James Blish

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James Blish
BornJames Benjamin Blish
(1921-05-23)May 23, 1921
East Orange, New Jersey, United States
DiedJuly 30, 1975(1975-07-30) (aged 54)
Henley-on-Thames, England
Pen name
  • William Atheling Jr.
  • Donald Laverty
  • John MacDougal
  • Arthur Lloyd Merlyn
OccupationWriter, Literary critic
LanguageEnglish
NationalityAmerican
Education
  • Rutgers University (BS)
  • Columbia University (incompl.)
Period1940–1975
Genre Science fiction, Fantasy
Years active1940–75
Spouses
Children
  • Asa Benjamin Blish
  • Dorothea Elisabeth Blish
  • Charles Benjamin Blish
Relatives
  • Asa Rhodes Blish
  • Dorothea Schneewind

Signature James Blish Signatures.jpg

James Benjamin Blish (23 May 1921 30 July 1975) was an American science fiction and fantasy writer. He is best known for his Cities in Flight novels, and his series of Star Trek novelizations written with his wife, J. A. Lawrence. He is credited with creating the term gas giant to refer to large planetary bodies.

Science fiction Genre of speculative fiction

Science fiction is a genre of speculative fiction, typically dealing with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, and extraterrestrials in fiction. Science fiction often explores the potential consequences of scientific other various innovations, and has been called a "literature of ideas."

<i>Cities in Flight</i> four-volume series of science fiction stories by James Blish

Cities in Flight is a four-volume series of science fiction stories by American writer James Blish, originally published between 1950 and 1962, which were first known collectively as the "Okie" novels. The series features entire cities that are able to fly through space using an anti-gravity device, the spindizzy. The stories cover roughly two thousand years, from the very near future to the end of the universe. One story, "Earthman, Come Home" won a Retro Hugo Award in 2004 for Best Novelette. Since 1970, the primary edition has been the omnibus volume first published in paperback by Avon Books. Over the years James Blish made many changes to these stories in response to points raised in letters from readers.

Judith Ann Blish, also credited as Judith L. Blish and Judy Blish, is an American sketch artist and short fiction writer. She is most known for her work on the Bantam Books series of Star Trek episode novelizations, with her husband James Blish, and the anthology Mudd's Angels. She has been active in preserving, and promoting her husband's work.

Contents

Blish was a member of the Futurians. [1] His first published stories appeared in Super Science Stories and Amazing Stories .

The Futurians were a group of science fiction (SF) fans, many of whom became editors and writers as well. The Futurians were based in New York City and were a major force in the development of science fiction writing and science fiction fandom in the years 1937–1945.

<i>Super Science Stories</i> US pulp science fiction magazine

Super Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 and 1943, and again from 1949 to 1951. Popular launched it under their "Fictioneers" imprint, which they used for magazines paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941, and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines. This made it difficult to acquire good fiction, but Pohl was able to acquire stories for the early issues from the Futurians, a group of young science fiction fans and aspiring writers.

<i>Amazing Stories</i> American science fiction magazine

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Blish wrote literary criticism of science fiction using the pen-name William Atheling Jr. His other pen names included: Donald Laverty, John MacDougal, and Arthur Lloyd Merlyn.

Literary criticism study, evaluation, and interpretation of literature

Literary criticism is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists.

Early life

Blish was born on 23 May 1921 at East Orange, New Jersey. [2] While in high school, Blish self-published a fanzine using a hectograph, called The Planeteer. [3] The fanzine ran for six issues. Blish attended meetings of the Futurian Science Fiction Society in New York City during this period.

East Orange, New Jersey City in Essex County, New Jersey, U.S.

East Orange is a city in Essex County, New Jersey, United States. As of the 2010 United States Census the city's population was 64,270, reflecting a decline of 5,554 (−8.0%) from the 69,824 counted in the 2000 Census, which had in turn declined by 3,728 (−5.1%) from the 73,552 counted in the 1990 Census. The city was the state's 20th most-populous municipality in 2010, after having been the state's 14th most-populous municipality in 2000.

Fanzine magazine published by fans

A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there it was adopted by other communities.

Hectograph

The hectograph, gelatin duplicator or jellygraph is a printing process that involves transfer of an original, prepared with special inks, to a pan of gelatin or a gelatin pad pulled tight on a metal frame.

Futurian members Damon Knight and C.M. Kornbluth became close friends, however, Blish's relationship with other members were often bitter. [4] A personal target was fellow member Judith Merril, whom he would debate politics with. Merril would frequently dismiss Blish's self-description of being a "paper fascist". She wrote in Better to Have Loved (2002), "Of course [Blish] was not fascist, antisemitic, or any of those terrible things, but every time he used the phrase, I saw red." [5]

Damon Knight American science fiction writer, editor and critic

Damon Francis Knight was an American science fiction author, editor and critic. He is the author of "To Serve Man", a 1950 short story adapted for The Twilight Zone. He was married to fellow writer Kate Wilhelm.

Judith Merril American science fiction writer and editor

Judith Josephine Grossman, who took the pen-name Judith Merril around 1945, was an American and then Canadian science fiction writer, editor and political activist, and one of the first women to be widely influential in those roles.

James Blish's grave marker. BlishGrave.jpg
James Blish's grave marker.

Blish studied microbiology at Rutgers University, graduating in 1942. He was drafted into Army service, and he served briefly as a medical laboratory technician. The United States Army discharged him for refusing orders to clean a grease trap in 1944. Following discharge, Blish entered Columbia University as a masters student of zoology. He did not complete the program, opting to write fiction full-time. [4]

Rutgers University multi-campus American public research university in New Jersey, United States

Rutgers, The State University of New Jersey, commonly referred to as Rutgers University, Rutgers, or RU, is a public research university in New Jersey. It is the largest institution of higher education in New Jersey.

In 1947, he married Virginia Kidd, a fellow Futurian. They divorced in 1963. Blish then married artist J. A. Lawrence in 1968, moving to England that same year.

From 1962 to 1968, Blish worked for the Tobacco Institute, as a writer and critic. Much of his work for the institute went uncredited; subsequently, his work has been characterized as delusional and normalizing of "one of the least healthy habits imaginable". [6]

Blish died on 30 July 1975 from complications related to lung cancer. He was buried in Holywell Cemetery, Oxford. The Bodleian Library at Oxford is the custodian of Blish's papers. [7] The library also has a complete catalog of Blish's published works.

Blish's The Warriors of Day was originally published in Two Complete Science-Adventure Books in 1951 as "Sword of Xota" Two complete science adventure books 1951sum n3.jpg
Blish's The Warriors of Day was originally published in Two Complete Science-Adventure Books in 1951 as "Sword of Xota"

Career

Throughout the 1940s, Blish published most of his stories in the few pulp magazines still in circulation. His first story was sold to fellow Futurian Frederik Pohl for Super Science Stories (1940), called "Emergency Refueling". Other stories were published intermittently, but with little circulation. Blish's "Chaos, Co-Ordinated", co-written with Robert A. W. Lowndes, was sold to Astounding Science Fiction , appearing in the October 1946 issue, earning Blish national circulation for the first time.

Pantropy (1942–56)

Blish was what Andrew Litpack called a "practical writer". [4] He would revisit, revise, and often expand on previously written stories. An example is "Sunken Universe" published in Super Science Stories in 1942. The story reappeared in Galaxy Science Fiction as "Surface Tension", in an altered form in 1952. The premise emphasised Blish's understanding of microbiology, and featured microscopic humans engineered to live on a hostile planet's shallow pools of water. The story proved to be among Blish's more popular, and was anthologized in The Science Fiction Hall of Fame, Volume One, 1929–1964 , edited by Robert Silverberg. [8]

The world of microscopic humans continued in "The Thing in the Attic" in 1954, and "Watershed" the following year. The fourth entry, "A Time to Survive", was published by The Magazine of Fantasy & Science Fiction in 1957. The stories were collected, edited together, and released as the fixup The Seedling Stars (1956) from Gnome Press. John Clute said of all of Blish's "deeply felt work" explored "confronting the Faustian (or Frankensteinian) man". [4]

Cities in Flight (1950–58)

The Encyclopedia of Science Fiction asserts that it was not until the 1950s, and the Okie sequence of stories beginning their run, "did it become clear [Blish] would become a [science fiction] writer of unusual depth". [9] The stories were loosely based on the Okie migration following the Dust Bowl of the 1930s, and were influenced by Oswald Spengler's two part Der Untergang des Abendlandes (The Decline of the West).

The stories detail the life of the Okies, humans who migrate throughout space looking for work in vast city-ships, powered by spindizzies, a type of anti-gravity engine. The premise and plot reflected Blish's feelings on the state of western civilization, and his personal politics. [4] The first two stories, "Okie", and "Bindlestiff", were published in 1950, by Astounding. "Sargasso of Lost Cities" appeared in Two Complete Science-Adventure Books in April 1953. "Earthman, Come Home" followed a few months later, published by Astounding. In 1955, Blish collected the four stories together into an omnibus titled Earthman, Come Home, published by Putman.

More stories followed: In 1956, They Shall Have Stars, which edited together "Bridge" and "At Death’s End", and in 1958, Blish released The Triumph of Time. Four years later, he published a new Okies novel, A Life for the Stars. The Okies sequence was edited together and published as Cities In Flight (1970).

Clute notes, "the brilliance of Cities in Flight does not lie in the assemblage of its parts, but in the momentum of the ideas embodied in it (albeit sometimes obscurely)." [4]

The novella Sargasso of Lost Cities, Blish's third Cities in Flight story, was published in Two Complete Science-Adventure Books in 1953. Two complete science adventure books 1953spr n8.jpg
The novella Sargasso of Lost Cities, Blish's third Cities in Flight story, was published in Two Complete Science-Adventure Books in 1953.

After Such Knowledge (1958–71)

Blish continued to rework older stories, and did so for one of his best known works, A Case of Conscience (1958). The novel originated as a novella, originally published in an issue of If , in 1953. The story follows a Jesuit priest, Ramon Ruiz-Sanchez, who visits the planet Lithia as a technical member of an expedition. While on the planet they discover a race of bipedal reptilians that have perfected morality in what Ruiz-Sanchez says is "the absence of God", and theological complications ensue. The book is one of the first major works in the genre to explore religion and its implications. It was the first of a series including Doctor Mirabilis (1964) and the two-part story Black Easter (1968), and The Day After Judgment (1971). The latter two were collected as The Devil's Day (1980). An omnibus of all four entries in the series was released by Legend in 1991, titled After Such Knowledge.

A Case of Conscience won the 1959 Hugo Award for Best Novel, [10] and was collected as part of Library of America’s omnibus American Science Fiction: Five Classic Novels 1956-1958. [11]

Star Trek (1967–77)

Blish was commissioned by Bantam Books to adapt episodes of Star Trek . The adapted short stories were generally based on draft scripts, and contained differing plot elements, and situations present in the aired television episodes.

The stories were collected into twelve volumes, and published as a title series of the same name from 1967 to 1977. The adaptations were largely written by Blish, however, his declining health during this period proved problematic. His wife, J. A. Lawrence, wrote a number of installments, however, her work remained uncredited until the final volume, Star Trek 12 released after Blish's death in 1977. [12] :25

The original novel based on the television series, Spock Must Die! (1970), was also written by Blish, and he planned to release more. According to Lawrence, two episodes featuring popular character Harry Mudd, "I, Mudd" and "Mudd's Women", were held back by Blish for adaptation to be included in the follow-up to Spock Must Die!. [13] However, Blish died before a novel could be completed. Lawrence did eventually adapt the two episodes, as Mudd's Angels (1978), which included an original novella Business, as Usual, During Altercations by Lawrence.

Blish credited his financial stability later in life to the Star Trek commission, and the advance he received for Spock Must Die!. [12] :21

Literary criticism and legacy

Blish was among the first literary critics of science fiction, and he judged works in the genre by the standards applied to "serious" literature. [14] He took to task his fellow authors for deficiencies, such as bad grammar and a misunderstanding of scientific concepts, and the magazine editors, who accepted and published such material without editorial intervention. His critiques were published in "fanzines" in the 1950s under the pseudonym William Atheling Jr.

The essays were collected in The Issue at Hand (1964) and More Issues at Hand (1970). Reviewing The Issue at Hand, Algis Budrys said that Atheling had, along with Damon Knight, "transformed the reviewer's trade in this field". He described the persona of Atheling as "acidulous, assertive, categorical, conscientious and occasionally idiosyncratic". [14]

Blish was a fan of the works of James Branch Cabell, and for a time edited Kalki, the journal of the Cabell Society.

In his works of science fiction, James Blish developed many ideas and terms which have influenced other writers and on occasion have been adopted more widely, such as faster than light communication via the dirac computer, introduced in the short story "Beep" (1954). The dirac is comparable to Ursula K. Le Guin's ansible.

Blish is also credited with coining the term gas giant, in the story "Solar Plexus" as it appeared in the anthology Beyond Human Ken, edited by Judith Merril. The story was originally published in 1941, but did not contain the term. Blish reworked the story, changing the description of a large magnetic field to "a magnetic field of some strength nearby, one that didn't belong to the invisible gas giant revolving half a million miles away". [15]

Honors, awards and recognition

The British Science Fiction Foundation inaugurated the James Blish Award for science fiction criticism in 1977, recognizing Brian W. Aldiss. The Science Fiction and Fantasy Hall of Fame inducted him in 2002.

Awards and nominations

Posthumous Awards and nominations

Guest of Honor

Bibliography

Blish's work was released by a variety of publishers in the United Kingdom and the United States, often with variations between editions and different titles. Blish also expanded and re-released his older work on several occasions. His work continued to be published after his death.

The Bodleian Library's catalog of Blish's works, and James Blish at the Internet Speculative Fiction Database are the sources for this bibliography.

Note: Very few of Blish's first editions were assigned ISBN numbers.

Short fiction and novellas (1935–86)

Novels published in complete form, or serialized, in fiction magazines are included for completeness, and to avoid confusion.

β Novelette, ε Novella, γ Novel.

The Planeteer (1935–36)

  • "Neptunian Refuge" (November 1935).
  • "Mad Vision" (December 1935).
  • "Pursuit into Nowhere" (January 1936).
  • "Threat from Copernicus" (February 1936).
  • "Trail of the Comet" (March 1936).
  • "Bat-Shadow Shroud" (April 1936).

Super Science Stories (1940)

  • "Emergency Refueling" (March 1940).
  • "Bequest of the Angel" (May 1940).
  • "Sunken Universe" (May 1942).
    ↳ Rewritten as "Surface Tension" (1952).

Stirring Science Stories (1941)

  • "Citadel of Thought" (February 1941).
  • "Callistan Cabal" (April 1941).

Science Fiction Quarterly (1941)

  • "Weapon Out of Time" (April 1941).
  • "When Anteros Came" (December 1941).

Cosmic Stories (1941)

  • "Phoenix Planet"β (May 1941).
  • "The Real Thrill" (July 1941).

Future (1941–53)

  • "The Topaz Gate"β (August 1941).
  • "The Solar Comedy" (June 1942).
  • "The Air Whale" (August 1942).
  • "Struggle in the Womb" (May 1950).
  • "The Secret People"β (November 1950).
  • "Elixir" (September 1951).
  • "Testament of Andros"β (January 1953).

Astonishing Stories (1941)

  • "Solar Plexus" (September 1941).

Super Science and Fantastic Stories (1944)

  • "The Bounding Crown"β (December 1944).

Science*Fiction (1946)

  • "Knell", as by Arthur Lloyd Merlyn (January 1946).

Astounding Science Fiction (1946–57)

  • "Chaos, Co-Ordinated"β as by John MacDougal, with Robert A. W. Lowndes (October 1946).
  • "Tiger Ride" with Damon Knight (October 1948).
  • "Okie"β (April 1950).
  • "Bindlestiff"β (December 1950).
  • "Bridge"β (February 1952).
  • "Earthman, Come Home"β (November 1953).
  • "At Death's End"β (May 1954).
  • "One-Shot" (August 1955).
  • "Tomb Tapper"β (July 1956).
  • Get Out of My Skyε (January 1957).
    ↳ Included in Get out of My Sky Panther ed. (1980).

Startling Stories (1948)

  • "Mistake Inside" (April 1948).

Planet Stories (1948–51)

  • "Against the Stone Beasts"β (August 1948).
  • "Blackout in Cygni" (July 1951)

Thrilling Wonder Stories (1948–50)

  • "No Winter, No Summer" as by Donald Laverty, with Damon Knight (October 1948).
  • "The Weakness of RVOG"β (February 1949).
    ↳ Expanded in VOR (1958).
  • "The Box" (April 1949).
  • "The Homesteader" (June 1949).
  • Let the Finder Bewareε (December 1949).
  • "There Shall Be No Darkness"β (April 1950).
    ↳ Included in Get Out of My Sky Panther ed. (1980).

Jungle Stories (1948)

  • "Serpent's Fetish" (December 1948).

Fantastic Story Quarterly (1950)

  • "The Bore" (July 1950).

Imagination (1951)

  • "The Void Is My Coffin" (June 1951).

Two Complete Science-Adventure Books (1951)

  • The Warriors of Dayγ (August 1951).
  • Sargasso of Lost Citiesε (April 1953).

Other Worlds Science Stores (1952)

Galaxy Science Fiction (1952–70)

  • "Surface Tension"β (August 1952)
    ↳ Collected in The Seedling Stars (1957).
  • "Beep"β (February 1954).
    ↳ Expanded in The Quincunx of Time (1973).
  • "The Writing of the Rat" (July 1956).
  • "The Genius Heap" (August 1956).
  • "On the Wall of the Lodge"β with Virginia Kidd (June 1962).
  • "The Shipwrecked Hotel"β with Norman L. Knight, (August 1965).
    ↳ Expanded in A Torrent of Faces (1967).
  • "The Piper of Dis"β with Norman L. Knight, (August 1966).
    ↳ Expanded in A Torrent of Faces (1967).
  • "Our Binary Brothers" (February 1969).
  • "The City That Was the World"β (July 1969).
  • "A Style in Treason"β (May 1970).
  • The Day After Judgmentγ (September 1970).
    ↳ Collected in The Devil's Day (1990).
  • "Darkside Crossing"β (December 1970).
  • "The Glitch" (June 1974).
  • "The Art of the Sneeze" (November 1982).

Dynamic Science Fiction (1953)

  • "Turn of a Century" (March 1953).
  • The Duplicated Manγ with Robert A. W. Lowndes (August 1953).

Worlds of If (1953–68)

  • A Case of Conscienceε (September 1953).
    ↳ Expanded in A Case of Conscience (1958).
  • "The Thing in the Attic"β (July 1954).
    ↳ Collected in The Seedling Stars (1957).
  • "Watershed" (May 1955).
    ↳ Collected in The Seedling Stars (1957).
  • "To Pay the Piper" (February 1956).
  • Welcome to Marsγ (July 1966).
  • Black Easterγ (August 1967).
    ↳ Collected in The Devil's Day (1990).
  • "Now That Man Is Gone" (November 1968).

Star Science Fiction Stories (1953)

  • "F.Y.I." (December 1953).

The Magazine of Science Fiction and Fantasy (1953–80)

  • "First Strike" (June 1953).
  • "The Book of Your Life" (March 1955).
  • "With Malice to Come (3 vignettes)" (May 1955).
  • "A Time to Survive"β (February 1956).
    ↳ Collected in The Seedling Stars Signet ed. (1959).
  • "This Earth of Hours"β (June 1959).
  • "The Masks" (November 1959).
  • "The Oath" (October 1960).
  • "Who's in Charge Here?" (May 1962).
  • "No Jokes on Mars" (October 1965).
  • Midsummer Centuryε (November 1982).

Fantastic Universe (1955)

  • "Translation" (March 1955).

Infinity Science Fiction (1955–57)

  • "King of the Hill" (November 1955).
  • "Sponge Dive" (June 1956).
  • "Detour to the Stars" (December 1956).
  • "Nor Iron Bars"β (November 1957).
    ↳ Expanded in Galactic Cluster (1959).

Science Fiction Storyes (1956)

  • "A Work of Art" (July 1956).

Science Fiction Adventures (1957)

  • Two Worlds in Perilε (February 1957).

Amazing Stories (1960–61)

  • … And All the Stars a Stageγ (June 1960).
  • "And Some Were Savages" (November 1960).
  • "A Dusk of Idols"β (March 1961).

Impulse (1966)

  • "A Hero's Life"β (March 1966).

Analog (1967–68)

  • "To Love Another" (April 1967).
    ↳ Expanded in A Torrent of Faces (1967).
  • "Skysign"β with Norman L. Knight, (May 1968).

Penthouse (1972)

  • "A Light to Fight by" (June 1972).

Fantasy Book (1986)

  • "The White Empire" (September 1986).
First publication of A Case of Conscience, September 1953. Cover If 195309.jpg
First publication of A Case of Conscience, September 1953.

Anthologized short fiction (1952–2008)

Novels (1952–90)

Cities in Flight series (1955–62)

  • Earthman, Come Home (1955). G. P. Putnam's Sons.
  • They Shall Have Stars (1956). Faber & Faber.
  • The Triumph of Time (October 1958). Avon #T-279.
    ↳ Also released as A Clash of Cymbals (1959). Faber & Faber.
  • A Life for the Stars (1962). G. P. Putnam's Sons.

After Such Knowledge series (1958–90)

Collections (1957–2009)

Anthologies (1959–70)

Blish's novelette "And Some Were Savages" was the cover story for the November 1960 issue of Amazing Stories , illustrated by Ed Emshwiller. Amazing stories 196011.jpg
Blish's novelette "And Some Were Savages" was the cover story for the November 1960 issue of Amazing Stories , illustrated by Ed Emshwiller.

Nonfiction (1964–87)

Star Trek (1967–77)

Omnibuses (1970–2013)

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References

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Further reading