Jan Weenix

Last updated

Jan Weenix, lithograph by Antoine Maurin (1783-1860), printed by Chabert. HUA-32231-Portret van Jan Weenix geboren Amsterdam 1640 kunstschilder te Utrecht 1664 1668 overleden Amsterdam 19 september 1719 Borstbeeld links (cropped).jpg
Jan Weenix, lithograph by Antoine Maurin (1783-1860), printed by Chabert.

Jan Weenix or Joannis Wenix (between 1641/1649 19 September 1719 (buried)) was a Dutch painter. He was trained by his father, Jan Baptist Weenix, [2] together with his cousin Melchior d'Hondecoeter. Like his father, he painted various subjects, but is mostly known for his paintings of dead game and hunting scenes. Many paintings in this genre were formerly ascribed to the elder Weenix, but are now generally considered to be the work of the son.

Contents

Life

The "Binnen Amstel", Weenix lived at the waterfront behind the house in the middle. Foto van prent van panorama - Amsterdam - 20319251 - RCE.jpg
The "Binnen Amstel", Weenix lived at the waterfront behind the house in the middle.

Jan Weenix was born in Amsterdam according to his notice of marriage in 1679 but his date of birth is not exactly known as the baptismal record of this catholic church did not survive. Between 1643 and 1647 his father (Jan Baptist) worked in Italy, but the family moved to Utrecht around 1649. His father subsequently moved into a castle near Vleuten, but died rather young in 1659. [3]

By the age of twenty Jan Weenix rivalled and later surpassed his father in breadth of treatment and richness of colour. [4] Jan Weenix was a member of the Utrecht guild of painters in 1664 and 1668. [5]

Marriage and children

In 1679, Jan Weenix married the 20-year-old Pieternella Backers (he told the schepen he was "around thirty"). [6] Between 1680 and 1700, the couple had 13 children who were baptized in a hidden church. [7] At least four were sons –Jan Baptista (1680-), Willem Ignatius (1690-1764), Jacobus (1693-), Nicolaes Andreas (1699-1757) – and two were daughters: Sara and Maria Weenix (1697–1774).

Hunting Still Life (ca. 1708) oil on canvas, 79.2 x 69.5 cm., Mauritshuis Jan Weenix - Hunting Still Life - 207 - Mauritshuis.jpg
Hunting Still Life (ca. 1708) oil on canvas, 79.2 x 69.5 cm., Mauritshuis
Game and Hunting Weapons (ca. 1675-1700), oil on canvas, Musee Fabre Weenix-Gibier et armes de chasse.JPG
Game and Hunting Weapons (ca. 1675-1700), oil on canvas, Musée Fabre

In 1697 he painted a portrait of Peter the Great, visiting the Republic to study shipbuilding, science, and the art of fortification building. [8] In Amsterdam, Weenix was frequently employed to decorate private houses with wall-paintings on canvas. [4]

He painted five fixed paintings or wallpaper on canvas for Jacob de Granada; these became very popular in the second half of the 18th century when nature and Rousseau were fashionable and copied. The paintings survived in the house until 1922. Then the enormous "paintings" were sold before an auction to William Randolph Hearst in a private arrangement. After Hearst went bankrupt, the paintings were dispersed; one is in the National Galleries of Scotland in Edinburgh, two are in the Hotel Carlyle in New York, one has been in the Allen Memorial Art Museum since 1953 and one is lost. [9]

Between 1702 and 1712 Weenix was occupied with an important series of twelve large hunting pictures for the Elector Palatine Johann Wilhelm's castle of Bensberg, near Cologne. [4] Also Eglon van der Neer, Rachel Ruysch, Adriaen van der Werff had a very good relationship with the court, being paid well or knighted as ridder and probably meeting an international crowd of artists and musicians. The treasury was empty when Jan Wellem, as he was called in Düsseldorf, died. Most of this collection is now at the Munich Gallery.[ citation needed ]

Weenix' pupils were his daughter Maria Weenix and Dirk Valkenburg. [10] Jan Weenix lived most of his life in a house across the Mint Tower and was buried in Nieuwezijds Kapel a nearby catholic church on the Rokin. [11] His widow and daughters stayed in the masonry business, selling stones and tiles. [12]

Work

Johann Wolfgang von Goethe was impressed by the treatment of animals in Weenix pictures which he saw in Munich. He devoted a poem to Weenix's technique, in which he stated that Weenix equaled and even surpassed nature in his treatment of animal textures such as hair, feathers and claws. [13]

Many of his best works are to be found in English private collections. The National Gallery, London has two paintings, including "A Deerhound with Dead Game and Implements of the Chase", while the Wallace Collection (also in London) has thirteen paintings, including "Flowers on a Fountain with a Peacock."

Outside the United Kingdom, Jan Weenix is well represented in the galleries of Amsterdam, The Hague, Haarlem, Rotterdam, Berlin, Lisbon and Paris. A medium-sized Weenix, "Still Life with Dead Game", hangs in the dining room of the Filoli estate in California. A certain "Still Life with Hunting Trophies" hangs in the Ackland Art Museum, Chapel Hill, NC, and a large "Peacock with Hunting Trophies" hangs in the Museu Calouste Gulbenkian. "Boy with Toys, Pet Monkey and a Turkey" is in the Kresge Art Museum. [14] "Still Life with Dead Hare" in the Museum of Western and Oriental Art in Kyiv. [15]

Notes

  1. RKD
  2. Lawrence Gowing, ed., Biographical Encyclopedia of Artists, v.4 (Facts on File, 2005): 721.
  3. Rembrandt's bankruptcy: the artist, his patrons, and the art market in ... By Paul Crenshaw
  4. 1 2 3 Chisholm 1911, p. 467.
  5. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 20
  6. RKD Archived 4 December 2011 at the Wayback Machine
  7. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 21
  8. "Portrait of Peter I - Jan Weenix". 7 June 2021.
  9. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 42-43
  10. Jan Weenix in the RKD
  11. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 22
  12. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 24
  13. "Gallery | Bijl van Urk". Archived from the original on 1 March 2009. Retrieved 19 November 2011.
  14. Anke A. Van Wagenberg-Ter Hoeven, "Jan Weenix. Boy with Toys, Pet Monkey and a Turkey by Jan Weenix," Kresge Art Museum Bulletin, Susan J. Bandes and April Kingsley (eds.). Michigan State University, East Lansing, vol. IX (2009)
  15. Helena Roslavets (Ed.): Museum of Western and Oriental Art Kyiv, Aurora Art Publishers, Leningrad 1985

Sources

Attribution:

Commons-logo.svg Media related to Jan Weenix at Wikimedia Commons

Related Research Articles

<span class="mw-page-title-main">Jan van Goyen</span> Dutch landscape painter (1596–1656)

Jan Josephszoon van Goyen was a Dutch landscape painter. The scope of his landscape subjects was very broad as he painted forest landscapesm marines, river landscapes, beach scenes, winter landscape, cityscapes, architectural views and landscapes with peasants. The list of painters he influenced is much longer. He was an extremely prolific artist who left approximately twelve hundred paintings and more than one thousand drawings.

<span class="mw-page-title-main">Baroque painting</span> European art from about 1590 to 1750

Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.

<span class="mw-page-title-main">Pointillism</span> Technique of painting with small, distinct dots

Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.

<span class="mw-page-title-main">Carel Fabritius</span> Painter from the Northern Netherlands

Carel Pietersz. Fabritius was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are A View of Delft, The Goldfinch (1654), and The Sentry (1654).

<span class="mw-page-title-main">Antonis Mor</span> Painter from the Northern Netherlands (1519–1575)

Anthonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro, was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis or Mor van Dashorst, and as Antonio Moro, António Mouro, Anthony More, etc., but signed most of his portraits as Anthonis Mor.

<span class="mw-page-title-main">Nicolaes Maes</span> Dutch painter (1634–1693)

Nicolaes Maes was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time. Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.

<span class="mw-page-title-main">Nicolaes Pieterszoon Berchem</span> Dutch painter (1620–1683)

Nicolaes Pieterszoon Berchem was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.

<span class="mw-page-title-main">Jan Baptist Weenix</span> 17th-century Dutch painter

Jan Baptist Weenix, also spelled Jan Baptiste Weeninx (1621–c. 1659) was a painter of the Dutch Golden Age. Despite his relatively brief career, he was a very productive and versatile painter. His favourite subjects were Italian landscapes with large figures among ruins, seaside views, and, later in life, large still life pictures of dead game or dogs. He was mainly responsible for introducing the Italian harbour scene into Dutch art, in mid-size paintings with a group of figures in the foreground.

<span class="mw-page-title-main">Abraham Bloemaert</span> Dutch painter (1566–1651)

Abraham Bloemaert was a Dutch painter and printmaker who used etching and engraving. He initially worked in the style of the "Haarlem Mannerists", but by the beginning of the 17th-century altered his style in line with the new Baroque style that was then developing. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti.

<span class="mw-page-title-main">Philips Wouwerman</span> Dutch painter

Philips Wouwerman was a Dutch painter of hunting, landscape and battle scenes.

<span class="mw-page-title-main">Evert Collier</span> Dutch painter

Evert Collier was a Dutch Golden Age still-life painter known for vanitas and trompe-l'œil paintings. His first name is sometimes spelled "Edward" or "Edwaert" or "Eduwaert" or "Edwart," and his last name is sometimes spelled "Colyer" or "Kollier".

<span class="mw-page-title-main">Melchior d'Hondecoeter</span> Dutch painter

Melchior d'Hondecoeter, Dutch animalier painter, was born in Utrecht and died in Amsterdam. After the start of his career, he painted virtually exclusively bird subjects, usually exotic or game, in park-like landscapes. Hondecoeter's paintings featured geese, fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar.

<span class="mw-page-title-main">Joanna Koerten</span> Dutch artist (1650–1715)

Joanna Koerten, was a Dutch artist who excelled in painting, drawing, embroidery, glass etching, and wax modeling. She achieved fame as a silhouette cutter, the art of creating outline images from pieces of cut paper mounted on a contrasting background. She produced landscapes, seascapes, flowers, portraits, and religious scenes in this medium. Her clients included Peter the Great of Russia, Frederick Elector of Brandenburg, Johan de Witt and William III of England.

<span class="mw-page-title-main">Jan Vonck</span> Dutch Golden Age painter

Jan Vonck, was a Dutch Golden Age painter.

<i>The Lute Player</i> (Hals) Painting by Frans Hals

The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute.

Maria Weenix (1697–1774), was an 18th-century painter from the Northern Netherlands.

<i>A Man with Dead Birds, and Other Figures, in a Stable</i> Painting by Pieter de Hooch

A Man with Dead Birds, and Other Figures, in a Stable is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in the National Gallery, London.

<i>The Musician</i> (Bartholomeus van der Helst painting)

The Musician (1662) is an oil on canvas painting by the Dutch painter Bartholomeus van der Helst. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art.