Guggenheim Fellowship

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Guggenheim Fellowships are grants that have been awarded annually since 1925 by the John Simon Guggenheim Memorial Foundation to those "who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts."

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Each year, the foundation issues awards in each of two separate competitions:

The performing arts are excluded, although composers, film directors, and choreographers are eligible. The fellowships are not open to students, only to "advanced professionals in mid-career" such as published authors. The fellows may spend the money as they see fit, as the purpose is to give fellows "blocks of time in which they can work with as much creative freedom as possible," but they should also be "substantially free of their regular duties." Applicants are required to submit references as well as a CV and portfolio.

The Foundation receives between 3,500 and 4,000 applications every year. Approximately 175 Fellowships are awarded each year. [1] The size of grant varies and will be adjusted to the needs of Fellows, considering their other resources and the purpose and scope of their plans. The average grant in the 2008 Canada and United States competition was approximately US$43,200. [2]

Lists of Guggenheim Fellows

1920s 1925 1926 1927 1928 1929
1930s 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939
1940s 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949
1950s 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959
1960s 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969
1970s 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979
1980s 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989
1990s 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999
2000s 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009
2010s 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
2020s 2020

See also

Related Research Articles

The John Simon Guggenheim Memorial Foundation was founded in 1925 by Olga and Simon Guggenheim in memory of their son, who died on April 26, 1922. The organization awards Guggenheim Fellowships to professionals who have demonstrated exceptional ability by publishing a significant body of work in the fields of natural sciences, social sciences, humanities, and the creative arts, excluding the performing arts.

Alessandra Sanguinetti is an American photographer. A number of her works have been published and she is a member of Magnum Photos. She has received multiple awards and grants, including the esteemed Guggenheim Fellowship. Her first solo show in the United States was in 2005 at Yossi Milo.

Mary Lum is a visual artist whose paintings, collages and works on paper reference the urban environment, architectural forms and systems.

Faye Driscoll is a Bessie Award-winning American dancer and choreographer who has been called "a startlingly original talent" by the New York Times. As an artist, Faye's goal was to be somebody in a world of "somebodies". Through choreography, she expresses interaction between others, comedy, humility and love. Her work has been performed at institutions across the United States and internationally including the Brooklyn Academy of Music, Danspace Project, Dance Theater Workshop, Wexner Center for the Arts, MCA Chicago, ICA Boston, Portland Institute of Contemporary Arts, Walker Art Center, Jacob's Pillow Dance Festival, Croatian National Theatre, and others. Faye intertwines choreography with traditional studio art as she makes dances that are mistaken for installations. Her choreography has also been seen as written plays rather than dance. Many of her performances include verbal elements as well as extensive use of props, that break away from the “real world” and focus more on fantasy. The viewer is placed on a rollercoaster as they view the performance, emotions such as joy, outrage, and discomfort are expected in a singular viewing. There is a sense of closeness and separation throughout her choreographed performances. Faye truly wants to surprise the viewer in what they expected from her choreography. Another technique Faye uses in her choreography is deconstruction. With her extensive training and understanding of dance, she has taken bits and pieces and deconstructed them into bite-sized movements. Much of her choreography is left in the hands of the performer. Her concept is portrayed in a new distinct way each time it is performed. No movement is the same, as the performer has freedom. She credits the performance to the dancers, but the concept to her own imagination.

Julia Randall Weertman was an American materials scientist who taught at Northwestern University as the Walter P. Murphy Professor of Materials Science and Engineering.

References

  1. "The Fellowship". John Simon Guggenheim Memorial Foundation. Retrieved 2009-08-11.
  2. "Frequently Asked Questions". John Simon Guggenheim Memorial Foundation. Retrieved 2009-08-11.