James Holland (percussionist)

Last updated

James Holland (12 February 1933 – January 2022) was an English orchestral and solo percussionist, principal percussionist at the BBC Symphony Orchestra from the 1970s until the 1990s.

Born in Ilford, Holland first took up percussion as an Army cadet at the age of 13. He went on to study with Peter Allen (timpanist of the London Philharmonic Orchestra), Max Abrams (drum kit) and Charles Donaldson at Trinity College of Music. After three years of National Service in the RAF Central Band he joined the London Philharmonic in 1956, and then the London Symphony Orchestra in 1959. In 1962 he succeeded his teacher Charles Donaldson as principal percussionist at the LSO. He stayed with the orchestra until 1972, when he became principal percussionist at the BBC Symphony Orchestra under the recently appointed chief conductor Pierre Boulez. [1]

Holland was heavily involved in contemporary music. In the 1960s, with David Johnson, he was co-founder of the London Percussion Ensemble. He also played regularly with the London Sinfonietta from its foundation in 1969. He worked closely on percussion matters with many contemporary composers, including Boulez, Karlheinz Stockhausen, Benjamin Britten, Oliver Knussen, Krzysztof Penderecki and Hans Werner Henze. [2]

From the 1960s Holland was a frequent broadcaster as a member of various contemporary chamber music groups. [3] He taught at the Guildhall School of Music. In 1978 he published Percussion, part of the Yehudi Menuhin Music Guide Series. [4] Practical Percussion, A Guide to Instruments and their Sources, first came out in 2003 and was revised in 2005. [5]

From the late 1970s Holland was living in Buckinghamshire. [6] He retired from the BBC Symphony Orchestra in 1997. He died, aged 88, in January 2022, survived by his wife Rita and his son and daughter. [2]

Selected recordings

Related Research Articles

<span class="mw-page-title-main">Orchestra</span> Large instrumental ensemble

An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:

<i>Music for Strings, Percussion and Celesta</i> 1937 composition by Béla Bartók

Music for Strings, Percussion and Celesta, Sz. 106, BB 114 is one of the best-known compositions by the Hungarian composer Béla Bartók. Commissioned by Paul Sacher to celebrate the tenth anniversary of the chamber orchestra Basler Kammerorchester, the score is dated September 7, 1936.

<span class="mw-page-title-main">Oliver Knussen</span> British composer and conductor (1952–2018)

Stuart Oliver Knussen was a British composer of contemporary classical music and conductor. Among the most influential British composers of his generation, his relatively few compositions are "rooted in 20th-century modernism, [but] beholden to no school but his own"

<span class="mw-page-title-main">Thomas Adès</span> British composer, pianist and conductor

Thomas Joseph Edmund Adès is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: The Tempest (2004), Violin Concerto (2005), Tevot (2007), In Seven Days (2008), and Polaris (2010).

<span class="mw-page-title-main">Theo Loevendie</span> Dutch composer and clarinet player (born 1930)

Johan Theodorus Loevendie is a Dutch composer and clarinet player.

Colin Matthews, OBE is an English composer of contemporary classical music. Noted for his large-scale orchestral compositions, Matthews is also a prolific arranger of other composer's music, including works by Berlioz, Britten, Dowland, Mahler, Purcell and Schubert. Other arrangements include orchestrations of all Debussy's 24 Préludes, both books of Debussy's Images, and two movements—Oiseaux tristes and La vallée des cloches—from Ravel's Miroirs. Having received a doctorate from University of Sussex on the works of Mahler, from 1964–1975 Matthews worked with his brother David Matthews and musicologist Deryck Cooke on completing a performance version of Mahler's Tenth Symphony.

Philip Cashian is an English composer. He is the head of composition at the Royal Academy of Music.

Bernard Rands is a British-American contemporary classical composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus.

Diderik Wagenaar is a Dutch composer and musical theorist.

Harold Farberman was an American conductor, composer and percussionist.

This is the discography of Simon Rattle and other produced works by the English conductor.

<i>Rituel in memoriam Bruno Maderna</i> Composition for orchestra by Pierre Boulez

Rituel in memoriam Bruno Maderna (1974–75) is a composition for orchestra in eight groups by Pierre Boulez. Biographer Dominique Jameux wrote that the piece has "obvious audience appeal", and that it represented a desire to establish "immediate, almost physical contact with the public". Jameux also noted that Rituel represents one of the few examples of repetitive music written by Boulez. Author Jonathan Goldman wrote that, of Boulez's works, Rituel is the one that "most evokes... the sound worlds of non-Western musical ensembles, be they Indonesian, African or South American."

Diego Masson is a French conductor, composer, and percussionist.

<span class="mw-page-title-main">James Wood (musician)</span> British composer, percussionist and conductor

James Wood is a British conductor, composer of contemporary classical music and former percussionist. Wood studied composition with Nadia Boulanger in Paris from 1971 to 1972 before going on to study music at Cambridge University, where he was organ scholar of Sidney Sussex College from 1972 until 1975. After graduating from Cambridge he went on to study percussion and conducting at the Royal Academy of Music, London, from 1975 until 1976. After a further year studying percussion privately with Nicholas Cole, Wood embarked on a triple career as percussionist, composer and conductor.

The Piano Concerto No. 1, Sz. 83, BB 91 of Béla Bartók was composed in 1926. Average playing time is between 23 and 24 minutes.

Dai Fujikura is a Japanese-born composer of contemporary classical music.

Richard Causton is an English composer and teacher.

David Horne is a Scottish composer, pianist, and teacher.

<span class="mw-page-title-main">Geoffrey Paterson</span> British conductor (born 1983)

Geoffrey Paterson is a British conductor.

Michael Rosenzweig, born 1951 in Cape Town, South Africa, is a composer, conductor, choral trainer and director, multi-instrumentalist and jazz musician.

References

  1. Andrew P Simco. 'An interview with James Holland', in Percussive Notes, April 1977, pp. 68-71
  2. 1 2 Obituary: James Holland, 1933–2022. London Symphony Orchestra
  3. For instance, Music in Our Time, BBC Network 3, 21 April 1967
  4. Holland, James. Percussion (Macdonald and Jane's, 1978)
  5. Holland, James (October 20, 2005). Practical Percussion: A Guide to the Instruments and Their Sources. Scarecrow Press. ISBN   978-0-8108-5658-5 via Google Books.
  6. Publisher's biography, Percussion