Sir John Cheke (Cheek) was an English classical scholar and statesman. One of the foremost teachers of his age, and the first Regius Professor of Greek at the University of Cambridge, he played a great part in the revival of Greek learning in England. He was tutor to Prince Edward, the future King Edward VI, and also sometimes to Princess Elizabeth. Of strongly Reformist sympathy in religious affairs, his public career as provost of King's College, Cambridge, Member of Parliament and briefly as Secretary of State during King Edward's reign was brought to a close by the accession of Queen Mary in 1553. He went into voluntary exile abroad, at first under royal licence. He was captured and imprisoned in 1556, and recanted his faith to avoid death by burning. He died not long afterwards, regretting his decision. His character, teaching and reputation were, however, admiringly and honourably upheld.
John Foxe, an English historian and martyrologist, was the author of Actes and Monuments, telling of Christian martyrs throughout Western history, but particularly the sufferings of English Protestants and proto-Protestants from the 14th century and in the reign of Mary I. The book was widely owned and read by English Puritans and helped to mould British opinion on the Catholic Church for several centuries.
The Worshipful Company of Stationers and Newspaper Makers, usually known as the Stationers' Company, is one of the livery companies of the City of London. The Stationers' Company was formed in 1403; it received a royal charter in 1557. It held a monopoly over the publishing industry and was officially responsible for setting and enforcing regulations until the enactment of the Statute of Anne, also known as the Copyright Act of 1710. Once the company received its charter, "the company’s role was to regulate and discipline the industry, define proper conduct and maintain its own corporate privileges."
Robert Crowley, was a stationer, poet, polemicist and Protestant clergyman among Marian exiles at Frankfurt. He seems to have been a Henrician Evangelical in favour of a more reformed Protestantism than the king and the Church of England sanctioned. Under Edward VI, he joined a London network of evangelical stationers to argue for reforms, sharing a vision of his contemporaries Hugh Latimer, Thomas Lever, Thomas Beccon and others of England as a reformed Christian commonwealth. He attacked as inhibiting reform what he saw as corruption and uncharitable self-interest among the clergy and wealthy. Meanwhile, Crowley took part in making the first printed editions of Piers Plowman, the first translation of the Gospels into Welsh, and the first complete metrical psalter in English, which was also the first to include harmonised music. Towards the end of Edward's reign and later, Crowley criticised the Edwardian Reformation as compromised and saw the dissolution of the monasteries as replacing one form of corruption by another. On his return to England after the reign of Mary I, Crowley revised his chronicle to represent the Edwardian Reformation as a failure, due to figures like Thomas Seymour, 1st Baron Seymour of Sudeley, Edward Seymour, 1st Duke of Somerset and John Dudley, 1st Duke of Northumberland. Crowley's account of the Marian martyrs represented them as a cost mostly paid by commoners. The work became a source for John Foxe's account of the period in his Actes and Monuments. Crowley held church positions in the early to mid-1560s and sought change from the pulpit and within the church hierarchy. Against the Elizabethan Religious Settlement, Crowley was a leader in the renewed vestments controversy, which eventually lost him his clerical posts. During the dispute he and other London clergy produced a "first Puritan manifesto". Late in life Crowley was restored to several church posts and appears to have charted a more moderate course in defending it from Roman Catholicism and from nonconformist factions that espoused a Presbyterian church polity.
William Seres was an English Protestant printer, starting work in about 1546, and working in partnership with John Day for a few years. Day and Seres specialized in religious works, such as those by Robert Crowley, which were largely related to theological controversies of the time. By 1550, Day and Seres were busy and successful enough to amicably separate their businesses.
Richard Pynson was one of the first printers of English books. Born in Normandy, he moved to London, where he became one of the leading printers of the generation following William Caxton. His books were printed to a high standard of craftsmanship, and his Morton Missal (1500) is regarded as among the finest books printed in England in the period.
The printing patent or printing privilege was a precursor of modern copyright. It was an exclusive right to print a work or a class of works.
Richard Field (1561–1624) was a printer and publisher in Elizabethan London, best known for his close association with the poems of William Shakespeare, with whom he grew up in Stratford-upon-Avon.
The Second Book of Songs is a book of songs composed by Renaissance composer John Dowland and published in London in 1600. He dedicated it to Lucy Russell, Countess of Bedford.
Peter Short was an English printer based in London in the later Elizabethan era. He printed several first editions and early texts of Shakespeare's works.
Thomas Cotes was a London printer of the Jacobean and Caroline eras, best remembered for printing the Second Folio edition of Shakespeare's plays in 1632.
Richard Day was an English printer, Church of England clergyman, and the son of printer John Day.
William Barley (1565?–1614) was an English bookseller and publisher. He completed an apprenticeship as a draper in 1587, but was soon working in the London book trade. As a freeman of the Drapers' Company, he was embroiled in a dispute between it and the Stationers' Company over the rights of drapers to function as publishers and booksellers. He found himself in legal tangles throughout his life.
John Wolfe was an English bookseller and printer. His considerable ambition and his disdain for the printing patent system of Elizabethan England drew the ire of his competitors and authorities in his early career. After being jailed twice and having his printing materials seized, Wolfe transformed himself into an ardent defender of printing privileges. By 1593, he was appointed Printer to the City of London.
Thomas Vautrollier or Vautroullier was a French Huguenot refugee who became a printer in England and, briefly, in Scotland.
Thomas East,, was an English printer who specialised in music. He has been described as a publisher, but that claim is debatable. He nevertheless made an important contribution to musical life in England. He printed the significant madrigal collection, Musica Transalpina, which appeared in 1588.
The Actes and Monuments, popularly known as Foxe's Book of Martyrs, is a work of Protestant history and martyrology by Protestant English historian John Foxe, first published in 1563 by John Day. It includes a polemical account of the sufferings of Protestants under the Catholic Church, with particular emphasis on England and Scotland. The book was highly influential in those countries and helped shape lasting popular notions of Catholicism there. The book went through four editions in Foxe's lifetime and a number of later editions and abridgements, including some that specifically reduced the text to a Book of Martyrs.
John Philpot was an Archdeacon of Winchester and an English Protestant martyr whose story is recorded in Foxe's Book of Martyrs. He was the third son of Sir Peter Philpot and was born at Compton, Hampshire, in 1516.
William Bladen (1585–1663) was a bookseller and printer in London and Dublin in the 17th century. He served as Sheriff, Alderman and Mayor (1647–1648) of Dublin and was present in Dublin during the Irish Rebellion in 1641–1642.
Mary Crooke was an Irish printer and bookseller.
