Guy Henderson

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Guy Lockhart Henderson (21 May 1934 4 January 2013) was a New Zealand-born Australian classical oboist.

Henderson was the principal oboe in the New Zealand Symphony Orchestra between the 1950s and 1960s. In 1967, he was offered the place of lead oboist in the Sydney Symphony Orchestra. He continued in this position until he retired in 1998. He also played in the Australian Chamber Orchestra's first concert in 1975.

New Zealand Symphony Orchestra

The New Zealand Symphony Orchestra (NZSO) is a symphony orchestra based in Wellington, New Zealand. The national orchestra of New Zealand, the NZSO is an autonomous Crown entity owned by the Government of New Zealand, per the New Zealand Symphony Orchestra Act 2004. It is currently based in the Michael Fowler Centre and frequently performs also in the adjacent Wellington Town Hall. It also performs in Auckland and Christchurch.

Sydney Symphony Orchestra orchestra

The Sydney Symphony Orchestra (SSO) is an Australian symphony orchestra that was initially formed in 1908. Since its opening in 1973, the Sydney Opera House has been its home concert hall. The orchestra's current chief conductor is David Robertson.

The Australian Chamber Orchestra (ACO) was founded by cellist John Painter in 1975. Richard Tognetti was appointed Lead Violin in 1989 and subsequently appointed Artistic Director.

Henderson also taught and mentored many oboe students in his career, many of which have gone on to be successful musicians.

Henderson's most famous recording is as the solo oboist in Peter Sculthorpe's "Small Town", played by the Sydney Symphony Orchestra.

Peter Sculthorpe Australian composer

Peter Joshua Sculthorpe was an Australian composer. Much of his music resulted from an interest in the music of Australia's neighbours as well as from the impulse to bring together aspects of native Australian music with that of the heritage of the West. He was known primarily for his orchestral and chamber music, such as Kakadu (1988) and Earth Cry (1986), which evoke the sounds and feeling of the Australian bushland and outback. He also wrote 18 string quartets, using unusual timbral effects, works for piano, and two operas. He stated that he wanted his music to make people feel better and happier for having listened to it. He typically avoided the dense, atonal techniques of many of his contemporary composers. His work was often distinguished by its distinctive use of percussion.


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