Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced. Most often, beadwork is a form of personal adornment, but it also commonly makes up other artworks.
A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing. Beads range in size from under 1 millimetre (0.039 in) to over 1 centimetre (0.39 in) in diameter.
Ifẹ̀ is an ancient Yoruba city in south-western Nigeria, founded in the 6th century. The city is located in present-day Osun State. Ifẹ̀ is about 218 kilometers northeast of Lagos with a population of over 500,000 people, which is the highest in Osun State according to population census of 2006.
Trade beads are beads that were used as a medium of barter within and amongst communities. They are considered to be one of the earliest forms of trade between members of the human race. It has also been surmised that bead trading was one of the reasons why humans developed language.
Lampworking is a type of glasswork in which a torch or lamp is used to melt the glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps. Although lack of a precise definition for lampworking makes it difficult to determine when this technique was first developed, the earliest verifiable lampworked glass is probably a collection of beads thought to date to the fifth century BCE. Lampworking became widely practiced in Murano, Italy in the 14th century. As early as the 17th century, itinerant glassworkers demonstrated lampworking to the public. In the mid-19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today. Lampworking differs from glassblowing in that glassblowing uses a furnace as the primary heat source, although torches are also used.
Glass bead making has long traditions, with the oldest known beads dating over 3,000 years. Glass beads have been dated back to at least Roman times. Perhaps the earliest glass-like beads were Egyptian faience beads, a form of clay bead with a self-forming vitreous coating. Glass beads are significant in archaeology because the presence of glass beads often indicate that there was trade and that the bead making technology was being spread. In addition, the composition of the glass beads could be analyzed and help archaeologists understand the sources of the beads.
African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
Anglo-Saxon glass has been found across England during archaeological excavations of both settlement and cemetery sites. Glass in the Anglo-Saxon period was used in the manufacture of a range of objects including vessels, beads, windows and was even used in jewellery. In the 5th century AD with the Roman departure from Britain, there were also considerable changes in the usage of glass. Excavation of Romano-British sites have revealed plentiful amounts of glass but, in contrast, the amount recovered from 5th century and later Anglo-Saxon sites is minuscule.
Roman glass objects have been recovered across the Roman Empire in domestic, industrial and funerary contexts. Glass was used primarily for the production of vessels, although mosaic tiles and window glass were also produced. Roman glass production developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels. However, during the 1st century AD the industry underwent rapid technical growth that saw the introduction of glass blowing and the dominance of colourless or 'aqua' glasses. Production of raw glass was undertaken in geographically separate locations to the working of glass into finished vessels, and by the end of the 1st century AD large scale manufacturing resulted in the establishment of glass as a commonly available material in the Roman world, and one which also had technically very difficult specialized types of luxury glass, which must have been very expensive.
The early modern period in England brought on a revival in local glass production. Medieval glass had been limited to the small-scale production of forest glass for window glass and vessels, predominantly in the Weald. The organisation of production evolved from the small-scale family-run glass houses typical of forest glass-making to large monopolies granted by the Crown. The influx of immigrants from Europe brought changes in furnace technology and raw materials, creating a better quality glass. Monastic decrees later banned the use of wood fuel which was then replaced by the less expensive alternative of coal. The development of lead glass in the late 17th century propelled England to the forefront of the glass industry and paved the way for advancements in the Industrial Revolution.
Ancient Chinese glass refers to all types of glass manufactured in China prior to the Qing dynasty (1644–1911). In Chinese history, glass played a peripheral role in arts and crafts, when compared to ceramics and metal work. The limited archaeological distribution and use of glass objects are evidence of the rarity of the material. Literary sources date the first manufacture of glass to the 5th century AD. However, the earliest archaeological evidence for glass manufacture in China comes from the Warring States period.
Forest glass is late medieval glass produced in northwestern and central Europe from approximately 1000–1700 AD using wood ash and sand as the main raw materials and made in factories known as glasshouses in forest areas. It is characterized by a variety of greenish-yellow colors, the earlier products often being of crude design and poor quality, and was used mainly for everyday vessels and increasingly for ecclesiastical stained glass windows. Its composition and manufacture contrast sharply with Roman and pre-Roman glassmaking centered on the Mediterranean and contemporaneous Byzantine and Islamic glass making to the east.
Hellenistic glass was glass produced during the Hellenistic period in the Mediterranean, Europe, western Asia and northern Africa. Glassmaking at this time was based on the technological traditions of the Classical antiquity and the Late Bronze Age, but was marked by transition from limited production of luxury objects made for the social elite to mass production of affordable glass vessels used by the broader public to satisfy everyday needs.
The ways in which glass was exchanged throughout ancient times is intimately related to its production and is a stepping stone to learning about the economies and interactions of ancient societies. Because of its nature it can be shaped into a variety of forms and as such is found in different archaeological contexts, such as window panes, jewellery, or tableware. This is important because it can inform on how different industries of sections of societies related to each other – both within a cultural region or with foreign societies.
The history of glass-making dates back to at least 3,600 years ago in Mesopotamia. However, most writers claim that they may have been producing copies of glass objects from Egypt. Other archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or Egypt. The earliest known glass objects, of the mid 2,000 BCE, were beads, perhaps initially created as the accidental by-products of metal-working (slags) or during the production of faience, a pre-glass vitreous material made by a process similar to glazing. Glass products remained a luxury until the disasters that overtook the late Bronze Age civilizations seemingly brought glass-making to a halt.
Located on the Niger Bend in present-day Mali, Gao was the political center of a trading state known to Arab chroniclers as Gawgaw, from the seventh to the thirteenth century CE. Historical accounts indicate that Gawgaw included a trading town called Sarneh, and across the river, a royal town with a palace and mosque, and king whose treasure was salt. Gao-Saney is a large settlement mound seven km distant from the royal town of Gao, and is thought to be the site of the ancient trading center. The site has produced extensive archaeological evidence from its first millennium occupation, with proposed chronology between 700 and 1100 CE. Another archaeology site, Gao Ancien, roughly corresponds with descriptions of the royal town, but further research is needed.
The Bronze Head from Ife, or Ife Head, is one of eighteen copper alloy sculptures that were unearthed in 1938 at Ife in Nigeria, the religious and former royal centre of the Yoruba people. It is believed to represent a king. It was probably made in the fourteenth-fifteenth century C.E. The realism and sophisticated craftsmanship of the objects challenged the offensive and patronising Western conceptions of African art. The naturalistic features of the Ife heads are unique and the stylistic similarities of these works "suggest that they were made by an individual artist or in a single workshop."
The archaeology of Igbo-Ukwu is the study of an archaeological site located in a town of the same name: Igbo-Ukwu, an Igbo town in Anambra State in southeastern Nigeria. As a result of these findings, three excavation areas at Igbo-Ukwu were opened in 1959 and 1964 by Charles Thurstan Shaw: Igbo Richard, Igbo Isaiah, and Igbo Jonah. Excavations revealed more than 700 high quality artifacts of copper, bronze and iron, as well as about 165,000 glass, carnelian and stone beads, pottery, textiles and ivory beads, cups, and horns. The bronzes include numerous ritual vessels, pendants, crowns, breastplates, staff ornaments, swords, and fly-whisk handles.
The Philippines is an archipelago located in Southeast Asia and consists of 7,641 islands. Prehistoric beads are among the most significant resources deriving from the human past. They are artifacts that inform individuals about archaeological records. Beads play a vital role in Asian lives, since they were utilized as human markers to indicate a territory; moreover, prehistoric beads were significant for ancestors as well as the people who occupied the identical territory. For instance, if beads are perished or destroyed, they can be recovered archaeologically due to their durability, which allows for the preservation of these resources. Furthermore, several of the decorative pieces and tools that they possess, as well as their culture, seem to reflect this maritime characteristic. Due to the fact that beads are transportable, compact in size, and appealing to the eye, they can essentially be discovered all over the world. Tools such as choppers made of shells as well as decorative pieces like shell beads are common in Southeast Asian archaeological records due to this characteristic. Various sites have been found to contain shell beads, including Sucgang Barrio in Bohol; Sibale Island, near Surigao; Suluan island, south of Samar; Lagen Island in Palawan; and Camotes Islands.
The Ife Empire was the first empire in Yoruba history. It was founded in what is now southwestern Nigeria and eastern Benin. The Ife Empire lasted from 1200 to 1420. The empire was formed by Odùduwà, and became well-known for its sophisticated art pieces. Although Yoruba was the main language of the empire, there were also various spoken dialects and languages. It rose to power through trade with Sahelian and forest states. Its capital city, Ilé-Ife, was one of the largest urban centers in 14th century West Africa.
