Cahiers du Cinéma is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs—Objectif 49 and Ciné-Club du Quartier Latin.
François Roland Truffaut was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the French film industry, having worked on over 25 films.
Claude Henri Jean Chabrol was a French film director and a member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker.
French New Wave is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema.
Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.
Georges Franju was a French filmmaker. He was born in Fougères, Ille-et-Vilaine.
Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer, was a French film director, film critic, journalist, novelist, screenwriter, and teacher.
The Cinémathèque française is a French non-profit film organization founded in 1936 that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris, the archive offers daily screenings of worldwide films.
Jacques Becker was a French film director and screenwriter. His films, made during the 1940s and 1950s, encompassed a wide variety of genres, and they were admired by some of the filmmakers who led the French New Wave movement.
Ernest Lindgren was a British film archivist and writer.
La Fête espagnole is a 1920 French silent film directed by Germaine Dulac and written by Louis Delluc. It was cited by critic and film historian Georges Sadoul as being first in ushering in French impressionist cinema.
Cinephilia is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile, cinemaphile, filmophile, or, informally, a film buff. To a cinephile, a movie is not just a form of entertainment as they see films from a more critical point of view.
The Musée de la cinémathèque, formerly known as Musée du cinéma Henri-Langlois, is a museum of cinema history located in the Cinémathèque française, 51 rue de Bercy in the 12th arrondissement of Paris. It presents the living history of moving pictures and pre-cinema, from their origins to the present day and in all countries, with collections of more than 5,000 movie-related objects including cameras, movie scripts and sets, photographic stills, costumes worn by actors like Rudolph Valentino and Marilyn Monroe, and showed several early movies from the important collection of the Cinémathèque.
The 21st Cannes Film Festival was to have been held from 10 to 24 May 1968, before being curtailled due to the turmoil of May 1968 in France.
Freddy Buache was a Swiss journalist, cinema critic and film historian. He was the director of the Swiss Film Archive from 1951 to 1996. He was a privatdozent at the University of Lausanne.
Jean Douchet was a French film director, historian, film critic and teacher who began his career in the early 1950s at Gazette du Cinéma and Cahiers du cinéma with members of the future French New Wave.
Jacques Rivette was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part Joan the Maiden, eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, Aux quatre coins, in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles led to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on French Cancan and Jacques Becker on Ali Baba and the Forty Thieves. During this period he began writing film criticism for the magazine Gazette du Cinéma and later Cahiers du Cinéma, and was one of the most respected writers by his peers.
The Cinémathèque Méliès – Les Amis de Georges Méliès is a non-profit French organisation created in 1961 to locate, gather, preserve and promote the work of Georges Méliès and restore a French cultural heritage which, in 1945, was considered lost. The rediscovered work is promoted through lectures, "ciné-concerts" as in the early days of cinema , exhibitions, publications, a documentary and DVDs. So far, the association has managed to collect about 200 films, 145 of which were given to the Cinémathèque française.
Mary Meerson, née Marija Popowa, also known as Madame Langlois, was a French ballet dancer, model and archivist of the Cinémathèque Française. She was a companion and associate of Henri Langlois, the founder and director of the Cinémathèque Française.
Jean Collet was a French writer, cinematic theorist, and university professor.
