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Howard Keel | |
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![]() Keel in trailer for Annie Get Your Gun (1950) | |
Born | Harold Clifford Keel April 13, 1919 Gillespie, Illinois, U.S. |
Died | November 7, 2004 85) Palm Desert, California, U.S. | (aged
Occupation(s) | Actor, singer |
Years active | 1943–2002 |
Spouses |
|
Children | 4 |
Relatives | Bodie Olmos (grandson) |
12th President of the Screen Actors Guild | |
In office 1958–1959 | |
Preceded by | Leon Ames |
Succeeded by | Ronald Reagan |
Harold Clifford Keel (April 13,1919 –November 7,2004), [1] known professionally as Howard Keel,was an American actor and singer,known for his rich bass-baritone singing voice. [2] He starred in a number of MGM musicals in the 1950s and in the CBS television series Dallas from 1981 to 1991.
Keel was born in Gillespie,Illinois,United States, [2] [1] to Navyman-turned-coalminer Homer Keel,and his wife,Grace Margaret (née Osterkamp). Keel was the younger of the couple's children,after elder son Frederick William Keel. The family was so poor that a teacher would often provide Keel with his lunch.[ citation needed ]
After his father's death in 1930,Keel and his mother moved to California,where he graduated from Fallbrook High School at age 17. He worked various odd jobs until settling at Douglas Aircraft Company as a "traveling representative". He was a long haul truck driver. [ citation needed ]
In the 1950s,the MGM publicity department erroneously[ citation needed ] stated that Keel's birth name was Harold Leek. [3]
At age 20,Keel was overheard singing by his landlady,Mom Rider,and was encouraged to take vocal lessons. One of his music heroes was the great baritone Lawrence Tibbett. [4] Keel later remarked that learning that his own voice was a basso cantante was one of the greatest disappointments of his life.[ citation needed ] Nevertheless,his first public performance took place in the summer of 1941,when he played the role of Samuel the Prophet in Handel's oratorio Saul (singing a duet with bass-baritone George London).
In 1945,he briefly understudied for John Raitt in the Broadway hit Carousel before being assigned to Oklahoma! both written by Richard Rodgers and Oscar Hammerstein II. [2] While performing in Oklahoma, Keel accomplished a feat that has never been duplicated on Broadway;he once performed the leads in both shows on the same day. In 1947,Oklahoma! became the first American postwar musical to travel to London,England,and Keel joined the production. [2] On April 30,1947,at the Drury Lane Theatre,the capacity audience (which included the future Queen Elizabeth II) demanded fourteen encores.
Keel made his film debut as Harold Keel at the British Lion studio in Elstree,in The Small Voice (1948), [1] released in the United States as The Hideout. [2] He played an escaped convict holding a playwright and his wife hostage in their English country cottage. [5] Additional Broadway credits include Saratoga, No Strings, and Ambassador. He appeared at The Muny in St. Louis as Adam in Seven Brides for Seven Brothers (1978);Emile de Becque in South Pacific (1992);and as General Waverly in White Christmas (2000).
From London's West End,Keel went to Hollywood in 1949 where he was engaged by the Metro-Goldwyn-Mayer film studio. He made his musical film debut as Frank Butler in the film version of Irving Berlin's Annie Get Your Gun (1950),co-starring with Betty Hutton. [2] The film was a big hit and established Keel as a star. [6]
MGM put him opposite Esther Williams in Pagan Love Song (1950) which was successful,although not as profitable as most Esther Williams films because it went over budget. [6] Keel had a third hit in a row with the comedy Three Guys Named Mike (1951),supporting Van Johnson and Jane Wyman.
Even more popular was Show Boat (1951),where Keel played the male lead opposite Kathryn Grayson and Ava Gardner. [2] Keel was reunited with Williams in Texas Carnival (1952). He had his first flop at MGM with the comedy Callaway Went Thataway (1952) co-starring Fred MacMurray and Dorothy McGuire. [6] A reunion with Grayson, Lovely to Look At (1952),based on the stage musical Roberta was popular but lost money. [6]
MGM tried him in an adventure film, Desperate Search (1953) which was poorly received. So too was the comedy Fast Company (1953). More popular was a Western with Gardner and Robert Taylor, Ride,Vaquero! (1953).
Warner Bros borrowed Keel to play Wild Bill Hickok opposite Doris Day in Calamity Jane (1953),another hit. Back at MGM he and Grayson made a third musical together, Kiss Me Kate (1953),which again was liked by the public but unprofitable. The same went for Rose Marie (1954) which Keel made with Ann Blyth. However Seven Brides for Seven Brothers (1954) with Jane Powell was a huge success and made MGM over $3 million in profit. [6]
Keel was one of many guest stars in Deep in My Heart (1954). He and Williams made a third film together, Jupiter's Darling (1955) which lost MGM over $2 million - the first Williams movie to lose money. Kismet (1955) with Blyth also lost over two million dollars,and Keel was released from his MGM contract.
He returned to his first love,the stage. In 1957,he was in a short-lived revival of Carousel. [7] Keel's next film was made in Britain,the thriller Floods of Fear (1959). He returned to Hollywood to play Simon-Peter in a Biblical epic, The Big Fisherman (1960). In 1959-60 he was in a short-lived Broadway musical Saratoga. [8] Keel went to Europe to make a low budget war film, Armored Command (1961). In England,he starred in The Day of the Triffids (1962).
As America's taste in entertainment changed,finding jobs became more difficult for Keel. The 1960s held limited prospects for career advancement and consisted primarily of nightclub work,B-Westerns and summer stock. He did Carousel in 1962 and 1966. He replaced Richard Kiley on Broadway in No Strings (1962). Keel starred in Westerns for A. C. Lyles, Waco (1966), Red Tomahawk (1966) and Arizona Bushwhackers (1968). He had a supporting part in a John Wayne Western, The War Wagon (1967).
In early 1970,Keel met Judy Magamoll,who was twenty-five years his junior and knew nothing about his stardom. Years later,Keel called the relationship love at first sight,but the age difference bothered him tremendously. For Judy,however,it was not a problem,and with the aid of Robert Frost's poem "What Fifty Said",she convinced him to proceed with their relationship. He resumed his routine of nightclub,cabaret and summer stock jobs with his new wife at his side.
From 1971 to 1972,Keel appeared briefly in the West End and Broadway productions of the musical Ambassador, which flopped. In 1974,Keel became a father for the fourth time with the birth of his daughter,Leslie Grace. In January 1986,he underwent double heart bypass surgery.
Keel continued to tour with his wife and daughter in tow,but by 1980 had decided to make his life change. He moved his family to Oklahoma with the intention of joining an oil company. The family had barely settled down when Keel was called back to California to appear with Jane Powell on an episode of The Love Boat . While there,he was told that the producers of the television series Dallas wanted to speak with him.
In 1981,after several guest appearances,Keel joined the show permanently as the dignified but hot-tempered oil baron Clayton Farlow. [2] Starting with an appearance on the fourth season,the character had been meant as a semi-replacement patriarch for the series' Jock Ewing played by Jim Davis,who had recently died. However,Clayton was such a hit among viewers that he was made a series regular and stayed on until its end in 1991. Not only did Dallas revive his acting career,it breathed new life to his recording endeavors. [2]
With renewed fame,Keel commenced his first solo recording career,at age 64,as well as a successful concert career in the UK. He released an album in 1984,With Love,which sold poorly. However,his album And I Love You So reached #6 in the UK Albums Chart [9] and #37 in Australia in 1984. [10] The follow up album,Reminiscing –The Howard Keel Collection peaked at #20 in the UK Albums Chart,spending twelve weeks in that listing in 1985 and 1986. [9] The album also peaked at #83 in Australia. [10]
In 1988,the album Just for You reached #51 in the UK Albums Chart. [9] In 1994,Keel and Judy moved to Palm Desert,California. The Keels were active in community charity events,and attended the annual Howard Keel Golf Classic at Mere Golf Club in Cheshire,England,which raised money for the National Society for the Prevention of Cruelty to Children (NSPCC). Keel attended the event for many years until 2004.
Keel received a star on the Hollywood Walk of Fame on 8 February 1960. It is located at 6253 Hollywood Boulevard.
A Golden Palm Star on the Palm Springs,California,Walk of Stars was dedicated to him in 1996. [11]
Keel was a member of the Grand Order of Water Rats.
In 2019,he was inducted into the Western Performers Hall of Fame at the National Cowboy &Western Heritage Museum in Oklahoma City,Oklahoma.
In 1943,Keel met and married actress Rosemary Cooper. They were divorced in 1948,during the London run of Oklahoma! . Keel met Helen Anderson,a member of the show's chorus,and they married in January 1949. Keel and Helen were separated in 1969 and divorced in 1970. Keel married airline flight attendant Judy Magamoll in December 1970. [1]
Keel had four children:three with second wife,Helen Anderson (two daughters,Kaija Liane and Kirstine Elizabeth;and a son,Gunnar Louis;one by his third wife of 34 years,Judy (a daughter,Leslie Grace);and ten grandchildren,including actor Bodie Olmos. [1]
Keel died at his Palm Desert home on November 7,2004,six weeks after being diagnosed with colon cancer. [12] He was cremated and his ashes scattered at three favourite places:Mere Golf Club,Cheshire,England;John Lennon Airport,Liverpool,England;and Tuscany,Italy.[ citation needed ]
Film | |||
---|---|---|---|
Year | Title | Role | Notes |
1948 | The Small Voice | Boke | Alternate title:The Hideout |
1950 | Annie Get Your Gun | Frank Butler | |
1950 | Pagan Love Song | Hazard Endicott | |
1951 | Three Guys Named Mike | Mike Jamison | |
1951 | Show Boat | Gaylord Ravenal | |
1951 | Texas Carnival | Slim Shelby | |
1951 | Across the Wide Missouri | Narrator | Voice,Uncredited |
1951 | Callaway Went Thataway | Stretch Barnes / Smoky Callaway | Alternate title:The Star Said No |
1952 | Lovely to Look At | Tony Naylor | |
1952 | Desperate Search | Vince Heldon | |
1952 | The Hoaxters | Narrator | Documentary |
1953 | Fast Company | Rick Grayton | |
1953 | Ride,Vaquero! | King Cameron | |
1953 | Calamity Jane | Wild Bill Hickok | |
1953 | Kiss Me Kate | Fred Graham / "Petruchio" | |
1954 | Rose Marie | Capt. Mike Malone | |
1954 | Seven Brides for Seven Brothers | Adam Pontipee | |
1954 | Deep in My Heart | Specialty in 'My Maryland' | |
1955 | Jupiter's Darling | Hannibal | |
1955 | Kismet | The Poet | |
1959 | Floods of Fear | Donovan | |
1959 | The Big Fisherman | Simon Peter | |
1961 | Armored Command | Col. Devlin | |
1962 | The Day of the Triffids | Bill Masen | |
1965 | The Man from Button Willow | Vocalist (opening and closing credits) | Uncredited |
1966 | Waco | Waco | |
1967 | Red Tomahawk | Capt. Tom York | |
1967 | The War Wagon | Levi Walking Bear | |
1968 | Arizona Bushwhackers | Lee Travis | |
1994 | That's Entertainment! III | Himself | |
2002 | My Father's House | Roy Mardis | (final film role) |
Television | |||
---|---|---|---|
Year | Title | Role | Notes |
1957 | Zane Grey Theater | Will Gorman | Episode:"Gift from a Gunman" |
1957 | The Polly Bergen Show | Himself | Episode:"December 7,1957" |
1958 | Roberta | John Kent | Television film |
1961 | Tales of Wells Fargo | Justin Brox | Episode:"Casket 7.3" |
1963 | Death Valley Days | Diamond Jim Brady | Episode:"Diamond Jim Brady" |
1965 | Run for Your Life | Hardie Rankin | Episode:"The Time of the Sharks" |
1967 | The Red Skelton Show | Police Officer McGoogle | Episode:"A Christmas Urchin" |
1969 | Here's Lucy | Mr. Livingston | Episode:"Lucy's Safari" |
1969 | Insight | Himself | Episode:"Is the 11:59 Late This Year?" |
1976 | The Quest | Shanghai Pierce | Episode:"Seventy-Two Hours" |
1981 | The Love Boat | Duncan Harlow | Episode:"Maid for Each Other/Lost and Found/Then There Were Two" |
1981–1991 | Dallas | Clayton Farlow | 234 episodes |
1982 | Fantasy Island | Colonel | Episode:"The Big Bet/Nancy and the Thunderbirds" |
1983 | The Love Boat | Kyle Cummings | Episode:"Long Time No See/The Bear Essence/Kisses and Makeup" |
1984 | Entertainment Express | Himself | Episode:"Episode #2.2" |
1984 | Live from Her Majesty's | Himself | Episode:"April 15,1984" |
1985 | Doris Day’s Best Friends | Himself | Episode:"Episode #1.14" |
1986 | Great Performances | Himself | Episode:"Irving Berlin's America" |
1991 | Good Sports | Sonny Gordon | Episode:"The Return of Nick" |
1991 | Murder,She Wrote | Larry Thorson | Episode:"A Killing in Vegas" |
1993 | Bruce's Guest Night | himself "Guest" | BBC Programme |
1994 | Hart to Hart:Home Is Where the Hart Is | Captain Quentin "Jack" Jackson | Television film |
1995 | Walker,Texas Ranger | D.L. Dade | Episode:"Blue Movies" |
Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II. The 1945 work was adapted from Ferenc Molnár's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right. A secondary plot line deals with millworker Carrie Pipperidge and her romance with ambitious fisherman Enoch Snow. The show includes the well-known songs "If I Loved You", "June Is Bustin' Out All Over" and "You'll Never Walk Alone". Richard Rodgers later wrote that Carousel was his favorite of all his musicals.
Seven Brides for Seven Brothers is a 1954 American musical film, directed by Stanley Donen, with music by Gene de Paul, lyrics by Johnny Mercer, and choreography by Michael Kidd. The screenplay, by Albert Hackett, Frances Goodrich, and Dorothy Kingsley, is based on the short story "The Sobbin' Women", by Stephen Vincent Benét, which was based in turn on the ancient Roman legend of the Rape of the Sabine Women. Seven Brides for Seven Brothers, which is set in Oregon in 1850, is particularly known for Kidd's unusual choreography, which makes dance numbers out of such mundane frontier pursuits as chopping wood and raising a barn. Film critic Stephanie Zacharek has called the barn-raising sequence in Seven Brides "one of the most rousing dance numbers ever put on screen." The film was photographed in Ansco Color in the CinemaScope format.
Kathryn Grayson was an American actress and coloratura soprano.
Shirley Mae Jones is an American actress and singer. In her six decades in show business, she has starred as wholesome characters in a number of musical films, such as Oklahoma! (1955), Carousel (1956), and The Music Man (1962). She won the Academy Award for Best Supporting Actress for playing a vengeful prostitute in Elmer Gantry (1960). She played the lead role of Shirley Partridge, the widowed mother of five children, in the musical situation-comedy television series The Partridge Family (1970–1974), which co-starred her real-life stepson, David Cassidy, son of Jack Cassidy.
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theater. Five of their Broadway shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella (1957). Of the other four shows that the team produced on Broadway during their lifetimes, Flower Drum Song was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows garnered were 34 Tony Awards, fifteen Academy Awards, two Pulitzer Prizes and two Grammy Awards.
Jane Powell was an American actress, singer, and dancer who first appeared in Metro-Goldwyn-Mayer musicals in the 1940s and 50s. With her soprano voice and girl-next-door image, Powell appeared in films, television and on the stage, performing in the musicals A Date with Judy (1948), Royal Wedding (1951), Seven Brides for Seven Brothers (1954), and Hit the Deck (1955).
Arthur Freed was an American lyricist and Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi. Both films were musicals. In addition, he produced and was also a co-lyricist for the film Singin' in the Rain.
Busby Berkeley was an American film director and musical choreographer. Berkeley devised elaborate musical production numbers that often involved complex geometric patterns. Berkeley's works used large numbers of showgirls and props as fantasy elements in kaleidoscopic on-screen performances.
Albert Gordon MacRae was an American actor, singer, and television and radio host. He appeared in the film versions of two Rodgers and Hammerstein musicals, Oklahoma! (1955) and Carousel (1956), and played the leading man opposite Doris Day in On Moonlight Bay (1951) and sequel By The Light of the Silvery Moon (1953).
Emmett Evan "Van" Heflin Jr. was an American theatre, radio, and film actor. He played mostly character parts over the course of his film career, but during the 1940s had a string of roles as a leading man. Heflin won the Academy Award for Best Supporting Actor for his performance in Johnny Eager (1942). He also had memorable roles in Westerns such as Shane (1953), 3:10 to Yuma (1957), and Gunman's Walk (1958).
That's Entertainment! is a 1974 American compilation film released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The success of the retrospective prompted a 1976 sequel, the related 1985 film That's Dancing!, and a third installment in 1994.
That's Entertainment! III is a 1994 American documentary film released by Metro-Goldwyn-Mayer to celebrate the studio's 70th anniversary. It was the third in a series of retrospectives that began with the first That's Entertainment! (1974) and That's Entertainment, Part II (1976). Although posters and home video packaging use the title without an exclamation mark, the actual on-screen title of the film uses it.
Joseph Herman Pasternak was a Hungarian-American film producer in Hollywood. Pasternak spent the Hollywood "Golden Age" of musicals at MGM Studios, producing many successful musicals with female singing stars like Deanna Durbin, Kathryn Grayson and Jane Powell, as well as swimmer/bathing beauty Esther Williams' films. He produced Judy Garland's final MGM film, Summer Stock, which was released in 1950, and some of Gene Kelly’s early breakthrough roles. Pasternak worked in the film industry for 45 years, from the later silent era until shortly past the end of the classical Hollywood cinema in the early 1960s.
"So in Love" is a popular song, written by Cole Porter, from his musical Kiss Me, Kate, which was based on Shakespeare's The Taming of the Shrew. It was sung in the show by Patricia Morison, reprised by Alfred Drake, and further popularized by Patti Page in 1949.
That's Entertainment, Part II is a 1976 American compilation film released by Metro-Goldwyn-Mayer and a sequel to That's Entertainment! (1974). Like the previous film, That's Entertainment, Part II was a retrospective of famous films released by MGM from the 1930s to the 1950s. Some posters for the film use Part 2 rather than Part II in the title.
Charles Powell Walters was an American Hollywood director and choreographer most noted for his work in MGM musicals and comedies from the 1940s to the 1960s.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer. A fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker, Kern was originally involved with the production, but died before its completion. Featuring an ensemble cast of well-known musical stars, it was the first in a series of MGM biopics about Broadway composers.
Judy Garland signed her first recording contract at age 13 with Decca Records in late 1935. Garland began recording albums for Capitol Records in the 1950s. Her greatest success, Judy at Carnegie Hall (1961), was listed for 73 weeks on the Billboard 200 chart, was certified Gold, and took home five Grammy Awards.
Show Boat is a 1951 American musical romantic drama film, based on the 1927 stage musical of the same name by Jerome Kern (music) and Oscar Hammerstein II, and the 1926 novel by Edna Ferber. It was made by MGM, adapted for the screen by John Lee Mahin, produced by Arthur Freed and directed by George Sidney.
Lovely to Look At is a 1952 American musical romantic comedy film directed by Mervyn LeRoy, based on the 1933 Broadway musical Roberta.
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