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Hans-Jürgen von Bose (born 24 December 1953 in Munich) is a German composer.
Munich is the capital and most populous city of Bavaria, the second most populous German federal state. With a population of around 1.5 million, it is the third-largest city in Germany, after Berlin and Hamburg, as well as the 12th-largest city in the European Union. The city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar north of the Bavarian Alps, it is the seat of the Bavarian administrative region of Upper Bavaria, while being the most densely populated municipality in Germany. Munich is the second-largest city in the Bavarian dialect area, after the Austrian capital of Vienna.
A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.
After an unsettled adolescence, Bose entered the Hoch Conservatory in Frankfurt in 1969, where he received instruction in piano and music theory. Upon graduating from the conservatory, he studied composition (under Hans Ulrich Engelmann), piano ( under Klaus Billing), and conducting at the Frankfurt University of Music and Performing Arts. After attending the Darmstädter Ferienkurse in 1974 and the premiere of his First String Quartet, he was awarded several scholarships, among others from the Mozart Foundation and the German National Academic Foundation. In 1976, Bose dropped out of school in Frankfurt and settled in Munich as a freelance artist. The following works like Morphogenesis (1976), Das Diplom (1976), Die Nacht aus Blei (1981), 63: Dream Palace (1990), among others, he received numerous grants and awards:
Dr. Hoch's Konservatorium - Musikakademie was founded in Frankfurt am Main on 22 September 1878. Through the generosity of Frankfurter Joseph Hoch, who bequeathed the Conservatory one million German gold marks in his testament, a school for music and the arts was established for all age groups. Instrumental to the foundation, prosperity and success of the conservatory was its director Joachim Raff who did most of the work including setting the entire curriculum and hiring all its faculty. It has played an important role in the history of music in Frankfurt. Many distinguished have taught there: in the late 19th century, with such teachers as Clara Schumann on the faculty, the conservatory achieved international renown. In the 1890s about 25% of the students were from other countries: 46 were from England and 23 from the United States.
Frankfurt is a metropolis and the largest city of the German federal state of Hesse, and its 746,878 (2017) inhabitants make it the fifth-largest city of Germany after Berlin, Hamburg, Munich, and Cologne. On the River Main, it forms a continuous conurbation with the neighbouring city of Offenbach am Main, and its urban area has a population of 2.3 million. The city is at the centre of the larger Rhine-Main Metropolitan Region, which has a population of 5.5 million and is Germany's second-largest metropolitan region after the Rhine-Ruhr Region. Since the enlargement of the European Union in 2013, the geographic centre of the EU is about 40 km (25 mi) to the east of Frankfurt's central business district. Like France and Franconia, the city is named after the Franks. Frankfurt is the largest city in the Rhine Franconian dialect area.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Villa Massimo, short for Deutsche Akademie Rom Villa Massimo, is a German cultural institution in Rome, established in 1910 and located in the Villa Massimo.
The Schneider-Schott Music Prize is a cash award bestowed to an outstanding composer, performing artist, or music ensemble in classical music—with emphasis, but not mandatory, on contemporary music. From 1986 to 2006, the prize was awarded annually, and thereafter, biennially. The prize is alternately given to a composer and an interpreter.
The international Ernst von Siemens Music Prize is an annual music prize given by the Bayerische Akademie der Schönen Künste on behalf of the Ernst von Siemens Musikstiftung, established in 1972. The foundation was established by Ernst von Siemens (1903–1990) and promotes contemporary music. The prize honors a composer, performer, or musicologist who has made a distinguished contribution to the world of music. In addition to the main prize, other prizes are also given. The total prize money given is currently 3.5 million euros, with the winner of the main prize receiving €250,000. The prize is sometimes known as "the Nobel Prize of music".
He received commissions from renowned orchestras and opera houses including Idyllen (1982/83) for the Berlin Philharmonic. In the 1980s, Bose became a member of the jury of the "Summer Music Festival Hitzacker" as well as a lecturer at the "Young Composers' Meeting" in Weikersheim. After a visiting professorship for composition at the Salzburg Mozarteum he succeeded Wilhelm Killmayer as professor of composition at the University of Music and Theater in Munich in 1992 (until 2007). Now he is teaching again at University of Music and Theater in Munich since 2012.
The Berlin Philharmonic is a German orchestra based in Berlin.
Hitzacker is a town in the Lüchow-Dannenberg district of Lower Saxony, Germany. It is situated on the river Elbe, approx. 8 km north of Dannenberg, and 45 km east of Lüneburg. The 2007 population of Hitzacker was 4,982, and its postal code is 29456. The mayor is Karl Guhl. The town is located on the German Timber-Frame Road and is part of the Samtgemeinde of Elbtalaue.
Weikersheim is a town in the Main-Tauber district, in Baden-Württemberg, Germany. It is situated on the river Tauber, 9 km east of Bad Mergentheim, Weikersheim is the location of the famous castle Schloss Weikersheim.
As a teacher, he has decisively influenced the work of, among others, Lutz Landwehr von Pragenau and Klaus Schedl.[ citation needed ]
Lutz Landwehr von Pragenau is a German composer of classical music.
Klaus Schedl is a German composer.
Hans-Jürgen von Bose moved in 2011 from Berlin to Zorneding near Munich.
Hans-Jürgen von Bose's early works are characterized by the juxtaposition and interlocking of structural and public sound elements. Surmounting serial methods of composition and advocating a subjective semantics designated as the "New Simplicity" starting with the Darmstadt Summer Courses in 1978 (this was also true for other composers such as Wolfgang Rihm and Detlev Müller-Siemens), the connotations of this term could not cover the structure and complex treatment of time of their compositions. In its consensus against serial constructive thinking, the trend known in the 1970s by the catchphrase "New Subjectivity", gave significant impulses for a new concept of material by turning away from an objective understanding of them.
New Simplicity was a stylistic tendency amongst some of the younger generation of German composers in the late 1970s and early 1980s, reacting against not only the European avant garde of the 1950s and 1960s, but also against the broader tendency toward objectivity found from the beginning of the twentieth century. Alternative terms sometimes used for this movement are "inclusive composition", “new subjectivity”, “new inwardness”, “New Romanticism”, “New Sensuality”, “New Expressivity”, “New Classicism”, and “New Tonality”.
Wolfgang Rihm is a German composer.
The label "New Simplicity" was misapplied to Bose’s works starting with the String Trio of 1978, though it does point to the presence of an important, though intimate and concealed semantic dimension in his works which can be directly experienced. Beginning in 1989 with the opera 63: Dream Palace, Bose has enriched the process of temporal layering and serial organization characteristic of his music, in a spirit of reflective postmodernism, by borrowing stylistic elements from the past and present.
He wrote the libretto for 63: Dream Palace himself after the novella by James Purdy. It was premiered at the second Munich Biennale in 1990. The heterogeneity of post-modernism is processed through the different reflected styles. A highlight of this period is the opera Slaughterhouse V (1996), whose libretto is based on the novel Slaughterhouse 5, or the children's crusade , by Kurt Vonnegut.
Bridge-building between modernism and post-modernism appears as a significant aspect of Bose's work.[ citation needed ]
The French philosophy and its theory of "Death of the Author" (Roland Barthes) make this its influence significantly, as the "personal style" of Bose as a "hopefully soon to be overcome relic of the 19th Century".
Significant for Bose's creativity in general, and Slaughterhouse 5 in particular, is the treatment of temporal complexity. The linear understanding of time is replaced by simultaneity, zeitspastischen analogous to the understanding of the protagonist Billy Pilgrim. Bose also permits the findings from the chaos theory, neurobiology and astrophysics polymorphic in his understanding of time are introduced, through the music out into the structuring of the libretto were implemented. Sergei Eisenstein established form of the film will be cut here – even composition – used so that different levels of "fast and hard against geschnitten"can be used in compositional layering and continued interweaving. The composer speaks in this context of a "time-palimpsest".
The opera was created as a work commissioned by the Bavarian State Opera and opened in 1996 the Munich Opera Festival (directed by Eike Gramss de:Eike Gramss).
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