Herman Brood in 1979
|Birth name||Hermanus Brood|
|Also known as||Rock 'n' roll junkie|
|Born||5 November 1946|
|Died||11 July 2001 54) (aged|
|Genres||Rock and roll|
|Occupation(s)||Musician, painter, actor, poet|
|Instruments||Vocals, guitar, piano|
|Associated acts||Wild Romance, The Moans, Long Tall Ernie and the Shakers, Cuby and the Blizzards, Stud, Jan Akkerman, Vitesse, Nina Hagen, Lene Lovich|
Hermanus "Herman" Brood (Dutch pronunciation: [ɦɛrˈmaːnɵs ˈɦɛrmɑn ˈbroːt] ; 5 November 1946 – 11 July 2001) was a Dutch musician and painter. As a musician he achieved artistic and commercial success in the 1970s and 1980s, and was called "the greatest and only Dutch rock 'n' roll star". Later in life he started a successful career as a painter.
Dutch people or the Dutch are a Germanic ethnic group native to the Netherlands. They share a common culture and speak the Dutch language. Dutch people and their descendants are found in migrant communities worldwide, notably in Aruba, Suriname, Guyana, Curaçao, Argentina, Brazil, Canada, Australia, South Africa, New Zealand, and the United States. The Low Countries were situated around the border of France and the Holy Roman Empire, forming a part of their respective peripheries, and the various territories of which they consisted had become virtually autonomous by the 13th century. Under the Habsburgs, the Netherlands were organised into a single administrative unit, and in the 16th and 17th centuries the Northern Netherlands gained independence from Spain as the Dutch Republic. The high degree of urbanization characteristic of Dutch society was attained at a relatively early date. During the Republic the first series of large-scale Dutch migrations outside of Europe took place.
Known for his hedonistic lifestyle of "sex, drugs and rock 'n' roll", Brood was an enfant terrible and a cultural figure whose suicide by jumping from a hotel roof, apparently influenced by a failure to kick his drug and alcohol habit,strengthened his controversial status; according to a poll organised to celebrate fifty years of Dutch popular music, it was the most significant event in its history.
Nederpop is a Dutch term invented by the mid-1970s to describe the Dutch pop music scene of the 1960s and 1970s that was gaining worldwide attention, exemplified by bands such as Shocking Blue, Golden Earring and Focus.
Herman Brood was born in Zwolle, and started playing the piano at age 12. He founded beat band The Moans in 1964, which would later become Long Tall Ernie and the Shakers. Brood was asked to play with Cuby and the Blizzards, but was removed by management when the record company discovered he used drugs. For a number of years Brood was in jail (for dealing LSD), or abroad, and had a number of short-term engagements (with The Studs, the Flash & Dance Band, Vitesse).
Zwolle is a city and municipality in the northeastern Netherlands serving as Overijssel's capital. With a population of 125,806, it is the second-largest municipality of the province after Enschede.
In 1976, Brood started his own group, Herman Brood & His Wild Romance, (and started work with photographer Anton Corbijn)[ citation needed ] initially with Ferdi Karmelk (guitar), Gerrit Veen (bass), Peter Walrecht (drums), and Ellen Piebes and Ria Ruiters (vocals). They played the club and bar circuit, first in Groningen (the northeasternmost province of the Netherlands.) In 1977 the band released their first album, Street .
Wild Romance, also known as The Wild Romance, but best known as Herman Brood & his Wild Romance was the backing band of Dutch singer-pianist Herman Brood.
Anton Johannes Gerrit Corbijn van Willenswaard is a Dutch photographer, music video director, and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both bands over three decades. Some of his works include music videos for Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (1991), Bryan Adams' "Do I Have to Say the Words?", Nirvana's "Heart-Shaped Box" (1993) and Coldplay's "Talk" (2005) and "Viva la Vida" (2008), as well as the Ian Curtis biographical film Control (2007), The American (2010), and A Most Wanted Man (2014), based on John le Carré's 2008 novel of the same name.
The band now played all over the Netherlands, playing as many gigs as possible. And Herman's drug habit became public domain: In 1977 for instance the Wild Romance played a gig in a high school in Almelo, the Christelijk Lyceum; during the break Brood was caught on the toilet taking heroin or speed (there are different reports on the type of drug, but it is a well-known story amongst former students), the rest of the concert was cancelled, and this also was the last time a rock concert took place at this school for many years.[ citation needed ]
Almelo is a municipality and a city in the eastern Netherlands. The main population centres in the town are Aadorp, Almelo, Mariaparochie, and Bornerbroek.
They are still best known for their second album, Shpritsz —a play on the German word Spritze for syringe—from 1978. This album contained Brood anthems like "Dope Sucks," "Rock & Roll Junkie," and their first Dutch hit single, "Saturday Night." The band went through many personnel changes over the years; the best-known formation was Freddy Cavalli (bass), Dany Lademacher (guitar) (later replaced with David Hollestelle), and Cees 'Ani' Meerman (drums). A frequent contributor was Bertus Borgers (saxophone).
Shpritsz is the second studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album produced two singles. The first, "Rock & Roll Junkie," did not chart. The second, "Saturday Night," charted in Europe and the United States. On the Dutch album chart, the album reached #8 on 3 June 1978, and stayed on the chart for 28 weeks. It was certified gold in 1978, and platinum in 1980.
Dany "Danny" Lademacher is a Belgian guitar player.
Brood's outspoken statements in the press about sex and drug use brought him into the Dutch public arena even more than his music. He was romantically involved with the German singer Nina Hagen, with whom he appeared in the 1979 film Cha-Cha . He is reputed to be the subject of her song "Herrmann Hiess Er" (English title "Herrmann Was His Name") from the 1979 Unbehagen album,a song about a drug addict. Brood relished the media attention and became the most famous hard drug user in the Netherlands. "It is quite common for an artist to use drugs, but not for him to tell everybody. I admit that it scared me that my popularity could make people start using drugs," he once said in an interview.
In the summer of 1979, Brood tried to enter the American market, with support from Ariola's US division, which was attempting to expand into rock music. Following on the success of Shpritsz, the band was booked as a support act for The Kinks and The Cars, playing in auditoriums; "Herman Brood and His Wild Romance Tour Cha Cha '79" headlined in New York (Bottom Line) and Los Angeles (Roxy).A re-recorded version of "Saturday Night" peaked at number 35 in the Billboard Hot 100, but the big break Brood hoped for didn't happen. When he returned to the Netherlands in October 1979, his band had begun to fall apart, and soon his popularity went downhill. Go Nutz, the album Brood had recorded while in the States, and the movie Cha-Cha, which finally premiered in December 1979, were considered artistic failures, even though Go Nutz produced three charting singles in the Netherlands and the Cha Cha soundtrack attained platinum status. The 1980 album Wait a Minute... was a minor success, but the follow-up albums Modern Times Revive (1981) and Frisz & Sympatisz (1982) failed to make the Dutch album charts.
Brood continued to record throughout the 1980s and had a few hits—a top-10 single, "Als Je Wint" with Henny Vrienten, and a minor hit with a reggae song, "Tattoo Song," but he spent more and more time on his art work. At the end of the '80s he made a comeback of sorts; Yada Yada (1988), produced by George Kooymans, was well-received, and he toured Germany with a renewed Wild Romance (which saw the return of Dany Lademacher). In 1990, he won the BV Popprijs, one of the highest Dutch awards for popular music, and recorded Freeze with Clarence Clemons of the E Street Band and Tejano accordion player Flaco Jiménez. A live "best of" album, Saturday Night Live, appeared in 1992. His 50th birthday, in 1996, was celebrated with a show at the Paradiso music and cultural center in Amsterdam, and the album (of duets) was released the same year.
After his career in music, Brood turned to painting and became a well-known character in Amsterdam art circles. His art is best described as pop-art, often very colorful and graffiti-inspired screen prints, and he achieved some commercial success and notoriety by, for instance, creating murals in various public spaces in and around Amsterdam.He continued to remain in the public eye, by appearing in the media and by his cooperation with biographical films such as 1994's Rock'n Roll Junkie.
Toward the end of his life, Brood vowed to abstain from most drugs, reducing his drug use to alcohol and a daily shot of speed ("2 grams per day"). In 2001, depressed by the failure of his drug rehabilitation program and facing serious medical problems because of his prolonged drug use, he committed suicide on 11 July by jumping from the roof of the Amsterdam Hilton Hotel at the age of 54. He left a note, stating "Party on. I'll be seeing you."
Extensively covered by the national media, his cremation took place five days later. Before the cremation, Brood's casket was driven from the Hilton hotel to Paradiso, Amsterdam, the streets lined with thousands of spectators. A commemorative concert was held in Paradiso, with performances by Hans Dulfer, André Hazes, and Jules Deelder,and the leading Dutch music magazine Muziekkrant OOR devoted an entire issue to him. His ashes were inurned at Zorgvlied cemetery.
Soon after his suicide, Brood's version of "My Way" spent three weeks as number one in the Dutch singles charts;the market value of his art work also increased greatly. A characteristic note is that Brood's paintings had often been targeted by vandals during his life, but after his death they were stolen for their value. His popularity (or notoriety) was confirmed by the fact that his name turned out to be the strongest brand of the year.
When U2 performed in the Netherlands three weeks after Brood's suicide, they paid tribute to him at each of the three shows. They dedicated a version of "Stuck in a Moment You Can't Get Out Of" (written for Michael Hutchence after his death) to him, with Bono singing Brood's "When I Get Home" as an a capella intro.[ citation needed ]
At the third show in Arnhem they also dedicated their own "Gone" to him and had his version of "My Way" played over the PA as outro music. In the middle of the show Bono delivered an emotional eulogy to Brood before the band performed "In a Little While".[ citation needed ]
On 5 November 2006 the Groninger Museum opened an exposition devoted to Herman Brood's life and work, comprising paintings, lyrics, and poetry, portraits by photographer Anton Corbijn, a collection of private pictures (from the family album), and concert photos and videos. The exhibition continued until 28 January. It was centered on Herman's atelier (studio) where he created most of his paintings. The atelier had been entirely re-built in the museum. During the 1990s, Herman Brood's studio was located on the second floor of the gallery in the Spuistraat in Amsterdam and has remained untouched since his death.[ citation needed ]
In 2007 the film Wild Romance, a movie about Brood's life, premiered in the Netherlands, with Brood portrayed by Daniël Boissevain. He continues to inspire other artists: the 2007 album Bluefinger by Black Francis is based on Brood's life and works.A tribute band called the Brood Roosters ("bread toasters") was active in the Netherlands until they split up in early 2009. Another tribute band called Yada Yada is still active in the Netherlands, often appearing with original members of the Wild Romance (Dany Lademacher, Ramon Rambeaux).
In 2010 the Catastrophic Theatre Company collaborated with Frank Black on a rock opera based on the Bluefinger album. The opera's first performance, with Matt Kelly portraying Brood, was on 12 November 2010 in Houston, Texas.
Jan Akkerman is a Dutch guitarist. He first found international commercial success with the band Focus, which he co-founded with Thijs van Leer. After leaving Focus, he continued as a solo musician, adding jazz fusion influences.
Bluefinger is an album by Black Francis. The album was released on 11 September 2007 in the United States and Europe. The project was revealed via several cryptic posts by Black on his unofficial website, which were confirmed as accurate when the album leaked to file-sharing services earlier in the year.
Claw Boys Claw are a Dutch rock and roll band, formed in Amsterdam. The core members of the band are Peter te Bos (vocals) and John Cameron (guitar). The band released eight full-length albums between 1983 and 1997. After some years of inactivity, the band started playing live again in 2007 and released an album, Pajama Day is on 13/07 every 2 years
Street is the first studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance, and the start of a solo career for Herman Brood, who had earlier toured and recorded with Cuby and the Blizzards and made one record with the short-lived band Stud. Commercially, it was not very successful: on the Dutch album chart, it reached #30 on 28 May 1977 and stayed on the chart for 7 weeks. The record was re-released on CD in 1995 by Sony BMG/Ariola.
Cha Cha is the first live album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album produced one single, "Still Believe." On the Dutch album chart, the album reached #2 on 13 January 1979, and stayed on the chart for 18 weeks. The album was certified gold in 1979.
Go Nutz is the third studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. Three singles came from the album, "Love You Like I Love Myself," "Hot Shot," and "I Don't Need You," all of which charted in the Netherlands. On the Dutch album chart, the album reached #6 on 8 March 1980, and stayed on the chart for nine weeks.
Herman Brood & His Wild Romance is an export album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. Released only in the United States, it contained most of the songs from his second studio album, Shpritsz. The main differences between the two albums were omission of the song "One", slightly modified times and track order, and the U.S. single version of "Saturday Night" which features different lyrics from the original version. The album was a moderate success, reaching #122 on the Billboard chart for pop albums. As a result, Brood sought to open up the American market, recording the follow-up, Go Nutz, in the US.
Cha Cha is the soundtrack to the 1979 Dutch film Cha Cha, written by Herman Brood and directed by Herbert Curiel. It features songs by Herman Brood and his band The Wild Romance, Nina Hagen, Lene Lovich, Les Chappell, and others.
Wait a Minute is the fourth studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. After the commercial and artistic debacle of Go Nutz and the disastrous recording of that album, the Wild Romance fell apart, though Dany Lademacher and Freddy Cavalli still played on this album, the last recorded with the "old" Wild Romance.
Frisz & Sympatisz is the sixth studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album was produced by Tom Barlage.
The Brood is the seventh studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album reached #22 on the Dutch album chart on 16 June 1984, and stayed on the chart for 17 weeks.
Bühnensucht is a live album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album reached No.41 on the Dutch album chart on 5 October 1985, and stayed on the chart for six weeks.
Yada Yada is the eighth studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album, produced by George Kooymans of Golden Earring, was one of many moderately successful albums by Brood in the mid 1980s; it reached #9 on the Dutch album chart on 19 March 1988, and stayed on the chart for 14 weeks.
Hooks is the ninth studio album by the Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album reached #28 on the Dutch album chart on 17 June 1989, and stayed on the chart for 10 weeks. Both of the early Wild Romance guitarists, Danny Lademacher and David Hollestelle, play on Hooks.
Freeze is the tenth studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album reached #63 on the Dutch album chart on 3 November 1990, and stayed on the chart for 5 weeks. Brood, who had just won the 1989 Popprijs, one of the highest Dutch awards for popular music, recorded Freeze with the help of Clarence Clemons of the E Street Band and Tejano accordion player Flaco Jiménez. Lack of success for this album leads Brood to stop touring.
Wild Romance is a 2006 Dutch biopic about Dutch singer and artist Herman Brood. It follows the previous films depicting Brood, the 1979 feature film Cha Cha and the 1994 documentary Rock n Roll Junkie. Named for Brood's backing band, the film received its premiere on the day that Brood would have turned 60 on November 5, 2006.
Vitesse was a Dutch rock group founded by drummer and singer Herman van Boeyen, assisted by an assortment of other musicians including Herman Brood. The band was active from 1975 to 1994 and had a number of hit singles in the early 1980s. It built a reputation as a good live act.
|url=value (help). Dutchcharts.nl. Retrieved 9 April 2009.
|Wikimedia Commons has media related to Herman Brood .|