Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones and a set of hand-drums called kendang, which keep the beat. The kemanak, a banana-shaped idiophone, and the gangsa, another metallophone, are also commonly used gamelan instruments on Bali. Other notable instruments include xylophones, bamboo flutes, a bowed string instrument called a rebab, and a zither-like instrument called a siter, used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as sindhen for females or gerong for males.
Old Javanese or Kawi is the oldest attested phase of the Javanese language. It was spoken in the eastern part of what is now Central Java and the whole of East Java, Indonesia. As a literary language, Kawi was used across Java and on the islands of Madura, Bali, and Lombok. It had a sizable vocabulary of Sanskrit loanwords but had not yet developed the formal krama language register, to be used with one's social superiors that is characteristic of modern Javanese.
Javanese script is one of Indonesia's traditional scripts developed on the island of Java. The script is primarily used to write the Javanese language, but in the course of its development has also been used to write several other regional languages such as Sundanese and Madurese, the regional lingua franca Malay, as well as the historical languages Kawi and Sanskrit. It heavily influenced the Balinese script from which the system for Sasak developed. Javanese script was actively used by the Javanese people for writing day-to-day and literary texts from at least the mid-16th century CE until the mid-20th century CE, before it was gradually supplanted by the Latin alphabet. Today, the script is taught in the Yogyakarta Special Region as well as the provinces of Central Java and East Java as part of the local curriculum, but with very limited function in everyday use.
Wayang is a traditional form of puppet theatre play originating from the Indonesian island of Java. Wayang refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as wayang. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata, as well as local adaptations of cultural legends. Traditionally, a wayang is played out in a ritualized midnight-to-dawn show by a dalang, an artist and spiritual leader; people watch the show from both sides of the screen.
Yemenite Hebrew, also referred to as Temani Hebrew, is the pronunciation system for Hebrew traditionally used by Yemenite Jews. Yemenite Hebrew has been studied by language scholars, many of whom believe it retains older phonetic and grammatical features lost elsewhere. Yemenite speakers of Hebrew have garnered considerable praise from language purists because of their use of grammatical features from classical Hebrew.
The Spanish language has nouns that express concrete objects, groups and classes of objects, qualities, feelings and other abstractions. All nouns have a conventional grammatical gender. Countable nouns inflect for number. However, the division between uncountable and countable nouns is more ambiguous than in English.
Mantle Hood was an American ethnomusicologist. Among other areas, he specialized in studying gamelan music from Indonesia. Hood pioneered, in the 1950s and 1960s, a new approach to the study of music, and the creation of the first American university program devoted to ethnomusicology, at the University of California, Los Angeles (UCLA). He was known for a suggestion, somewhat novel at the time, that his students learn to play the music they were studying.
The De La Salle Santiago Zobel School, also referred to by its acronym DLSZ or De La Salle Zobel, is a private Catholic basic education institution for boys and girls run by the Philippine District of the De La Salle Brothers in Muntinlupa, Metro Manila, Philippines. It was opened in 1978 by the De La Salle Brothers because of the increasing number of students in the grade school department of the former De La Salle College in Manila.
The gong ageng is an Indonesian musical instrument used in the Javanese gamelan. It is the largest of the bronze gongs in the Javanese and Balinese gamelan orchestra and the only large gong that is called gong in Javanese. Unlike the more famous Chinese or Turkish tam-tams, Indonesian gongs have fixed, focused pitch, and are dissimilar to the familiar puke crash cymbal sound. It is circular, with a conical, tapering base of diameter smaller than gong face, with a protruding polished boss where it is struck by a padded mallet. Gongs with diameter as large as 135 centimeters have been created in the past, but gongs larger than about 80 centimeters are more common especially to suit the budget of educational institutions.
A kendang or gendang is a two-headed drum used by people from the Indonesian Archipelago. The kendang is one of the primary instruments used in the gamelan ensembles of Javanese, Sundanese, and Balinese music. It is also used in various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is related to the Indian double-headed mridangam drum.
Salatiga is a city in Central Java province, Indonesia. It covers an area of 54.98 km2 (21.23 sq mi) and had a population of 192,322 at the 2020 Census; the official estimate as at mid 2023 was 201,369, comprising 99,872 males and 101,497 females. Located between the cities of Semarang and Surakarta, and administratively an independent city enclaved within Semarang Regency, it sits at the foot of Mount Merbabu and Mount Telomoyo, and has a relatively cool climate due to its elevated position. Salatiga is a part of the Semarang metropolitan area.
Colotomy is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. In the gamelan, this is usually done by gongs of various size: the kempyang, ketuk, kempul, kenong, gong suwukan, and gong ageng. The fast-playing instruments, kempyang and ketuk, keep a regular beat. The larger gongs group together these hits into larger groupings, playing once per each grouping. The largest gong, the gong ageng, represents the largest time cycle and generally indicates that that section will be repeated, or the piece will move on to a new section.
Notation plays a relatively minor role in the oral traditions of Indonesian gamelan but, in Java and Bali, several systems of gamelan notation were devised beginning at the end of the 19th century, initially for archival purposes.
Imbal or imbalan is a technique used in Indonesian Javanese gamelan. It refers to a rapid alternation of a melodic line between instruments, in a way similar to hocket in medieval music or kotekan in Balinese gamelan. "A style of playing in which two identical or similar instruments play interlocking parts forming a single repetitive melodic pattern."
This imbal is a method of playing in which the nuclear theme is played by one of the nyaga's 'broken up' into half-values, what time another player beats alternately with the first, but in such a way that his tones, each of which comes between two of his colleague's, are always one step lower than the nuclear theme tone immediately preceding it. From practical considerations this imbal is, if possible, divided over two demungs; if only one such instrument is available, the two players sit facing each other. The player who beats the nuclear theme tones is said to play the gawé (...); the other one, the nginţil (...).
Kakawin are long narrative poems composed in Old Javanese, also called "Kawi", written in verse form with rhythms and meters derived from Sanskrit literature. Poets used a formalized literary language, rather than the vernacular. Poets composed and performed the poems at the courts of central and east Java kings between the 9th and 16th centuries, and in Bali.
The bedhaya is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. Along with the srimpi, the bedhaya epitomized the elegant character of the royal court and became an important symbol of the ruler's power.
The history of the arrival of Islam in Indonesia is somewhat unclear. One theory states that Islam arrived directly from Arabia as early as the 9th century, during the time of the Umayyad and Abbasid caliphates. Another theory credits Sufi travelers for bringing Islam in the 12th or 13th century, either from Gujarat in India or from Persia. Before the archipelago's conversion to Islam, the predominant religions in Indonesia were Hinduism and Buddhism.
Sulukan normally refers to mood setting songs by a puppeteer (dhalang) in Javanese wayang ("puppet") performances in Indonesia. The term can also refer to the pathetan pieces played before and after gamelan pieces in a non-wayang context, and to mystical poetry relating to the doctrinal meaning of the term sulook.
Road signs in Ecuador are regulated in Manual Básico de Señalización Vial and Reglamento Técnico Ecuatoriano. RTE INEN 004-1:2011. Señalización vial, which is based on the United States' Manual on Uniform Traffic Control Devices (MUTCD) originally developed by the Federal Highway Administration (FHWA). Thus, road signs in Ecuador are similar in design to road signs used in the United States. One of the differences is that Ecuador uses the metric system, for example, vehicle speed is measured in km/h.
