Career
Silver's film career began when she moved to New York City in 1967. [6] [3] She was a writer for The Village Voice [7] before she started her career in film. In the 1960s, she began writing scripts for children's educational films produced by Encyclopædia Britannica and the Learning Corporation of America, for which she directed three short films: The Case of the Elevator Duck,The Fur Coat, and The Immigrant Experience: The Long Long Journey. [2] [8] The Immigrant Experience, about Polish immigrants to America, was well received and is considered to be the immediate predecessor to Hester Street (1975). [4]
She reflected in one interview that the barriers to women's entry into filmmaking were so steep in the early 1970s that "I had absolutely no chance of getting work as a director." [9] In a 1979 American Film Institute interview, she quoted a studio executive who told her bluntly, "Feature films are very expensive to mount and distribute, and women directors are one more problem we don’t need." [1] Before beginning her career as a director, Silver worked as a writer; she sold a script entitled Limbo to Universal Pictures in 1972. [8] Limbo, a collaboration with Linda Gottlieb, was about the wives of Vietnam War prisoners of war. [4]
Silver's first feature film as a director, Hester Street (1975), was based on a short story by Abraham Cahan, [10] and produced by Midwest Films, a company Silver founded with her husband. [5] It was produced on the relatively small budget of $320,000. The New York Times later called Midwest "one of the most successful mom-and-pop operations in the film business". [11] Raphael grew motivated to become involved with her film career out of frustration with the opportunities he saw her being denied. [2] The film, about Russian Jewish immigrants to the Lower East Side, featured dialogue entirely in Yiddish. [1] She made it in 34 days. [12] Hester Street received a Best Actress Oscar nomination for actress Carol Kane. [1] [12] The film was screened at Cannes and received wide acclaim. [13] The success of Hester Street allowed the Silvers to begin work on Joan's next project, the 1977 film Between the Lines . [13] Between the Lines, filmed in Boston, [10] was entered into the 27th Berlin International Film Festival. [14]
Chilly Scenes of Winter (1979), originally released as Head over Heels, was less of a triumph. United Artists, the major studio that produced Chilly Scenes, changed the film's name and edited in a happy ending, suggesting that "market research" justified the change in title. [13] Chilly Scenes did not receive the same warm reception as Silver's earlier films. [13]
Silver is known for the film Crossing Delancey (1988), a romantic comedy starring Amy Irving about a bookstore clerk with career aspirations in the literary world, who is concerned about concealing her "Lower East Side roots". [1] This project too ran into roadblocks: studio executives told Silver that Crossing Delancey was too "ethnic". Eventually Steven Spielberg intervened in support of Silver's project and Warner Bros. distributed the film. [2]
Silver also conceived and directed the musical revue A... My Name Is Alice with Julianne Boyd, which she and Boyd intended as "a glimpse at the achievements and potential of women in the '80s". [15]
In a 1989 interview, Silver identified the films Shadow of a Doubt (1943), Presenting Lily Mars (1943), and Song of the Islands (1942) as early influences. [16] She also noted that, while she admired the work of François Truffaut, she felt an affinity with Satyajit Ray. [16]
Silver died of vascular dementia at her home in Manhattan on December 31, 2020, at age 85. [1]
