Der Auftrag Höglers | |
---|---|
Directed by | Gustav von Wangenheim |
Produced by | Kurt Hahne |
Written by | Gustav von Wangenheim |
Starring | Inge von Wangenheim |
Music by | Ernst Hermann Meyer |
Cinematography | Walter Roßkopf |
Edited by | Lena Neumann |
Production company | |
Distributed by | Progress Film |
Release date |
|
Running time | 93 minutes |
Country | German Democratic Republic |
Language | German |
Der Auftrag Höglers (English-language title: Hoegler's Mission) [1] is a fantasy movie directed by Gustav von Wangenheim. It was released in 1950.
Gustav von Wangenheim was a German nobleman, actor, screenwriter and director.
Högler, the former director of a steel plant now in East Germany, is a rich and ruthless capitalist residing in West Germany. He wishes to lay his hands on the new technical innovations that were developed by Dr. Thelen, who now runs the factory after it has been nationalized. Högler tries to besmirch Thelen by organizing sabotage in the factory, threatening to kill innocent workers to destroy the scientist's reputation. Two trade union activists - the West German Maria and the East German Fritz - who know each other since they have both fought in the wartime anti-Fascist resistance, unite to thwart the capitalist's plans.
Ingeborg "Inge" von Wangenheim was a German actress who married actor Gustav Von Wangenheim and joined the Communist Party. After the war, she became a successful East German writer.
Fritz Tillmann was a German actor.
Alice Martha Treff was a German film actress. She appeared in more than 120 films between 1932 and 2001. She was born and died in Berlin, Germany.
At 1949, after the foundation of both the German Democratic Republic and the Federal Republic of Germany and as the existence of a Cold War between East and West became ever clearer, the East German authorities instructed DEFA's filmmakers to focus on new subjects: rather than making purely anti-Fascist films, they were now to fan anti-Western sentiment in their works. Der Auftrag Höglers was the one of the first movies made under those demands. In addition, it was also the first East German film with a style conforming to Socialist Realism, that was also required by the cultural establishment. [2]
The Cold War was a period of geopolitical tension between the Soviet Union with its satellite states, and the United States with its allies after World War II. A common historiography of the conflict begins between 1946, the year U.S. diplomat George F. Kennan's "Long Telegram" from Moscow cemented a U.S. foreign policy of containment of Soviet expansionism threatening strategically vital regions, and the Truman Doctrine of 1947, and ending between the Revolutions of 1989 and the 1991 collapse of the USSR, which ended communism in Eastern Europe. The term "cold" is used because there was no large-scale fighting directly between the two sides, but they each supported major regional conflicts known as proxy wars. The conflict split the temporary wartime alliance against Nazi Germany, leaving the USSR and the US as two superpowers with profound economic and political differences.
The German Film Lexicon defined the picture as "utterly lifeless, Cold War-influenced film... but interesting as a historical document." [3]
Dagmar Schittly wrote that the movie was a typical anti-Western work of the time, "a propaganda pamphlet against the West German saboteurs." [4] Carsten Gansel and Tanja Walenski noted that it also featured a call for class unity, by presenting the ability of East and West German trade union members to cooperate. [5]
Ernst Thälmann is an East German film in two parts about the life of Ernst Thälmann, leader of the Communist Party of Germany during much of the Weimar Republic, directed by Kurt Maetzig and starring Günther Simon in the title role. The first part, Ernst Thälmann - Sohn seiner Klasse, was released in 1954. It was followed by the 1955 sequel. Ernst Thälmann - Führer seiner Klasse.
Familie Benthin is an East German film. It was released in 1950.
Der Rat der Götter is an East German black-and-white film, directed by Kurt Maetzig. It was released in 1950.
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Schatten über den Inseln is an East German black-and-white film, directed by Otto Meyer. It was released in 1952.
Das verurteilte Dorf is an East German propaganda film directed by Martin Hellberg. It was released in 1952.
Berlin, Schoenhauser Corner is an East German crime film directed by Gerhard Klein. It was released in 1957.
Don't Forget My Little Traudel is an East German comedy film, directed by Kurt Maetzig. It was released in 1957.
The Sailor's Song is an East German black-and-white film directed by Kurt Maetzig and Günter Reisch. It was released in 1958.
Im Sonderauftrag is an East German black-and-white film directed by Heinz Thiel. It was released in 1959.
Maibowle is an East German musical comedy film, released in 1959. It was directed by Günter Reisch.
Love's Confusion is an East German romantic comedy film directed by Slátan Dudow. It was released in 1959.
September Love is an East German film directed by Kurt Maetzig. It was released in 1961.
A Lively Christmas Eve is an East German comedy Christmas film, directed by Günter Reisch. It was released in 1962.
At A French Fireside is an East German film directed by Kurt Maetzig. It was released in 1963.
Sun Seekers is an East German film, directed by Konrad Wolf during 1958. It was banned and subsequently released only in 1972.
The Axe of Wandsbek is a 1951 East German film, directed by Falk Harnack.
On the Sunny Side is an East German musical comedy film, directed by Ralf Kirsten and starring Manfred Krug. It was released in 1962.
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