As of 1January2023[update], the municipality had a population of 88,521 inhabitants.[2] The total area is 6.41km2 (2.47sqmi), which gives a population density of 13,807/km2 (35,760/sqmi).[2] In common with all of Brussels' municipalities, it is legally bilingual (French–Dutch). It is generally considered an affluent area of the region,[3] and is particularly noted for its communities of European and Congolese immigrants.[3]
The construction of the Avenue Louise was commissioned in 1847 as a monumental avenue bordered by chestnut trees that would allow easy access from Brussels' city centre to the popular recreational area of the Bois de la Cambre. It was also to be the first Haussmann-esque artery of the city. Originally, fierce resistance to the project was put up by the town of Ixelles—then, as now, a separate municipality (local authority) from the City of Brussels—through whose territory the avenue was to run. After years of fruitless negotiations, Brussels finally annexed the narrow band of land needed for the avenue, in addition to the Bois de la Cambre itself, in 1864. That decision accounts for the unusual shape of today's City of Brussels and for the separation of Ixelles into two separate areas.
History
Medieval origins
The placename was first mentioned in 1210 as Elsela, from the Old DutchElse(n)lo, meaning alder woods.[4] The origins of the village date from the foundation of La Cambre Abbey. Hendrik I, Duke of Brabant, donated the Pennebeke domain[a] to the Cistercian nun Gisela in 1201. She in turn founded the Abbey, and in 1210, acquired property on which the duke ordered the construction of a mill.[5] The marshlands around the Abbey were later drained and sanitised, which resulted in four springs which served as a source of fish for the Abbey's inhabitants and the neighbouring hamlets.[6] The Abbey was located near the springs of the Maelbeek stream in the Sonian Forest, the remnant of which closest to Brussels became known as the Bois de la Cambre/Ter Kamerenbos in the 19th century. The Abbey was recognised by Jan III van Bethune, the Bishop of Cambrai in 1202, soon after its foundation.[7] The saints Boniface of Brussels and Alice of Schaerbeek were two of its most famous residents in the 13th century.
Around 1300, during the reign of John II, Duke of Brabant, a hostel was built near the Abbey to provide meals to the wood bearers working in the forest. Soon, a hamlet and a couple of chapels were built, including the Church of the Holy Cross, also inaugurated by the Bishop of Cambrai and dedicated to Mary and the Holy Cross in 1459.[8][b] Initially, these hamlets and provisions were constructed for the labourers who helped drain and sanitise the marshlands. At that time, part of Ixelles was a dependence of Brussels; the other part was the property of the local lord.
Before the Revolution
In 1478, the wars between King Louis XI of France and Maximilian I, Holy Roman Emperor, brought devastation to the Abbey and the surrounding areas. In 1585, during the period of the Habsburg Netherlands, the Spanish burned down most of the buildings to prevent them from being used as a refuge by Calvinists. The Abbey was restored in time for the Joyous Entry of the Archdukes Albert and Isabella in 1599. Further manors and castles (Ermitage, Ten Bosch and Ixelles, for example) were built in Ixelles in the 16th century, gradually transforming the hamlet into a full-fledged village.
Thanks to the Maelbeek springs and the purity of its waters, a brewing industry became active in the area. It started inside the Abbey, but by the 16th century, had expanded beyond its walls. Due to the liberalisation of beer manufacturing by the Council of Brabant in 1602, the industry grew, which resulted in a lively scene by the banks of the spring. By the 17th and 18th centuries, around 20 breweries-cabarets had settled in Ixelles, among which Saint-Hubert, De Sterre and L'Italie.[5]
A 17th-century drawn map of the four lakes of Ixelles. Left are a collection of buildings including the mill; right is the Abdye van Tercameren (La Cambre Abbey).
The village of Ixelles marked on the 18th-century Ferraris map
Independent municipality
In 1795, like many other towns surrounding Brussels, Ixelles was proclaimed a separate municipality by the French regime after the Revolution. The municipalities of Neder-Elsene ("Lower Ixelles", where the Abbey is located), Opper-Elsene ("Upper Ixelles", a Brussels suburb), Boondaal, Tenbos, and Solbos, all became part of Ixelles. Moreover, the Abbey was stripped of its religious functions, becoming among others a cotton-manufacturing plant, a farm, a military school, and a hospital. Many of the medieval gates of Brussels that lined what is now the Small Ring (Brussels' inner ring road) were taken down and more streets were built to accommodate the migration towards the suburbs. Ixelles' population grew nearly one-hundredfold, from 677 in 1813 to more than 58,000 in 1900.[citation needed] With this intense growth also came the Francisation of the municipality.
At the end of the 19th century, some of the ponds were drained, leaving only the so-called "Ixelles Ponds", and a new Church of the Holy Cross was built in 1860. The first trams appeared in 1884 and the first cinema in 1919. By then, Ixelles and the Avenue Louise had become one of the most fashionable areas of Brussels. Artists and celebrities moved in, leading to architectural novelties such as Art Nouveau and Art Deco.
Matongé
The Namur Gate and the Chaussée d'Ixelles/Elsensesteenweg, c.1900
Ixelles is known throughout Belgium for its large community of people of Sub-Saharan African origin. This population is mainly concentrated near the Namur Gate and the Chaussée d'Ixelles/Elsensesteenweg, and the neighbourhood is nicknamed Matongé or Matongué after the marketplace and commercial district with the same name in Kalamu, Kinshasa (Democratic Republic of the Congo). The core of Matongé was formed in late 1950s by the foundation of Maisaf (an abbreviation of Maison Africaine, meaning "African House"), which served as a centre and residence for university students from the Belgian Congo. After Congolese independence in 1960, the district faced an influx of immigrants from the new state who shaped the neighbourhood in a style to resemble the original Matongé. During the 1960s and into the '70s, the area was a well known meeting place for students and diplomats from Zaire. At the time they were known locally as Belgicains.[citation needed] Communities from other African countries (mainly from Rwanda, Burundi, Mali, Cameroon, and Senegal) are also present in the district.
Two famous shopping arcades, the Ixelles Gallery and the Namur Gate Gallery, are located in the heart of Matongé. In the galleries and the adjoining streets, a large number of specialised food shops and suppliers can be found. The area is renowned for its clothes, shoes and material shops, hairdressers and wigmakers, booksellers, jewellers and craft shops, making the area unmissable for many local and even international visitors. Over 45 different nationalities amongst the residents and shopkeepers can be counted, including most African countries. Statistically, many of the shopkeepers are not necessarily local residents. Amongst the visitors and window shoppers to Matongé are many who appreciate African fashion and lifestyle.
The district also attained notoriety from the early 2000s with gang violence perpetrated by African gangs, partly composed of exiled child soldiers like Black Démolition. It was the scene of race riots in January 2001. Matongé, with its more recent immigrant communities from Latin America, Pakistan, and India along with African ones, is seen as a symbol of multiculturalism in Belgium. The local authorities, community groups and residents with a certain degree of success have more recently re-established the area as a safe place to visit. As the area and property ages there is increased pressure and interest from property developers to expand the European Quarter on one side and the fashionable Avenue Louise on the other, effectively Matongé is sandwiched between the two.
Every year since 2001 at the end of June, a multicultural festival, Matongé en Couleurs, has been organised in the area. The date coincides with the celebration of Congolese independence. The film Juju Factory, released in 2006, was partly filmed in the area. The local television channel BX1 (formerly Télé Bruxelles) broadcasts a weekly magazine programme, Téle Matongé XL.
The pedestrian street Rue Longue Vie/Lange-Levenstraat has many snack-bars where African food is sold. Most of these have been decorated by the famous Afro-European artist John Bush. Le Soleil d'Afrique has almost become his museum, with not only his original paintings on display, but also other painted surfaces and furniture.
Main sights
The buildings of La Cambre Abbey, close to the territory of Ixelles, house a renowned school for the visual arts, the National Geographic Institute, and various parish functions.
The Résidence de la Cambre, the first high-rise building in Brussels, on the Boulevard Général Jacques/Generaal Jacqueslaan, is another notable Art Deco building.
Ixelles was a centre of Art Nouveau architecture in the first decades of the 20th century. Several Art Nouveau houses built by Victor Horta are listed as a UNESCO World Heritage Site,[10] and some of them can be visited.
Ixelles Cemetery is one of the most important cemeteries in the country as it contains the graves of a number of famous Belgian personalities. It was there, in 1891, that the French General Georges Boulanger, leader of the right-wing Boulangerists, committed suicide, on the tomb of his mistress, who had died a couple of months earlier.
Ixelles also houses several interesting churches and museums, including the Museum of Ixelles, as well as the Constantin Meunier Museum, established in the residence where the artist lived part of his life.
Several fairs are organised in Ixelles, including the Spring Fair on the Place Eugène Flagey, which takes place between the fourth and sixth Sunday after Easter, as well as the Boondael Fair at the end of July.[citation needed]
Ursula von der Leyen (born 1958), German Federal Minister for Labour and Social Affairs, German Minister of Defence, and President of the European Commission
Giacomo Puccini (1858–1924), Italian composer; lived and died at 1, avenue de la Couronne/Kroonlaan; a tablet with an inscription is visible on the building wall.
↑ Jan de Vries, Woordenboek der Noord- en Zuidnederlandse plaatsnamen, Het Spectrum publishers, 1962
1 2 Herla, Michèle (2016). ELSENE: Geschiedenis van de stedenbouwkundige ontwikkeling – Deel 2[ELSENE: History of urban development – Part 2](PDF) (Report) (in Dutch). Gewestelijke Overheidsdienst Brussel, Directie Monumenten en Landschappen, CCN [Brussels Regional Public Service, Monuments and Landscapes Directorate, CCN]. Archived from the original(PDF) on 30 October 2019. Retrieved 30 October 2019– via www.irismonument.be.
↑ Marc, Meganck (2016). "De Ter Kamerenabdij"(PDF). Inventaris van het Bouwkundig Erfgoed van het Brussels Hoofstedelijk Gewest: 46 – via City of Brussels Archives.
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