The Love Parade is a 1929 American pre-Code musical comedy film, directed by Ernst Lubitsch and starring Maurice Chevalier and Jeanette MacDonald, involving the marital difficulties of Queen Louise of Sylvania (MacDonald) and her consort, Count Alfred Renard (Chevalier). Despite his love for Louise and his promise to be an obedient husband, Count Alfred finds his role as a figurehead unbearable. The supporting cast features Lupino Lane, Lillian Roth and Eugene Pallette.
This is a list of notable events in music that took place in the year 1929.
Fifi D'Orsay was a Canadian-American actress and singer.
Walter Donaldson was a prolific American popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook.
Whoopee! is a 1928 musical comedy play with a book based on Owen Davis's play, The Nervous Wreck. The musical libretto was written by William Anthony McGuire, with music by Walter Donaldson and lyrics by Gus Kahn. The musical premiered on Broadway in 1928, starring Eddie Cantor, and introduced the hit song "Love Me or Leave Me", sung by Ruth Etting. A film version opened in 1930.
"Singin' in the Rain" is a song with lyrics by Arthur Freed and music by Nacio Herb Brown. Doris Eaton Travis introduced the song on Broadway in The Hollywood Music Box Revue in 1929. It was then widely popularized by Cliff Edwards and the Brox Sisters in The Hollywood Revue of 1929. Many contemporary artists had hit records with "Singin' in the Rain" since its release, including Cliff Edwards, Earl Burtnett and Gus Arnheim in 1929 alone. It entered the American public domain on January 1, 2025.
"(You're the Flower of My Heart,) Sweet Adeline" is a ballad best known as a barbershop standard. It was first published in 1903, with lyrics by Richard Husch Gerard to music by Harry Armstrong, from a tune he had written in 1896 at the age of 18. According to a 1928 newspaper story, the lyrics were inspired "by a girl who worked at the music counter of a New York department store." After failing to find a publisher with the initial title, "You're the Flower of My Heart, Sweet Rosalie", according to a story the two decided a new title was in order and were inspired by a poster advertising the farewell tour of opera singer Adelina Patti. It did not become a hit until it was performed in 1904 by the group The Haydn Quartet. The Haydn Quartet's version was #1 for 10 weeks in 1904, and the Peerless Quartet also hit #1 with their version in 1904, for three weeks, according to Joel Whitburn's Pop Memories.
"My Blue Heaven" is a popular song written by Walter Donaldson with lyrics by George A. Whiting. The song was used in the Ziegfeld Follies of 1927. It has become part of various fake book collections. Its musical composition entered the public domain on January 1, 2023.
Glorifying the American Girl is a 1929 American pre-Code musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film, which was filmed in early Technicolor, is basically a Follies production, with appearances by Rudy Vallee, Helen Morgan, and Eddie Cantor.
Going Hollywood is a 1933 American pre-Code musical film directed by Raoul Walsh and starring Marion Davies and Bing Crosby. It was written by Donald Ogden Stewart based on a story by Frances Marion. The film was released by Metro-Goldwyn-Mayer on December 22, 1933.
Elmer Goodfellow "El" Brendel was an American vaudeville comedian turned movie star, best remembered for his dialect routine as a Swedish immigrant. His biggest role was as "Single-0" in the sci-fi musical Just Imagine (1930), produced by Fox Film Corporation. His screen name was pronounced "El Bren-DEL".
Rosita Marstini was a French dancer, stage personality, and silent and sound film actress from Nancy, France.
Happy Days is a 1929 American pre-Code musical film directed by Benjamin Stoloff, which was the first feature film shown entirely in widescreen anywhere in the world, filmed using the Fox Grandeur 70 mm process. French director Abel Gance's Napoléon (1927) had a final widescreen segment in what Gance called Polyvision. Paramount released Old Ironsides (1927), with two sequences in a widescreen process called "Magnascope", while MGM released Trail of '98 (1928) in a widescreen process called "Fanthom Screen".
The Stolen Jools is a 1931 American pre-Code comedy short produced by the Masquers Club of Hollywood, featuring many cameo appearances by film stars of the day. The stars appeared in the film, distributed by Paramount Pictures, to raise funds for the National Vaudeville Artists Tuberculosis Sanitarium. The UCLA Film and Television Archive entry for this film says—as do the credits—that the film was co-sponsored by Chesterfield cigarettes to support the "fine work" of the NVA sanitarium.
Yola d'Avril was a French-American actress, who appeared in numerous productions between 1925 and 1953. She was also known as Yola Vermairion and Yola d'Avril Montiague.
Mr. Lemon of Orange is a 1931 American Pre-Code comedy film directed by John G. Blystone and starring El Brendel, Fifi D'Orsay and Ruth Warren. It was produced and distributed by the Fox Film Corporation.
The Cock-Eyed World is a 1929 American pre-Code musical comedy feature film. One of the earliest "talkies", it was a sequel to What Price Glory? (1926), it was directed and written by Raoul Walsh and based on the Flagg and Quirt story by Maxwell Anderson, Tom Barry, Wilson Mizner, and Laurence Stallings. Fox Film Corporation released the film at the Roxy in New York on August 3, 1929.
They Had to See Paris is a 1929 American Pre-Code comedy film directed by Frank Borzage and starring Will Rogers, Irene Rich, and Marguerite Churchill. The screenplay concerns a wealthy American oil tycoon who travels to Paris with his family at his wife's request, despite the fact he hates the French.
Hot Pepper (1933) is an American pre-Code comedy film starring Lupe Vélez, Edmund Lowe, and Victor McLaglen, directed by John G. Blystone and released by Fox Film Corporation. The film appeared before the enforcement of the Production Code.
Women of All Nations is a 1931 American pre-Code military comedy film directed by Raoul Walsh and starring Victor McLaglen, Edmund Lowe, Greta Nissen and El Brendel. It was the second of three sequels to Walsh's 1926 film, What Price Glory?, with McLaglen and Lowe reprising their roles.
