, Ella Hall. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. In the Name of the Law was the first picture in Johnson's eight-picture contract with FBO.
Flaming Youth is a 1923 American silent drama film directed by John Francis Dillon and starring Colleen Moore and Milton Sills, based on the novel of the same name by Samuel Hopkins Adams. The film was produced and distributed by Associated First National. In his retrospective essay "Echoes of the Jazz Age", writer F. Scott Fitzgerald cited Flaming Youth as the only film that captured the sexual revolution of the Jazz Age.
The Still Alarm is a melodramatic play by Joseph Arthur and A.C. Wheeler that debuted in New York in 1887 and enjoyed great success, and was adapted to silent films in 1911, 1918, and 1926. Though never a favorite of critics, it achieved widespread popularity. It is best known for its climactic scene where fire wagons are pulled by horses to a blazing fire.
The Lighthouse by the Sea is a 1924 American silent adventure film produced by and distributed by Warner Bros. The film's star is canine sensation Rin Tin Tin, the most famous animal actor of the 1920s. The film was directed by Malcolm St. Clair.
Huck and Tom is a surviving American comedy-drama film directed by William Desmond Taylor and released in 1918. The scenario by Julia Crawford Ivers is derived from Mark Twain's novels The Adventures of Tom Sawyer (1876) and The Adventures of Huckleberry Finn (1884). Robert Gordon and Jack Pickford reprise the title roles from the 1917 version of Tom Sawyer, a successful adaptation that was also directed by Taylor.
The Golden Gallows is a 1922 American silent drama film directed by Paul Scardon and starring Miss DuPont. It was produced and distributed by the Universal Film Manufacturing Company. It is not known whether the film currently survives.
Deserted at the Altar is a 1922 American silent film melodrama directed by William K. Howard and produced by Phil Goldstone Productions. It stars Bessie Love and Tully Marshall.
Is Love Everything? is a 1924 silent American melodrama film directed by Christy Cabanne. It stars Alma Rubens, Frank Mayo, and H. B. Warner, and was released on November 30, 1924.
The Mailman is a 1923 American silent melodrama directed by Emory Johnson. FBO released the film in December 1923. The film's "All-Star" cast included Ralph Lewis, Johnnie Walker, and Virginia True Boardman. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. The Mailman was the fourth film in Johnson's eight-picture contract with FBO.
The Spirit of the USA is a 1924 American silent melodrama directed by Emory Johnson. FBO released the film in May 1924. The film's "All-Star" cast included Johnnie Walker and Mary Carr. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. The Spirit of the USA was the fifth film in Johnson's eight-picture contract with FBO.
Life's Greatest Game is a 1924 American silent melodrama directed by Emory Johnson. FBO released the film in October 1924. The film's "All-Star" cast included Johnnie Walker, Tom Santschi, Jane Thomas, David Kirby, and Gertrude Olmstead. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. She was inspired by the 1919 World Series Black Sox Scandal scandal. Life's Greatest Game was the sixth film in Johnson's eight-picture contract with FBO.
The Non-Stop Flight is a 1926 American silent melodrama directed by Emory Johnson. FBO released the film in March 1926. The film's "All-Star" cast included Knute Erickson and Marcella Daly. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. The Non-Stop Flight was the eighth and final film in Johnson's eight-picture contract with FBO.
References
- ↑ Brooks, P. (1995). The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. Yale University Press. ISBN 978-0-300-06553-4 . Retrieved 14 July 2024.
- ↑ Costello, Robert B., ed. (1991). Random House Webster's College Dictionary. New York: Random House. p. 845. ISBN 978-0-679-40110-0.
- ↑ Stevenson, Angus; Lindberg, Christine A., eds. (2010). New Oxford American Dictionary, Third Edition. New York: Oxford University Press. p. 1091. ISBN 978-0-19-539288-3.
- 1 2 "Metro-They Like "Em Rough"". Exhibitors Herald. Chicago, Exhibitors Herald. 5 August 1922. p. 487. Archived from the original on 24 March 2014. Retrieved 19 July 2024.
- 1 2 "NON-STOP FLIGHT". Variety. 7 July 1926. p. 17. Retrieved 20 July 2024.
- 1 2 "NAZIMOVA AND MILTON SILLS in Madonna of the Streets". Wid's. Hollywood : Wid's Weekly. 25 December 1924. p. 191. Archived from the original on 15 August 2017. Retrieved 20 July 2024.
Ordinary Production Given to Very Convenient Melodrama
- 1 2 "Gladys Leslie in Vitagraph's "THE MIDNIGHT BRIDE"". Wid's Daily. New York, Wid's Films and Film Folks, Inc. 1 February 1920. p. 148. Archived from the original on 4 February 2021. Retrieved 19 July 2024.
- ↑ Thorpe, Dunham (1 December 1928). "Muttling "The Racket" - the underworld has sat to silence this film fusillade trained on it". Motion Picture Classic. New York: New York, Motion Picture Publications, Inc. p. 63. Retrieved 22 July 2024.
