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The new wave of British heavy metal was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music.
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L'Amour was a music venue in Brooklyn, New York, run by Mike and George Parente. L'Amour opened as a disco club in 1978, transformed into a rock club in 1981 and closed in February 2004. It was promoted as the "Rock Capital of Brooklyn". Commonly pronounced "La-Morz" by patrons, the venue hosted many of hard rock and heavy metal's biggest artists, including Iron Maiden, Kiss, Megadeth and Metallica, as well as frequently featuring underground bands from across the country and across the globe. The original L'Amour in Brooklyn remained a relevant part of the rock-metal scene for almost 25 years.
Eddfest was a one-off rock/metal festival headlined by British heavy metal band Iron Maiden which took place at the Bangalore Palace Grounds in Bangalore, India on 17 March 2007. The concert was part of the band's A Matter Of Life And Death Tour. The name Eddfest is taken from the band's mascot Eddie. The concert was and still remains the largest paid concert ever to take place in India with an estimated 38,000 people in attendance. It marked the first visit of Iron Maiden to the Indian subcontinent, and the first major heavy metal concert to take place in the country. Other bands which played at the concert included Lauren Harris, Indian Rock veterans Parikrama and Ftn.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash.
References
- ↑ Piccoli, S. (1997, May 18). "Just take those old rockers off the shelf upstart label specializes in second chances for recording artists eclipsed by pop trends." Sun Sentinel (Fort Lauderdale), p. 1.D
- 1 2 Considine, J. D. (November 10, 2000). "New Hammerjacks is not an 80s place. Nightclub: The music and bar venue, lost to the Ravens' parking lot, rises again. Hammerjacks' third incarnation." Baltimore Sun. Retrieved December 21, 2010.
- ↑ Case, Wesley. "Hammerjacks history: What to know about the past, present and future of the storied Baltimore music venue". baltimoresun.com. Retrieved 2021-01-09.
- ↑ Morgan, Jon (April 01, 1997). "Moag sets deadline for Hammerjacks Stadium authority expects deal next week or takeover." Baltimore Sun.Retrieved December 21, 2010.
- ↑ Mirabella, Lorraine, Hiaasen, Rob, & Sessa, Sam (May 24, 2006). "Baltimore nightclub is to close Saturday: Hammerjacks, heavy metal, rock icon, has been sold to developers." Baltimore Sun. Retrieved December 21, 2010.
- ↑ "Somewhere In Time - Cover Details". The Iron Maiden Commentary. Maverick. Retrieved 13 April 2013.
- ↑ Smith, Mark R. (6 March 2012). "Lightning Set to Strike Upon a Revived Hammerjacks". The Business Monthly. Retrieved 13 April 2013.
- ↑ Maza, Erik (11 November 2011). "Hammerjacks Comeback Planned New Trademark Owner Wants Spot by Baltimore Casino". The Baltimore Sun. Retrieved 13 April 2013.
