Horace Silver discography | |
---|---|
Studio albums | 36 |
Live albums | 3 |
Compilation albums | 7 |
This is a discography of the recordings of Horace Silver (September 2, 1928 – June 18, 2014), an American hard bop jazz pianist. His major discography consists of 36 studio albums, 3 live albums and 7 compilations.
Silver was initially a sideman, first recording in 1950, then a leader of mainly small groups. He was a founding member of The Jazz Messengers, originally run cooperatively, later by drummer Art Blakey alone. After leaving the Messengers, Silver led a five-piece combo into the 1980s. The vast majority of Silver's recordings as a leader were for the Blue Note label.
Album | Album Details | Peak chart positions | ||
---|---|---|---|---|
US [1] | Top Jazz Albums [1] | Top R&B Albums [1] | ||
New Faces New Sounds (Introducing the Horace Silver Trio) |
| — | — | — |
Horace Silver Quintet |
| — | — | — |
Horace Silver Quintet, Vol. 2 |
| — | — | — |
Silver's Blue |
| — | — | — |
6 Pieces of Silver |
| — | — | — |
The Stylings of Silver |
| — | — | — |
Further Explorations |
| — | — | — |
Finger Poppin' with the Horace Silver Quintet |
| — | — | — |
Blowin' the Blues Away |
| — | — | — |
Horace-Scope |
| — | — | — |
The Tokyo Blues |
| — | — | — |
Silver's Serenade |
| — | — | — |
Song for My Father |
| 95 | — | 8 |
The Cape Verdean Blues |
| 130 | — | — |
The Jody Grind |
| — | 8 [2] | — |
Serenade to a Soul Sister |
| — | 8 [3] | 41 |
You Gotta Take a Little Love |
| — | — | — |
That Healin' Feelin' The United States of Mind Phase 1 |
| — | — | — |
Total Response The United States of Mind Phase 2 |
| — | — | — |
All The United States of Mind Phase 3 |
| — | — | — |
In Pursuit of the 27th Man |
| — | 36 | — |
Silver 'n Brass |
| — | 15 [4] | — |
Silver 'n Wood |
| — | 35 [5] | — |
Silver 'n Voices |
| — | 39 | — |
Silver 'n Percussion |
| — | — | — |
Silver 'n Strings Play the Music of the Spheres |
| — | — | — |
Guides to Growing Up |
| — | — | — |
Spiritualizing the Senses |
| — | — | — |
There's No Need to Struggle |
| — | — | — |
The Continuity of Spirit |
| — | — | — |
Music to Ease Your Disease |
| — | — | — |
It's Got to Be Funky |
| — | 2 | — |
Pencil Packin' Papa |
| — | — | — |
The Hardbop Grandpop |
| — | — | — |
A Prescription for the Blues |
| — | 25 | — |
Jazz...Has...A Sense of Humor |
| — | 22 | — |
Rockin' with Rachmaninoff |
| — | — | — |
"—" denotes a recording that did not chart. |
Album | Album Details | Peak chart positions | ||
---|---|---|---|---|
US [1] | Top Jazz Albums [1] | Top R&B Albums [1] | ||
Live at Newport '58 |
| — | 9 | — |
Doin' the Thing |
| — | — | — |
Live 1964 |
| — | — | — |
June 1977 (Bremen, Germany) |
| — | — | — |
"—" denotes a recording that did not chart. |
Album | Album Details | Peak chart positions | ||
---|---|---|---|---|
US [1] | Top Jazz Albums [1] | Top R&B Albums [1] | ||
Horace Silver and the Jazz Messengers |
| — | — | — |
Horace Silver Trio and Art Blakey-Sabu |
| — | — | — |
The Trio Sides |
| — | — | — |
Sterling Silver |
| — | — | — |
The Natives are Restless Tonight |
| — | — | — |
The United States of Mind |
| — | — | — |
"—" denotes a recording that did not chart. |
Year | Format | A-side | B-side | Catalog number | Label |
---|---|---|---|---|---|
1952 | 10" 78rpm | "Safari" | "Thou Swell" | 1608 | Blue Note |
1953 | 10" 78rpm | "Opus de Funk" | "Day In, Day Out" | 1625 | Blue Note |
1955 | 7" 45rpm | "The Preacher" | "Doodlin'" | 1630 | Blue Note |
1955 | 7" 45rpm | "Room 608" | "Creepin' In" | 1631 | Blue Note |
1956 | 7" 45rpm | "Enchantment" | "Camouflage" | 1654 | Blue Note |
1956 | 7" 45rpm | "Senor Blues" | "Cool Eyes" | 1655 | Blue Note |
1957 | 7" 45rpm | "Home Cookin'" | "The Back Beat" | 1672 | Blue Note |
1957 | 7" 45rpm | "Soulville" | "No Smokin'" | 1673 | Blue Note |
1958 | 7" 45rpm | "Safari" | "The Outlaw" | 1705 | Blue Note |
1958 | 7" 45rpm | "Senor Blues" | "Tippin'" | 1710 | Blue Note |
1959 | 7" 45rpm | "Come on Home" | "Finger Poppin" | 1740 | Blue Note |
1959 | 7" 45rpm | "Juicy Lucy" | "Cookin' at the Continental" | 1741 | Blue Note |
1959 | 7" 45rpm | "Swinging the Samba" | "Mellow D" | 1742 | Blue Note |
1959 | 7" 45rpm | "Sister Sadie" | "Break City" | 1750 | Blue Note |
1959 | 7" 45rpm | "Blowin' the Blues Away" | "The Baghdad Blues" | 1751 | Blue Note |
1960 | 7" 45rpm | "Strollin'" | "Nica's Dream" | 1784 | Blue Note |
1960 | 7" 45rpm | "Me and My Baby" | "Where You At" | 1785 | Blue Note |
1961 | 7" 45rpm | "Filthy McNasty, Part 1" | "Filthy McNasty, Part 2" | 1817 | Blue Note |
1961 | 7" 45rpm | "Doin' the Thing, Part 1" | "Doin' the Thing, Part 2" | 1818 | Blue Note |
1962 | 7" 45rpm | "Tokyo Blues, Part 1" | "Tokyo Blues, Part 2" | 1871 | Blue Note |
1962 | 7" 45rpm | "Sayonara Blues, Part 1" | "Sayonara Blues, Part 2" | 1872 | Blue Note |
1962 | 7" 45rpm | "Too Much Sake, Part 1" | "Too Much Sake, Part 2" | 1873 | Blue Note |
1963 | 7" 45rpm | "Silver's Serenade" | "Let's Go to the Nitty Gritty" | 1902 | Blue Note |
1963 | 7" 45rpm | "Sweet Sweetie Dee" | "The Dragon Lady" | 1903 | Blue Note |
1964 | 7" 45rpm | "Song for My Father, Part 1" | "Song for My Father, Part 2" | 1912 | Blue Note |
1964 | 7" 45rpm | "Que Pasa, Part 1" | "Que Pasa, Part 2" | 1913 | Blue Note |
1965 | 7" 45rpm | "The Cape Verdean Blues" | "Pretty Eyes" | 1923 | Blue Note |
1965 | 7" 45rpm | "The African Queen, Part 1" | "The African Queen, Part 2" | 1924 | Blue Note |
1966 | 7" 45rpm | "The Jody Grind, Part 1" | "The Jody Grind, Part 2" | 1932 | Blue Note |
1968 | 7" 45rpm | "Psychedelic Sally" | "Serenade to a Soul Sister" | 1939 | Blue Note |
1969 | 7" 45rpm | "You Gotta Take a Little Love" | "Down and Out" | 1946 | Blue Note |
1970 | 7" 45rpm | "The Show Has Begun" | "There's Much to be Done" | 1964 | Blue Note |
1970 | 7" 45rpm | "I've Had a Little Talk" | "Acid, Pot or Pills" | 1975 | Blue Note |
1972 | 7" 45rpm | "Horn of Life" | "The Cause and Effect" | 1978 | Blue Note |
1972 | 7" 45rpm | "Nothing Can Stop Me Now" | "The Liberated Brother" | BN-XW325-W | Blue Note |
1976 | 7" 45rpm | "Slow Down" | "Time and Effort" | BN-XW905-Y | Blue Note |
1976 | 7" 45rpm | "Togetherness" | "Out of the Night Came You" | BN-XW1032 | Blue Note |
In addition to Horace Silver and the Jazz Messengers listed above, Silver recorded two live albums, a studio album and portions of two more compilation albums as co-leader of the original Jazz Messengers with Art Blakey.
Year | Title |
---|---|
1955 | At the Cafe Bohemia, Vol. 1 |
1955 | At the Cafe Bohemia, Vol. 2 |
1956 | The Jazz Messengers |
1956 | The Cool Voice of Rita Reys |
1956 | Originally |
Year | Title | Leader | Label |
---|---|---|---|
1950 | Stan Getz Vol. 1 | Stan Getz | Roost (RLP 402) |
1951 | Chamber Music | Stan Getz | Roost (RLP 417) |
1951 | Split Kick | Stan Getz | Roost (RLP 423) |
Above albums on The Complete Roost Recordings (Blue Note, 1950–54 [1997]) | |||
1952 | New Faces New Sounds | Lou Donaldson | Blue Note (BLP 5021) |
1952 | Disorder at the Border | Coleman Hawkins | Spotlite (SPJ 121) [1973] |
1953 | Sonny Stitt Playing Arrangements from the Pen of Johnny Richards | Sonny Stitt | Roost (RLP 415) |
1953 | Howard McGhee Vol. 2 | Howard McGhee | Blue Note (BLP 5024) |
1953 | Al Cohn's Tones | Al Cohn | Savoy (MG 120488) |
1954 | Early Art | Art Farmer | Prestige (PRLP 177) |
1954 | A Night at Birdland Vol. 1 | Art Blakey | Blue Note (BLP 5037) |
1954 | A Night at Birdland Vol. 2 | Art Blakey | Blue Note (BLP 5038) |
1954 | A Night at Birdland Vol. 3 | Art Blakey | Blue Note (BLP 5039) |
1954 | Miles Davis, Volume 3 | Miles Davis | Blue Note (BLP 5040) |
1954 | Miles Davis Quartet | Miles Davis | Prestige (PRLP 161) |
1954 | Miles Davis Quintet | Miles Davis | Prestige (PRLP 185) |
1954 | Miles Davis All-Star Sextet | Miles Davis | Prestige (PRLP 182) |
1954 | The Philosophy of Urso | Phil Urso | Savoy (MG 12056) |
1954 | When Farmer Met Gryce | Art Farmer | Prestige (PRLP 181) |
1954 | Cats vs. Chicks | Clark Terry and Terry Pollard | MGM (E 255) |
1954 | The Art Farmer Septet | Art Farmer | Prestige (PRLP 7031) |
1954 | Milt Jackson Quartet | Milt Jackson | Prestige (PRLP 183) |
1954 | Miles Davis with Sonny Rollins | Miles Davis | Prestige (PRLP 187) |
1955 | Clark Terry | Clark Terry | EmArcy (MG 36007) |
1955 | Afro-Cuban | Kenny Dorham | Blue Note (BLP 1535) |
1955 | Hank Mobley Quartet | Hank Mobley | Blue Note (BLP 5066) |
1955 | Milt Jackson Quartet | Milt Jackson | Prestige (PRLP 7003) |
1955 | The Eminent J. J. Johnson Vol. 3 | J. J. Johnson | Blue Note (BLP 5070) |
1955 | Bohemia After Dark | Kenny Clarke | Savoy (MG 12017) |
1955 | Introducing Nat Adderley | Nat Adderley | Wing (MGW 60000) |
1955 | Nica's Tempo | Gigi Gryce | Savoy (MG 12137) |
1955 | Byrd's Eye View | Donald Byrd | Transition (TRLP J-4) |
1956 | Whims of Chambers | Paul Chambers | Blue Note (BLP 1534) |
1956 | J. R. Monterose | J. R. Monterose | Blue Note (BLP 1536) |
1956 | Lee Morgan Indeed! | Lee Morgan | Blue Note (BLP 1538) |
1956 | Hank Mobley with Donald Byrd and Lee Morgan | Hank Mobley | Blue Note (BLP 1540) |
1956 | Lee Morgan Vol. 2 | Lee Morgan | Blue Note (BLP 1541) |
1957 | Plenty, Plenty Soul | Milt Jackson | Atlantic (LP 1269) |
1957 | Hank Mobley and His All Stars | Hank Mobley | Blue Note (BLP 1544) |
1957 | Blowing in from Chicago | Cliff Jordan and John Gilmore | Blue Note (BLP 1549) |
1957 | Hank Mobley Quintet | Hank Mobley | Blue Note (BLP 1550) |
1957 | Sonny Rollins, Vol. 2 | Sonny Rollins | Blue Note (BLP 1558) |
1994 | Love and Peace: A Tribute to Horace Silver | Dee Dee Bridgewater | Verve (314 527 470-2) |
Horace Ward Martin Tavares Silver was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
Henry Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
Art Blakey was an American jazz drummer and bandleader. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey led many non-Messenger recording sessions. In addition to the 76 albums which he recorded as a leader or co-leader of the Jazz Messengers, Blakey also led 10 studio albums, 3 live albums and 4 compilation sessions. A relentless performer, he continued to record as a sideman on dozens of albums, throughout his career—frequently for Messengers alumni. He also led several percussion-centric albums with many of his peers.
A Night at Birdland, Vols. 1 & 2 are a pair of separate but related live albums by the Art Blakey Quintet. They were recorded at the Birdland jazz club on February 21, 1954 and released on Blue Note in 1956. The performance was originally spread out over three 10" LPs as A Night at Birdland Vols. 1–3 (1954).
Caravan is a jazz album released by Art Blakey and the Jazz Messengers in February 1963. It was Blakey's first album for Riverside Records after he signed with them in October 1962. The songs were recorded at the Plaza Sound Studio in New York City, on October 23–24, 1962 The producer was Orrin Keepnews who also supervised the album's remastered re-release on CD.
The Jazz Messengers is the first studio album by the Jazz Messengers, released in 1956 by Columbia Records. It was their fourth overall album, and also their last recording to feature the group's co-founder, Horace Silver, on piano.
Originally is an album by drummer Art Blakey and The Jazz Messengers recorded in 1956, but not released on the Columbia label until 1982. The album features unreleased tracks from the sessions that produced The Jazz Messengers and Hard Bop which have since been released as bonus tracks on those albums and Drum Suite.
Horace Silver and the Jazz Messengers is an album by Horace Silver and the Jazz Messengers compiling two 1955 10" LPs—Horace Silver Quintet, Vol. 3 and Horace Silver Quintet, Vol. 4 —recorded on November 13, 1954 and February 6, 1955 respectively and released on Blue Note in October 1956—Silver’s debut 12". The quintet features horn section Hank Mobley and Kenny Dorham and rhythm section Doug Watkins and Art Blakey.
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
Blowing In from Chicago is a studio album by the American jazz saxophonists Clifford Jordan and John Gilmore. It was released through Blue Note Records in July 1957. The recording was made on March 3, 1957 and the quintet assembled for the session features rhythm section Horace Silver, Curly Russell and Art Blakey.
At the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey and the Jazz Messengers, recorded at the Birdland jazz club in New York City on April 15, 1959 and released on Blue Note later that year in September and October respectively. The quintet features horn section Lee Morgan and Hank Mobley and rhythm section Bobby Timmons, Jymie Merritt and Art Blakey.
Kyoto is an album by Art Blakey and the Jazz Messengers, recorded in 1964 and released on the Riverside label.
Night in Tunisia: Digital Recording is an album by drummer Art Blakey and the Jazz Messengers recorded in Japan in 1979 and released on the Dutch Philips label. The album was one of the earliest digital recordings of a jazz artist and was also released as a direct to disc recording in Japan.
I Get a Kick Out of Bu is an album by drummer Art Blakey and the Jazz Messengers recorded in Italy in 1988 and released on the Soul Note label.
"Moanin'" is a composition by Bobby Timmons, first recorded by Art Blakey's band the Jazz Messengers for the album of the same title that was released by Blue Note Records. Both the single and album are in the Grammy Hall of Fame.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
The Jazz Messengers were a jazz band that existed with varying personnel for 35 years. Their discography consists of 47 studio albums, 21 live albums, 2 soundtracks, 6 compilations, and one boxed set.
The Art of Jazz: Live in Leverkusen is a live album by Art Blakey's Jazz Messengers at the Leverkusen Jazz Festival in Germany on October 9, 1989. To commemorate Blakey's 70th birthday, the concert featured many special guests—most of whom were former Messengers. Singer Michelle Hendricks sang a song – "Mr. Blakey"—composed for the occasion by founding Messenger Horace Silver.
Horace Silver Trio & Art Blakey–Sabu is an album by the Horace Silver Trio featuring drummer Art Blakey and conga player Sabu, recorded on October 9 & 20, 1952 and November 23, 1953 respectively and released on Blue Note in 1956.