Jean Genet

Last updated

Jean Genet
Jean Genet in 1983
Born(1910-12-19)19 December 1910
Paris, France
Died15 April 1986(1986-04-15) (aged 75)
Paris, France
OccupationNovelist, dramatist, political activist, poet, philosopher
Genre Theatre of Cruelty, erotic, theatre
Subject Criminality, homosexuality, sadomasochism, existentialism
Literary movement Theatre of the Absurd
Notable works Our Lady of the Flowers (1943), The Thief's Journal (1949), The Maids (1947), The Balcony (1956)

Signature Jean Genet signature.svg

Jean Genet (French:  [ʒɑ̃ ʒənɛ] ; 19 December 191015 April 1986) was a French novelist, playwright, poet, essayist, and political activist. Early in his life he was a vagabond and petty criminal, but he later took to writing. His major works include the novels The Thief's Journal and Our Lady of the Flowers , and the plays The Balcony , The Maids and The Screens . [1]

Activism efforts to promote, impede, or direct social, political, religious, economic, or environmental change, or stasis

Activism consists of efforts to promote, impede, direct, or intervene in social, political, economic, or environmental reform with the desire to make changes in society. Forms of activism range from mandate building in the community, petitioning elected officials, running or contributing to a political campaign, preferential patronage of businesses, and demonstrative forms of activism like rallies, street marches, strikes, sit-ins, or hunger strikes.

<i>The Thiefs Journal</i> book

The Thief's Journal is a novel by Jean Genet. It is a part-fact, part-fiction autobiography that charts the author's progress through Europe in a depoliticized 1930s, wearing nothing but rags and enduring hunger, contempt, fatigue and vice. The main character encounters bars, dives, flophouses, robbery, prison and expulsion in Spain, Italy, Austria, Czechoslovakia, Poland, Nazi Germany, Belgium.

<i>Our Lady of the Flowers</i> book by Jean Genet

Our Lady of the Flowers (Notre-Dame-des-Fleurs) is the debut novel of French writer Jean Genet, first published in 1943. The free-flowing, poetic novel is a largely autobiographical account of a man's journey through the Parisian underworld. The characters are drawn after their real-life counterparts, who are mostly homosexuals living on the fringes of society.



Early life

Genet's mother was a prostitute who raised him for the first seven months of his life before putting him up for adoption. Thereafter Genet was raised in the provincial town of Alligny-en-Morvan, in the Nièvre department of central France. His foster family was headed by a carpenter and, according to Edmund White's biography, was loving and attentive. While he received excellent grades in school, his childhood involved a series of attempts at running away and incidents of petty theft.

Adoption process whereby a person assumes the parenting for a child born by other parents

Adoption is a process whereby a person assumes the parenting of another, usually a child, from that person's biological or legal parent or parents. Legal adoptions permanently transfers all rights and responsibilities, along with filiation, from the biological parent or parents.

Alligny-en-Morvan Commune in Bourgogne-Franche-Comté, France

Alligny-en-Morvan is a commune in the Nièvre department in central France.

Edmund White American novelist and LGBT essayist

Edmund Valentine White III is an American novelist, memoirist, and an essayist on literary and social topics. Much of his writing is on the theme of same-sex love. His books include The Joy of Gay Sex (1977), his trio of autobiographic novels, A Boy's Own Story (1982), The Beautiful Room Is Empty (1988) and The Farewell Symphony (1997), and his biography of Jean Genet.

After the death of his foster mother, Genet was placed with an elderly couple but remained with them less than two years. According to the wife, "he was going out nights and also seemed to be wearing makeup." On one occasion he squandered a considerable sum of money, which they had entrusted him for delivery elsewhere, on a visit to a local fair.

Detention and military service

For this and other misdemeanors, including repeated acts of vagrancy, he was sent at the age of 15 to Mettray Penal Colony where he was detained between 2 September 1926 and 1 March 1929. In Miracle of the Rose (1946), he gives an account of this period of detention, which ended at the age of 18 when he joined the Foreign Legion. He was eventually given a dishonorable discharge on grounds of indecency (having been caught engaged in a homosexual act) and spent a period as a vagabond, petty thief and prostitute across Europe—experiences he recounts in The Thief's Journal (1949).

Mettray Penal Colony

Mettray Penal Colony, situated in the small village of Mettray, in the French département of Indre-et-Loire, just north of the city of Tours, was a private reformatory, without walls, opened in 1840 for the rehabilitation of young male delinquents aged between 6 and 21. At that time children and adolescents were normally imprisoned together with adults. Aspects of the progressive way in which the Colony was organised anticipated the English borstal system established at the beginning of the 20th century.

<i>Miracle of the Rose</i> book by Jean Genet

Miracle of the Rose is a 1946 book by Jean Genet about experiences as a detainee in Mettray Penal Colony and Fontevrault prison - although there is no direct evidence of Genet ever having been imprisoned in the latter establishment. This autobiographical work has a non-linear structure: stories from Genet's adolescence are mixed in with his experiences as a thirty-year-old man at Fontevrault prison. At Mettray, Genet describes homosexual erotic desires for his fellow adolescent detainees. There is also a fantastical dimension to the narrative, particularly in Fontevrault passages concerning a prisoner called Harcamone who is condemned to death for murder. Genet idolises Harcamone and writes poetically about the rare occasions on which he catches a glimpse of this character. Genet was detained in Mettray Penal Colony between 2 September 1926 and 1 March 1929, after which, at the age of 18, he joined the Foreign Legion.

French Foreign Legion military service branch of the French Army

The French Foreign Legion is a military service branch of the French Army established in 1831. Legionnaires are highly trained infantry soldiers and the Legion is unique in that it was, and continues to be, open to foreign recruits willing to serve in the French Armed Forces. When it was founded, the French Foreign Legion was not unique; other foreign formations existed at the time in France.

Criminal career, prison, and prison writings

After returning to Paris, France in 1937, Genet was in and out of prison through a series of arrests for theft, use of false papers, vagabondage, lewd acts, and other offenses. In prison, Genet wrote his first poem, "Le condamné à mort", which he had printed at his own cost, and the novel Our Lady of the Flowers (1944).

In Paris, Genet sought out and introduced himself to Jean Cocteau, who was impressed by his writing. Cocteau used his contacts to get Genet's novel published, and in 1949, when Genet was threatened with a life sentence after ten convictions, Cocteau and other prominent figures, including Jean-Paul Sartre and Pablo Picasso, successfully petitioned the French President to have the sentence set aside. Genet would never return to prison.

Jean Cocteau French poet, novelist, dramatist, designer, boxing manager and filmmaker

Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" by AllMovie.

Jean-Paul Sartre French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic

Jean-Paul Charles Aymard Sartre was a French philosopher, playwright, novelist, political activist, biographer, and literary critic. He was one of the key figures in the philosophy of existentialism and phenomenology, and one of the leading figures in 20th-century French philosophy and Marxism. His work has also influenced sociology, critical theory, post-colonial theory, and literary studies, and continues to influence these disciplines.

Pablo Picasso 20th-century Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War.

Writing and activism

By 1949, Genet had completed five novels, three plays, and numerous poems, many controversial for their explicit and often deliberately provocative portrayal of homosexuality and criminality. Sartre wrote a long analysis of Genet's existential development (from vagrant to writer), entitled Saint Genet (1952), which was anonymously published as the first volume of Genet's complete works. Genet was strongly affected by Sartre's analysis and did not write for the next five years.

Existentialism Philosophical study that begins with the acting, feeling, living human individual

Existentialism is the philosophical study that begins with the human subject—not merely the thinking subject, but the acting, feeling, living human individual. It is associated mainly with certain 19th and 20th-century European philosophers who, despite profound doctrinal differences, shared the belief in that beginning of philosophical thinking.

<i>Saint Genet</i> book by Jean-Paul Sartre

Saint Genet, Actor and Martyr is a book by the French philosopher Jean-Paul Sartre about the writer Jean Genet especially on his The Thief's Journal. It was first published in 1952. Sartre described it as an attempt "to prove that genius is not a gift but the way out that one invents in desperate cases." Sartre also based his character Goetz in his play The Devil and the Good Lord (1951) on his analysis of Genet's psychology and morality. Sartre has been credited by David M. Halperin with providing, "a brilliant, subtle, and thoroughgoing study of the unique subjectivity and gender positioning of gay men".

Between 1955 and 1961, Genet wrote three more plays as well as an essay called "What Remains of a Rembrandt Torn into Four Equal Pieces and Flushed Down the Toilet", on which hinged Jacques Derrida's analysis of Genet in his seminal work Glas . During this time, Genet became emotionally attached to Abdallah Bentaga, a tightrope walker. However, following a number of accidents and his suicide in 1964, Genet entered a period of depression, and even attempted suicide himself. [2]

From the late 1960s, starting with an homage to Daniel Cohn-Bendit after the events of May 1968, Genet became politically active. He participated in demonstrations drawing attention to the living conditions of immigrants in France. Genet was censored in the United States in 1968 and later expelled when they refused him a visa. In an interview with Edward de Grazia, professor of law and First Amendment lawyer, Genet discusses the time he went through Canada for the Chicago congress. He entered without a visa and left with no issues. [3]

In 1970, the Black Panthers invited him to the United States, where he stayed for three months giving lectures, attended the trial of their leader, Huey Newton, and published articles in their journals. Later the same year he spent six months in Palestinian refugee camps, secretly meeting Yasser Arafat near Amman. Profoundly moved by his experiences in the United States and Jordan, Genet wrote a final lengthy memoir about his experiences, Prisoner of Love , which would be published posthumously.

Genet also supported Angela Davis and George Jackson, as well as Michel Foucault and Daniel Defert's Prison Information Group. He worked with Foucault and Sartre to protest police brutality against Algerians in Paris, a problem persisting since the Algerian War of Independence, when beaten bodies were to be found floating in the Seine. Genet expresses his solidarity with the Red Army Faction (RAF) of Andreas Baader and Ulrike Meinhof, in the article "Violence et brutalité", published in Le Monde , 1977.

In September 1982, Genet was in Beirut when the massacres took place in the Palestinian camps of Sabra and Shatila. In response, Genet published "Quatre heures à Chatila" ("Four Hours in Shatila"), an account of his visit to Shatila after the event. In one of his rare public appearances during the later period of his life, at the invitation of Austrian philosopher Hans Köchler, he read from his work during the inauguration of an exhibition on the massacre of Sabra and Shatila organized by the International Progress Organization in Vienna, Austria, on 19 December 1983. [4]

By proxy, Jean Genet even managed to make an unlikely appearance in the pop charts when in 1972, David Bowie released his popular hit single "The Jean Genie". In his book Moonage Daydream (2005), Bowie confirmed that the title "...was a clumsy pun upon Jean Genet". [5] A later promo video combines a version of the song with a fast edit of Genet's 1950 movie Un Chant d'Amour (1950).

Dire Straits' Making Movies (released on 17 October 1980 by Vertigo Records internationally and by Warner Bros. Records in the United States.) refers to Jean Genet in "Les Boys": Late at night when they've gone away/Les boys dream of Jean Genet/High heel shoes and a black beret/And the posters on the wall that say/Les boys do cabaret/Les boys are glad to be gay.


Genet developed throat cancer and was found dead on 15 April 1986, in a hotel room in Paris. Genet may have fallen on the floor and fatally hit his head. He is buried in the Spanish Cemetery in Larache, Morocco.[ citation needed ]

Genet's works

Novels and autobiography

Throughout his five early novels, Genet works to subvert the traditional set of moral values of his assumed readership. He celebrates a beauty in evil, emphasizes his singularity, raises violent criminals to icons, and enjoys the specificity of gay gesture and coding and the depiction of scenes of betrayal. Our Lady of the Flowers (Notre Dame des Fleurs 1943) is a journey through the prison underworld, featuring a fictionalized alter-ego by the name of Divine, usually referred to in the feminine, at the center of a circle of tantes ("aunties" or "queens") with colorful sobriquets such as Mimosa I, Mimosa II, First Communion and the Queen of Rumania. The two auto-fictional novels, Miracle of the Rose (Miracle de la rose 1946) and The Thief's Journal (Journal du voleur 1949), describe Genet's time in Mettray Penal Colony and his experiences as a vagabond and prostitute across Europe. Querelle de Brest (1947) is set in the midst of the port town of Brest, where sailors and the sea are associated with murder; and Funeral Rites (1949) is a story of love and betrayal across political divides, written this time for the narrator's lover, Jean Decarnin, killed by the Germans in WWII.

Prisoner of Love, published in 1986, after Genet's death, is a memoir of his encounters with Palestinian fighters and Black Panthers; it has, therefore, a more documentary tone than his fiction.

Art criticism

Genet wrote an essay on the work of the Swiss sculptor and artist Alberto Giacometti entitled L'Atelier d'Alberto Giacometti. It was highly praised by such major artists as Giacometti himself and Picasso. Genet wrote in an informal style, incorporating excerpts of conversations between himself and Giacometti. Genet's own biographer, Edmund White, said that, rather than write in the style of an art historian, Genet "invented a whole new language for discussing" Giacometti, proposing "that the statues of Giacometti should be offered to the dead, and that they should be buried." [6]


Genet's plays present highly stylized depictions of ritualistic struggles between outcasts of various kinds and their oppressors. [7] Social identities are parodied and shown to involve complex layering through manipulation of the dramatic fiction and its inherent potential for theatricality and role-play; maids imitate one another and their mistress in The Maids (1947); or the clients of a brothel simulate roles of political power before, in a dramatic reversal, actually becoming those figures, all surrounded by mirrors that both reflect and conceal, in The Balcony (1957). Most strikingly, Genet offers a critical dramatisation of what Aimé Césaire called negritude in The Blacks (1959), presenting a violent assertion of Black identity and anti-white virulence framed in terms of mask-wearing and roles adopted and discarded. His most overtly political play is The Screens (1964), an epic account of the Algerian War of Independence. He also wrote another full-length drama, Splendid's, in 1948 and a one-act play, Her (Elle), in 1955, though neither was published or produced during Genet's lifetime.

The Blacks was, after The Balcony , the second of Genet's plays to be staged in New York. The production was the longest running Off-Broadway non-musical of the decade. Originally premiered in Paris in 1959, this 1961 New York production ran for 1,408 performances. The original cast featured James Earl Jones, Roscoe Lee Browne, Louis Gossett, Jr., Cicely Tyson, Godfrey Cambridge, Maya Angelou and Charles Gordone.


In 1950, Genet directed Un Chant d'Amour , a 26-minute black-and-white film depicting the fantasies of a gay male prisoner and his prison warden.

Genet's work has also been adapted for film and produced by other filmmakers. In 1982, Rainer Werner Fassbinder released Querelle , his final film, which was based on Querelle of Brest . It starred Brad Davis, Jeanne Moreau and Franco Nero. Tony Richardson directed a film, Mademoiselle , which was based on a short story by Genet. It starred Jeanne Moreau with the screenplay written by Marguerite Duras. Todd Haynes' Poison was also based on the writings of Genet.

Several of Genet's plays were adapted into films. The Balcony (1963), directed by Joseph Strick, starred Shelley Winters as Madame Irma, Peter Falk, Lee Grant and Leonard Nimoy. The Maids was filmed in 1974 and starred Glenda Jackson, Susannah York and Vivien Merchant. Italian director Salvatore Samperi in 1986 directed another adaptation for film of the same play, La Bonne (Eng. Corruption ), starring Florence Guerin and Katrine Michelsen.

List of works

Novels and autobiography

Entries show: English-language translation of title (French-language title) [year written] / [year first published]


Entries show: English-language translation of title (French-language title) [year written] / [year first published] / [year first performed]



Collected in Œuvres complètes (French) and Treasures of the Night: Collected Poems by Jean Genet (English)

Spitzer, Mark, trans. 2010. The Genet Translations: Poetry and Posthumous Plays. Polemic Press. See


Two of Genet's poems, "The Man Sentenced to Death" and "The Fisherman of the Suquet" were adapted, respectively, as "The Man Condemned to Death" and "The Thief and the Night" and set to music for the album Feasting with Panthers , released in 2011 by Marc Almond and Michael Cashmore. Both poems were adapted and translated by Jeremy Reed.

Essays on art

Collected in Fragments et autres textes, 1990 (Fragments of the Artwork, 2003)

Essays on politics

Collected in L'Ennemi déclaré: textes et entretiens (1991) – The Declared Enemy (2004)


  • "Interview with Madeleine Gobeil for Playboy", April 1964, pp. 45–55.
  • "Lenin's Mistresses" ("Les maîtresses de Lénine"), in Le Nouvel Observateur, n° 185, 30 May 1968.
  • "The members of the Assembly" ("Les membres de l'Assemblée nationale"), in Esquire, n° 70, November 1968.
  • "A Salute to a Hundred Thousand Stars" ("Un salut aux cent milles étoiles"), in Evergreen Review, December 1968.
  • "The Shepherds of Disorder" ("Les Pâtres du désordre"), in Pas à Pas, March 1969, pp. vi–vii.


  • "Yet Another Effort, Frenchman!" ("Français encore un effort"), in L'Idiot international, n° 4, 1970, p. 44.
  • "It seems Indecent for Me to Speak of Myself" ("Il me paraît indécent de parler de moi"), Conference, Cambridge, 10 March 1970.
  • "Letter to American Intellectuals" ("Lettres aux intellectuels américains"), talk given at the University of Connecticut, 18 March 1970. first published as "Bobby Seale, the Black Panthers and Us White People", in Black Panther Newspaper, 28 March 1970.
  • Introduction, Preface to George Jackson's book, Soledad Brother, World Entertainers, New York, 1970.
  • May Day Speech, speech at New Haven, 1 mai 1970. San Francisco: City Light Books. Excerpts published as "J'Accuse" in Jeune Afrique, November 1970, and Les Nègres au port de la lune, Paris: Editions de la Différence, 1988.
  • "Jean Genet chez les Panthères noires", interview with Michèle Manceau, in Le Nouvel Observateur, n° 289, 25 May 1970.
  • "Angela and Her Brothers" ("Angela et ses frères"), in Le Nouvel Observateur, n° 303, 31 août 1970.
  • "Angela Davis is in your Clutches" ("Angela Davis est entre vos pattes"), text read 7 October 1970, broadcast on TV in the program L'Invité, 8 November 1970.
  • "Pour Georges Jackson", manifesto sent to French artists and intellectuals, July 1971.
  • "After the Assassination" ("Après l'assassinat"), written in 1971, published for the first time in 1991 in L'Ennemi déclaré: textes et entretiens.
  • "America is Afraid" ("L'Amérique a peur"), in Le Nouvel Observateur, n° 355, 1971. Later published as "The Americans kill off Blacks", in Black Panther Newspaper, 4 September 1971.
  • "The Palestinians" ("Les Palestiniens"), Commentary accompanying photographs by Bruno Barbey, published in Zoom, n° 4, 1971.
  • "The Black and the Red", in Black Panther Newspaper, 11 September 1971.
  • Preface to L'Assassinat de Georges Jackson, published in L'Intolérable, booklet by GIP, Paris, Gallimard, 10 November 1971.
  • "Meeting the Guaraní" ("Faites connaissance avec les Guaranis"), in Le Démocrate véronais, 2 juin 1972.
  • "On Two or Three books No One Has Ever Talked About" ("Sur deux ou trois livres dont personne n'a jamais parlé"), text read on 2 May 1974, for a radio program on France Culture. Published in L'Humanité as "Jean Genet et la condition des immigrés", 3 May 1974.
  • "When 'the worst is certain'" ("Quand 'le pire est toujours sûr'"), written in 1974, published for the first time in 1991 in L'Ennemi déclaré: textes et entretiens.
  • "Dying Under Giscard d'Estaing" ("Mourir sous Giscard d'Estaing"), in L'Humanité, 13 May 1974.
  • "And Why Not a Fool in Suspenders?" ("Et pourquoi pas la sottise en bretelle?"), in L'Humanité, 25 May 1974.
  • "The Women of Jebel Hussein" ("Les Femmes de Djebel Hussein"), in Le Monde diplomatique, 1 July 1974.
  • Interview with Hubert Fichte for Die Zeit, n° 8 February 13, 1976.
  • "The Tenacity of American Blacks" ("La Ténacité des Noirs américains"), in L'Humanité, 16 April 1977.
  • "Chartres Cathedral" ("Cathédrale de Chartres, vue cavalière"), in L'Humanité, 30 June 1977.
  • "Violence and Britality" ("Violence et brutalité"), in Le Monde, 2 September 1977. Also published as preface to Textes des prisonniers de la Fraction Armée rouge et dernières lettres d'Ulrike Meinhof, Maspero, Cahiers libres, Paris, 1977.
  • "Near Ajloun" ("Près d'Ajloun") in Per un Palestine, in a collection of writing in memory of Wael Zouateir, Mazzota, Milan, 1979.
  • "Interview with Tahar Ben Jelloun", Le Monde, November 1979.


  • Interview with Antoine Bourseiller (1981) and with Bertrand Poirot-Delpech (1982), distributed as a videocassetts in the series Témoin. Extracts published in Le Monde (1982) and Le Nouvel Observateur (1986).
  • "Four Hours in Shatila" ("Quatre heures à Chatila"), in Revue d'études palestiniennes, 1 January 1983.
  • Registration No. 1155 (N° Matricule 1155), text written for the catalogue of the exhibition La Rupture, Le Creusot, 1 March 1983.
  • Interview with Rudiger Wischenbart and Layla Shahid Barrada for Austrian Radio and the German daily Die Zeit. Published as "Une rencontre avec Jean Genet" in Revue d'études palestiniennes, Autome 1985.
  • Interview with Nigel Williams for BBC, 12 November 1985.
  • "The Brothers Karamazov" ("Les Frères Karamazov"), in La Nouvelle Revue Française, October 1986.
Other collected essays
  • "The Criminal Child" ("L'Enfant criminel"). Written in 1949, this text was commissioned by RTF (French radio) but was not broadcast due to its controversial nature. It was published in a limited edition in 1949 and later integrated into Volume 5 of Oeuvres Completes.
  • "What I like about the English is that They Are such Liars…", in Sunday Times, 1963, p. 11.
  • "Jean Genet chez les Panthères noires", interview with F.-M. Banier, in Le Monde, 23 October 1970.
  • "Un appel de M. Jean Genet en faveur des Noirs américains", in Le Monde, 15 October 1970.
  • "Jean Genet témoigne pour les Soledad Brothers", in La Nouvelle Critique, June 1971.
  • "The Palestinians" (Les Palestiniens), first published as "Shoun Palestine", Beyrouth, 1973. First English version published in Journal of Palestine Studies (Autumn, 1973). First French version ("Genet à Chatila") published by Actes Sud, Arles, 1994.
  • "Un héros littéraire: le défunt volubile", in La Nouvelle Critique, juin-juillet 1974 and Europe-Revue littéraire Mensuelle, Numéro spécial Jean Genet, n° 808–809 (1996).
  • "Entretien avec Angela Davis", in L'Unité, 23 mai 1975.
  • "Des esprits moins charitables que le mien pourraient croire déceler une piètre opération politique", in L'Humanité, 13 août 1975.
  • "L'art est le refuge", in Les Nègres au Port de la Lune, Paris: Editions de la Différence, 1988, pp. 99–103.
  • "Sainte Hosmose", in Magazine littéraire, Numéro spécial Jean Genet (n° 313), September 1993.
  • "Conférence de Stockholm", in L'Infini, n° 51 (1995).
  • "La trahison est une aventure spirituelle", in Le Monde, 12 July 1996, p. IV.
  • "Ouverture-éclair sur l´Amérique", in Europe-Revue littéraire Mensuelle, Numéro spécial Jean Genet, n° 808–809 (1996).
  • "Réponse à un questionnaire", in Europe-Revue littéraire Mensuelle, Numéro spécial Jean Genet, n° 808–809 (1996).


Collected in volume
Collected in Théâtre Complet (Editions Gallimard, 2002)
Collected in Portrait d'Un Marginal Exemplaire

See also

Related Research Articles

Raymond Aron French philosopher, sociologist, journalist, and political scientist

Raymond Claude Ferdinand Aron was a French philosopher, sociologist, political scientist, and journalist.

Albert Memmi French writer

Albert Memmi is a French writer and essayist of Tunisian-Jewish origin.

Hervé Guibert was a French writer and photographer. The author of numerous novels and autobiographical studies, he played a considerable role in changing French public attitudes to AIDS. He was a close friend of Michel Foucault.

Roger Blin was a French actor and director notable for staging world premieres of Samuel Beckett's Waiting for Godot in 1953 and Endgame (play) in 1957.

Les Temps modernes is a French journal, founded by Simone de Beauvoir and Jean-Paul Sartre. It first issue was published in October 1945. It was named after a film by Charlie Chaplin.

Michel Déon French writer

Michel Déon was a French novelist and literary columnist. He published over 50 works and was the recipient of numerous awards, including the Prix Interallié for his 1970 novel, Les Poneys sauvages. Déon's 1973 novel Un taxi mauve received the Grand Prix du roman de l'Académie française. His novels have been translated into numerous languages.

Marc Fumaroli, is a French historian and essayist. Fumaroli was elected to the Académie française on 2 March 1995 and became its director. He is also a member of the Académie des Inscriptions, the sister academy devoted to high erudition. Following his appointment to a chair in Seventeenth Century Studies at the University of Paris-IV, La Sorbonne (1980), he was elected to a Chair in Rhetoric and Society in Europe at the Collège de France. He held it from 1986 to 2002, until mandatory retirement, and is now an emeritus professor. He is acknowledged for the revival of Rhetoric as field of study of European culture, in a sharp move away from both structuralism and post-modernism. His pioneering work remains L'Age De l'Eloquence (1980). This massive work redrew the map of rhetorical scholarship across Europe. Fumaroli was also a member of the University of Chicago's Committee on Social Thought. He is a recipient of the prestigious Balzan Prize, the "Nobel" of the humanities. He is a foreign member of the British Academy and of the American Philosophical Society.

Jacques de Lacretelle French novelist

Jacques de Lacretelle was a French novelist. He was elected to the Académie française on 12 November 1936.

Bianca Lamblin was a French writer who was romantically involved with both Jean-Paul Sartre and his lifelong companion Simone de Beauvoir, for a number of years. Her book, Mémoires d'une Jeune Fille Dérangée, is an account of her long-lasting involvement with two of the most prominent French thinkers of the twentieth century. In correspondence between Sartre and Beauvoir, the pseudonym Louise Védrine was used when referring to Bianca in Lettres au Castor and in Lettres à Sartre. Lamblin later lamented of being abused by both Sartre and Beauvoir.

André du Bouchet was a French poet.

Jean Starobinski Swiss writer

Jean Starobinski was a Swiss literary critic.

Jean Lescure was a French poet.

Jean Cau was a French writer and journalist.

Claude Esteban French poet

Claude Esteban was a French poet.

Jean Grenier was a French philosopher and writer. He taught for a time in Algiers, where he became a significant influence on the young Albert Camus.

Lionel Ray French poet

Lionel Ray is a French poet and essayist.

Adrien-Michel-Hyacinthe Blin de Sainmore was an 18th–century French poet, playwright and historian.

Maurice Sartre is a French historian, an Emeritus professor of ancient history at the François Rabelais University, a specialist in ancient Greek and Eastern Roman history, especially the Hellenized Middle East, from Alexander to Islamic conquests.

Robert Francis, pen name for Jean Godmé, (1909–1946) was a French writer, winner of the 1934 edition of the Prix Femina.

Pierre Bourgeade French screenwriter, playwright, journalist, poet and photographer

Pierre Bourgeade was a French man of letters, playwright, poet, writer, director, journalist, literary critic and photographer. A descendant of Jean Racine, he was also the brother-in-law of the writer Paule Constant.



  1. Contemporary Literary Criticism, Volume 45 By Daniel G. Marowski, Roger Matuz. Gale: 1987 ISBN   0-8103-4419-X pg 11
  2. Brian Gordon Kennelly, Unfinished Business: Tracing Incompletion in Jean Genet's Posthumously Published Plays (Rodopi, 1997) p22
  3. de Grazia, Edward; Genet, Jean (1993). "An Interview with Jean Genet". Cardozo Studies in Law and Literature. 5 (2): 307–324. doi:10.2307/743530. JSTOR   743530.
  4. Genet in Vienna
  5. David Bowie & Mick Rock (2005). Moonage Daydream: pp. 140–146
  6. Kirili, Alain. "Edmund White" Archived 19 November 2011 at the Wayback Machine . BOMB Magazine . Spring 1994. Retrieved 25 July 2011.
  7. See Martin Esslin's book for one perspective on Genet's relationship both to Artaud's 'Theatre of Cruelty' and to Esslin's own Theatre of the Absurd. Not all critics agree that Artaud is Genet's most significant influence; both Bertolt Brecht and Luigi Pirandello have also been identified.
  8. Spitzer, Mark, trans. 2010. The Genet Translations: Poetry and Posthumous Plays. Polemic Press. See


Primary sources

In English
  • Bartlett, Neil, trans. 1995. Splendid's. London: Faber. ISBN   0-571-17613-5.
  • Bray, Barbara, trans. 1992. Prisoner of Love. By Jean Genet. Hanover: Wesleyan University Press.
  • Frechtman, Bernard, trans. 1960. The Blacks: A Clown Show. By Jean Genet. New York: Grove P. ISBN   0-8021-5028-4.
  • ---. 1963a. Our Lady of the Flowers by Jean Genet. London: Paladin, 1998.
  • ---. 1963b. The Screens by Jean Genet. London: Faber, 1987. ISBN   0-571-14875-1.
  • ---. 1965a. Miracle of the Rose by Jean Genet. London: Blond.
  • ---. 1965b. The Thief's Journal by Jean Genet. London: Blond.
  • ---. 1966. The Balcony by Jean Genet. Revised edition. London: Faber. ISBN   0-571-04595-2.
  • ---. 1969. Funeral Rites by Jean Genet. London: Blond. Reprinted in London: Faber and Faber, 1990.
  • ---. 1989. The Maids and Deathwatch: Two Plays by Jean Genet. London: Faber. ISBN   0-571-14856-5.
  • Genet, Jean. 1960. "Note." In Wright and Hands (1991, xiv).
  • ---. 1962. "How To Perform The Balcony." In Wright and Hands (1991, xi–xiii).
  • ---. 1966. Letters to Roger Blin. In Seaver (1972, 7–60).
  • ---. 1967. "What Remained of a Rembrandt Torn Up Into Very Even Little Pieces and Chucked Into The Crapper." In Seaver (1972, 75–91).
  • ---. 1969. "The Strange Word Urb..." In Seaver (1972, 61–74).
  • Seaver, Richard, trans. 1972. Reflections on the Theatre and Other Writings by Jean Genet. London: Faber. ISBN   0-571-09104-0.
  • Spitzer, Mark, trans. 2010. The Genet Translations: Poetry and Posthumous Plays. Polemic Press. See
  • Streatham, Gregory, trans. 1966. Querelle of Brest by Jean Genet. London: Blond. Reprinted in London: Faber, 2000.
  • Wright, Barbara and Terry Hands, trans. 1991. The Balcony by Jean Genet. London and Boston: Faber. ISBN   0-571-15246-5.
In French
Individual editions
  • Genet, Jean. 1948. Notre Dame des Fleurs. Lyon: Barbezat-L'Arbalète.
  • ---. 1949. Journal du voleur. Paris: Gallimard.
  • ---. 1951. Miracle de la Rose. Paris: Gallimard.
  • ---. 1953a. Pompes Funèbres. Paris: Gallimard.
  • ---. 1953b. Querelle de Brest. Paris: Gallimard.
  • ---. 1986. Un Captif Amoureux. Paris: Gallimard.
Complete works
  • Genet, Jean. 1952–. Œuvres completes. Paris: Gallimard.
  • Volume 1: Saint Genet: comédien et martyr (by J.-P. Sartre)
  • Volume 2: Notre-Dame des fleurs – Le condamné à mort – Miracle de la rose – Un chant d'amour
  • Volume 3: Pompes funèbres – Le pêcheur du Suquet – Querelle de Brest
  • Volume 4: L'étrange mot d' ... – Ce qui est resté d'un Rembrandt déchiré en petits carrés – Le balcon – Les bonnes – Haute surveillance -Lettres à Roger Blin – Comment jouer 'Les bonnes' – Comment jouer 'Le balcon'
  • Volume 5: Le funambule – Le secret de Rembrandt – L'atelier d'Alberto Giacometti – Les nègres – Les paravents – L'enfant criminel
  • Volume 6: L'ennemi déclaré: textes et entretiens
  • ---. 2002. Théâtre Complet. Paris: Bibliothèque de la Pléiade.

Secondary sources

In English
  • Barber, Stephen. 2004. Jean Genet. London: Reaktion. ISBN   1-86189-178-4.
  • Choukri, Mohamed. Jean Genet in Tangier. New York: Ecco Press, 1974. SBN 912-94608-3
  • Coe, Richard N. 1968. The Vision of Genet. New York: Grove Press.
  • Driver, Tom Faw. 1966. Jean Genet. New York: Columbia University Press.
  • Frieda Ekotto. 2011. "Race and Sex across the French Atlantic: The Color of Black in Literary, Philosophical, and Theater Discourse." New York: Lexington Press. ISBN   0739141147
  • Knapp, Bettina Liebowitz. 1968. Jean Genet. New York: Twayne.
  • McMahon, Joseph H. 1963. The Imagination of Jean Genet New Haven: Yale UP.
  • Oswald, Laura. 1989. Jean Genet and the Semiotics of Performance. Advances in Semiotics ser. Bloomington and Indianapolis: Indiana University Press. ISBN   0-253-33152-8.
  • Savona, Jeannette L. 1983. Jean Genet. Grove Press Modern Dramatists ser. New York: Grove Press. ISBN   0-394-62045-3.
  • Styan, J. L. 1981. Symbolism, Surrealism and the Absurd. Vol. 2 of Modern Drama in Theory and Practice. Cambridge: Cambridge University Press. ISBN   0-521-29629-3.
  • Webb, Richard C. 1992. File on Genet. London: Methuen. ISBN   0-413-65530-X.
  • White, Edmund. 1993. Genet. Corrected edition. London: Picador, 1994. ISBN   0-330-30622-7.
  • Laroche, Hadrien. 2010 The Last Genet: a writer in revolt. Trans David Homel. Arsenal Pulp Press. ISBN   978-1-55152-365-1.
  • Magedera, Ian H.. 2014 Outsider Biographies; Savage, de Sade, Wainewright, Ned Kelly, Billy the Kid, Rimbaud and Genet: Base Crime and High Art in Biography and Bio-Fiction, 1744-2000. Amsterdam and New York: Rodopi. ISBN   978-90-420-3875-2
In French
  • Derrida Jacques.Glas. Galilée, Paris, 1974.
  • Frieda Ekotto. 2001. "L'Ecriture carcérale et le discours juridique: Jean Genet" Paris: L'Harmattan.,
  • El Maleh, Edmond Amran. 1988. Jean Genet, Le captif amoureux: et autres essais. Grenoble: Pensée sauvage. ISBN   2-85919-064-3.
  • Eribon, Didier. 2001. Une morale du minoritaire: Variations sur un thème de Jean Genet. Paris: Librairie Artème Fayard. ISBN   2-213-60918-7.
  • Bougon, Patrice. 1995. Jean Genet, Littérature et politique, L'Esprit Créateur, Spring 1995, Vol. XXXV, N°1
  • Hubert, Marie-Claude. 1996. L'esthétique de Jean Genet. Paris: SEDES. ISBN   2-7181-9036-1.
  • Jablonka, Ivan. 2004. Les vérités inavouables de Jean Genet. Paris: Éditions du Seuil. ISBN   2-02-067940-X.
  • Sartre, Jean-Paul. 1952. Saint Genet, comédien et martyr. In Jean genet, Oeuvres Complétes de Jean Genet I. Paris: Éditions Gallimard.
  • Laroche, Hadrien. 2010. "Le Dernier Genet. Histoire des hommes infâmes". Paris: Champs Flammarion; nouvelle édition, revue et corrigée. ISBN   978-2-0812-4057-5