 |
The hangerok (sometimes spelled hangerock or hangeroc) was a type of dress worn by Viking women and some other early medieval northern European cultures. The garment was shaped somewhat like a pinafore, with two straps over the shoulders secured by brooches. It would usually be worn over a tunic-dress called a særk or a kirtle (underdress). [1] [2] [3] [4] [5] [6] [7] [8]
The word originates from German or Germanic Hängerock. Rock means skirt or (historically) dress in German, while hänger refers to the hanging of items from the brooches.
A jumper, jumper dress, or pinafore dress is a sleeveless, collarless dress intended to be worn over a blouse, shirt, T-shirt or sweater. Hemlines can be of different lengths and the type of collar and whether or not there is pleating are also variables in the design.
A brooch is a decorative jewelry item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material. Brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or serve a practical function as a clothes fastener. The earliest known brooches are from the Bronze Age. As fashions in brooches changed rather quickly, they are important chronological indicators. In archaeology, ancient European brooches are usually referred to by the Latin term fibula.
A livery is an identifying design, such as a uniform, ornament, symbol or insignia that designates ownership or affiliation, often found on an individual or vehicle. Livery often includes elements of the heraldry relating to the individual or corporate body feature in the livery. Alternatively, some kind of a personal emblem or badge, or a distinctive colour, is featured.
A hat is a head covering which is worn for various reasons, including protection against weather conditions, ceremonial reasons such as university graduation, religious reasons, safety, or as a fashion accessory. Hats which incorporate mechanical features, such as visors, spikes, flaps, braces or beer holders shade into the broader category of headgear.
A tunic is a garment for the body, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the knees. The name derives from the Latin tunica, the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists.
The Tara Brooch is an Irish Celtic brooch, dated to the late-7th or early-8th century, of the pseudo-penannular type. It is made from bronze, silver and gold, with a head formed from a circular ornate ring that is intricately decorated on both sides. Its upper half is hollow while the lower half is solid with fused terminals. The brooch was constructed from numerous individually made pieces, and its front and reverse sides are both decorated with around 50 inserted cast panels containing highly ornate filigree. The borders and terminals contain multiple panels holding multi-coloured studs, interlace patterns, filigree and Celtic spirals. The brooch is widely considered the most complex and ornate of its kind, and would have been commissioned to be worn as a fastener for the cloak of a high ranking cleric or as ceremonial insignia of high office for a High King of Ireland in Irish Early Medieval society.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore and Southern Thailand.
Azzedine Alaïa was a Tunisian couturier and shoe designer, particularly successful beginning in the 1980s.
See-through clothing is any garment of clothing made with lace, mesh or sheer fabric that allows the wearer's body or undergarments to be seen through its fabric. See-through fabrics were fashionable in Europe in the eighteenth century. There was a "sheer fashion trend" starting with designer clothing from 2008. See-through or sheer fabric, particularly in skintone colours, is sometimes called illusion, as in 'illusion bodice' due to giving the impression of exposed flesh, or a revealing ensemble.
A fibula is a brooch or pin for fastening garments, typically at the right shoulder. The fibula developed in a variety of shapes, but all were based on the safety-pin principle. Unlike most modern brooches, fibulae were not only decorative; they originally served a practical function: to fasten clothing for both sexes, such as dresses and cloaks. In English, "fibula" is not a word used for modern jewellery, but by archaeologists, who also use "brooch", especially for types other than the ancient "safety pin" types, and for types from the British Isles.
A belly chain or waist chain is the popular English term for the Indian jewelry called kamarband. The belly chain is a type of body jewelry worn around the waist. Some belly chains attach to a navel piercing; these are also called "pierced belly chains". They are often made of silver or gold. Sometimes a thread is used around the waist instead of a chain. The chain may be delicate and thin, or heavy and thick.
The bliaut or bliaud is an overgarment that was worn by both sexes from the eleventh to the thirteenth century in Western Europe, featuring voluminous skirts and horizontal puckering or pleating across a snugly fitted under bust abdomen. The sleeves are the most immediately notable difference when comparing the bliaut to other female outer clothing of the Middle Ages. They fit closely from the shoulder to approximately the elbow, and then widen from the elbow to drape to floor- or nearly floor-length. This garment's usage appears to be geographically limited to areas of French influence, with some works depicting the garment or the garment in transition as far away as Rome and modern Germany.
Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.
Early medieval European dress, from about 400 AD to 1100 AD, changed very gradually. The main feature of the period was the meeting of late Roman costume with that of the invading peoples who moved into Europe over this period. For a period of several centuries, people in many countries dressed differently depending on whether they identified with the old Romanised population, or the new populations such as Franks, Anglo-Saxons, Visigoths. The most easily recognisable difference between the two groups was in male costume, where the invading peoples generally wore short tunics, with belts, and visible trousers, hose or leggings. The Romanised populations, and the Church, remained faithful to the longer tunics of Roman formal costume, coming below the knee, and often to the ankles. By the end of the period, these distinctions had finally disappeared, and Roman dress forms remained mainly as special styles of clothing for the clergy – the vestments that have changed relatively little up to the present day.
A jabot is a decorative clothing-accessory consisting of lace or other fabric falling from the throat, suspended from or attached to a neckband or collar, or simply pinned at the throat. Its current form evolved from the frilling or ruffles decorating the front of a shirt in the 19th century.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especially associated with the beginning of the Early Medieval period in Ireland and Britain, although they are found in other times and places—for example, forming part of traditional female dress in areas in modern North Africa.
The National Museum of Ireland – Archaeology is a branch of the National Museum of Ireland located on Kildare Street in Dublin, Ireland, that specialises in Irish and other antiquities dating from the Stone Age to the Late Middle Ages.
The Kilmainham Brooch is a late 8th- or early 9th-century Celtic brooch of the "penannular" type. With a diameter of 9.67 cm, it is a relatively large example, and is made from silver, gold and glass, with filigree and interlace decorations. Like other high-quality brooches of its class, it was probably intended to fasten copes and other vestments rather than for everyday wear, as its precious metal content would have made it a status symbol for its owner; less expensive Viking-style brooches were typically worn in pairs on women's clothing.
{{cite web}}: CS1 maint: archived copy as title (link)  | This clothing-related article is a stub. You can help Wikipedia by expanding it. |
 | This Middle Ages-related article is a stub. You can help Wikipedia by expanding it. |