Jean Renoir

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Jean Renoir
Jean Renoir photo.jpg
Born(1894-09-15)15 September 1894
Died12 February 1979(1979-02-12) (aged 84)
Occupation Film director, actor, screenwriter, producer, author
Years active1924–1978
Spouse(s) Catherine Hessling (1920–1930)
Dido Freire (1944–1979)
Partner(s) Marguerite Renoir (19321939)

Jean Renoir (French:  [ʁənwaʁ] ; 15 September 1894 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s. His films La Grande Illusion (1937) and The Rules of the Game (1939) are often cited by critics as among the greatest films ever made. He was ranked by the BFI's Sight & Sound poll of critics in 2002 as the fourth greatest director of all time. Among numerous honors accrued during his lifetime, he received a Lifetime Achievement Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir. He was one of the first filmmakers to be known as an auteur . [1]

Film director Person who controls the artistic and dramatic aspects of a film production

A film director is a person who directs the making of a film. A film director controls a film's artistic and dramatic aspects and visualizes the screenplay while guiding the technical crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film.

Silent film Film with no synchronized recorded dialogue

A silent film is a film with no synchronized recorded sound. In silent films for entertainment, the plot may be conveyed by the use of title cards, written indications of the plot and key dialogue lines. The idea of combining motion pictures with recorded sound is nearly as old as film itself, but because of the technical challenges involved, the introduction of synchronized dialogue became practical only in the late 1920s with the perfection of the Audion amplifier tube and the advent of the Vitaphone system.

<i>La Grande Illusion</i> 1937 French war film directed by Jean Renoir

La Grande Illusion is a 1937 French war film directed by Jean Renoir, who co-wrote the screenplay with Charles Spaak. The story concerns class relationships among a small group of French officers who are prisoners of war during World War I and are plotting an escape. The title of the film comes from the book The Great Illusion by British journalist Norman Angell, which argued that war is futile because of the common economic interests of all European nations. The perspective of the film is generously humanistic to its characters of various nationalities.


Early life and early career

The young Renoir with Gabrielle Renard in a painting by his father Pierre-Auguste Renoir. Gabrielle et Jean, by Pierre-Auguste Renoir, from C2RMF cropped.jpg
The young Renoir with Gabrielle Renard in a painting by his father Pierre-Auguste Renoir.

Renoir was born in the Montmartre district of Paris, France. He was the second son of Aline (née Charigot) Renoir and Pierre-Auguste Renoir, the renowned painter. His elder brother was Pierre Renoir, a French stage and film actor, and his younger brother Claude Renoir (1901–1969) had a brief minor career in the film industry, mostly assisting on a few of Jean's films.[ citation needed ] Renoir was also the uncle of Claude Renoir (1913–1993), the son of Pierre, a cinematographer who worked with Jean Renoir on several of his films.

Montmartre hill in the north of Paris, France

Montmartre is a large hill in Paris's 18th arrondissement. It is 130 m (430 ft) high and gives its name to the surrounding district, part of the Right Bank in the northern section of the city. The historic district established by the City of Paris in 1995 is bordered by rue Caulaincourt and rue Custine on the north, rue de Clignancourt on the east, and boulevard de Clichy and boulevard de Rochechouart to the south, containing 60 ha. Montmartre is primarily known for its artistic history, the white-domed Basilica of the Sacré-Cœur on its summit, and as a nightclub district. The other church on the hill, Saint Pierre de Montmartre, built in 1147, was the church of the prestigious Montmartre Abbey. On August 15, 1534, Saint Ignatius of Loyola, Saint Francis Xavier and five other companions bound themselves by vows in the Martyrium of Saint Denis, 11 rue Yvonne Le Tac, the first step in the creation of the Jesuits.

Aline Charigot Wife and model of Auguste Renoir

Aline Charigot was a model for Auguste Renoir and later became his wife while continuing to model for him and then caring for him when he became disabled. She is pictured in many of his paintings over very many years, most famously in the early 1880s Luncheon of the Boating Party, and Blonde Bather. They had three children together, two of whom, Pierre and Jean, went on to have distinguished careers in film, and the third, Claude, became a ceramic artist. Pierre had a son Claude who became the well-known cinematographer. She predeceased her elderly husband.

Pierre-Auguste Renoir French painter and sculptor

Pierre-Auguste Renoir, commonly known as Auguste Renoir, was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."

Renoir was largely raised by Gabrielle Renard, his nanny and his mother's cousin, with whom he developed a strong bond. Shortly before his birth, she had come to live with the Renoir family. [2] She introduced the young boy to the Guignol puppet shows in Montmartre, which influenced his later film career. He wrote in his 1974 memoirs My Life and My Films, "She taught me to see the face behind the mask and the fraud behind the flourishes. She taught me to detest the cliché." [3] Gabrielle was also fascinated by the new motion-picture invention, and when Renoir was only a few years old she took him to see his first film.

Gabrielle Renard French nanny, and model for the painter Pierre-Auguste Renoir

Gabrielle Renard was a French woman who became an important member of the family of the painter Pierre-Auguste Renoir, first becoming their nanny, and subsequently a frequent model for the artist. The bond she developed with the Renoirs' second son, the future filmmaker Jean Renoir, lasted throughout their lives. Upon her marriage in 1921, she became Gabrielle Renard-Slade.

Guignol character in a French puppet show

Guignol is the main character in a French puppet show which has come to bear his name. It represents the workers in the silk industry of France.

History of film aspect of history

Although the start of the history of film is not clearly defined, the commercial, public screening of ten of Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings but these lacked either the quality or the momentum that propelled the cinématographe Lumière into a worldwide success.

As a child, Renoir moved to the south of France with his family. He and the rest of the Renoir family were the subjects of many of his father's paintings. His father's financial success ensured that the young Renoir was educated at fashionable boarding schools, from which, as he later wrote, he frequently ran away. [4]

Boarding school School where some or all pupils live-in

A boarding school provides education for pupils who live on the premises, as opposed to a day school. The word "boarding" is used in the sense of "room and board", i.e. lodging and meals. As they have existed for many centuries, and now extend across many countries, their function and ethos varies greatly. Traditionally, pupils stayed at the school for the length of the term; some schools facilitate returning home every weekend, and some welcome day pupils. Some are for either boys or girls while others are co-educational.

At the outbreak of World War I, Renoir was serving in the French cavalry. Later, after receiving a bullet in his leg, he served as a reconnaissance pilot. [5] His leg injury left him with a permanent limp, but allowed him to discover the cinema, since he recuperated by watching films with his leg elevated, including the works of Charlie Chaplin, D. W. Griffith and others. [6] [7] After the war, Renoir followed his father's suggestion and tried his hand at making ceramics, but he soon set that aside to make films. He was particularly inspired by Erich von Stroheim's work. [8] [9]

Charlie Chaplin British comic actor and filmmaker

Sir Charles Spencer Chaplin was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, "The Tramp", and is considered one of the most important figures in the history of the film industry. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy.

D. W. Griffith American film director and producer

David Wark Griffith was an American film director. Widely considered as the most important filmmaker of his generation, he pioneered the feature-length movie and many enduring cinematic techniques, such as the close-up.

Ceramic Inorganic, nonmetallic solid prepared by the action of heat

A ceramic is a solid material comprising an inorganic compound of metal, non-metal or metalloid atoms primarily held in ionic and covalent bonds. Common examples are earthenware, porcelain, and brick.

In 1924, Renoir directed Une Vie Sans Joie or Catherine, the first of his nine silent films, most of which starred his first wife, Catherine Hessling. She was also his father's last model. [10] At this stage, his films did not produce a return. Renoir gradually sold paintings inherited from his father to finance them. [11]

Catherine Hessling French actress

Catherine Hessling was a French actress and the first wife of film director Jean Renoir. Hessling appeared in 15, mostly silent, films before retiring from the acting profession and withdrawing from public life in the mid-1930s.

International success in the 1930s

During the 1930s Renoir enjoyed great success as a filmmaker. In 1931 he directed his first sound films, On purge bébé (Baby's Laxative) [12] and La Chienne (The Bitch). [13] The following year he made Boudu Saved From Drowning (Boudu sauvé des eaux), a farcical sendup of the pretensions of a middle-class bookseller and his family, who meet with comic, and ultimately disastrous, results when they attempt to reform a vagrant played by Michel Simon. [14]

By the middle of the decade, Renoir was associated with the Popular Front. Several of his films, such as The Crime of Monsieur Lange (Le Crime de Monsieur Lange, 1935), Life Belongs to Us (1936) and La Marseillaise (1938), reflect the movement's politics. [15] [16]

In 1937 he made what became one of his best-known films, La Grande Illusion , starring Erich von Stroheim and Jean Gabin. A film on the theme of brotherhood, relating a series of escape attempts by French POWs during World War I, it was enormously successful. It was banned in Germany, and later in Italy, after having won the "Best Artistic Ensemble" award at the Venice Film Festival. [17] It was the first foreign language film to receive a nomination for the Academy Award for Best Picture.

He followed it with The Human Beast (La Bête Humaine) (1938), a film noir tragedy based on the novel by Émile Zola and starring Simone Simon and Jean Gabin. This film also was a cinematic success. [18]

In 1939, able to co-finance his own films, [19] Renoir made The Rules of the Game (La Règle du Jeu), a satire on contemporary French society with an ensemble cast. [20] Renoir played the character Octave, who acts as a sort of master of ceremonies in the film. [21] The film was his greatest commercial failure, [22] met with derision by Parisian audiences at its premiere. He extensively reedited the work, but without success. [23]

A few weeks after the outbreak of World War II, the film was banned by the government. Renoir was a known pacifist and supporter of the French Communist Party, which made him suspect in the tense weeks before the war began. [24] The ban was lifted briefly in 1940, but after the fall of France that June, it was banned again. [25] Subsequently, the original negative of the film was destroyed in an Allied bombing raid. [25] It was not until the 1950s that French film enthusiasts Jean Gaborit and Jacques Durand, with Renoir's cooperation, reconstructed a near-complete print of the film. [26] [27] Since screenings and reappraisals since the 1960s, The Rules of the Game has frequently appeared near the top of critics' polls of the best films ever made. [28] [29]

A week after the disastrous premiere of The Rules of the Game in July 1939, Renoir went to Rome with Karl Koch and Dido Freire, subsequently his second wife, to work on the script for a film version of Tosca . [30] [31] At the age of 45, he became a lieutenant in the French Army Film Service. He was sent back to Italy, to teach film at the Centro Sperimentale di Cinematografia in Rome, and resume work on Tosca . [30] [32] [33] The French government hoped this cultural exchange would help maintain friendly relations with Italy, which had not yet entered the war. [30] [32] [34] He abandoned the project to return to France and make himself available for military service in August 1939. [35] [36] [37]

Hollywood years

After Germany invaded France in May 1940, Renoir fled to the United States with Dido Freire. [38] [39] In Hollywood, Renoir had difficulty finding projects that suited him. [40] His first American film, Swamp Water (1941), was a drama starring Dana Andrews and Walter Brennan. He co-produced and directed an anti-Nazi film set in France, This Land Is Mine (1943), starring Maureen O'Hara and Charles Laughton. [41] [42] The Southerner (1945) is a film about Texas sharecroppers that is often regarded as his best American film. He was nominated for an Academy Award for Directing for this work. [43] [44] [45]

Diary of a Chambermaid (1946) is an adaptation of the Octave Mirbeau novel, Le Journal d'une femme de chambre, starring Paulette Goddard and Burgess Meredith. [46] [47] His The Woman on the Beach (1947), starring Joan Bennett and Robert Ryan, was heavily reshot and reedited after it fared poorly among preview audiences in California. [48] Both films were poorly received; they were the last films Renoir made in America. [49] [50] [51] At this time, Renoir became a naturalized citizen of the United States. [52]

Post-Hollywood career

In 1949 Renoir traveled to India to shoot The River (1951), his first color film. [53] Based on the novel of the same name by Rumer Godden, the film is both a meditation on human beings' relationship with nature and a coming of age story of three young girls in colonial India. [54] The film won the International Prize at the Venice Film Festival in 1951. [55]

After returning to work in Europe, Renoir made a trilogy of color musical comedies on the subjects of theater, politics and commerce: Le Carrosse d'or (The Golden Coach, 1953) with Anna Magnani; French Cancan (1954) with Jean Gabin and María Félix; and Eléna et les hommes (Elena and Her Men, 1956) with Ingrid Bergman and Jean Marais. [56] During the same period Renoir produced Clifford Odets' play The Big Knife in Paris. He also wrote his own play, Orvet , and produced it in Paris featuring Leslie Caron. [57] [58]

Renoir made his next films with techniques adapted from live television. [59] Le Déjeuner sur l'herbe (Picnic on the Grass, 1959), starring Paul Meurisse and Catherine Rouvel, was filmed on the grounds of Pierre-Auguste Renoir's home in Cagnes-sur-Mer, and Le Testament du docteur Cordelier (The Testament of Doctor Cordelier, also 1959), starring Jean-Louis Barrault, was made in the streets of Paris and its suburbs. [60] [61]

Renoir's penultimate film, Le Caporal épinglé (The Elusive Corporal, 1962), with Jean-Pierre Cassel and Claude Brasseur, [62] is set among French POWs during their internment in labor camps by the Nazis during World War II. The film explores the twin human needs for freedom, on the one hand, and emotional and economic security, on the other. [63] [64]

Renoir's loving memoir of his father, Renoir, My Father (1962) describes the profound influence his father had on him and his work. [65] As funds for his film projects were becoming harder to obtain, Renoir continued to write screenplays for income. He published a novel, The Notebooks of Captain Georges , in 1966. [66] [67] Captain Georges is the nostalgic account of a wealthy young man's sentimental education and love for a peasant girl, a theme also explored earlier in his films Diary of a Chambermaid and Picnic on the Grass . [68]

Last years

Renoir's last film is Le Petit théâtre de Jean Renoir (The Little Theatre of Jean Renoir, 1969). [69] The film is a series of four short films made in a variety of styles. It is, in many ways, one of his most challenging, avant-garde and unconventional works. [70] [71]

Unable to obtain financing for his films and suffering declining health, Renoir spent his last years receiving friends at his home in Beverly Hills, and writing novels and his memoirs. [72]

In 1973 Renoir was preparing a production of his stage play, Carola, with Leslie Caron and Mel Ferrer when he fell ill and was unable to direct. The producer Norman Lloyd, a friend and actor in The Southerner, took over the direction of the play. It was broadcast in the series program Hollywood Television Theater on WNET, Channel 13, New York on February 3, 1973. [73]

Renoir's memoir, My Life and My Films , was published in 1974. He wrote of the influence exercised by Gabrielle Renard, his nanny and his mother's cousin, with whom he developed a mutual lifelong bond. He concluded his memoirs with the words he had often spoken as a child, "Wait for me, Gabrielle." [74]

In 1975 Renoir received a lifetime Academy Award for his contribution to the motion picture industry. That same year a retrospective of his work was shown at the National Film Theatre in London. [75] Also in 1975, the government of France elevated him to the rank of commander in the Légion d'honneur. [76]

Jean Renoir died in Beverly Hills, California on February 12, 1979 of a heart attack. [77] His body was returned to France and buried beside his family in the cemetery at Essoyes, Aube, France. [78]


On his death, fellow director and friend Orson Welles wrote an article for the Los Angeles Times , entitled "Jean Renoir: The Greatest of all Directors". [79] Renoir's films have also influenced many other directors, including Satyajit Ray, [80] Éric Rohmer, [81] Luchino Visconti, [82] Jean-Marie Straub and Danièle Huillet, [83] Peter Bogdanovich, [84] François Truffaut, [85] Robert Altman, [86] Errol Morris [87] Martin Scorsese [88] and Mike Leigh. [89]

Jean Renoir has a star on the Hollywood Walk of Fame at 6212 Hollywood Blvd. [90] Several of his ceramics were collected by Albert Barnes, who was a major patron and collector of his father. They can be found on display beneath his father's paintings at the Barnes Foundation in Philadelphia. [91]

Renoir's son, Alain Renoir (1921-2008), became a professor of English and comparative literature at the University of California at Berkeley and a scholar of medieval English literature.[ citation needed ]



Selected writings

See also

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