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Historical realism is a writing style or subgenre of realistic fiction centered on historical events and periods.
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In analytic philosophy, anti-realism is an epistemological position first articulated by British philosopher Michael Dummett which encompasses many varieties such as metaphysical, mathematical, semantic, scientific, moral and epistemic. The term was coined as an argument against a form of realism Dummett saw as 'colorless reductionism'.
Reality is the sum or aggregate of all that is real or existent within a system, as opposed to that which is only imaginary. The term is also used to refer to the ontological status of things, indicating their existence. In physical terms, reality is the totality of a system, known and unknown. Philosophical questions about the nature of reality or existence or being are considered under the rubric of ontology, which is a major branch of metaphysics in the Western philosophical tradition. Ontological questions also feature in diverse branches of philosophy, including the philosophy of science, philosophy of religion, philosophy of mathematics, and philosophical logic. These include questions about whether only physical objects are real, whether reality is fundamentally immaterial, whether hypothetical unobservable entities posited by scientific theories exist, whether God exists, whether numbers and other abstract objects exist, and whether possible worlds exist.
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is characterized by the glorified depiction of communist values, such as the emancipation of the proletariat. Despite its name, the figures in the style are very often highly idealized, especially in sculpture, where it often leans heavily on the conventions of classical sculpture. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern, or other forms of "realism" in the visual arts.
Moral realism is the position that ethical sentences express propositions that refer to objective features of the world, some of which may be true to the extent that they report those features accurately. This makes moral realism a non-nihilist form of ethical cognitivism with an ontological orientation, standing in opposition to all forms of moral anti-realism and moral skepticism, including ethical subjectivism, error theory ; and non-cognitivism. Within moral realism, the two main subdivisions are ethical naturalism and ethical non-naturalism.
Magic realism is a style of fiction and literary genre that paints a realistic view of the modern world while also adding magical elements. Magical realism, perhaps the most common term, often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances. Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either literary realism or fantasy.
Scientific realism is the view that the universe described by science is real regardless of how it may be interpreted.
Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. While the movement's characteristics vary from nation to nation, it almost always utilizes a form of descriptive or critical realism. Taking its roots from European Realism, Social Realism aims to reveal tensions between an oppressive, hegemonic force and its victims.
Sir Michael Anthony Eardley Dummett (1925–2011) was an English academic described as "among the most significant British philosophers of the last century and a leading campaigner for racial tolerance and equality." He was, until 1992, Wykeham Professor of Logic at the University of Oxford. He wrote on the history of analytic philosophy, notably as an interpreter of Frege, and made original contributions particularly in the philosophies of mathematics, logic, language and metaphysics. He was known for his work on truth and meaning and their implications to debates between realism and anti-realism, a term he helped to popularize. He devised the Quota Borda system of proportional voting, based on the Borda count. In mathematical logic, he developed an intermediate logic, already studied by Kurt Gödel: the Gödel–Dummett logic.
Ian MacDougall Hacking is a Canadian philosopher specializing in the philosophy of science. Throughout his career, he has won numerous awards, such as the Killam Prize for the Humanities and the Balzan Prize, and been a member of many prestigious groups, including the Order of Canada, the Royal Society of Canada and the British Academy.
In metaphysics, conceptualism is a theory that explains universality of particulars as conceptualized frameworks situated within the thinking mind. Intermediate between nominalism and realism, the conceptualist view approaches the metaphysical concept of universals from a perspective that denies their presence in particulars outside the mind's perception of them. Conceptualism is anti-realist about abstract objects, just like immanent realism is.
In metaphysics, realism about a given object is the view that this object exists in reality independently of our conceptual scheme. In philosophical terms, these objects are ontologically independent of someone's conceptual scheme, perceptions, linguistic practices, beliefs, etc.
19th-century French literature concerns the developments in French literature during a dynamic period in French history that saw the rise of Democracy and the fitful end of Monarchy and Empire. The period covered spans the following political regimes: Napoleon Bonaparte's Consulate (1799–1804) and Empire (1804–1814), the Restoration under Louis XVIII and Charles X (1814–1830), the July Monarchy under Louis Philippe d'Orléans (1830–1848), the Second Republic (1848–1852), the Second Empire under Napoleon III (1852–1871), and the first decades of the Third Republic (1871–1940).
Realism is one of the dominant schools of thought in international relations theory, theoretically formalising the Realpolitik statesmanship of early modern Europe. Although a highly diverse body of thought, it is unified by the belief that world politics is always and necessarily a field of conflict among actors pursuing power. The theories of realism are contrasted by the cooperative ideals of liberalism.
Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid-nineteenth-century French literature (Stendhal), and Russian literature. Literary realism attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences.
Realism in the theatre was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall. Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically driven, and include day-to-day, ordinary scenarios. Narrative action moves forward in time, and supernatural presences do not occur. Sound and music are diagetic only. Part of a broader artistic movement, it includes Naturalism and Socialist realism.
Realism, sometimes called naturalism, in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative fiction and supernatural elements. Realism has been prevalent in the arts at many periods, and can be in large part a matter of technique and training, and the avoidance of stylization.
Evgeny Romanovich Chuprun was a Russian Soviet realist painter, who lived and worked in Leningrad. He was a member of the Leningrad branch of Union of Artists of Russian Federation, and regarded as one of representatives of the Leningrad school of painting, most famous for his maritime paintings.
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual source that created a desire for people to produce representations which look objectively real.
György Lukács, also Georg Bernard Baron Lukács von Szegedin, was a Hungarian Marxist philosopher, aesthetician, literary historian, and critic. He was one of the founders of Western Marxism, an interpretive tradition that departed from the Marxist ideological orthodoxy of the Soviet Union. He developed the theory of reification, and contributed to Marxist theory with developments of Karl Marx's theory of class consciousness. He was also a philosopher of Leninism. He ideologically developed and organised Lenin's pragmatic revolutionary practices into the formal philosophy of vanguard-party revolution.