Unknown Sender is a 1950 West German comedy film directed by Ákos Ráthonyi and starring Henny Porten, Bruni Löbel and Cornell Borchers. It was shot at the Wandsbek Studios in Hamburg. The film's sets were designed by the art director Mathias Matthies.
Cornell Borchers was a Lithuanian-German actress and singer, active in the late 1940s and 1950s. She is best remembered for her roles opposite Montgomery Clift in The Big Lift (1950) and Errol Flynn and Nat King Cole in Istanbul (1957). She was said to resemble Ingrid Bergman in mid-1950s reviews.
Volker von Collande was a German actor and film director. He appeared in more than 40 films between 1934 and 1987. He also directed more than 20 films between 1942 and 1967. Collande was a member of the Nazi Party.
Chronicles of the Gray House is a 1925 German silent historical drama film directed by Arthur von Gerlach and starring Paul Hartmann, Rudolf Forster and Lil Dagover.
Maxie is a 1954 Austrian comedy drama film directed by Eduard von Borsody, and starring Willy Fritsch, Cornell Borchers, and Fita Benkhoff. The film's sets were designed by the art director Julius von Borsody.
Maria the Maid is a 1936 German drama film directed by Veit Harlan and starring Hilde Körber, Hilde Hildebrand, and Alfred Abel. It is based upon Die Kindsmagd, a novella by Walter Harlan. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Erich Grave and Hans Minzloff.
Dark Eyes is a 1951 German drama film directed by Géza von Bolváry and starring Cornell Borchers, Will Quadflieg, and Angelika Hauff. It was shot at the Spandau Studios in West Berlin. The film's sets were designed by the art directors Mathias Matthies and Ellen Schmidt.
House of Life is a 1952 West German drama film directed by Karl Hartl and starring Gustav Fröhlich, Cornell Borchers and Edith Mill. The film's setting is a maternity hospital, portraying the stories of various staff and patients.
The Man Who Wanted to Live Twice is a 1950 West German drama film directed by Viktor Tourjansky and starring Rudolf Forster, Olga Chekhova and Heidemarie Hatheyer. The future star Marianne Koch made her debut in this film, having been discovered by the director while working at the Bavaria Studios in Munich. The film's sets were designed by the art directors Franz Bi and Botho Hoefer. It was shot at the Bavaria Studios in Munich.
Abundance of Life is a 1950 West German romantic comedy film directed by Wolfgang Liebeneiner and starring Erika Müller, Ingeborg Körner, and Gunnar Möller. It was one of the last of the Rubble films made in the immediate post-war years. It updates a story by Ludwig Tieck to modern-day Hamburg, addressing the shortage of housing in the heavily bombed city.
The Queen of Spades or Pique Dame is a 1927 German silent horror film directed by Aleksandr Razumny and starring Jenny Jugo, Rudolf Forster, and Henri de Vries. It is one of many film adaptations of the Russian writer Alexander Pushkin's 1834 short story "Pikovaya Dama" and follows his story closely. It is an example of German Expressionism so prevalent there following the success of The Cabinet of Dr. Caligari in 1919. The film's sets were designed by art director Franz Schroedter.
School for Marriage is a 1954 West German comedy film directed by Rainer Geis and Anton Schelkopf and starring Wolf Albach-Retty, Cornell Borchers, and Liselotte Pulver. It was shot at the Bavaria Studios in Munich and on location in the Alps and in Paris. The film's sets were designed by the art director Ludwig Reiber.
Anonymous Letters is a 1949 German drama film directed by Arthur Maria Rabenalt, and starring Käthe Haack, Tilly Lauenstein, and O.E. Hasse. It was shot at the Tempelhof Studios in West Berlin and on location in the city at the time of the Berlin Blockade. The film's sets were designed by the art director Willi Herrmann.
Lyda Ssanin is a 1923 German silent film directed by Frederic Zelnik and starring Lya Mara, Hans Albers and Rudolf Forster.
Tonelli is a 1943 German drama film directed by Victor Tourjansky and starring Ferdinand Marian, Winnie Markus and Mady Rahl. It was shot at the Bavaria Studios in Munich and at the Deutsches Theater in the city. The film's sets were designed by the art director Ludwig Reiber. It is a circus film, a popular genre in Germany during the war years.
Fanny Elssler is a 1920 German historical film directed by Friedrich Zelnik and starring Lya Mara, Ernst Hofmann, and Rudolf Forster. It is based on the life of the nineteenth century Austrian dancer Fanny Elssler.
The Great Mandarin is a 1949 West German comedy drama film directed by Karl-Heinz Stroux and starring Paul Wegener, Carsta Löck, and Käthe Haack. It was the final film of the veteran actor Wegener.
Stopover in Orly is a 1955 French-West German romantic comedy crime film directed by Jean Dréville and starring Dany Robin, Dieter Borsche, Simone Renant and Heinz Rühmann. It was shot at the Bendestorf Studios near Hamburg and the Victorine Studios in Nice. The film's sets were designed by the art director Robert Giordani. Location shooting took place at Orly Airport, then the main airport for Paris.
Capers is a 1937 German comedy film directed by and starring Gustaf Gründgens and also featuring Marianne Hoppe, Fita Benkhoff and Volker von Collande. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Kurt Herlth and Werner Schlichting. It was produced and released by Terra Film while international distribution was handled by Tobis Film.
One Woman Is Not Enough? is a 1955 West German drama film directed by Ulrich Erfurth and starring Hilde Krahl, Hans Söhnker and Rudolf Forster. It was shot at the Tempelhof Studios in West Berlin and on location in Munich and around Lake Starnberg. The film's sets were designed by the art directors Erich Kettelhut and Johannes Ott.
