We Make Music is a 1942 German musical comedy film directed by Helmut Käutner, starring Ilse Werner, Viktor de Kowa and Edith Oß. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art directors Max Mellin and Gerhard Ladner.
Love Premiere is a 1943 German comedy film directed by Arthur Maria Rabenalt and starring Hans Söhnker, Kirsten Heiberg and Fritz Odemar. The film's sets were designed by Robert Herlth.
Don't Promise Me Anything is a 1937 German comedy film directed by Wolfgang Liebeneiner and starring Luise Ullrich, Viktor de Kowa and Heinrich George. It was partly shot at the Grunewald Studios in Berlin.The film's sets were designed by the art directors Karl Weber and Erich Zander. The Berlin premiere took place at the Gloria-Palast. In 1950 Liebeneiner remade the film as When a Woman Loves with Hilde Krahl and Johannes Heesters in the lead roles.
A Salzburg Comedy or Little Border Traffic is a 1943 German comedy film directed by Hans Deppe and starring Willy Fritsch, Hertha Feiler and Heinz Salfner. Erich Kästner wrote the screenplay based on one of his own novels. As he had been blacklisted by the Nazi Party he used the pseudonym Berhold Bürger. The novel was again adapted for the 1957 film Salzburg Stories.
Monika or A Mother Fights for Her Child is a 1938 German drama film directed by Heinz Helbig and starring Maria Andergast, Iván Petrovich, and Theodor Loos.
When Women Keep Silent is a 1937 German comedy film directed by Fritz Kirchhoff and starring Johannes Heesters, Hansi Knoteck and Friedrich Kramer. A newly married couple become involved in a series of marital differences, largely due to misunderstandings.
Kitty and the World Conference is a 1939 German comedy film directed by Helmut Käutner and starring Hannelore Schroth, Fritz Odemar and Christian Gollong. It is a screwball comedy set against the backdrop of an international peace conference. Following the outbreak of the Second World War, Propaganda minister Joseph Goebbels ordered it withdrawn from cinemas as it he felt it presented too favourable a view of Britain.
The Happy Village is a 1955 West German comedy film directed by Rudolf Schündler and starring Hannelore Bollmann, Carl Hinrichs and Gerhard Riedmann. It is a remake of the 1934 German film Trouble with Jolanthe. It was shot at the Tempelhof Studios in West Berlin and the Bendestorf Studios outside Hamburg. Location shooting took place around Lüneburg Heath. The film's sets were designed by the art director Hans Kuhnert.
Midsummer Night's Fire or St. John's Fire is a 1939 German drama film directed by Arthur Maria Rabenalt and starring Anna Dammann, Ernst von Klipstein, and Gertrud Meyen. The film is based on the play Fires of St. John by Hermann Sudermann. The title refers to Saint John's Eve.
Crooks in Tails is a 1937 German film directed by Johannes Riemann and starring Camilla Horn, Paul Klinger and Karl Martell.
Tell the Truth is a 1946 German comedy film directed by Helmut Weiss and starring Gustav Fröhlich, Mady Rahl, and Ingeborg von Kusserow. The film had a troubled production, and was originally filming in the final days of the Nazi era with Heinz Rühmann and his wife Hertha Feiler in the lead roles. Production was halted when Soviet forces took control of the Tempelhof Studios during the Battle of Berlin. The film was then remade in the British sector of Berlin with different leads but using substantial amounts of footage already shot during the previous production.
The Csardas Princess is a 1934 German operetta film directed by Georg Jacoby and starring Mártha Eggerth, Hans Söhnker and Paul Kemp. It is based on the 1915 operetta Die Csárdásfürstin composed by Emmerich Kálmán.
Don't Forget Love is a 1953 West German romantic comedy film directed by Paul Verhoeven and starring Luise Ullrich, Paul Dahlke and Will Quadflieg. It was shot at the Wandsbek Studios as well as on location in Hamburg and Innsbruck. The film's sets were designed by the art directors Hermann Warm and Heinrich Weidemann.
One Night's Intoxication is a 1951 West German romantic drama film directed by Eduard von Borsody and starring Christl Mardayn, Richard Häussler and Paul Dahlke. In Austria it was known by the title Alexa.
Men Are That Way is a 1939 German drama film directed by Arthur Maria Rabenalt and starring Hertha Feiler, Hans Söhnker and Hans Olden. The film's sets were designed by the art director Willi Herrmann. It was remade by Rabenalt in Austria as Arena of Fear (1959).
Insolent and in Love is a 1948 German romantic comedy film directed by Hans Schweikart and starring Johannes Heesters, Gabriele Reismüller and Charlott Daudert. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art director Hans Sohnle. The film was made in 1944 but it did not receive a national release until 1948. In 1950 it was distributed in Austria by Sascha Film.
The Years Pass is a 1945 German drama film directed by Günther Rittau and starring Heidemarie Hatheyer, Carl Kuhlmann and Werner Fuetterer. It was shot at the Althoff Studios in Berlin and on location around Garmisch-Partenkirchen in Bavaria. The film's sets were designed by the art directors Willy Schiller and Karl Vollbrecht.
The Little Residence is a 1942 German period comedy film directed by Hans H. Zerlett and starring Winnie Markus, Johannes Riemann, and Lil Dagover. The film's sets were designed by the art directors Max Seefelder and Hans Sohnle. It was shot at the Bavaria Studios in Munich.
The Big Number or The Big Act is a 1943 German drama film directed by Karl Anton and starring Leny Marenbach, Maly Delschaft and Paul Hoffmann. A circus film, it was originally intended to star Harry Piel but due to delays on Panic he withdrew from the project, although he had contributed to the screenplay. Location shooting took place at the Circus Sarrasani in Dresden. The film's sets were designed by the art director Willy Schiller. It was one of three entertainment-focused films playing in Berlin at the time of the Sportpalast speech by Joseph Goebbels calling for total war.
