Sacrosanctum Concilium, the Constitution on the Sacred Liturgy, is one of the constitutions of the Second Vatican Council. It was approved by the assembled bishops by a vote of 2,147 to 4 and promulgated by Pope Paul VI on 4 December 1963. The main aim was to revise the traditional liturgical texts and rituals to reflect more fully fundamental principles, and be more pastorally effective in the changed conditions of the times, clarifying not only the role of ordained ministers but the modalities of appropriate participation of lay faithful in the Catholic Church's liturgy, especially that of the Roman Rite. The title is taken from the opening lines of the document and means "This Sacred Council".
Plainsong or plainchant is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony.
The Tridentine Mass, also known as the Traditional Latin Mass or the Traditional Rite, is the liturgy in the Roman Missal of the Catholic Church published from 1570 to 1962. Celebrated almost exclusively in Ecclesiastical Latin, it was the most widely used Eucharistic liturgy in the world from its issuance in 1570 until the introduction of the Mass of Paul VI.
The Mass is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy, known as the Mass.
Ecclesiastical Latin, also called Church Latin or Liturgical Latin, is a form of Latin developed to discuss Christian thought in Late Antiquity and used in Christian liturgy, theology, and church administration down to the present day, especially in the Catholic Church. It includes words from Vulgar Latin and Classical Latin re-purposed with Christian meaning. It is less stylized and rigid in form than Classical Latin, sharing vocabulary, forms, and syntax, while at the same time incorporating informal elements which had always been with the language but which were excluded by the literary authors of Classical Latin.
As the seat of the Papacy, the Vatican City and its predecessor, the Papal States, has played an important role in the development of Christian music. They perform chants of ancient origin, such as Gregorian chants, as well as modern polyphonic music. The papal choir is a well-known institution that dates back more than four hundred years. Singers were originally from northern Europe, but began arriving more from Spain and Italy in the 16th century. At this time, church authorities became concerned about the words of liturgical texts being drowned out by the traditional melodies. As a result, reformers like Palestrina revised the rules behind Gregorian chanting and Germanium, which were printed by the Medici Press in Rome; these reforms continued to be followed to the present day. A traditional musical instrument was the pipe organ. After the end of the Papal States, the Popes' ability to sponsor composers and musicians waned. However, it did not end entirely nor did interest in the subject. Pope Pius X and Pope Pius XII both wrote on the subject. In modern times, John Harbison and Gilbert Levine have composed or conducted for the Vatican. Although not of the Vatican, a Christmas concert where popular musicians performed had been held at the Vatican for thirteen years until ending in 2006. Notable performers at it included José Feliciano, Whitney Houston, Dionne Warwick, Gloria Gaynor, and B. B. King. The concert created controversy in 2003 due to statements by Lauryn Hill who used the opportunity to criticize the Vatican over Roman Catholic sex abuse cases.
The Dicastery for Divine Worship and the Discipline of the Sacraments is the dicastery of the Roman Curia that handles most affairs relating to liturgical practices of the Latin Church as distinct from the Eastern Catholic Churches and also some technical matters relating to the sacraments.
Monsignor Lorenzo Perosi was an Italian composer of sacred music and the only member of the Giovane Scuola who did not write opera. In the late 1890s, while he was still only in his twenties, Perosi was an internationally celebrated composer of sacred music, especially large-scale oratorios. Nobel Prize winner Romain Rolland wrote, "It's not easy to give you an exact idea of how popular Lorenzo Perosi is in his native country." Perosi's fame was not restricted to Europe. A 19 March 1899 New York Times article entitled "The Genius of Don Perosi" began, "The great and ever-increasing success which has greeted the four new oratorios of Don Lorenzo Perosi has placed this young priest-composer on a pedestal of fame which can only be compared with that which has been accorded of late years to the idolized Pietro Mascagni by his fellow-countrymen." Gianandrea Gavazzeni made the same comparison: "The sudden clamors of applause, at the end of the [19th] century, were just like those a decade earlier for Mascagni." Perosi worked for five Popes, including Pope Pius X who greatly fostered his rise.
The Sistine Chapel Choir, as it is generally called in English, or officially the Coro della Cappella Musicale Pontificia Sistina in Italian, is the Pope's personal choir. It performs at papal functions in the Sistine Chapel and in any other church in Rome where the Pope is officiating, including St. Peter's Basilica. One of the oldest choirs in the world, it was constituted as the Pope's personal choir by Pope Sixtus IV. Although it was established in the late 15th century, its roots go back to the 4th century and the reign of Pope Sylvester I.
Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern. Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service and Evensong, the Lutheran Divine Service, the Orthodox liturgy, and other Christian services, including the Divine Office.
An antiphonary or antiphonal is one of the liturgical books intended for use in choro, and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites.
The Church Music Association of America (CMAA) is a nonprofit 501(c)(3) association of Catholic church musicians and others who have a special interest in music and liturgy, active in advancing Gregorian chant, Renaissance polyphony, and other forms of sacred music for liturgical use. Founded in 1964, it is affiliated with the Consociatio Internationalis Musicae Sacrae (Roma), an advisory organization on sacred music founded by Pope Paul VI.
Summorum Pontificum is an apostolic letter of Pope Benedict XVI, issued in July 2007. This letter specifies the circumstances in which priests of the Latin Church could celebrate Mass according to what Benedict XVI called the "Missal promulgated by Blessed John XXIII in 1962" and administer most of the sacraments in the form used before the liturgical reforms that followed the Second Vatican Council.
The Heptavium concert, representing also the Live Earth concert in Rome, took place on 7 July 2007 at the Basilica of St. John Lateran, the Cathedral of Rome and subject to the extraterritorial jurisdiction of the Holy See. It was part of a series of high-profile concerts organised by Kevin Wall, which took place across the globe to raise awareness about climate change. Jonas Lauren Norr of Ethos Investments was responsible for the collaboration of Live Earth with the Heptavium concert as a producer of the event. The concert was masterminded and written by composer and researcher of philosophy Michael I.D'Alessandra. The concert was officially backed by the Vatican, thus being the Catholic Church's autonomous presence at the Live Earth events.
Alternatim refers to a technique of liturgical musical performance, especially in relationship to the Organ Mass, but also to the Hymns, Magnificat and Salve regina traditionally incorporated into the Vespers and other liturgies of the Catholic Church. A specific part of the ordinary of the Mass would be divided into versets. Each verset would be performed antiphonally by two groups of singers, giving rise to polyphonic settings of half of the text. One of these groups may alternatively have consisted of a soloist, a group of instruments, or organ. The missing even- or odd-numbered verses were supplied by plainchant or, perhaps more commonly, by improvisations on the organ. The verso became a particularly prevalent genre in Renaissance and Baroque organ music, both Italian and Iberian, and most of the French classical organ literature consists of alternatim versets.
Domenico Bartolucci was an Italian cardinal of the Catholic Church. He was the former director of the Sistine Chapel Choir and the Accademia Nazionale di Santa Cecilia, and was recognized in the field of music both as a director and a prolific composer. Considered among the most authoritative interpreters of Giovanni Pierluigi da Palestrina, Bartolucci led the Sistine Chapel Choir in performances worldwide, and also directed numerous concerts with the Choir of the Academy of Santa Cecilia, including a tour of the former Soviet Union.
Magnum principium is an apostolic letter issued by Pope Francis and dated 3 September 2017 on his own authority. It modified the 1983 Code of Canon Law to shift responsibility and authority for translations of liturgical texts into modern languages to national and regional conferences of bishops and restrict the role of the Congregation for Divine Worship and the Discipline of the Sacraments (CDW). It was made public on 9 September 2017 and its effective date was 1 October of the same year.
Traditionis custodes is an apostolic letter issued motu proprio by Pope Francis, promulgated on 16 July 2021 regarding the continued use of pre-Vatican II rites. It restricts the celebration of the Tridentine Mass of the Roman Rite, sometimes colloquially called the "Latin Mass" or the "Traditional Latin Mass". The apostolic letter was accompanied by an ecclesiastical letter to the Catholic bishops of the world.
In the Catholic Church, preconciliar Latin liturgical rites coexist with postconciliar rites. In the years following the Second Vatican Council, Pope Paul VI initiated significant changes. Some of Paul VI's contemporaries, who considered the changes to be too drastic, obtained from him limited permission for the continued use of the previous Roman Missal. In the years since, the Holy See has granted varying degrees of permission to celebrate the Roman Rite and other Latin rites in the same manner as before the council. The use of preconciliar rites is associated with traditionalist Catholicism.
