Jean-Paul Marat by Joseph Boze, 1793,
|Deputy of the National Convention|
20 September 1792 –24 April 1793
|Born||24 May 1743|
Boudry, Principality of Neuchâtel, Prussia (now part of Switzerland)
|Died||13 July 1793 50) (aged|
|Cause of death||Assassination|
|Political party|| Jacobin Club (1789–1790)|
Cordeliers Club (1790–1793)
|Spouse(s)||fr: Simone Evrard|
|Alma mater||University of St. Andrews, MD|
|Occupation||Journalist, politician, physician, scientist|
Jean-Paul Marat (French: [ʒɑ̃pɔl maʁa] ; 24 May 1743 – 13 July 1793) was a French political theorist, physician, and scientist. He was a journalist and politician during the French Revolution.
The French are an ethnic group and nation who are identified with the country of France. This connection may be ethnic, legal, historical, or cultural.
A physician, medical practitioner, medical doctor, or simply doctor, is a professional who practises medicine, which is concerned with promoting, maintaining, or restoring health through the study, diagnosis, prognosis and treatment of disease, injury, and other physical and mental impairments. Physicians may focus their practice on certain disease categories, types of patients, and methods of treatment—known as specialities—or they may assume responsibility for the provision of continuing and comprehensive medical care to individuals, families, and communities—known as general practice. Medical practice properly requires both a detailed knowledge of the academic disciplines, such as anatomy and physiology, underlying diseases and their treatment—the science of medicine—and also a decent competence in its applied practice—the art or craft of medicine.
A scientist is someone who conducts scientific research to advance knowledge in an area of interest.
He was a vigorous defender of the sans-culottes and seen as a radical voice. He published his views in pamphlets, placards and newspapers. His periodical L'Ami du peuple (Friend of the People) made him an unofficial link with the radical republican Jacobin group that came to power after June 1793.
The sans-culottes were the common people of the lower classes in late 18th century France, a great many of whom became radical and militant partisans of the French Revolution in response to their poor quality of life under the Ancien Régime. The word sans-culotte, which is opposed to that of the aristocrat, came in vogue in 1792, during the demonstration of 20 June 1792. The name sans-culottes refers to their clothing, and through that to their lower-class status: culottes were the fashionable silk knee-breeches of the 18th-century nobility and bourgeoisie, and the working class sans-culottes wore pantaloons, or trousers, instead. The sans-culottes, most of them urban labourers, served as the driving popular force behind the revolution. They were judged by the other revolutionaries as "radicals" because they advocated a direct democracy, that is to say, without intermediaries such as members of parliament. Though ill-clad people and ill-equipped, with little or no support from the upper class, they made up the bulk of the Revolutionary army during the early years of the French Revolutionary Wars.
L'Ami du peuple was a newspaper written by Jean-Paul Marat during the French Revolution. "The most celebrated radical paper of the Revolution", according to historian Jeremy D. Popkin, L’Ami du peuple was a vocal advocate for the rights of the lower classes against those Marat believed to be enemies of the people, which he had no hesitation mentioning in his writings. These papers were considered dangerous because they often ignited violent and rebellious behavior.
The Society of the Friends of the Constitution, after 1792 renamed Society of the Jacobins, Friends of Freedom and Equality, commonly known as the Jacobin Club or simply the Jacobins, became the most influential political club during the French Revolution of 1789 and following. The period of their political ascendency is known as the Reign of Terror, during which time tens of thousands were put on trial and executed in France, many for political crimes.
Through his journalism, renowned for its fierce tone, advocacy of basic human rights for the poorest members of society, and uncompromising stance towards the new leaders and institutions of the revolution, he called for prisoners of the Revolution to be killed before they could be freed in the September Massacres.
The September Massacres were a number of killings in Paris and other cities that occurred from 2–4 September 1792 during the French Revolution.
Marat was assassinated by Charlotte Corday, a Girondin sympathizer, while taking a medicinal bath for his debilitating skin condition. Corday was executed four days later for his assassination, on 17 July 1793.
Marie-Anne Charlotte de Corday d'Armont, known as Charlotte Corday, was a figure of the French Revolution. In 1793, she was executed by guillotine for the assassination of Jacobin leader Jean-Paul Marat, who was in part responsible for the more radical course the Revolution had taken through his role as a politician and journalist. Marat had played a substantial role in the political purge of the Girondins, with whom Corday sympathized. His murder was depicted in the painting The Death of Marat by Jacques-Louis David, which shows Marat's dead body after Corday had stabbed him in his medicinal bath. In 1847, writer Alphonse de Lamartine gave Corday the posthumous nickname l'ange de l'assassinat.
In death, Marat became an icon to the Jacobins as a revolutionary martyr. He is portrayed in Jacques-Louis David's famous painting, The Death of Marat .
In politics, a martyr is someone who suffers persecution and/or death for advocating, renouncing, refusing to renounce, and/or refusing to advocate a political belief or cause.
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime.
The Death of Marat is a 1793 painting by Jacques-Louis David of the murdered French revolutionary leader Jean-Paul Marat. It is one of the most famous images of the French Revolution. David was the leading French painter, as well as a Montagnard and a member of the revolutionary Committee of General Security. The painting shows the radical journalist lying dead in his bath on July 13, 1793, after his murder by Charlotte Corday. Painted in the months after Marat's murder, it has been described by T. J. Clark as the first modernist painting, for "the way it took the stuff of politics as its material, and did not transmute it".
Jean-Paul Marat was born in Boudry, in the Prussian Principality of Neuchâtel (now part of Switzerland) on 24 May 1743.He was the second of nine children born to Jean Mara (Giovanni Mara), a native of Cagliari, Sardinia, and Louise Cabrol, a French Huguenot from Castres. His father was a Mercedarian commendator and religious refugee; he converted to Calvinism in Geneva. Marat left home at the age of sixteen, in search of new opportunities. He was aware of the limited opportunities for those seen as outsiders as his highly educated father had been turned down for several college (secondary) teaching posts.
Boudry is the capital of the district of Boudry in the canton of Neuchâtel in Switzerland.
Cagliari is an Italian municipality and the capital of the island of Sardinia, an autonomous region of Italy. Cagliari's Sardinian name Casteddu literally means castle. It has about 155,000 inhabitants, while its metropolitan city has more than 431,000 inhabitants. According to Eurostat, the population of the Functional urban area, the commuting zone of Cagliari, rises to 476,975. Cagliari is the 26th largest city in Italy and the largest city on the island of Sardinia.
Castres is a commune, and arrondissement capital in the Tarn department and Occitanie region in southern France. It lies in the former French province of Languedoc.
At the age of seventeen he applied to join the expedition of Jean-Baptiste Chappe d'Auteroche, a journey to Tobolsk to measure the transit of Venus. He was turned down.His first patronage was fulfilled with the wealthy Nairac family in Bordeaux, where he stayed for two years. He then moved to Paris and studied medicine, without gaining any formal qualifications.
He worked, informally, as a doctor after moving to London in 1765 due to a fear of being "drawn into dissipation," In London Marat befriended the Royal Academician artist Angelica Kauffman. His social circle included Italian artists and architects who met in coffee houses around Soho. Highly ambitious, but without patronage or qualifications, he set about inserting himself into the intellectual scene.
Around 1770, Marat moved to Newcastle upon Tyne. His first political work, Chains of Slavery, inspired by the extra-parliamentary activities of the disenfranchised MP and later Mayor of London John Wilkes, was most probably compiled in the central library there. By Marat's own colourful account, he lived on black coffee for three months, during its composition, sleeping only two hours a night, and then, after finishing, sleeping soundly for thirteen days in a row.He gave it the subtitle, "A work in which the clandestine and villainous attempts of Princes to ruin Liberty are pointed out, and the dreadful scenes of Despotism disclosed." This work earned him honorary membership of the patriotic societies of Berwick-upon-Tweed, Carlisle and Newcastle. The Newcastle Literary and Philosophical Society Library possesses a copy, and Tyne and Wear Archives Service holds three presented to the various Newcastle guilds.
Marat published "A philosophical Essay on Man," in 1773 and political theory "Chains of Slavery," in 1774.Marat's growing sense of a widening gulf between the philosophes, grouped around Voltaire on one hand, and their "opponents," loosely grouped around Rousseau on the other. Voltaire's sharp critique of "De l'Homme" (an augmented translation, published 1775–76), partly in defence of his protégé Helvétius, reinforced
After a published essay on curing a friend of gleets (gonorrhoea) he secured medical referees for an MD from the University of St Andrews in June 1775.
He published Enquiry into the Nature, Cause, and Cure of a Singular Disease of the Eyes on his return to London.In 1776, Marat moved to Paris following a brief stopover in Geneva to visit his family.
In Paris, his growing reputation as a highly effective doctor along with the patronage of the Marquis de l'Aubespine (the husband of one of his patients) secured his appointment as physician to the bodyguard of the comte d'Artois, Louis XVI's youngest brother who was to become king Charles X in 1824.He began this position in June 1777. The position paid 2,000 livres a year plus allowances.
Marat set up a laboratory in the marquise de l'Aubespine's house with funds obtained by serving as court doctor among the aristocracy. His method was to describe in detail the meticulous series of experiments he had undertaken on a problem, seeking to explore and then exclude all possible conclusions but the one he reached.
He published works on fire and heat, electricity, and light. He published a summary of his scientific views and discoveries in Découvertes de M. Marat sur le feu, l'électricité et la lumière (English: Mr Marat's Discoveries on Fire, Electricity and Light) in 1779. He published three more detailed and extensive works that expanded on each of his areas of research.
The first of Marat's large-scale publications detailing his experiments and drawing conclusions from them was Recherches Physiques sur le Feu (English: Research into the Physics of Fire), which was published in 1780 with the approval of the official censors.
This publication describes 166 experiments conducted to demonstrate that fire was not, as was widely held, a material element but an "igneous fluid." He asked the Academy of Sciences to appraise his work, and it appointed a commission to do so, which reported in April 1779. The report avoided endorsing Marat's conclusions but did speak of his "new, precise and well-executed experiments, appropriately and ingeniously designed." Marat then published his work, with the claim that the Academy approved of its contents. Since the Academy had endorsed his methods but said nothing to agree with his conclusions, this claim drew the ire of Antoine Lavoisier, who demanded that the Academy repudiate it. When the Academy did so, this marked the beginning of worsening relations between Marat and many of its leading members. A number of them, including Lavoisier himself, as well as Condorcet and Laplace took a strong dislike to Marat. However, Lamarck and Lacépède wrote positively about Marat's experiments and conclusions.
In Marat's time, Newton's views on light and colour were regarded almost universally as definitive, yet Marat's explicit purpose in his second major work Découvertes sur la Lumière (Discoveries on Light) was to demonstrate that in certain key areas, Newton was wrong.
The focus of Marat's work was the study of how light bends around objects, and his main argument was that while Newton held that white light was broken down into colours by refraction, the colours were actually caused by diffraction. When a beam of sunlight shone through an aperture, passed through a prism and projected colour onto a wall, the splitting of the light into colours took place not in the prism, as Newton maintained, but at the edges of the aperture itself.Marat sought to demonstrate that there are only three primary colours, rather than seven as Newton had argued.
Once again, Marat requested the Academy of Sciences review his work, and it set up a commission to do so. Over a period of seven months, from June 1779 to January 1780, Marat performed his experiments in the presence of the commissioners so that they could appraise his methods and conclusions. The drafting of their final report was assigned to Jean-Baptiste Le Roy. The report was finally produced after many delays in May 1780, and consisted of just three short paragraphs. Significantly, the report concluded that "these experiments are so very numerous...[but]...they do not appear to us to prove what the author believes they establish."The Academy declined to endorse Marat's work. When it was published, Découvertes sur la lumière did not carry the royal approbation. According to the title page it was printed in London, meaning either that Marat could not get the official censor to approve it, or he did not want to spend the time and effort to do so.
Marat's third major work, Recherches Physiques sur l'Électricité (English: Research on the Physics of Electricity), outlined 214 experiments. One of his major areas of interest was in electrical attraction and repulsion. Repulsion, he held, was not a basic force of nature. He addressed a number of other areas of enquiry in his work, concluding with a section on lightning rods which argued that those with pointed ends were more effective than those with blunt ends, and denouncing the idea of "earthquake rods" advocated by Pierre Bertholon de Saint-Lazare. This book was published with the censor's stamp of approval, but Marat did not seek the endorsement of the Academy of Sciences.
In April 1783,he resigned his court appointment and devoted his energies full-time to scientific research. Apart from his major works, during this period Marat published shorter essays on the medical use of electricity (Mémoire sur l'électricité médicale (1783)) and on optics (Notions élémentaires d'optique (1784)). He published a well-received translation of Newton's Opticks (1787), which was still in print until recently, and later a collection of essays on his experimental findings, including a study on the effect of light on soap bubbles in his Mémoires académiques, ou nouvelles découvertes sur la lumière (Academic memoirs, or new discoveries on light, 1788). Benjamin Franklin visited him on several occasions and Goethe described his rejection by the Academy as a glaring example of scientific despotism.
In 1782, Marat published his "favourite work," a Plan de législation criminelle. It was a polemic for penal reform which had been entered into a competition announced by the Berne economic society in February 1777 and backed by Frederick the Great and Voltaire. Marat was inspired by Rousseau and Cesare Beccaria.
Marat's entry contained many radical ideas, including the argument that society should provide fundamental (natural) needs, such as food and shelter, if it expected all its citizens to follow its (civil) laws, that the king was no more than the "first magistrate" of his people, that there should be a common death penalty regardless of class, and that each town should have a dedicated "avocatdes pauvres" and set up independent criminal tribunals with twelve-man juries to ensure a fair trial.
Marat devoted himself entirely to politics when in 1788, the Assembly of Notables advised Louis XVI to assemble the Estates-General for the first time in 175 years.
On the eve of the French Revolution, Marat placed his career as a scientist and doctor behind him and took up his pen on behalf of the Third Estate.In January 1789, he published his Offrande à la Patrie (Offering to the Nation) which touched on some of the same points as the Abbé Sieyès' famous "Qu'est-ce que le Tiers État?" ("What is the Third Estate?"). This was followed by a "Supplément de l'Offrande" in March, followed in July by La Constitution, ou Projet de déclaration des droits de l'homme et du citoyen, intended to influence the drafting of France's new constitution, then being debated in the National Assembly.
On 12 September 1789, Marat began his own newspaper, entitled Publiciste parisien, before changing its name four days later to L'Ami du peuple ("The People's friend"). 19 From this position, he often attacked the most influential and powerful groups in Paris, including the Commune, the Constituent Assembly, the ministers, and the Châtelet. In January 1790, he moved to the radical Cordeliers section, then under the leadership of the lawyer Danton, was nearly arrested for his aggressive attacks against Jacques Necker, Louis XVI's popular Finance Minister, and was forced to flee to London. In May, he returned to Paris to continue publication of L'Ami du peuple and briefly ran a second newspaper in June 1790 called LeJuniusfrançais named after the notorious English polemicist Junius. :73–76 Marat faced the problem of counterfeiters distributing falsified versions of L'Ami du peuple . This led him to call for police intervention, which resulted in the suppression of the fraudulent issues, leaving Marat the continuing sole author of L'Ami de peuple. :122:
During this period, Marat made regular attacks on the more conservative revolutionary leaders. In a pamphlet from 26 July 1790, entitled "C'en est fait de nous" ("We're done for!"), he warned against counter-revolutionaries, advising, "five or six hundred heads cut off would have assured your repose, freedom and happiness."
Between 1790 and 1792, Marat was often forced into hiding, sometimes in the Paris sewers, where he almost certainly aggravated his debilitating chronic skin disease (possibly dermatitis herpetiformis).In January 1792, he married the 26-year-old Simonne Evrard in a common-law ceremony on his return from exile in London, having previously expressed his love for her. She was the sister-in-law of his typographer, Jean-Antoine Corne, and had lent him money and sheltered him on several occasions.
Marat only emerged publicly on the 10 August insurrection, when the Tuileries Palace was invaded and the royal family forced to shelter within the Legislative Assembly. The spark for this uprising was the Brunswick Manifesto, which called for the crushing of the Revolution and helped to inflame popular outrage in Paris. 206:
Marat was a leading proponent of the September Massacres (2-7 Sep 1792), which took place out of a fear that foreign and royalist armies would attack Paris and that the inmates of the city's prisons would be freed and join them. He called on draftees to kill the prisoners before they could be freed.The action was undertaken by mobs of National Guardsmen and fédérés and, by 6 September, half the prison population of Paris had been summarily executed: some 1200 to 1400 prisoners. Of these, 233 were nonjuring Catholic priests; most of the remainder were common criminals.
Marat was elected to the National Convention in September 1792 as one of 26 Paris deputies, although he belonged to no party. When France was declared a Republic on 22 September, Marat renamed his L'Ami du peuple as Le Journal de la République française ("Journal of the French Republic"). His stance during the trial of the deposed king Louis XVI was unique. He declared it unfair to accuse Louis of anything before his acceptance of the French Constitution of 1791, and although implacably, he said, believing that the monarch's death would be good for the people, defended Guillaume-Chrétien de Lamoignon de Malesherbes, the King's counsel, as a "sage et respectable vieillard" ("wise and respected old man").
On 21 January 1793, Louis XVI was guillotined, which caused political turmoil. From January to May, Marat fought bitterly with the Girondins, whom he believed to be covert enemies of republicanism. Marat’s hatred of the Girondins became increasingly heated which led him to call for the use of violent tactics against them. The Girondins fought back and demanded that Marat be tried before the Revolutionary Tribunal. After attempting to avoid arrest for several days Marat was finally imprisoned. On 24 April, he was brought before the Tribunal on the charges that he had printed in his paper statements calling for widespread murder as well as the suspension of the Convention. Marat decisively defended his actions, stating that he had no evil intentions directed against the Convention. Marat was acquitted of all charges to the riotous celebrations of his supporters.
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The fall of the Girondins on 2 June, helped by the actions of François Hanriot, the new leader of the National Guard, was one of Marat's last achievements. Forced to retire from the Convention as a result of his worsening skin disease, he continued to work from home, where he soaked in a medicinal bath. Now that the Montagnards no longer needed his support in the struggle against the Girondins, Robespierre and other leading Montagnards began to separate themselves from him, while the Convention largely ignored his letters.
Marat was in his bathtub on 13 July, when a young woman from Caen, Charlotte Corday, appeared at his flat, claiming to have vital information on the activities of the escaped Girondins who had fled to Normandy. Despite his wife Simonne's protests, Marat asked for her to enter and gave her an audience by his bath, over which a board had been laid to serve as a writing desk. Their interview lasted around fifteen minutes. He asked her what was happening in Caen and she explained, reciting a list of the offending deputies. After he had finished writing out the list, Corday claimed that he told her, "Their heads will fall within a fortnight," a statement she later changed at her trial to, "Soon I shall have them all guillotined in Paris." This was unlikely since Marat did not have the power to have anyone guillotined. At that moment, Corday rose from her chair, drawing out from her corset a five-inch kitchen knife, which she had bought earlier that day, and brought it down hard into Marat’s chest, where it pierced just under his right clavicle, opening the carotid artery, close to the heart. The massive bleeding was fatal within seconds. Slumping backwards, Marat cried out his last words to Simonne, "Aidez-moi, ma chère amie!" ("Help me, my beloved!") and died.
Corday was a Girondin sympathiser who came from an impoverished royalist family; her brothers were émigrés who had left to join the exiled royal princes. From her own account, and those of witnesses, it is clear that she had been inspired by Girondin speeches to a hatred of the Montagnards and their excesses, symbolised most powerfully in the character of Marat.The Book of Days claims the motive was to "avenge the death of her friend Barboroux." Marat's assassination contributed to the mounting suspicion which fed the Terror during which thousands of the Jacobins' adversaries – both royalists and Girondins – were executed on charges of treason. Charlotte Corday was guillotined on 17 July 1793 for the murder. During her four-day trial, she testified that she had carried out the assassination alone, saying "I killed one man to save 100,000."
Marat's assassination led to his apotheosis. The painter Jacques-Louis David, a member of one of the two "Great Committees" (the Committee of General Security), was asked to organise a grand funeral.David was also asked to paint Marat's death, and took up the task of immortalising him in the painting The Death of Marat . The extreme decomposition of Marat's body made any realistic depiction impossible, and David's work beautified the skin that was discoloured and scabbed from his chronic skin disease in an attempt to create antique virtue. The resulting painting is thus not an accurate representation of Marat's death. As a result of this work, David was later criticised as glorifying the Jacobin's death.
The entire National Convention attended Marat's funeral, and he was buried under a weeping willow in the garden of the former Club des Cordeliers (former Couvent des Cordeliers).After Marat’s death, he was viewed by many as a martyr for the revolution, and was immortalized in various ways in order to preserve the values he stood for. His heart was embalmed separately and placed in an urn in an altar erected to his memory at the Cordeliers in order to inspire speeches that were similar in style to Marat’s eloquent journalism. On his tomb, the inscription on a plaque read, "Unité, Indivisibilité de la République, Liberté, Égalité, Fraternité ou la mort." His remains were transferred to the Panthéon on 21 September 1794 and his near messianic role in the Revolution was confirmed with the elegy: Like Jesus, Marat loved ardently the people, and only them. Like Jesus, Marat hated kings, nobles, priests, rogues and, like Jesus, he never stopped fighting against these plagues of the people. The eulogy was given by the Marquis de Sade, delegate of the Section Piques and an ally of Marat's faction in the National Convention.
On 19 November, the port city of Le Havre-de-Grâce changed its name to Le Havre-de-Marat and then Le Havre-Marat.When the Jacobins started their dechristianisation campaign to set up the Cult of Reason of Hébert and Chaumette and Cult of the Supreme Being of Robespierre, Marat was made a quasi-saint, and his bust often replaced crucifixes in the former churches of Paris.
After the Thermidorian Reaction, Marat's memory became tarnished. On 13 January 1795, Le Havre-Marat became simply Le Havre, the name it bears today. In February, his coffin was removed from the Panthéon and his busts and sculptures were destroyed. The 4 February 1795 (16 Pluviôse) issue of Le Moniteur Universel reported how, two days earlier, "his busts had been knocked off their pedestals in several theatres and that some children had carried one of these busts about the streets, insulting it [before] dumping it in the rue Montmartre sewer to shouts of 'Marat, voilà ton Panthéon!' [Marat, here is your Panthéon]His final resting place is the cemetery of the church of Saint-Étienne-du-Mont.
A bronze sculpture of Marat was removed from Parc des Buttes Chaumont and was melted down during the Nazi occupation of Paris.
His memory lived on in the Soviet Union. Marat became a common name, and Marat Fjord in Severnaya Zemlya was named after him. Russian battleship Petropavlovsk (Russian : Петропавловск) was renamed Marat in 1921. A street in the centre of Sevastopol was named after Marat (Russian : Улица Марата) on 3 January 1921, shortly after the Bolsheviks took over the city.
Described during his time as a man "short in stature, deformed in person, and hideous in face,"Marat has long been noted for physical irregularities. The nature of Marat's debilitating skin disease, in particular, has been an object of ongoing medical interest. Dr. Josef E. Jelinek noted that his skin disease was intensely itchy, blistering, began in the perianal region, and was associated with weight loss leading to emaciation. He was sick with it for the three years prior to his assassination, and spent most of this time in his bathtub. There were various minerals and medicines that were present in his bath while he soaked to help ease the pain caused by the disease. The bandana that is seen wrapped around his head was soaked in vinegar to reduce the severity of his discomfort. Jelinek's diagnosis is dermatitis herpetiformis.
After Marat's death, his wife may have sold his bathtub to her journalist neighbour, as it was included in an inventory of his possessions. The royalist de Saint-Hilaire bought the tub, taking it to Sarzeau, Morbihan in Brittany. His daughter, Capriole de Saint-Hilaire inherited it when he died in 1805 and she passed it on to the Sarzeau curé when she died in 1862. A journalist for Le Figaro tracked down the tub in 1885. The curé then discovered that selling the tub could earn money for the parish, yet the Musée Carnavalet turned it down because of its lack of provenance as well as its high price. The curé approached Madame Tussaud's waxworks, who agreed to purchase Marat's bathtub for 100,000 francs, but the curé's acceptance was lost in the mail. After rejecting other offers, including one from Phineas Barnum, the curé sold the tub for 5,000 francs to the Musée Grévin, where it remains today.The tub was in the shape of an old-fashioned high-buttoned shoe and had a copper lining.
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