Jean Merilyn Simmons, OBE (31 January 1929 – 22 January 2010) was a British actress and singer.[1][2] One of J. Arthur Rank's "well-spoken young starlets", she appeared predominantly in films, beginning with those made in Great Britain during and after World War II, followed mainly by Hollywood films from 1950 onwards.[3]
During the Second World War, the Simmons family was evacuated to Winscombe, Somerset.[6] Her father, a physical education teacher,[7] taught briefly at Sidcot School, and some time during this period, Simmons followed her eldest sister onto the village stage and sang popular songs such as "Daddy Wouldn't Buy Me a Bow Wow". At this point, her ambition was to be an acrobatic dancer.[8]
Simmons became a star in Britain when she was cast as the young Estella in David Lean's version of Great Expectations (1946). The movie was the third-most popular film at the British box office in 1947, and Simmons received excellent reviews.[10]
The experience of working on Great Expectations caused her to pursue an acting career more seriously:
I thought acting was just a lark, meeting all those exciting movie stars, and getting £5 a day which was lovely because we needed the money. But I figured I'd just go off and get married and have children like my mother. It was working with David Lean that convinced me to go on.[11]
Simmons was top-billed for the first time in the drama Uncle Silas (1947). She followed it with The Woman in the Hall (1947). Neither was particularly successful; but Simmons was then in a huge international hit, playing Ophelia in Laurence Olivier's Hamlet (1948), for which she received her first Oscar nomination. Olivier offered her the chance to work and study at the Old Vic, advising her to play anything they offered her to get experience; but she was under contract to Rank, which vetoed the idea.[13]
Simmons starred with Stewart Granger in the comedy Adam and Evelyne (1949). It was her first adult role, and Granger and she became romantically involved; they soon married.[16]
Granger became a Hollywood star in King Solomon's Mines (1950) and was signed to a contract by MGM, so Simmons moved to Los Angeles with him. In 1951, Rank sold her contract to Howard Hughes, who then owned RKO Pictures.[18][19]
Hughes was eager to start a sexual relationship with Simmons, but Granger put a stop to his advances by angrily telling Hughes over the phone: "Mr Howard bloody Hughes, you'll be sorry if you don't leave my wife alone."[20] Her first Hollywood film was Androcles and the Lion (1952), produced by Pascal and co-starring Victor Mature. It was followed by Angel Face (1953), directed by Otto Preminger with Robert Mitchum. According to David Thomson, "If she had made only one film—Angel Face—she might now be spoken of with the awe given to Louise Brooks."[21] Smarting over his rebuff from Granger, Hughes instructed Preminger to treat Simmons as roughly as possible, leading the director to demand that costar Mitchum repeatedly slap the actress harder and harder, until Mitchum turned and punched Preminger, asking if that was how he wanted it.[22]
To further punish Simmons and Granger, Hughes refused to lend her to Paramount where director William Wyler wanted to cast her in the female lead for his film Roman Holiday; the role made a star of Audrey Hepburn. He also made her appear in She Couldn't Say No (1954), a comedy with Mitchum.
A court case freed Simmons from the contract with Hughes in 1952.[21] They settled out of court; part of the arrangement was that Simmons would do one more film for no additional money.[23] Simmons also agreed to make three more movies under the auspices of RKO, but not actually at that studio—she would be lent out. She would make an additional picture for 20th Century Fox while RKO got the services of Victor Mature for one film.[24]
MGM cast her in the lead of Young Bess (1953) playing a young Queen Elizabeth I with Granger. She went back to RKO to do the extra film under the settlement with Hughes, titled Affair with a Stranger (1953) with Mature; it flopped.
20th Century Fox
Simmons went over to 20th Century Fox to play the female lead in The Robe (1953), the first CinemaScope movie and an enormous financial success. Less popular was The Actress (1953) at MGM alongside Spencer Tracy; it was one of her personal favorites.[citation needed]
Simmons and Granger returned to England to make the thriller Footsteps in the Fog (1955). Then, Joseph Mankiewicz cast her opposite Brando in the screen adaptation of Guys and Dolls (1955), playing a role turned down by Grace Kelly; it was a big hit.
Simmons did Heidi (1968) for TV, then Brooks wrote and directed The Happy Ending (1969) for her, and she received her second Oscar nomination.
1970s and 1980s
By the 1970s, Simmons turned her focus to stage and television acting. She toured the United States in Stephen Sondheim's A Little Night Music, then took the show to London, thus originated the role of Desirée Armfeldt in the West End. Performing in the show for three years, she said she never tired of Sondheim's music; "No matter how tired or 'off' you felt, the music would just pick you up."[26]
She portrayed Fiona "Fee" Cleary, the Cleary family matriarch, in the miniseries The Thorn Birds (1983); she won an Emmy Award for her role. She appeared in North and South (1985–86), again playing the role of the family matriarch as Clarissa Main, and starred in The Dawning (1988) with Anthony Hopkins and Hugh Grant. In 1989, Simmons appeared as murder mystery author Eudora McVeigh Shipton, a self proclaimed rival to Jessica Fletcher, in the two part Murder, She Wrote episode "Mirror, Mirror, On the Wall" with Angela Lansbury.
Simmons was married and divorced twice. At 21, she married Stewart Granger in Tucson, Arizona on 20 December 1950.[27] She and Granger became U.S. citizens in 1956;[28] in the same year, their daughter Tracy Granger was born. They divorced in 1960.[29]
Grave of Jean Simmons in Highgate Cemetery (West)
On 1 November 1960, Simmons married director Richard Brooks;[30] their daughter, Kate Brooks, was born a year later in 1961. Simmons and Brooks divorced in 1980.[31] Although both men were significantly older than Simmons, she denied she was looking for a father figure. Her father had died when she was just 16, but she said: "They were really nothing like my father at all. My father was a gentle, softly spoken man. My husbands were both much noisier and much more opinionated... it's really nothing to do with age... it's to do with what's there– the twinkle and sense of humour."[11] And in a 1984 interview, given in Copenhagen at the time she was shooting the film Going Undercover (1988,[32][33] aka, Yellow Pages, completed 1985)[34] she elaborated slightly on her marriages, stating,
It may be simplistic, but you could sum up my two marriages by saying that, when I wanted to be a wife, Jimmy (Stewart Granger) would say: "I just want you to be pretty." And when I wanted to cook, Richard would say: "Forget the cooking. You've been trained to act– so act!" Most people thought I was quite helpless– a clinger and a butterfly– during my first marriage. It was Richard Brooks who saw what was wrong and tried to make me stand on my own two feet. I'd whine: 'I'm afraid.' And he'd say: 'Never be afraid to fail. Every time you get up in the morning, you are ahead.'
Simmons had two daughters, Tracy Granger (a film editor since 1990), and Kate Brooks (a TV production assistant and producer), one by each marriage– their names bearing witness to Simmons's friendship with Spencer Tracy[35] and Katharine Hepburn. Simmons moved to the East Coast of the US in the late 1970s, briefly owning a home in New Milford, Connecticut. She returned to California, settling in Santa Monica, California, where she lived until her death.
In 2003, she became the patron of the British drugs and human rights charity Release. In 2005, she signed a petition to British Prime Minister Tony Blair asking him not to upgrade cannabis from a class C drug to class B.[37]
Death
Simmons died from lung cancer at her home in Santa Monica on 22 January 2010, nine days before her 81st birthday. She is interred in Highgate Cemetery, north London.[38][39][40]
For a number of years, British film exhibitors voted Simmons among the top ten British stars at the box office via an annual poll in the Motion Picture Herald.
Deborah Jane Trimmer CBE, known professionally as Deborah Kerr, was a British actress. She was nominated six times for the Academy Award for Best Actress.
The Sundowners is a 1960 Technicolor comedy drama film that tells the story of a 1920s Australian outback family torn between the father's desires to continue his nomadic sheep-herding ways and the wife's and son's desire to settle down in one place. The Sundowners was produced and directed by Fred Zinnemann, adapted by Isobel Lennart from Jon Cleary's 1952 novel of the same name, and starring Deborah Kerr, Robert Mitchum and Peter Ustinov, with a supporting cast including Glynis Johns, Mervyn Johns, Dina Merrill, Michael Anderson Jr. and Chips Rafferty.
Eleanor Jean Parker was an American actress. She was nominated for three Academy Awards for her roles in the films Caged (1950), Detective Story (1951), and Interrupted Melody (1955), the first of which won her the Volpi Cup for Best Actress. She was also known for her roles in the films Of Human Bondage (1946), Scaramouche (1952), The Naked Jungle (1954), The Man with the Golden Arm (1955), A Hole in the Head (1959), The Sound of Music (1965), and The Oscar (1966).
Young Bess is a 1953 Technicolor biographical film made by Metro-Goldwyn-Mayer about the early life of Elizabeth I, from her turbulent childhood to the eve of her accession to the throne of England. It stars Jean Simmons as Elizabeth and Stewart Granger as Thomas Seymour, with Charles Laughton as Elizabeth's father, Henry VIII, a part he had played 20 years before in The Private Life of Henry VIII. The film was directed by George Sidney and produced by Sidney Franklin, from a screenplay by Jan Lustig and Arthur Wimperis based on the novel of the same title by Margaret Irwin (1944).
Stewart Granger was a British film actor, mainly associated with heroic and romantic leading roles. He was a popular leading man from the 1940s to the early 1960s, rising to fame through his appearances in the Gainsborough melodramas.
Margaret Mary Day Lockwood, CBE, was an English actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She also starred in the television series Justice (1971–74).
Gloria Grahame Hallward was an American actress and singer. She began her acting career in theatre, and in 1944 made her first film for MGM.
Richard Brooks was an American screenwriter, film director, novelist and film producer. Nominated for eight Oscars in his career, he was best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958), Elmer Gantry, In Cold Blood (1967) and Looking for Mr. Goodbar (1977).
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Phyllis Hannah Murray-Hill, known professionally as Phyllis Calvert, was an English film, stage and television actress. She was one of the leading stars of the Gainsborough melodramas of the 1940s such as The Man in Grey (1943) and was one of the most popular movie stars in Britain in the 1940s. She continued her acting career for another 50 years.
Angel Face is a 1953 American film noir directed by Otto Preminger, starring Robert Mitchum and Jean Simmons, and featuring Leon Ames and Barbara O'Neil. It was filmed on location in Beverly Hills, California.
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Adam and Evelyne, released in the U.S. as Adam and Evalyn, is a 1949 romance film starring Stewart Granger and Jean Simmons. According to Robert Osborne, host of Turner Classic Movies, this suited the stars, as they were romantically involved at the time, despite their age difference. They married the next year.
Affair with a Stranger is a 1953 American comedy-drama directed by Roy Rowland and starring Jean Simmons and Victor Mature. It was originally to be released as Kiss and Run.
The Magic Bow is a 1946 British musical film based on the life and loves of the Italian violinist and composer Niccolò Paganini. It was directed by Bernard Knowles. The film was entered into the 1946 Cannes Film Festival.
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↑ "...and from London". The Mail. Vol.35, no.1, 806. Adelaide. 4 January 1947. p.9 (Sunday Magazine). Retrieved 10 October 2017– via National Library of Australia.
↑ Picture Show and TV Mirror, 2 July 1960, p. 7. Simmons says her daughter was named after Spencer Tracy in interview, but adds, "Jimmy (Granger) says he got the name from the role Katharine Hepburn played in The Philadelphia Story."
1 2 Brown, David (2001). "James Kenelm Clarke". In Allon, Yoram; Cullen, Del; Patterson, Hannah (eds.). Contemporary British and Irish Film Directors. Wallflower Press. p.60, viii. ISBN9781903364215.
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