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Albert S. Rogell was an American film director. Rogell directed more than a hundred movies between 1921 and 1958. He was known for an aggressive directing style, shouting at his actors and crew.
Edward T. Lowe Jr. was an American film writer, producer and editor. He wrote 120 films between years 1913–1947, produced 18 films and directed one: The Losing Game (1915).
Harvey Harris Gates was an American screenwriter of the silent era. He wrote for more than 200 films between 1913 and 1948. He was born in Hawaii and died in Los Angeles, California.
Gayne Whitman was an American radio and film actor. He appeared in more than 200 films between 1904 and 1957. In some early films, he was credited under his birth name. He was born in Chicago, Illinois.
Charles Wyndham Standing was an English film actor.
Frederick J. Jackson, also known professionally as Fred Jackson and Frederick Jackson and under the pseudonym Victor Thorne, was an American author, playwright, screenwriter, novelist, and producer for both stage and film. A prolific writer of short stories and serialized novels, most of his non-theatre works were published in pulp magazines such as Detective Story Magazine and Argosy. Many of these stories were adapted into films by other writers.
Jack Natteford was an American screenwriter. He wrote for more than 140 films between 1921 and 1967. He was born in Wahoo, Nebraska and died in Los Angeles County, California. He was married to fellow screenwriter Luci Ward.
Bradley Barker was an American actor and film director of the silent era. He also created sound effects for film and radio.
Seven Footprints to Satan is a sound part-talkie 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film survives at the Cineteca Italiana in an alternate sound version known as an International Sound Version. The sound disks for this foreign sound version are apparently not extant.
Heinrich Richter (1884–1981) was a German painter and art director. He designed the sets for more than a hundred films during his career.
Hugo Werner-Kahle was a German stage and film actor. He appeared in around a hundred films during his career.
Marcel Le Picard (1887–1952) was a French cinematographer known for his work on American films. He shot around two hundred films between 1916 and 1953. He did much of his prolific work for low-budget studios such as Republic Pictures, Monogram Pictures and Producers Releasing Corporation.
William E. Shay was an American actor of stage and silent films. He had leading roles including in The Clemenceau Case (1915), and A Daughter of the Gods (1916).
Chester M. De Vonde was an actor, writer, and director of theatrical productions and films.
James O. Taylor (1887–1974), generally credited as J.O. Taylor, was an American cinematographer best known for his work on King Kong (1933).
Code of the Air is a 1928 American silent thriller film directed by James P. Hogan and starring Kenneth Harlan, June Marlowe and Arthur Rankin.
Lewis Allen Browne was an American screenwriter of the silent era.
William S. Adams (1892–1930) was an American cinematographer of the silent era. He was the younger half-brother of J. Stuart Blackton, the British born film pioneer and co-founder of Vitagraph Studios. Adams worked with Blackton several times, but was also employed by other companies. He developed a reputation as a specialist in aerial photography, but his career was cut short when he died of a tropical disease at the beginning of the sound era.
Arthur Reeves (1892–1954) was an American cinematographer active in the silent and early sound era. He began his career at the Chicago-based Essanay and went on to work for a variety of other studios including Metro, Universal and FBO Pictures.
Jacques Montéran (1882–1947) was a French cinematographer. During the silent era he worked in the United States before returning to France. His son Roger Montéran also became a cinematographer.
