Herbert Brenon | |
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![]() Herbert Brenon, 1916 | |
Born | Alexander Herbert Reginald St. John Brenon 13 January 1880 Kingstown, Ireland |
Died | 21 June 1958 78) Los Angeles, California | (aged
Alma mater | King's College London |
Occupation | Film director |
Years active | 1911–1940 |
Relatives | Aileen Brenon (niece) Juliet Brenon (niece) |
Herbert Brenon (born Alexander Herbert Reginald St. John Brenon; 13 January 1880 – 21 June 1958) was an Irish film director, actor and screenwriter during the era of silent movies through the 1930s.
Brenon was born at 25 Crosthwaite Park, in Kingstown (now Dún Laoghaire, Dublin to journalist, poet, and politician Edward St. John Brenon and Francis Harries. [1]
In 1882, the family moved to London, where Herbert was educated at St Paul's School and at King's College London. Before becoming a director, he performed in vaudeville acts with his wife Helen Oberg.
Some of his more noteworthy films were the first movie adaptations of Peter Pan (1924) and Beau Geste (1926); Sorrell and Son (1927), for which he was nominated for the Academy Award for Best Director at the 1st Academy Awards [2] (Sorrell and Son was thought lost for many years, but was found and restored by the Academy Film Archive in 2004 [3] ); Laugh, Clown, Laugh (1928), with Lon Chaney; and The Flying Squad (1940), his final film.
Screenwriter/director Ed Bernds did not have fond memories of Brenon. "So many of the silent film directors were phonies. I didn't think highly of Herbert Brenon, for instance. He was the old, imperious type of director. Lordly, demanding. There was a scene in Lummox, where Winifred Westover was supposed to be betrayed by Ben Lyon, who has gotten her pregnant. He throws some money down and she takes the money and tears it up with her teeth. Well, Brenon demanded real money! And several takes. The poor propman was going around borrowing money from the crew. It was the Imperial syndrome of silent film directors." [4]
Before his death, Brenon was working on his autobiography. When he worked with Mary Brian in Peter Pan, he asked her to paint her idea of what Never-Neverland looked like and the painting was to be included in the photos of the book. He died before it was completed. [5] He died in Los Angeles and was interred in a private mausoleum at Woodlawn Cemetery in the Bronx, New York. [6]
David Haspel Shepard was a film preservationist whose company, Film Preservation Associates, is responsible for many high-quality video versions of silent films. Some come from the Blackhawk Films library and others from materials owned by private collectors and film archives around the world.
Sorrell and Son is a 1927 American silent drama film released on December 2, 1927 and nominated for the Academy Award for Best Director at the 1st Academy Awards the following year. The film was based on the novel of the same name by Warwick Deeping, Sorrell and Son, which became and remained a bestseller from its first publication in 1925 throughout the 1920s and 1930s.
Joseph White Farnham was an American playwright, film writer, and film editor of the silent movie era in the early 1930s. He was also a founding member of the Academy of Motion Picture Arts and Sciences.
Mary Brian was an American actress, who made the transition from silent films to sound films.
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George A. Siegmann was an American actor and film director in the silent film era. His work includes roles in notable productions such as The Birth of a Nation (1915), Intolerance (1916), The Three Musketeers (1921), Oliver Twist (1922), The Cat and the Canary (1927), and The Man Who Laughs (1928).
Gilbert Warrenton was a prominent American silent and sound film cinematographer. He filmed over 150 films before his death. Notable credits include The Cat and the Canary (1927) and several B-movies of the 1950s and 1960s.
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Paul Schofield was an American screenplay writer who worked on 44 films between 1920 and 1940, some directed by famous directors such as D. W. Griffith, John Ford, Archie Mayo, Frank Lloyd, and Herbert Brenon.
Lummox is a 1930 American pre-Code sound film directed by Herbert Brenon and starring Winifred Westover. It was released through United Artists, and based on a 1923 novel by Fannie Hurst.
Marie Halvey was an American film editor active during the late 1920s and early 1930s.
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