Gulliver's Travels Beyond the Moon

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Gulliver's Travels Beyond the Moon
Gullivers Travels Beyond the Moon (1965).jpeg
Theatrical poster to the 1966 US release of Gulliver's Travels Beyond the Moon
Directed by Masao Kuroda
Sanae Yamamoto
Produced by Hiroshi Ogawa
Akira Onozaki
Written by Shinichi Sekizawa
Jonathan Swift (novel Gulliver's Travels )
Hayao Miyazaki (additional screenplay material; uncredited)
Starringvoices: Herb Duncan (US)
Robert Harter (US)
Darla Hood (US)
Chiyoko Honma (Japan)
Masao Imanishi (Japan)
Seiji Miyaguchi (Japan)
Akira Oizumi (Japan)
Shoichi Ozawa (Japan)
Kyū Sakamoto
Music by Isao Tomita (Japanese version)
Anne DeLugg (US version)
Milton DeLugg (US version)
Distributed by Toei Co. Ltd. (Japan)
Continental Distributing Inc. (1966 US)
Release date
  • March 20, 1965 (1965-03-20)
Running time
80 min.
85 min. (US)
Language Japanese

Gulliver's Travels Beyond the Moon(ガリバーの宇宙旅行,Garibā no Uchū Ryokō, Gulliver's Space Travels), also known as Space Gulliver, is a 1965 Japanese animated feature that was released in Japan on March 20, 1965 and in the United States on July 23, 1966.

Cinema of Japan film industry of Japan

The cinema of Japan has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2010, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Movies have been produced in Japan since 1897, when the first foreign cameramen arrived. In a Sight & Sound list of the best films produced in Asia, Japanese works made up eight of the top 12, with Tokyo Story (1953) ranked number one. Japan has won the Academy Award for the Best Foreign Language Film four times, more than any other Asian country.

Animation process of creating animated films and series

Animation is a method in which pictures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed 3D animation, while 2D computer animation can be used for stylistic reasons, low bandwidth or faster real-time renderings. Other common animation methods apply a stop motion technique to two and three-dimensional objects like paper cutouts, puppets or clay figures.



This was one of the first Toei animated features to depart from Asian mythology, though, like Toei's previous animated features, it is modeled after the Disney formula of animated musical feature. By borrowing elements from Hans Christian Andersen, Jonathan Swift and science fiction, it was hoped that this film would attract a large international audience. However it proved to be no more popular than Toei's previous, Asian-themed films. After the failure in the U.S. of this and Toei's previous animated feature[ clarification needed ], this was the last Japanese animated feature to be released in the United States for over a decade, until Sanrio's Metamorphoses and The Mouse and His Child , both of which were released in the U.S. in 1978. [1]

Toei Company, Ltd. is a Japanese film, television production, and distribution corporation. Based in Tokyo, Toei owns and operates thirty-four movie theaters across Japan, studios at Tokyo and Kyoto; and is a shareholder in several television companies. It is notable for anime, live action dramas known as tokusatsu which use special visual effects, and historical dramas (jidaigeki). It is a member of the Motion Picture Producers Association of Japan (MPPAJ), and is one of Japan's Big Four film studios.

The Walt Disney Company American mass media corporation

The Walt Disney Company, commonly known as Walt Disney or simply Disney, is an American diversified multinational mass media and entertainment conglomerate headquartered at the Walt Disney Studios in Burbank, California. It is the world's oldest media conglomerate, and the largest in terms of revenue, ahead of NBCUniversal and WarnerMedia.

Hans Christian Andersen Danish author, fairy tale writer, and poet

Hans Christian Andersen was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales. Andersen's popularity is not limited to children: his stories express themes that transcend age and nationality.


Not yet the internationally popular electronic music composer he was later to become, Isao Tomita contributed the original Japanese score. However, for the American edition, songs were composed by Milton and Anne Delugg, who had provided the song "Hooray for Santy Claus" for Santa Claus Conquers the Martians (1964).

Isao Tomita, also known mononymically as Tomita, was a Japanese music-composer, regarded as one of the pioneers of electronic music and space music, and as one of the most famous producers of analog synthesizer arrangements. In addition to creating note-by-note realizations, Tomita made extensive use of the sound-design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments. He also made effective use of analog music sequencers and the Mellotron, and featured futuristic science-fiction themes, while laying the foundations for synth-pop music and trance-like rhythms. Many of his albums are electronic versions and adaptations of famous classical music pieces, and he received four Grammy Award nominations for his 1974 album Snowflakes Are Dancing.

Milton Delugg, born in Los Angeles, was an American musician, composer and arranger.

<i>Santa Claus Conquers the Martians</i> 1964 film by Nicholas Webster

Santa Claus Conquers the Martians is a 1964 American science fiction comedy film directed by Nicholas Webster, produced and written by Paul L. Jacobson, based on a story by Glenville Mareth, that stars John Call as Santa Claus. It also features an eight year old Pia Zadora as one of the Martian children.

In one of his earliest animation jobs, a young Hayao Miyazaki worked on this film as an in-between artist. His contribution to the ending of the film brought Miyazaki to the attention of Toei. The screenplay was written by Shinichi Sekizawa, the writer of the first Mothra (1961). Sekizawa also contributed screenplays to some of the most popular films in the Godzilla series from King Kong vs. Godzilla (1962), to Godzilla vs. Mechagodzilla (1974), including Mothra vs. Godzilla (1964).

Hayao Miyazaki Japanese animator, film director, and mangaka

Hayao Miyazaki is a Japanese animator, filmmaker, screenwriter, cartoonist, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation filmmakers.

Toei Animation Japanese animation studio

Toei Animation Co., Ltd. is a Japanese animation studio primarily owned by Toei Company.

Shinichi Sekizawa was a Japanese screenwriter. His very first screenplay was for the independently-produced film Fearful Attack of the Flying Saucers, which was also his sole directing credit. He went on to script several films by Ishirō Honda, including several classic Godzilla films. He also contributed material to the original Ultraman series and several Tōei Dōga films such as Jack and the Witch.


The story concerns a homeless boy named Ricky, or Ted in the Japanese version. After seeing a movie about Gulliver he meets Professor Gulliver himself in a forest. Gulliver is now an elderly, space-traveling scientist. With Dr. Gulliver's assistant Sylvester the crow (named Crow in the Japanese edition), and Ricky's companions, a talking dog and a toy soldier, they travel the Milky Way to the Planet of Blue Hope, which has been taken over by the Queen of Purple Planet and her evil group of robots. Armed with water-pistols and water balloons, which melt the villains, Ricky and Gulliver restore Blue Hope to its doll-like owners. Then the boy wakes up.


In a contemporary review, the Monthly Film Bulletin reviewed an 85-minute English-language dubbed version of the film, and described it as a "charmless animated feature". [2] The review described the animation as "mediocre" and with "little variation or invention and a noticeable lack of perspective" [2]

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  1. Beck, Jerry (2005). The animated movie guide. Chicago: Chicago Review Press. p. 101. ISBN   1-55652-591-5.
  2. 1 2 "Garibah no Uchu Ryoko (Gulliver's Travels Beyond the Moon)". Monthly Film Bulletin . Vol. 37 no. 432. British Film Institute. 1970. p. 128.

Further reading

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