|[[File:Isaac Watts from NPG.jpg|frameless|upright=1]]|
Portrait by an unknown artist
|Died||25 November 1748 74) (aged|
|Known for||"When I Survey the Wondrous Cross", "Joy to the World", "Our God, Our Help in Ages Past"|
Isaac Watts (17 July 1674 – 25 November 1748) was an English Christian minister (Congregational), hymn writer, theologian, and logician. He was a prolific and popular hymn writer and is credited with some 750 hymns. He is recognized as the "Godfather of English Hymnody"; many of his hymns remain in use today and have been translated into numerous languages.
A hymn is a type of song, usually religious, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnodist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.
This section needs additional citations for verification . (January 2014) (Learn how and when to remove this template message)
Watts was born in Southampton, England in 1674 and was brought up in the home of a committed religious nonconformist; his father, also Isaac Watts, had been incarcerated twice for his views. Watts had a classical education at King Edward VI School, Southampton, learning Latin, Greek, and Hebrew.
Southampton is the largest city in the ceremonial county of Hampshire, England. It is 70 miles (110 km) south-west of London and 15 miles (24 km) west north-west of Portsmouth. Southampton is a major port and the closest city to the New Forest. It lies at the northernmost point of Southampton Water at the confluence of the Rivers Test and Itchen, with the River Hamble joining to the south of the urban area. The city, which is a unitary authority, has an estimated population of 253,651. The city's name is sometimes abbreviated in writing to "So'ton" or "Soton", and a resident of Southampton is called a Sotonian.
In English church history, a Nonconformist was a Protestant who did not "conform" to the governance and usages of the established Church of England. Broad use of the term was precipitated after the Restoration of the British monarchy in 1660, when the Act of Uniformity 1662 re-established the opponents of reform within the Church of England. By the late 19th century the term specifically included the Reformed Christians, plus the Baptists and Methodists. The English Dissenters such as the Puritans who violated the Act of Uniformity 1559—typically by practising radical, sometimes separatist, dissent—were retrospectively labelled as Nonconformists.
King Edward VI School is a selective co-educational independent school founded in Southampton, United Kingdom, in 1553.
Watts displayed a propensity for rhyme from an early age. He was once asked why he had his eyes open during prayers, to which he responded:
A little mouse for want of stairs
ran up a rope to say its prayers.
He received corporal punishment for this, to which he cried:
Corporal punishment or physical punishment is a punishment intended to cause physical pain on a person. It is most often practised on minors, especially in home and school settings. Common methods include spanking or paddling. It has also historically been used on adults, particularly on prisoners and enslaved people. Other common methods include flagellation and caning.
Watts could not attend Oxford or Cambridge because he was a nonconformist and these universities were restricted to Anglicans—as were government positions at the time. He went to the Dissenting Academy at Stoke Newington in 1690. Much of the remainder of his life centered on that village, which is now part of Inner London.
The University of Cambridge is a collegiate public research university in Cambridge, United Kingdom. Founded in 1209 and granted a Royal Charter by King Henry III in 1231, Cambridge is the second-oldest university in the English-speaking world and the world's fourth-oldest surviving university. The university grew out of an association of scholars who left the University of Oxford after a dispute with the townspeople. The two 'ancient universities' share many common features and are often referred to jointly as 'Oxbridge'. The history and influence of the University of Cambridge has made it one of the most prestigious universities in the world.
The dissenting academies were schools, colleges and seminaries run by English Dissenters, that is, those who did not conform to the Church of England. They formed a significant part of England’s educational systems from the mid-seventeenth to nineteenth centuries.
Stoke Newington is an area occupying the north-west part of the London Borough of Hackney in north-east London, England. It is 5 miles (8 km) north-east of Charing Cross. Stoke Newington Church Street was the site of the original hamlet of Stoke Newington, which in turn gave its name to Stoke Newington the ancient parish.
Following his education, Watts was called as pastor of a large independent chapel in London, Mark Lane Congregational Chapel, where he helped train preachers, despite his poor health. He held religious opinions that were more nondenominational or ecumenical than was common for a nonconformist Congregationalist. He had a greater interest in promoting education and scholarship than preaching for any particular sect.
Watts took work as a private tutor and lived with the nonconformist Hartopp family at Fleetwood House on Church Street in Stoke Newington. Through them, he became acquainted with their immediate neighbours Sir Thomas Abney and Lady Mary. He eventually lived for a total of 36 years in the Abney household, most of the time at Abney House, their second residence. (Lady Mary had inherited the manor of Stoke Newington in 1701 from her late brother Thomas Gunston.)
On the death of Sir Thomas Abney in 1722, his widow Lady Mary and her unmarried daughter Elizabeth moved all her household to Abney House from Hertfordshire, and she invited Watts to continue with them. He particularly enjoyed the grounds at Abney Park, which Lady Mary planted with two elm walks leading down to an island heronry in the Hackney Brook, and he often sought inspiration there for the many books and hymns that he wrote.
Watts lived at Abney Hall in Stoke Newington until his death in 1748; he was buried in Bunhill Fields. He left an extensive legacy of hymns, treatises, educational works, and essays. His work was influential amongst nonconformist independents and religious revivalists of the 18th century, such as Philip Doddridge, who dedicated his best-known work to Watts.
Sacred music scholars Stephen Marini, Denny Prutow and Michael LeFebvre describe the ways in which Watts contributed to English hymnody and the previous tradition of the Church. Watts led the change in practice by including new poetry for "original songs of Christian experience" to be used in worship, according to Marini.The older tradition was based on the poetry of the Bible: the Psalms. According to LeFebvre, Psalms had been sung by God's people from the time of King David, who with a large staff over many years assembled the complete book of Psalms in a form appropriate for singing (by the Levites, during Temple sacrifices at the time). The practice of singing Psalms in worship was continued by Biblical command in the New Testament Church from its beginnings in Acts through the time of Watts, as documented by Prutow. The teachings of 16th-century Reformation leaders such as John Calvin, who translated the Psalms in the vernacular for congregational singing, followed this historic worship practice. Watts was not the first Protestant to promote the singing of hymns; however, his prolific hymn writing helped usher in a new era of English worship as many other poets followed in his path.
Watts also introduced a new way of rendering the Psalms in verse for church services, proposing that they be adapted for hymns with a specifically Christian perspective. As Watts put it in the title of his 1719 metrical Psalter, the Psalms should be "imitated in the language of the New Testament."Besides writing hymns, Isaac Watts was also a theologian and logician, writing books and essays on these subjects.
Watts wrote a textbook on logic which was particularly popular; its full title was, Logic, or The Right Use of Reason in the Enquiry After Truth With a Variety of Rules to Guard Against Error in the Affairs of Religion and Human Life, as well as in the Sciences. This was first published in 1724, and it was printed in twenty editions.
Watts wrote this work for beginners of logic, and arranged the book methodically. He divided the content of his elementary treatment of logic into four parts: perception, judgement, reasoning, and method, which he treated in this order. Each of these parts is divided into chapters, and some of these chapters are divided into sections. The content of the chapters and sections is subdivided by the following devices: divisions, distributions, notes, observations, directions, rules, illustrations, and remarks. Every contentum of the book comes under one or more of these headings, and this methodical arrangement serves to make the exposition clear.
In Watts' Logic, there are notable departures from other works of the time, and some notable innovations. The influence of British empiricism may be seen, especially that of contemporary philosopher and empiricist John Locke. Logic includes several references to Locke and his Essay Concerning Human Understanding ,in which he espoused his empiricist views. Watts was careful to distinguish between judgements and propositions, unlike some other logic authors. According to Watts, judgement is "to compare... ideas together, and to join them by affirmation, or disjoin then by negation, according as we find them to agree or disagree". He continues, "when mere ideas are joined in the mind without words, it is rather called a judgement; but when clothed with words it is called a proposition". Watts' Logic follows the scholastic tradition and divides propositions into universal affirmative, universal negative, particular affirmative, and particular negative.
In the third part, Watts discusses reasoning and argumentation, with particular emphasis on the theory of syllogism. This was considered a centrally important part of classical logic. According to Watts, and in keeping with logicians of his day, Watts defined logic as an art (see liberal arts), as opposed to a science. Throughout Logic, Watts revealed his high conception of logic by stressing the practical side of logic, rather than the speculative side. According to Watts, as a practical art, logic can be really useful in any inquiry, whether it is an inquiry in the arts, or inquiry in the sciences, or inquiry of an ethical kind. Watts' emphasis on logic as a practical art distinguishes his book from others.
By stressing a practical and non-formal part of logic, Watts gave rules and directions for any kind of inquiry, including the inquiries of science and the inquiries of philosophy. These rules of inquiry were given in addition to the formal content of classical logic common to textbooks on logic from that time. Watts' conception of logic as being divided into its practical part and its speculative part marks a departure from the conception of logic of most other authors. His conception of logic is more akin to that of the later, nineteenth-century logician, C. S. Peirce.[ citation needed ]
Isaac Watts' Logic became the standard text on logic at Oxford, Cambridge, Harvard and Yale, being used at Oxford for well over 100 years. C. S. Peirce, the great nineteenth-century logician, wrote favourably of Watts' Logic. When preparing his own textbook, titled A Critick of Arguments: How to Reason (also known as the Grand Logic), Peirce wrote, 'I shall suppose the reader to be acquainted with what is contained in Dr Watts' Logick, a book... far superior to the treatises now used in colleges, being the production of a man distinguished for good sense.'
Watts followed the Logic in 1741 by a supplement, The Improvement of the Mind. This also went through numerous editions and later inspired Michael Faraday. It was also widely used as a moral textbook in schools.
On his death, Isaac Watts' papers were given to Yale University in the Colony of Connecticut, which nonconformists (Puritans/Congregationalists) had established. King Edward VI School, Southampton, which he attended, named one of its houses "Watts" in his honour.
The Church of England and Lutheran Church remember Watts (and his ministerial service) annually in the Calendar of Saints on 25 November, and the Episcopal Church on the following day.
The earliest surviving built memorial to Isaac Watts is at Westminster Abbey; this was completed shortly after his death. His much-visited chest tomb at Bunhill Fields dates from 1808, replacing the original that had been paid for and erected by Lady Mary Abney and the Hartopp family.A stone bust of Watts is installed at the nonconformist Dr Williams's Library, in central London. The earliest public statue, erected in 1845, stands at Abney Park, where Watts had lived for more than 30 years at the manor house, where he also died. The park was later devoted to uses as a cemetery and public arboretum. A later, rather similar statue was funded by public subscription and erected in a new Victorian public park named for Watts in Southampton, the city of his birth. In the mid-nineteenth century, the Congregational Dr Watts Memorial Hall was built in Southampton and named for him. After World War II, it was lost to redevelopment. The Isaac Watts Memorial United Reformed Church was built on the site and named for him. One of the earliest built memorials may also now be lost: a bust to Watts that was commissioned on his death for the London chapel with which he was associated. The chapel was demolished in the late 18th century; remaining parts of the memorial were rescued at the last minute by a wealthy landowner for installation in his chapel near Liverpool. It is unclear whether the bust survives. The stone statue in front of the Abney Park Chapel at Dr Watts' Walk, Abney Park Cemetery, was erected in 1845 by public subscription. It was designed by the leading British sculptor, Edward Hodges Baily RA FRS. A scheme for a commemorative statue on this spot had first been promoted in the late 1830s by George Collison, who in 1840 published an engraving as the frontispiece of his book about cemetery design in Europe and America; and at Abney Park Cemetery in particular. This first cenotaph proposal was never commissioned, and Baily's later design was adopted in 1845. In 1974, the City of Southampton (Watts' home city) commemorated the 300 year anniversary of his birth by commissioning the biography Isaac Watts Remembered, written by David G. Fountain, who like Watts, was also a nonconformist minister from Southampton.
One of Watts' best-known poems was an exhortation "Against Idleness and Mischief" in Divine Songs for Children. This was parodied by Lewis Carroll in the poem "How Doth the Little Crocodile", included in his book Alice's Adventures in Wonderland. His parody is better known than Watts' original poem. The poem was also featured in the segment on the cartoon programme "Rocky and His Friends" called "Bullwinkle's Corner", in which Bullwinkle Moose recites poetry. In this case, the poem was titled "The Bee", with no author credit.
In his novel David Copperfield (1850), Charles Dickens has school master Dr. Strong quote from Watts' "Against Idleness and Mischief".
The 1884 comic opera Princess Ida includes a punning reference to Watts in Act I. At Princess Ida's women's university, no males are allowed. Her father King Gama says that "She'll scarcely suffer Dr. Watts' 'hymns'".
A poem often referred to as "False Greatness" by Joseph Merrick ("The Elephant Man"), which was used in writing or "signature block" by Merrick, starting "Tis true, my form is something odd but blaming me, is blaming God..." is often (incorrectly) quoted or cited as a work by Isaac Watts. In fact only the last few sentences were penned by Watts ("False Greatness", book II-Horae lyricae 1743) starting "Mylo, forbear to call him bless'd That only boasts a large estate..."
Watts' hymns include:
Many of Watts' hymns are included in the Anglican Hymns Ancient and Modern, the Oxford Book of Common Praise, the Christadelphian hymnal, the Episcopal Church's Hymnal 1982, Evangelical Lutheran Worship, the Baptist Hymnal, the Presbyterian Trinity Hymnal, and the Methodist Hymns and Psalms. Many of his texts are also used in the American hymnal, The Sacred Harp, using what is known as the shape note notation used for teaching non-musicians. Several of his hymns are used in the hymnals of the Church of Christ, Scientist and The Church of Jesus Christ of Latter-day Saints.
Bunhill Fields is a former burial ground in central London, in the London Borough of Islington, just north of the City of London boundary. The site is managed as a public garden by the City of London Corporation. It is about 1.6 hectares in extent, although historically it was much larger.
A Selection of Hymns for Public Worship is a hymn book compiled by William Gadsby, a minister of the Gospel Standard Strict Baptists in England. First published in the 19th century, it is still in current use.
"Joy to the World" is a popular Christmas carol with words by Isaac Watts. As of the late 20th century, "Joy to the World" was the most-published Christmas hymn in North America.
"Old 100th" or "Old Hundredth" is a hymn tune in Long Metre from Pseaumes Octante Trois de David (1551) and is one of the best known melodies in all Christian musical traditions. The tune is usually attributed to the French composer Louis Bourgeois.
A metrical psalter is a kind of Bible translation: a book containing a metrical translation of all or part of the Book of Psalms in vernacular poetry, meant to be sung as hymns in a church. Some metrical psalters include melodies or even harmonizations. The composition of metrical psalters was a large enterprise of the Protestant Reformation, especially in its Calvinist manifestation.
Abney Park cemetery is one of the Magnificent Seven cemeteries in London, England.
Exclusive psalmody is the practice of singing only the biblical Psalms in congregational singing as worship. Today it is practised by several Protestant, especially Reformed denominations. Hymns besides the Psalms have been composed by Christians since the earliest days of the church, but psalms were preferred by the early church and used almost exclusively until the end of the fourth century. During the Protestant Reformation, Martin Luther and many other reformers, including those associated with the Reformed tradition, used hymns as well as psalms, but John Calvin preferred the Psalms and they were the only music allowed for worship in Geneva. This became the norm for the next 200 years of Reformed worship. Hymnody became acceptable again for the Reformed in the middle of the nineteenth century, though several denominations, notably the Reformed Presbyterians, continue the practice of exclusive psalmody.
The Genevan Psalter, also known as The Huguenot Psalter, is a metrical psalter in French created under the supervision of John Calvin for liturgical use by the Reformed churches of the city of Geneva in the sixteenth century.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ. The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, a substantial selection of "world music" selections origin, a full lectionary-based Psalter, service music selections, and a selection of liturgies from the UCC Book of Worship (1986). Generally speaking, the hymnal is theologically within the "mainline" Protestant tradition, with a slant toward liturgical forms.
Andrew Reed was an English Congregational minister and hymnwriter, who became a prominent philanthropist and social reformer. He was the father of Sir Charles Reed and grandfather of Talbot Baines Reed.
Mary, Lady Abney inherited the Manor of Stoke Newington in 1701 from her brother. The property lies about five miles north of St Paul's Cathedral in the City of London. She had a great influence on the design and landscaping of Abney Park, including the planting of the two elm walks that lead to Hackney Brook.
John Rippon was an English Baptist minister. In 1787 he published an important hymnal, A Selection of Hymns from the Best Authors, Intended to Be an Appendix to Dr. Watts’ Psalms and Hymns, commonly known as Rippon's Selection, which was very successful, and was reprinted 27 times in over 200,000 copies. Many hymns originally published in Rippon's Selection are preserved in the Sacred Harp.
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part harmony, a fast harmonic rhythm, and no refrain or chorus.
Presbyterian worship documents worship practices in Presbyterian churches; in this case, the practices of the many churches descended from the Scottish Presbyterian church at the time of the Reformation.
"Our God, Our Help in Ages Past" is a hymn by Isaac Watts that paraphrases the 90th Psalm of the Book of Psalms. It originally consisted of nine stanzas; however, in present usage the fourth, sixth, and eighth stanzas are commonly omitted to leave a total of six. In 1738, John Wesley in his hymnal, Psalms and Hymns, changed the first line of the text from "Our God" to "O God." Both Watts' wording and Wesley's rewording remain in current use.
Josiah Conder, correspondent of Robert Southey and well-connected to Romantic authors of his day, was editor of the British literary magazine The Eclectic Review, the Nonconformist and abolitionist newspaper The Patriot, the author of romantic verses, poetry, and many popular hymns that survive to this day. His most ambitious non-fiction work was the thirty-volume worldwide geographical tome The Modern Traveller; and his best-selling compilation book The Congregational Hymn Book. Conder was a prominent London Congregationalist, an abolitionist, and took an active part in seeking to repeal British anti-Jewish laws.
Psalm 108 is the 108th psalm of the biblical Book of Psalms. In the Greek Septuagint version of the bible, and in its Latin translation in the Vulgate, this psalm is Psalm 107 in a slightly different numbering system.
Dwight Leslie Armstrong was a composer of Christian hymns based upon texts from the Psalms and other books of the Christian Bible. He was the younger brother of American evangelist Herbert W. Armstrong, and uncle of American evangelist Garner Ted Armstrong. He was married to Karen Hill Armstrong and was the father of one daughter, Deborah.
Psalm 84 is the 84th psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "How amiable are thy tabernacles, O Lord of hosts!". The Book of Psalms is the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Greek Septuagint version of the bible, and in its Latin translation in the Vulgate, this psalm is Psalm 83 in a slightly different numbering system. In Latin, it is known as "Quam dilecta tabernacula tua Domine virtutum". The psalm is a hymn psalm, more specifically a pilgrimage psalm, attributed to the sons of Korah.
|Wikiquote has quotations related to: Isaac Watts|
| Wikisource has original works written by or about:|
|Wikimedia Commons has media related to Isaac Watts .|