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Cornel Wilde was a Hungarian-American actor, filmmaker and songwriter.
Isadore "Dore" Schary was an American playwright, director, and producer for the stage and a prolific screenwriter and producer of motion pictures. He directed just one feature film, Act One, the film biography of his friend, playwright and theater director Moss Hart. He became head of production at Metro-Goldwyn-Mayer and replaced Louis B. Mayer as president of the studio in 1951.
Stewart Granger was a British film actor, mainly associated with heroic and romantic leading roles. He was a popular leading man from the 1940s to the early 1960s, rising to fame through his appearances in the Gainsborough melodramas.
Fernando Álvaro Lamas y de Santos was an Argentine-American actor and director, and the father of actor Lorenzo Lamas.
Anthony Mann was an American film director and stage actor, best remembered for his work in the film noir and Westerns genres. As a director, he often collaborated with the cinematographer John Alton. He directed films for a variety of production companies, from RKO to MGM, and worked with many major stars of the era. He made several Westerns with James Stewart, such as Winchester '73 (1950), and he was the director of the medieval epic El Cid (1961), working with Charlton Heston and Sophia Loren. He also directed the big-budget film Cimarron (1960), which starred Glenn Ford and Maria Schell.
Charles Clarence Robert Orville Cummings was an American film and television actor known mainly for his roles in comedy films such as The Devil and Miss Jones (1941) and Princess O'Rourke (1943), but who was also effective in dramatic films, especially two of Alfred Hitchcock's thrillers, Saboteur (1942) and Dial M for Murder (1954). He received five Primetime Emmy Award nominations, and won the Primetime Emmy Award for Best Actor in a Single Performance in 1955. On February 8, 1960, he received two stars on the Hollywood Walk of Fame for his contributions to the motion picture and television industries, at 6816 Hollywood Boulevard and 1718 Vine Street.
Charles Vidor was a Hungarian film director. Among his film successes are The Bridge (1929), The Tuttles of Tahiti (1942), The Desperadoes (1943), Cover Girl (1944), Together Again (1944), A Song to Remember (1945), Over 21 (1945), Gilda (1946), The Loves of Carmen (1948), Love Me or Leave Me (1955), The Swan (1956), The Joker Is Wild (1957), and A Farewell to Arms (1957).
Jon Hall was an American film actor known for playing a variety of adventurous roles, as in 1937's The Hurricane, and later when contracted to Universal Pictures, including Invisible Agent and The Invisible Man's Revenge and six movies he made with Maria Montez. He was also known to 1950s fans as the creator and star of the Ramar of the Jungle television series which ran from 1952 to 1954. Hall directed and starred in two 1960s sci-fi films in his later years, The Beach Girls and the Monster (1965) and The Navy vs. the Night Monsters (1966).
John Howard Payne was an American film actor who is mainly remembered from film noir crime stories and 20th Century Fox musical films, and for his leading roles in Miracle on 34th Street and the NBC Western television series The Restless Gun.
Joseph Herman Pasternak was a Hungarian-born American film producer in Hollywood. Pasternak spent the Hollywood "Golden Age" of musicals at MGM Studios, producing many successful musicals with female singing stars like Deanna Durbin, Kathryn Grayson and Jane Powell, as well as swimmer/bathing beauty Esther Williams' films. He produced Judy Garland's final MGM film, Summer Stock, which was released in 1950, and some of Gene Kelly’s early breakthrough roles. Pasternak worked in the film industry for 45 years, from the later silent era until shortly past the end of the classical Hollywood cinema in the early 1960s.
Howard Green Duff was an American actor.
Charles K. Feldman was a Hollywood attorney, film producer and talent agent who founded the Famous Artists talent agency. According to one obituary, Feldman disdained publicity. "Feldman was an enigma to Hollywood. No one knew what he was up to – from producing a film to packaging one for someone else."
George Sherman was an American film director and producer of low-budget Western films. One obituary said his "credits rival in number those of anyone in the entertainment industry."
Naftuli Hertz "Nathan" Juran was an Romanian film art director, and later film and television director. As an art director, he won the Oscar for Best Art Direction in 1942 for How Green Was My Valley, along with Richard Day and Thomas Little. His work on The Razor's Edge in 1946 also received an Academy nomination. In the 1950s, he began to direct, and was known for science fiction and fantasy films such as Attack of the 50 Foot Woman. He was also the brother of quality guru Joseph M. Juran.
Henry Levin began as a stage actor and director but was most notable as an American film director of over fifty feature films. His best known credits were Jolson Sings Again (1949), Journey to the Center of the Earth (1959) and Where the Boys Are (1960).
Robert Lenard Lippert was an American film producer and cinema chain owner. He was president and chief operating officer of Lippert Theatres, Affiliated Theatres and Transcontinental Theatres, all based in San Francisco, and at his height he owned a chain of 139 movie theaters.
Seton Ingersoll Miller was an American screenwriter and producer. During his career, he worked with film directors such as Howard Hawks and Michael Curtiz. Miller received two Oscar nominations and won once for Best Screenplay for fantasy romantic comedy film Here Comes Mr. Jordan (1941) along with Sidney Buchman.
Reginald Le Borg was an Austrian film director. He was born in Vienna, Austria with the surname Groebel and directed 68 films between 1936 and 1974.
The San Francisco Story is a 1952 American Western film directed by Robert Parrish and starring Joel McCrea and Yvonne De Carlo. The rough and tumble Barbary Coast of San Francisco is recreated with attention to detail, including Florence Bates as a saloon keeper Shanghaiing the unwary. Noir elements include many shadows, discordant musical score, snappy dialogue, a disabused hero who resists the good fight, and a femme fatale. A schematic but insightful rendering of political corruption, the film is essentially about standing up to bullies.
Jackson Rose (1886–1956) was an American cinematographer. He shot more than a hundred and fifty short and feature films during his career. He began his career at the Chicago-based Essanay Pictures, then worked for Universal Pictures for much of the 1920s. He also shot films for a variety other studios including Tiffany Pictures, MGM, Columbia Pictures and Warner Brothers
