Gong'an fiction | |||||||
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Traditional Chinese | 公案小說 | ||||||
Simplified Chinese | 公案小说 | ||||||
Literal meaning | court-case fiction | ||||||
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Gong'an or crime-case fiction (Chinese :公案小说) is a subgenre of Chinese crime fiction involving government magistrates who solve criminal cases. Gong'an fiction first appeared in the colloquial stories of Song dynasty. Gong'an fiction was then developed and become one of the most popular fiction styles in Ming and Qing dynasties. The Judge Dee and Judge Bao stories are the best known examples of the genre.
There are no surviving works of Song gong'an,a genre of Song dynasty (10th–13th centuries AD) puppetry and oral performances. Judge Bao stories based on the career of Bao Zheng,a common protagonist of gong'an fiction,first appeared during the Yuan dynasty (13th–14th centuries). [1] Bao was a historical figure who worked for Emperor Renzong of Song as a magistrate. Accounts of his life were recorded in historical documents that later inspired the mythological Judge Bao of gong'an fiction. [2]
The Circle of Chalk (Chinese:灰 闌 記) is a Yuan zaju play that recounts a Judge Bao criminal case. The popularity of Judge Bao performances contributed to the success of written gong'an novels published in the 16th and 17th centuries. [3] The oldest collection of Judge Bao stories is the Bao Longtu Baijia Gong'an,the Hundred Cases of Judge Bao,also included in the Ming dynasty Bao Gong An (Chinese:包 公 案). [3]
The popularity of gong'an novels diminished in the early years of the Qing dynasty. It was not until the latter years of the dynasty that the genre experienced a resurgence. During this period of time,Gong'an novels were politicized as a tool of shaping public opinions towards the government. “Wuxia”heroes,also known as martial heroes,rather than acting according to their own code of justice,would often swear loyalty and work in assistance to a government official figure- the initiative of justice derives from the government's actions,not the heroes'. Thematically,the gong'an works of the Qing dynasty mixed elements of traditional gong'an fiction with the wuxia martial arts genre. [4] Qing Judge Bao stories were widespread in every medium,from operas to folk performances and novels. [2] Other magistrates like Judge Peng and Judge Li were also the subject of gong'an works. Shi Gong'an,Judge Shi's Cases,was published in 1798. [2]
In the 1940s, Di Gong An (Chinese:狄 公 案),an 18th-century collection of gong'an stories,was discovered at a second-hand book store in Tokyo,Japan and translated into English as the Celebrated Cases of Judge Dee by Dutch sinologist Robert Van Gulik in 1949. [5] Van Gulik chose Di Gong An to translate because it was in his view closer to the Western tradition of detective fiction and more likely to appeal to non-Chinese readers. He used the style and characters to write a long running series of Judge Dee books that introduced the gong'an genre to Western audiences as the "Sherlock Holmes of China". [6] The hybrid gong'an and wuxia stories of the Qing dynasty remain popular in contemporary China. Wuxia writer Jin Yong's novels portray more elaborate martial arts and weapons than that of earlier gong'an works. [7]
The term gong'an originally referred to the table,desk,or bench of a Chinese magistrate. [8] It was later used as a name for unusual legal cases. [9] Gong'an as a genre of fiction has been translated into English as "court-case" fiction [10] or "crime-case" fiction. [11] The above etymological development is similar to that of "case" in English - a word which originally described the physical depository where documents of a particular criminal investigation were kept,and later came to refer to the investigation itself.
The protagonist of gong'an novels is typically a traditional judge or similar official based on historical personages such as Judge Bao (Bao Qingtian) or Judge Dee (Di Renjie). Although the historical characters may have lived in an earlier period (such as the Song or Tang dynasty) most stories are written in the latter Ming or Qing period.
Gong'an novels are characterized by a number of distinct plot elements from other subgenres. The "detective" is the local magistrate who is usually involved in several unrelated cases simultaneously,while the criminal is introduced at the very start of the story and his crime and reasons are carefully explained,thus constituting an inverted detective story rather than a "puzzle". Gong'an stories often have a supernatural element with ghosts contacting the living or even accusing the criminal. The plot can digress into philosophy or a series of official documents. The story may feature a large cast of characters,typically in the hundreds.
The Gong'an fiction is a collection of seemingly unrelated short stories,however,they are connected based on their common tropes or crime-related conventions. [12] These stories are usually represented by iconic figures,clothing,and characters. [13] For example:Officials,Yamen Underling,and commoners all wear unique clothing. The depiction of these stories are typically presented to an audience, [12] yet,if the stories are written down,illustrations are used. [14] The stories are generally told by the working Magistrate,and involve a number of interrelated crimes occurring early in the story. Although,the stories have a common theme of social justice through punishment;the crimes are generally not didactic. In other words,they are crimes committed against other individuals (murder and rape are common examples) rather than society. The crimes are specific breaches in the law,and punishments are generally also pre-prescribed by law. Although the magistrate may have some supernatural knowledge aiding him in solving the case,he must always establish the facts of the case and prove the criminal guilty. [15]
Gong'an fiction is very frequently accompanied by illustrations, [16] such as Van Gulik's personal illustration to his Judge Dee novels. [17] A re-occurring theme is the imitation of pictures. This repetition ensures readers have a common understanding of what each illustration represents.
This convention holds for pre-Ming full-page illustrations as well as shangtu xiawen illustrations. Thus many early sutras feature the Buddha seated on a lotus flower,facing three-quarters left,expounding doctrine or,more likely,the text of the accompanying sutra,while his disciples sit facing him,often with their backs to the reader. Likewise,if the illustration depicts action (many of them have a strong narrative element),the action tends to move from right to left. This is clearly seen in one of Zheng Zhenduo's illustrations,wherein the act of butchering animals is dramatically shown to lead straight to the gates of hell at left by means of a cloud-like cartouche. [18]
Gong'an fiction is part of a broader category of crime-themed fiction,which includes a variety of true crime stories,like those found in the late Ming dynasty story collection The Book of Swindles [19] or in the type of legal case narratives anthologized in Robert E. Hegel's True Crimes in Eighteenth-Century China (2009). [20]
There are multiple differences between Chinese gong'an fiction and western detective fiction. While western detective fiction focuses very much on realism,Chinese gong'an fiction stories may involve supernatural elements such as ghosts or spirits narrating their death,accusing the criminal,or aiding in the delivery of justice. [21] The criminal being introduced at the beginning of the story is characteristic of gong'an fiction. His crime and reasoning are then explained in detail,therefore constituting an inverted detective story. Furthermore,the stories are filled with periodic breaks from the crime story and divert into philosophical lessons and moral practices that are emphasized in more complexed books. [21] These stories contain a large number of characters which are introduced in terms of their relations to the main characters. Moreover,the main characters are often modelled after popular characters from western stories. [5] For example,Di Gong An is chosen by Robert van Gulik for its similarities to Western Detective fiction with the consideration that the western readers will have an easier time to comprehend the stories. [6]
Based on traditional gong'an fiction works such as Di Gong An and Justice Bao,many television dramas has been derived to portray the stories with a modern touch. Some notable examples are:
All references to Donald Latch should be to Donald Lach. Donald F. Lach
Robert Hans van Gulik was a Dutch orientalist, diplomat, musician, and writer, best known for the Judge Dee historical mysteries, the protagonist of which he borrowed from the 18th-century Chinese detective novel Dee Goong An.
Crime is a typically 19th-, 20th- and 21st-century genre, dominated by British and American writers. This article explores its historical development as a genre.
Bao Zheng, commonly known as Bao Gong, was a Chinese politician during the reign of Emperor Renzong in China's Song Dynasty. During his twenty-five years in civil service, Bao was known for his honesty and uprightness, with actions such as sentencing his own uncle, impeaching an uncle of Emperor Renzong's favourite concubine and punishing powerful families. His appointment from 1057 to 1058 as the prefect of Song's capital Kaifeng, where he initiated a number of changes to better hear the grievances of the people, made him a legendary figure. During his years in office, he gained the honorific title Justice Bao due to his ability to defend peasants and commoners against corruption or injustice. Bao Zheng is depicted as the incarnation of the Astral God of Civil Arts, while another protagonist — famous Northern Song warrior Di Qing as the Astral God of Military Arts.
Judge Dee, or Judge Di, is a semi-fictional character based on the historical figure Di Renjie, county magistrate and statesman of the Tang court. The character appeared in the 18th-century Chinese detective and gong'an crime novel Di Gong An. After Robert van Gulik came across it in an antiquarian book store in Tokyo, he translated the novel into English and then used the style and characters to write his own original Judge Dee historical mystery stories.
Celebrated Cases of Judge Dee, also known as Di Gong An or Dee Goong An, is an 18th-century Chinese gong'an detective novel by an anonymous author, "Buti zhuanren". It is loosely based on the stories of Di Renjie, a county magistrate and statesman of the Tang court, who lived roughly 630–700. The novel contains cultural elements from later dynasties, rather than Tang Dynasty China, however.
Di Renjie, courtesy name Huaiying (懷英), formally Duke Wenhui of Liang (梁文惠公), was a Chinese politician of Tang and Wu Zhou dynasties, twice serving as chancellor during the reign of Wu Zetian. He was one of the most celebrated officials of Wu Zetian's reign. Di Renjie is depicted in the Wu Shuang Pu by Jin Guliang.
The Chinese Nail Murders is a gong'an detective novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700 BC.
The Chinese Maze Murders is a gong'an historical mystery novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700. However, van Gulik's novel is set not in the Tang, but in the Ming Dynasty (1368–1644), with society and customs depicted in the book reflecting this period.
The Lacquer Screen is a gong'an detective novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700 AD.
The Red Pavilion is a gong'an detective novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700.
The Monkey and the Tiger book pairs two unrelated short gong'an detective novels written by Robert van Gulik and set in Imperial China. Both stories are fictions based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700.
The Willow Pattern is a gong'an detective novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700.
Murder in Canton is a gong'an detective novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700.
The Phantom of the Temple is a gong'an detective novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700.
Judge Dee at Work is a collection of gong'an detective short stories written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a county magistrate and statesman of the Tang court, who lived roughly 630–700.
Necklace and Calabash is a gong'an detective novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700.
Poets and Murder is a gong'an detective novel written by Robert van Gulik and set in Imperial China. It is a fiction based on the real character of Judge Dee, a magistrate and statesman of the Tang court, who lived roughly 630–700.
Judge Bao stories in literature and performing arts are some of the most popular in traditional Chinese crime fiction. All stories involve the Song dynasty minister Bao Zheng who solves, judges and sentences criminal cases.
The Tale of Loyal Heroes and Righteous Gallants (忠烈俠義傳), also known by its 1883 reprint title The Three Heroes and Five Gallants (三俠五義), is an 1879 Chinese novel based on storyteller Shi Yukun's oral performances. The novel was later revised by philologist Yu Yue and republished in 1889 under the title The Seven Heroes and Five Gallants (七俠五義), with the story essentially unaltered.
Chinese crime fiction is an umbrella term which generally refers to Sinophone literature concerned with the investigation and punishment of criminal acts. In mainland China the most popular subgenre is "detective fiction".