Hokkien pop

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Music of Taiwan

The music of Taiwan reflects the diverse culture of Taiwanese people. Taiwan has undergone several economic, social, and political changes through its cultural history, and Taiwanese music reflects those issues in its way. The music of the country has adopted a mixed style. As a country rich in Chinese folk culture and with many indigenous tribes with their own distinct artistic identity, various folk music styles are appreciated in Taiwan. In addition, people in Taiwan highly appreciate various style of Western classical music and pop music. Taiwan is an important Mandopop hub.

Teresa Teng Taiwanese singer

Teng Li-Chun, commonly known as Teresa Teng, was a Taiwanese singer, actress, musician and philanthropist. Referred to by some as "Asia's eternal queen of pop," Teng became a cultural icon for her contributions to Mandopop, giving birth to the phrase, "Wherever there are Chinese people, there is the music of Teresa Teng."

A-Mei Taiwanese singer and record producer (born 1972)

Kulilay Amit, better known by her stage name A-Mei, is a Taiwanese Puyuma singer and record producer. In 1996, she made her singing debut and released her album, Sisters. Her albums Truth (2001), Amit (2009), and Faces of Paranoia (2014) each won her a Golden Melody Award for Best Mandarin Female Singer and made the Taiwanese diva one of the singers who won the category the most times. Having sold more than 50 million records, she has achieved success in the Mandarin-speaking world, and she is often referred to as the "Queen of Mandopop".

Taiwanese opera

Taiwanese opera commonly known as Ke-Tse opera or Hokkien opera, is a form of traditional drama originating in Taiwan. Taiwanese opera uses a stylised combination of both the literary and colloquial registers of Taiwanese Hokkien. Its earliest form adopted elements of folk songs from Zhangzhou, Fujian, China. It’s plots are traditionally drawn from folk tales of the southern Fujian region, though in recent years stories are increasingly set in Taiwan itself. Taiwanese opera was later exported to other Hokkien-speaking areas, such as Singapore, Malaysia, the Philippines, and Fujian, China.

C-pop Music genre by artists originating from mainland China, Hong Kong, and Taiwan

C-pop is an abbreviation for Chinese popular music, a loosely defined musical genre by artists originating from the Greater China region. This includes countries where Chinese languages are used by parts of the population, such as Taiwan, Singapore and Malaysia. C-pop is used as an umbrella term covering not only Chinese pop but also R&B, ballads, Chinese rock, Chinese hip hop and Chinese ambient music, although Chinese rock diverged during the early 1990s.

Mandopop or Mandapop refers to Mandarin popular music. The genre has its origin in the jazz-influenced popular music of 1930s Shanghai known as Shidaiqu; with later influences coming from Japanese enka, Hong Kong's Cantopop, Taiwan's Hokkien pop, and in particular the Campus Song folk movement of the 1970s. 'Mandopop' may be used as a general term to describe popular songs performed in Mandarin. Though Mandopop predates Cantopop, the English term was coined around 1980 after "Cantopop" became a popular term for describing popular songs in Cantonese. "Mandopop" was used to describe Mandarin-language popular songs of that time, some of which were versions of Cantopop songs sung by the same singers with different lyrics to suit the different rhyme and tonal patterns of Mandarin.

Jody Chiang

Jody Chiang or Jiang Hui, born Jiang Shuhui, is a Taiwanese popular singer. She began recording in the 1980s and retired in 2015, having released 60 albums. Her trademark ballads and folk songs are typically sung in Taiwanese. Her role in Taiwan's popular music scene is often compared to that of Teresa Teng. She is the older sister of Chiang Shu-na.

Bāng Chhun-hong Taiwanese Hokkien song

Bāng Chhun-hong is a Taiwanese Hokkien song composed by Teng Yu-hsien, a Hakka Taiwanese musician, and written by Lee Lin-chiu. The song was one of their representative works. It was released by the Columbia Records in 1933, and originally sung by some female singers at that time, such as Sun-Sun, Ai-Ai (愛愛) or Iam-Iam (艷艷). The title literally means "Longing for the Spring Breeze".

Ang It-hong was a Taiwanese popular singer, songwriter, composer, and actor.

Events from the year 1953 in Taiwan, Republic of China. This year is numbered Minguo 42 according to the official Republic of China calendar.

Chiang Shu-na is a Taiwanese singer, television presenter, and actress.

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Kuo Chin-fa was a Taiwanese singer.

Yu Tian Taiwanese singer and politician

Yu Tian, born Yu Tsing-yuan, is a Taiwanese pop singer in Mandarin and Hokkien. A member of the Democratic Progressive Party, Yu served as a member of the Legislative Yuan from 2008 to 2012, and was reelected to the office in 2019.

Chris Hung is a Taiwanese enka and Hokkien pop singer. Widely known as the "king of Taiwanese pop," he has won five Golden Melody Awards and one Golden Bell Award.

Tsai Chen-nan is a Taiwanese actor and singer.

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HIStory is a Taiwanese anthology streaming television series created by Chang Ting-fei for Choco TV and Line TV. Each season presents stand-alone stories with different plots and main characters focusing on the theme of boys' love, also known as BL. The first season premiered on February 14, 2017.

Events from the year 2020 in Taiwan, Republic of China. This year is numbered Minguo 109 according to the official Republic of China calendar.

References

  1. 1 2 3 Wang (2000), p. 238.
  2. Taylor, Jeremy E. (2007). "From Transnationalism to Nativism: The Rise, Decline and Reinvention of a Regional Hokkien Entertainment Industry". Asia Research Institute Working Paper No. 81. University of Sheffield.
  3. 1 2 3 Tsai, Wen-ting (May 2002). "Taiwanese Pop Will Never Die". Taiwan Panorama. Translated by Smith, Glenn; Mayer, David. Archived from the original on 3 May 2015. Retrieved 9 October 2016. Cited in: Ho, Wai-Chung (December 2007). "Music and cultural politics in Taiwan". International Journal of Cultural Studies. 10 (4): 463–483. CiteSeerX   10.1.1.1025.5929 . doi:10.1177/1367877907083080. S2CID   144602597.
  4. Han Cheung (7 Aug 2016). "The resilience of suppressed tunes". Taipei Times. p. 8.
  5. Davison, Gary Marvin; Reed, Barbara E. (1998). Culture and Customs of Taiwan . Westport, Conn.: Greenwood Press. ISBN   9780313302985.
  6. "International recording industry discusses anti-piracy actions with Taiwan government". International Federation of the Phonographic Industry. 2002-10-17. Retrieved 2011-05-29.
  7. "Omusic launches online music store to revitalise Taiwan's music industry". International Federation of the Phonographic Industry. 2011-02-23. Retrieved 2011-05-29.
  8. "RIT白金(金)唱片審核及認證實施要點" . Retrieved 8 March 2021.
  9. "Dear Sirs and Madams". Archived from the original on 2000-01-06. Retrieved 8 March 2021.

Bibliography

  • Wang, Ying-fen (2000). "Taiwan: From Innocence to Funny Rap". In Broughton, Simon; Ellingham, Mark (eds.). World Music. Volume 2, Latin and North America, Caribbean, India, Asia and Pacific. London: Rough Guides. pp. 235–40. ISBN   9781858286365.