Isolde Josefa Ludovika von Bülow
10 April 1865
|Died||7 February 1919 53) (aged|
Munich, Bavaria, Germany
|Known for||She was Richard Wagner's eldest daughter by his marriage to Cosima|
|Children||Franz Wilhelm Beidler|
|Parent(s)|| Richard Wagner |
|Relatives|| Franz Liszt (grandfather)|
Siegfried Wagner (brother)
Eva Chamberlain (sister)
Blandine Gravina (half-sister)
Daniela von Bülow (half-sister)
Hans von Bülow (adoptive father)
Isolde Josefa Ludovika Beidler (née von Bülow; April 10, 1865 – February 7, 1919) was the first child of the composer Richard Wagner and his wife, who is generally known as Cosima Wagner (though the two of them married only in 1870). Isolde herself married the Swiss-born conductor Franz Beidler(1872-1930) and was the mother of author Franz Wilhelm Beidler (1901-1981), celebrated at his birth as "Richard Wagner's first grandchild".
In view of the enduring interest in Richard Wagner's antisemitic opinions,it becomes intriguing that in 1923 Isolde Beidler posthumously acquired a Jewish daughter-in-law.
Isolde Josefa Ludovika von Bülow was born in Munich slightly more than nine months after her parents Richard Wagner and Cosima Liszt had spent an amorous week alone together in a house on the shores of Lake Starnberg (die Starnberger See), south of Munich and north of Garmisch.Both her parents were music celebrities: the child's illegitimacy risked scandal, leading to professional, social and financial difficulties. Cosima's husband Hans von Bülow, who was hugely in awe of Wagner's musical talent, acknowledged the baby as his own, and she started out in life as Isolde von Bülow. (Hans von Bülow is reported as having stated that "if it had been anybody but Wagner, I would have shot him".) When, in 1894, von Bülow died, Isolde would therefore be one of his legally recognised heirs, along with two elder half-sisters who really were the daughters of Hans von Bülow and Cosima Wagner: this would contribute to family ructions. According to at least one source Isolde was, during her childhood, her mother's favourite daughter. As she grew to womanhood she was nevertheless capable of treating her many admirers with waspishness. She would address the fervent 'Wagnerite' Houston Stewart Chamberlain (who was, in fairness, married to someone else when he started showing an interest in Isolde) simply as "Glotzauge" (Goggle-eyes). Chamberlain later joined the family, marrying Isolde's sister Eva: in the dynastic wranglings that were a feature of Wagner family life during the early decades of the twentieth century, he was one of those who led the faction that sought to isolate Isolde from the others.
On 20 December 1900, now aged 35, Isolde married 28-year-old Swiss conductor Franz Beidler. Beidler had arrived in Bayreuth in 1896 to take a post as an assistant musical director at the Festspielhaus, and like his new wife was, according to sources, capable of singular tactlessness. The couple settled (as tenants) at Colmdorf Manor (das Schlösschen Colmdorf) near Bayreuth, where Beidler set up a private aviary of more than 100 exotic birds that he had collected in Russia. Wagner's widow, Cosima, was not impressed. The couple's ambitious lifestyle was not matched by Beidler's earnings as a young conductor working in Bayreuth and Moscow. However, under the adept management of Cosima Wagner, the estate that the family had inherited from Richard Wagner had become fabulously wealthy, and Isolde continued to receive a financial allowance from her mother, which was becoming one of several factors giving rise to inter-generational tensions. However, Isolde gave birth to Franz Wilhelm Beidler , Richard Wagner's first (and till 1917 only) grandchild on 16 October 1901, and signs of family harmony briefly surfaced. "I don't think one can imagine a more beautiful or more loving mother", the grandmother gushed to a friend, "...she refuses to be parted from the child, feeds it herself & says she can't describe the pleasure she feels when the child takes her breast in its mouth". Between 1902 and 1905 the couple lived in Moscow and St. Petersburg where Beidler held a post as Imperial Music Director. After they returned to Colmdorf relations broke down completely between Isolde's husband and her mother, who wrote a letter to Beidler on 11 August 1906 assuring him that if Isolde were to ask her for advice on the matter she would advise her daughter to separate from him as a matter of urgency. It was dishonourable for a man "to live on his wife's money, and to do nothing, and to allow his debts to be paid off by others against whom he behaves as you behave against us". Isolde tried to mediate with her mother on behalf of her husband, but it seems that by now the Beidlers were coming to be seen increasingly as outsiders by the rest of the family. It did not help that Siegfried Wagner was only a couple of years older than Beidler, and had become inclined to view his brother-in-law as a potential rival for the conductors' podium at Bayreuth Festspielhaus, where in 1908 Siegfried took over the artistic directorship from his mother. Franz Beidler had returned from Russia to conduct The Ring in 1904, but his 1906 Parsifal turned out to be his last appearance as a conductor at Bayreuth. In the angry letter that Cosima sent to Beidler in August 1906, she shared her opinion that he had "proved incapable" in respect of both productions.
Franz Beidler embarked on an affair with a young singer called Emmy Zimmermann in 1910. This had various consequences, including the birth, on 22 May 1912, of a baby whom they called Senta Eva Elisabeth. A separation between Isolde and her husband had been on her mother's agenda since at least as far back as 1906, but Isolde resolutely stood by her man "because he is my husband and I have a child from him", as she wrote to her half-sister Daniela.Franz and Isolde Beidler moved from Colmdorf to Munich in 1912, installing themselves in a large third-floor apartment in Prinzregentenplatz (Prince Regent Square). Isolde was still receiving a significant proportion of the Wagner family income, along with reimbursement from the Wagner estate of certain further one-time expenses such as their 1912 relocation costs. Other sources indicate that the relocation costs were financed by a sympathetic family friend called Adolf von Groß. There are suggestions that the Beidlers hoped that the move to Munich would enable them to distance themselves from the ever-more-toxic family politics of the Wagner clan, centred on Bayreuth. Arguments over inheritance were becoming increasingly bitter. Also, in 1912 Isolde was diagnosed with serious lung damage, which seems to have been a symptom of the tuberculosis that would ultimately kill her.
Wagner family finances took a hit in 1913 after copyright protection on the composer's works expired. Siegfried reduced the annual "voluntary subsidy" paid to his sister to 8,000 marks. Isolde's threats proved unproductive so she launched a legal "inheritance case" in the Bayreuth District Court against her mother. The family reacted by denying that Richard Wagner was Isolde's father.The technology was not available at that time to determine this issue beyond reasonable doubt, so the critical piece of evidence became Cosima's memory. The case of "Frau Isolde Beidler gegen Frau Dr. Cosima Wagner" opened on 6 March 1914 and ended on 19 June that year, when the court dismissed the plaint. Sources suggest that it would have been remarkable for a Bavarian court to find against the powerful Wagner clan. Isolde's lawyer had accordingly made some attempt to recruit public opinion to back his client's side, which had the effect of intensifying the mutual bitterness between the parties. Cosima and her son Siegfried were, indeed, subjected to savage headlines; and some publications even came close to breaking a widely respected taboo by publishing very broad hints about Siegfried's homosexuality. None of that changed the outcome in court, however. Isolde was now expressly not acknowledged as a daughter of Richard Wagner. Required to pay the substantial legal costs incurred by both sides, she became increasingly embittered against her family. The exception was her half-sister Daniela, with whom she remained in contact. Isolde remained married to Franz, even though his tally of illegitimate children increased to three, courtesy of two different mothers. The publicity storm was cut short by the assassination of Archduke Franz Ferdinand in Sarajevo. Eventually Siegfried Wagner managed to find a wife, described dismissively but accurately by some as "an English orphan". Nevertheless, Siegfried's marriage to Winifred Williams and the birth of Wieland Wagner in 1917 meant that at last Franz Wilhelm Beidler was no longer (disregarding the dispute over Isolde's paternity) Richard Wagner's only grandchild.
The lung damage that doctors had diagnosed as tuberculosis was never cured, and Isolde Beidler sickened further in Munich. She received treatment at a nursing home in Partenkirchen where, ominously, the disease was diagnosed in both lungs. Patient notes from the Partenkirchen clinic strongly indicate that Beidler was most unco-operative in her treatment. When instructed by the doctor to lie down for long periods, she insisted on "doing something very rash such as taking long excursions in bad weather, drinking excessive amounts of alcohol etc,". It was perhaps reflective of the extent to which knowledge of the Wagner family feud had become public property that the notes mentioned also that the patient's "exceedingly disagreeable domestic arrangements... [were] ... having a highly disruptive effect on the whole course of her treatment ... often producing the most severe agitation". Rather than remain in the sanatorium until her cure had its effect, she periodically discharged herself and returned to Munich. Later she moved for a few months to Davos, before moving on again to stay with Daniela on the shores of Lake Garda and then, finally, taking herself back to Munich in June 1918 when she sensed that the end was drawing near.
Isolde Beidler died in her Prinzregentenplatz apartment at mid-afternoon on 7 February 1919 at the end of a lengthy period of intensely painful illness. Her family was represented at her burial three days later only by her husband, her son, and her half-sister. Her mother was told of her death, in response to a casual enquiry, only in 1929.
Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk, by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen.
Tristan und Isolde, WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung".
Die Walküre, WWV 86B, is the second of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen,. It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.
The Bayreuth Festival is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle Der Ring des Nibelungen and Parsifal.
Cosima Wagner was the daughter of the Hungarian composer and pianist Franz Liszt and Franco-German romantic author Marie d'Agoult. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works; after his death she devoted the rest of her life to the promotion of his music and philosophy. Commentators have recognised Cosima as the principal inspiration for Wagner's later works, particularly Parsifal.
Siegfried Helferich Richard Wagner was a German composer and conductor, the son of Richard Wagner. He was an opera composer and the artistic director of the Bayreuth Festival from 1908 to 1930.
Hans Guido Freiherr von Bülow was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, virtuoso pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States.
Franz Joseph Strauss was a German musician. He was a composer, a virtuoso horn player and accomplished performer on the guitar, clarinet and viola. He was principal horn player of the Bavarian Court Opera for more than 40 years, a teacher at the Royal School of Music, Munich, and a conductor.
Tribschen is a district of the city of Lucerne, in the Canton of Lucerne in central Switzerland.
Wieland Wagner was a German opera director, grandson of Richard Wagner. As co-director of the Bayreuth Festival when it re-opened after World War II, he was noted for innovative new stagings of the operas, departing from the naturalistic scenery and lighting of the originals. His wartime involvement in the development of the V-2 rocket was kept secret for many years.
Karl Eduard Maria Elmendorff was a German opera conductor.
Ludwig Suthaus was a German operatic "Heldentenor".
Anna Bellschan von Mildenburg was an eminent Wagnerian soprano of Austrian nationality. Known as Anna Bahr-Mildenburg after her 1909 marriage, she had been a protégé of the composer/conductor Gustav Mahler during his musical directorship at the Hamburg State Opera. In 1898, Mahler took her to the Vienna State Opera, where she established herself as one of the great stars during his celebrated tenure there as music director.
The family of the composer Richard Wagner:
The Bayreuth canon consists of those operas by the German composer Richard Wagner (1813–1883) that have been performed at the Bayreuth Festival. The festival, which is dedicated to the staging of these works, was founded by Wagner in 1876 in the Bavarian town of Bayreuth, and has continued under the directorship of his family since his death. Although it was not originally held annually, it has taken place in July and August every year since the 75th anniversary season in 1951. Its venue is the Bayreuth Festspielhaus, which was built for the first festival. Attendance at the festival is often thought of as a pilgrimage made by Wagner aficionados.
Wahnfried was the name given by Richard Wagner to his villa in Bayreuth. The name is a German compound of Wahn and Fried(e).
Albert Wilhelm Karl Niemann was a leading German tenor opera singer especially associated with the operas of Richard Wagner. He gave important premieres in France, Germany, England and the United States, and played Siegmund in the first complete production of Der Ring des Nibelungen.
Wagner is a 1983 television miniseries on the life of Richard Wagner with Richard Burton in the title role. It was directed by Tony Palmer and written by Charles Wood. The film was later released on DVD as a ten-part miniseries.
Marie ("Mimi") Baronessvon Schleinitz was an influential salonnière of the early German Reich in Berlin and one of the most important supporters of Richard Wagner.
Eva Maria Chamberlain was the daughter of Richard Wagner and Cosima Wagner, and the wife of Houston Stewart Chamberlain. When she was born, her mother was still married to Hans von Bülow. Through her mother, she was also a granddaughter of Franz Liszt. With her siblings Isolde and Siegfried, Eva was brought up by a house teacher.