Harold Anderson (1894–1973) was an American artist and illustrator.
Anderson studied at Fenway Art School in Boston, Massachusetts and was one of the country's most well known and respected character artists. He was recognized for his assistance to younger artists and illustrators.
He resided and worked in the Manhattan suburb of New Rochelle , a well known artist colony and home to many of the top commercial illustrators of the day such as Frank and J. C. Leyendecker and Norman Rockwell. [1]
Also in residence were Al Parker, Mead Schaeffer and Dean Cornwell, who, along with Tom Lovell, N. C. Wyeth and Harold von Schmidt would become leaders in the field. [2]
The whereabouts of one of his best paintings, depicting two black and white English Setter hunting dogs, is unknown. It was last seen in the town of Irons, MI.
Frederic Sackrider Remington was an American painter, illustrator, sculptor, and writer who specialized in the genre of Western American Art. His works are known for depicting the Western United States in the last quarter of the 19th century and featuring such images as cowboys, American Indians, and the US Cavalry.
Clarence Coles Phillips was an American artist and illustrator who signed his early works C. Coles Phillips, but after 1911 worked under the abbreviated name, Coles Phillips. He is known for his stylish images of women and a signature use of negative space in the paintings he created for advertisements and the covers of popular magazines.
Joseph Christian Leyendecker was one of the most prominent and financially successful freelance commercial artists in the U.S. He was active between 1895 and 1951 producing drawings and paintings for hundreds of posters, books, advertisements, and magazine covers and stories. He is best known for his 80 covers for Collier's Weekly, 322 covers for The Saturday Evening Post, and advertising illustrations for B. Kuppenheimer men's clothing and Arrow brand shirts and detachable collars. He was one of the few known gay artists working in the early-twentieth century U.S.
Franklin Booth was an American artist known for his detailed pen-and-ink illustrations. He had a unique illustration style based upon his early recreation of wood engraving illustrations with pen and ink. His skill as a draftsman and style made him a popular magazine illustrator in the early 20th-century. He was one of the first modern ex libris designers in the United States.
Anne Anderson was a prolific Scottish illustrator, primarily known for her art nouveau children's book illustrations, although she also painted, etched, and designed greeting cards. Her style of painting was influenced by her contemporaries, Charles Robinson and Jessie Marion King, and was similar to that of her husband, Alan Wright (1864-1959).
Clare A. Briggs was an early American comic strip artist who rose to fame in 1904 with his strip A. Piker Clerk. Briggs was best known for his later comic strips When a Feller Needs a Friend, Ain't It a Grand and Glorious Feeling?, The Days of Real Sport, and Mr. and Mrs.
Harold von Schmidt was an American illustrator, who specialized in magazine interior illustrations.
Al Parker (1906–1985) was an American artist and illustrator.
Edward Winsor Kemble, usually cited as E. W. Kemble, and sometimes referred to incorrectly as Edward Windsor Kemble, was an American illustrator. He is known best for illustrating the first edition of Adventures of Huckleberry Finn and for his caricatures of African Americans.
Victor C. Anderson was an American painter and illustrator, primarily known for his rural life scenes and landscapes, whose works were featured in Life and other magazines of the early 20th Century, and who produced a wide range of illustrations for books as well as oil paintings.
Dean Cornwell was an American illustrator and muralist. His oil paintings were frequently featured in popular magazines and books as literary illustrations, advertisements, and posters promoting the war effort. Throughout the first half of the 20th century he was a dominant presence in American illustration. At the peak of his popularity he was nicknamed the "Dean of Illustrators".
Walter Joseph Biggs was an American illustrator and fine art painter.
Rufus Fairchild Zogbaum was an American illustrator, journalist, and writer. He is primarily known as an illustrator for late 19th century news magazines. His works were regularly featured in Harper's Weekly magazine.
Edward Penfield was an American illustrator in the era known as the "Golden Age of American Illustration" and he is considered the father of the American poster. His work has been included in almost every major book on American Illustration or the history of the poster. He is also a major figure in the evolution of graphic design.
Edmund Franklin Ward was an American illustrator who illustrated for the Saturday Evening Post and did his first illustrations for the magazine before turning age 20. He had a successful career as an illustrator of works that ranged in style and subject matter from dark tonalist in oils to humorous in wash and watercolor. For many years he illustrated the Alexander Botts and Assistant District Attorney Doowinkle stories for the Saturday Evening Post.
Orson Byron Lowell (1871–1956) was an American artist and illustrator of covers and interiors for magazines.
Tom Lovell was an American illustrator and painter. He was a creator of pulp fiction magazine covers and illustrations, and of visual art of the American West. He produced illustrations for National Geographic magazine and many others, and painted many historical Western subjects such as interactions between Indians and white settlers and traders. He was inducted into the Society of Illustrators' Hall of Fame in 1974.
Winyah Park was the 300-acre country estate of Colonel Richard Lathers, located in the village of New Rochelle, Westchester County, New York, upon which a number of 19th-century Gothic villas and cottages designed by Alexander Jackson Davis were built. It was in 1848, after a brief but successful business career in New York, that, attracted by the accessibility and the natural environment of New Rochelle, Colonel Richard Lathers purchased a large country estate and farm along the New Rochelle and Pelham border. Three years later, in 1851, Lathers employed his personal friend and renowned architect Alexander Jackson Davis to design him a more seemly and dignified residence than the old farmhouse which existed. Revolutionizing the traditional single-house form that dominated colonial and early 19th-century domestic architecture, Davis was creating many of the country's finest villas and cottages in an entirely new, purely American style. The residence designed for Lathers was the landmark brick and marble Italian villa "Winyah", named for Lathers former estate in Winyah Parish, South Carolina.
The New Rochelle artist colony was a community of artists, actors, musicians, playwrights and writers who settled in the city of New Rochelle, New York, during the early twentieth century. By the 1920s, New Rochelle had more artists per capita than almost any city in the United States, and newspaper headlines were referring to the community as "Greenwich Village without the Greenwich."
The New Rochelle Art Association (NRAA) was founded in 1912 by artists and residents of the city of New Rochelle in Westchester County, New York. By 1912 the community had transformed into a true artists colony, home to many notable artists of the time including Frederic Remington, Alta West Salisbury, Edward Kemble, Rufus Fairchild Zogbaurn, Orson Lowell, F. Wellingon Ruckstuhl, Ernest Albert, Homer Emons, Frederick Dana Marsh, Remington Schuyler, Lucius Wolcott Hitchcock, George T. Tobin, Leon Shafer, Charles Ayer, Herman Lambden and Armand Both.