|Born||John Powers Severin|
December 26, 1921
Jersey City, New Jersey
|Died||February 12, 2012 90) (aged|
| Frontline Combat |
Sgt. Fury and his Howling Commandos
|Awards|| Alley Award, 1967, 1968|
Will Eisner Comics Hall of Fame, 2003
John Powers Severin // ; December 26, 1921 – February 12, 2012) was an American comics artist noted for his distinctive work with EC Comics, primarily on the war comics Two-Fisted Tales and Frontline Combat ; for Marvel Comics, especially its war and Western comics; and for his 45-year stint with the satiric magazine Cracked . He was one of the founding cartoonists of Mad in 1952.(
A comics artist is a person working within the comics medium on comic strips, comic books, or graphic novels. The term may refer to any number of artists who contribute to produce a work in the comics form, from those who oversee all aspects of the work to those who contribute only a part.
Entertaining Comics, more commonly known as EC Comics, was an American publisher of comic books, which specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series. Initially, EC was owned by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines' death in a boating accident in 1947, his son William Gaines took over the company and began to print more mature stories, delving into genres of horror, war, fantasy, science-fiction, adventure, and others. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes that anticipated the Civil Rights Movement and dawn of 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor magazine Mad, leading to the company's greatest and most enduring success. By 1956, the company ceased publishing all of its comic lines besides Mad.
War comics is a genre of comic books that gained popularity in English-speaking countries following World War II.
Severin was inducted into the Will Eisner Award Hall of Fame in 2003.
John Severin was born in Jersey City, New Jersey, of Norwegian and Irish descent. He was a teenager in Bay Ridge, Brooklyn, New York City, when he began drawing professionally. While attending high school, he contributed cartoons to The Hobo News , receiving payment of one dollar per cartoon. Severin recalled in 1999:
Jersey City is the second most populous city in the U.S. state of New Jersey, after Newark. It is the seat of Hudson County as well as the county's largest city. As of 2017, the Census Bureau's Population Estimates Program calculated that Jersey City's population was 270,753, with the largest population increase of any municipality in New Jersey since 2010, an increase of about 9.4% from the 2010 United States Census, when the city's population was at 247,597. ranking the city the 75th-most-populous in the nation.
Bay Ridge is a predominantly middle-class residential neighborhood in the southwest corner of the New York City borough of Brooklyn. It is bounded by Sunset Park on the north, Dyker Heights on the east, the Narrows and the Belt Parkway on the west, and Fort Hamilton Army Base and the Verrazzano-Narrows Bridge on the south. The section of Bay Ridge south of 86th Street is sometimes considered part of a sub-neighborhood called Fort Hamilton.
I was sometimes selling 19 or 20 of them a week. Not every week, naturally. But I didn't have to get a regular job to carry me through high school. It was almost every week—not every week—but almost every week. I didn't have to get a job. I hated to work, I'll tell you. I didn't have to get a job then, because I was in high school.
He attended the High School of Music & Art in New York City, together with future EC Comics and Mad artists Harvey Kurtzman, Will Elder, Al Jaffee and Al Feldstein.After graduating from the school in 1940, he worked as an apprentice machinist and then enlisted in the Army, serving in the Pacific during World War II.
Mad is an American humor magazine founded in 1952 by editor Harvey Kurtzman and publisher William Gaines, launched as a comic book before it became a magazine. It was widely imitated and influential, affecting satirical media, as well as the cultural landscape of the 20th century, with editor Al Feldstein increasing readership to more than two million during its 1974 circulation peak. From 1952 until 2018, Mad published 550 regular issues, as well as hundreds of reprint "Specials", original-material paperbacks, reprint compilation books and other print projects. The magazine's numbering reverted to 1 with its June 2018 issue, coinciding with the magazine's headquarters move to the West Coast.
Harvey Kurtzman was an American cartoonist and editor. His best-known work includes writing and editing the parodic comic book Mad from 1952 until 1956, and writing the Little Annie Fanny strips in Playboy from 1962 until 1988. His work is noted for its satire and parody of popular culture, social critique, and attention to detail. Kurtzman's working method has been likened to that of an auteur, and he expected those who illustrated his stories to follow his layouts strictly.
William Elder was an American illustrator and comic book artist who worked in numerous areas of commercial art but is best known for a frantically funny cartoon style that helped launch Harvey Kurtzman's Mad comic book in 1952.
In a 1980 interview, Severin recalled his start as a professional artist:
I had decided to exhibit some paintings of mine in a High School of Music and Art exhibition for the alumni. Charlie Stern was in charge of it, so I went to see him at his studio. He was the "Charles" of the Charles William Harvey Studio, the other two being William Elder and Harvey Kurtzman. They asked me if I'd like to rent space with them there. I did, and started working with them. When Charlie left ... I became the third man, but they didn't want to change it to John William Harvey Studio, so they left the name ... Harvey was doing comics, Willie and Charlie were doing advertising stuff, and I just joined in ... [I did] design work, logos for toy boxes, logos for candy boxes, cards to be included in the candy boxes.
Inspired by the quick money Kurtzman would make in between advertising assignments with one-page "Hey Look!" gags for editor Stan Lee at Timely Comics, Severin worked up comics samples inked by Elder. In late 1947, he recalled, the writer-artist-editor team of Joe Simon and Jack Kirby at Crestwood Publications "gave us our first job."
Since it was not standard practice to credit comics creators during this era, a comprehensive list of his early work is difficult to compile. Author and historian Jim Vadeboncoeur Jr., based on Severin's description of "a crime story about a boy and a girl who killed somebody ... I think it was their stepfather. They lived on a farm, or out in the suburbs," believes that first Severin/Elder story was the eight-page "The Clue of the Horoscope" in Headline Comics #32 (cover-dated Nov. 1948), from the Crestwood-affiliated Prize Comics.The standard reference Grand Comics Database has no credits for that story, and lists Severin's first confirmed work in comics as two stories published the same month: the ten-page Boy Commandos adventure "The Triumph of William Tell" in DC Comics' Boy Commandos #30; and the eight-page Western story "Grinning Hole in the Wall" in Prize Comics' Prize Comics Western vol. 7, #5 (each Dec. 1948), both of which he penciled and the latter of which he also inked.
Through 1955, Severin drew a large number of stories for the latter title and other Western series from Prize, and as penciler, he co-created with an unknown writer the long-running Native American feature "American Eagle" in Prize Comics Western vol. 9, #6 (Jan. 1951), inked by his high-school classmate turned fellow pro Will Elder.
Around this time, Severin did his first confirmed work for two publishers with whom he would long be associated, Marvel Comics and EC Comics. For the future Marvel Comics, he penciled the seven-page romance comic story "My Heart Had No Faith" in Timely Comics' Actual Romances #1 (Oct. 1949).
For EC Comics, he broke in with the seven-page "War Story" in Two-Fisted Tales #19 (Feb. 1951), continuing to work in tandem with his friend Elder as his inker, notably on science fiction and war stories.Severin drew stories for both Two-Fisted Tales and Frontline Combat . When Kurtzman dropped the war comics to devote more time to Mad , Severin became sole artist on Two-Fisted Tales for four issues and scripted some stories. He also illustrated stories written by his friend Colin Dawkins and future Mad art director John Putnam. Severin and Dawkins were the uncredited co-editors of Two-Fisted Tales #36–39.
Severin and Elder eventually split as a team at EC. They both were in the group of the five original artists who launched editor Harvey Kurtzman's landmark satiric comic book Mad, along with Kurtzman, Wally Wood and Jack Davis.Severin appeared in nine of Mad's first ten issues, drawing ten pieces between 1952 and 1954. According to accounts by both Severin and Kurtzman, the two had a falling out over art criticisms Kurtzman made during this period. It was Kurtzman who suggested that Severin ink with a pen as opposed to brush inking. Though Severin eventually took this advice in his later work, he was annoyed at Kurtzman at the time, for this and other remarks, and refused further work with him. Kurtzman insisted on doing the layouts for all the artists, which some resented, including Severin.
His ability to draw people of different nationalities convincingly was highly admired by his peers, as was his eye for authentic details.Upon Severin's death, writer Mark Evanier remembered, "Jack Kirby used to say that when he had to research some historical costume or weapon for a story, it was just as good to use a John Severin drawing as it was to find a photo of the real thing. They don't make 'em like that anymore."
Following the cancellation of EC's comic book line in the wake of the Comics Code in the mid-1950s, Severin began working for Atlas Comics, the 1950s forerunner of Marvel Comics. Sergeant Barney Barker, drawn by Severin, was Atlas' answer to Sgt. Bilko . 3 Artist and colorist Stan Goldberg, a company colleague, recalled in 2005,:
I was in the [company's artist room known as the] Bullpen with a lot of well-known artists who worked up there at that time. We had our Bullpen up there until about 1958 or 1959. [sic; the Bullpen staff was let go in 1957] The guys ... who actually worked nine-to-five and put in a regular day, and not the freelance guys who'd come in a drop off their work ... were almost a hall-of-fame group of people. There was John Severin. Bill Everett. Carl Burgos. There was the all-time great Joe Maneely ... We all worked together, all the colorists and correction guys, the letterers and artists ... We had a great time.
After Atlas transitioned to become Marvel Comics in the 1960s, Severin did extensive work as penciler, inker or both on such series as The Incredible Hulk , Conan the Barbarian , and Captain Savage . Herb Trimpe, the primary Hulk penciler during this period comics fans and historians call the Silver Age of comic books, said in 2009, "I was kind of thrilled when John Severin inked me, because I liked his work for EC comics, and he was one of my idols."As inker, Severin teamed with penciler Dick Ayers on an acclaimed run of the World War II series Sgt. Fury and his Howling Commandos , beginning with #44 (July 1967). In the 1970s, he collaborated with his sister, artist Marie Severin, on Marvel's sword and sorcery series, King Kull .
During this time he was by far the most prolific contributor to the satiric Cracked magazine, drawing television and movie parodies along with other features, including most of the magazine's covers.
For Warren Publishing in the 1970s, he drew for the black-and-white comics magazines Blazing Combat and Creepy . Severin also contributed to Topps' line of bubble gum trading cards.He was one of the artists on Joe Kubert's self-published Sojourn series in 1977. His 1980s work for Marvel included The 'Nam , What The--?! , and Semper Fi .
Circa 2000, writer Jeff Mariotte recalled in 2002, Severin phoned Scott Dunbier, a group editor at DC Comics' WildStorm imprint, "and said he was looking to do comics again" after working primarily for Cracked at the time. "I happened to pass by Scott's office as he hung up the phone, and he sounded kind of awestruck as he told me that John Severin wanted to do something with us. I said something like, 'Gee, a Desperadoes story by Severin would be great,'" referring to Mariotte's Western miniseries for DC. "Scott agreed. We needed to hurry, before he was snapped up by someone else, so I went home and worked up a proposal overnight. We had sent him, right after that first call, copies of the original Desperadoes books. That was followed up by the proposal, the next day. He liked what he saw and wanted to play along."This led to Severin drawing the sequel miniseries Desperadoes: Quiet of The Grave.
He illustrated the controversial 2003 Marvel limited series The Rawhide Kid ,a lighthearted parallel universe Western that reimagined the outlaw hero as a kitschy though still formidably gunslinging gay man. Severin, who had drawn the character for Atlas in the 1950s, refuted rumors that he had not known of the subject matter, saying at the time of the premiere issue's release, "The Rawhide Kid is rather effeminate in this story. It may be quite a blow to some of the old fans of Rawhide Kid. But it's a lot of fun, and he's still a tough hombre." Also in the 2000s, Severin contributed to Marvel's The Punisher ; DC Comics' Suicide Squad , American Century , Caper, and Bat Lash ; and Dark Horse Comics' Conan, B.P.R.D. and Witchfinder .
Severin's family members working in the publishing and entertainment fields include his sister Marie Severin, a comic book artist, who was the colorist for EC's comics; his son John Severin, Jr., the head of Bubblehead Publishing; his daughter, Ruth Larenas, a producer for that company; and his grandson, John Severin III, a music producer and recording engineer.
Severin died at his home in Denver, Colorado, on February 12, 2012 at the age of 90. His wife of 60 years, Michelina, survived him, as did his six children and comics artist sister Marie Severin.
Severin received an Inkpot Award in 1998and was inducted into the Will Eisner Award Hall of Fame in 2003.
With writer Gary Friedrich and penciler Dick Ayers, Severin's inking contributed to Sgt. Fury and his Howling Commandos winning the Alley Award for Best War Title of 1967 and 1968.
He was among the winners of the Cartoon Art Museum's 2001 Sparky Award.
His artwork was exhibited three times at the Words & Pictures Museum in Northampton, Massachusetts – in the grand-opening group show (October 9, 1992 – January 5, 1993), in the group exhibit "War No More" (May 18 – August 8, 1993) and in the group show "Classic Comics: A Selection of Stories from EC Comics" (December 7 – February 11, 1996).
The inker is one of the two line artists in traditional comic book production.
Wallace Allan Wood was an American comic book writer, artist and independent publisher, best known for his work on EC Comics's Mad and Marvel's Daredevil. He was one of Mad's founding cartoonists in 1952. Although much of his early professional artwork is signed Wallace Wood, he became known as Wally Wood, a name he claimed to dislike. Within the comics community, he was also known as Woody, a name he sometimes used as a signature.
Sal Buscema is an American comics artist, primarily for Marvel Comics, where he enjoyed a ten-year run as artist of The Incredible Hulk. He is the younger brother of comics artist John Buscema.
John Buscema was an American comic book artist and one of the mainstays of Marvel Comics during its 1960s and 1970s ascendancy into an industry leader and its subsequent expansion to a major pop culture conglomerate. His younger brother Sal Buscema is also a comic book artist.
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Alfonso Williamson was an American cartoonist, comic book artist and illustrator specializing in adventure, Western and science-fiction/fantasy.
Marie Severin was an American comics artist and colorist best known for her work for Marvel Comics and the 1950s' EC Comics. She was inducted into the Will Eisner Comics Hall of Fame in 2001.
Albert Bernard Feldstein was an American writer, editor, and artist, best known for his work at EC Comics and, from 1956 to 1985, as the editor of the satirical magazine Mad. After retiring from Mad, Feldstein concentrated on American paintings of Western wildlife.
Two-Fisted Tales is an anthology war comic published bi-monthly by EC Comics in the early 1950s. The title originated in 1950 when Harvey Kurtzman suggested to William Gaines that they publish an adventure comic. Kurtzman became the editor of Two-Fisted Tales, and with the advent of the Korean War, he soon narrowed the focus to war stories. The title was a companion comic to Frontline Combat, and stories Kurtzman wrote for both books often displayed an anti-war attitude. It returned to adventure-themed stories in issues #36 through #39, co-edited by John Severin and Colin Dawkins, with a cover-title change to The New Two-Fisted Tales.
George Roussos, also known under the pseudonym George Bell, was an American comic book artist best known as one of Jack Kirby's Silver Age inkers, including on landmark early issues of Marvel Comics' Fantastic Four. Over five decades, he created artwork for numerous publishers, including EC Comics, and he was a staff colorist for Marvel Comics.
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Jerome DeFuccio was an American comic book writer and editor known primarily for his work at Mad, where he was an associate editor for 25 years. He was also closely involved in many of the Mad paperbacks, editing Clods' Letters to Mad and many other reprints and spin-offs. Some of his contributions to EC Comics appeared under the pseudonym Jerry Dee.
The Academy of Comic Book Arts (ACBA) was an American professional organization of the 1970s that was designed to be the comic book industry analog of such groups as the Academy of Motion Picture Arts and Sciences. Composed of comic-book professionals and initially formed as an honorary society focused on discussing the comic-book craft and hosting an annual awards banquet, the ACBA evolved into an advocacy organization focused on creators' rights.
Stan Goldberg was an American comic book artist, best known for his work with Archie Comics and as a Marvel Comics colorist who in the 1960s helped design the original color schemes of Spider-Man, the Fantastic Four and other major characters. He was inducted into the National Cartoonists Society Hall of Fame in 2011.
Chamber of Darkness is a horror/fantasy anthology comic book published by the American company Marvel Comics. Under this and a subsequent name, it ran from 1969 to 1974. It featured work by creators such as writer-editor Stan Lee, writers Gerry Conway, Archie Goodwin, and Roy Thomas, and artists John Buscema, Johnny Craig, Jack Kirby, Tom Sutton, Barry Windsor-Smith, and Bernie Wrightson. Stories were generally hosted by either of the characters Digger, a gravedigger, or Headstone P. Gravely, in undertaker garb, or by one of the artists or writers.
Steve Leialoha is an American comics artist whose work first came to prominence in the 1970s. He has worked primarily as an inker, though occasionally as a penciller, for several publishers, including Marvel Comics and later DC Comics.
Debuting in August 1952, Mad began as a comic book, part of the EC line published from offices on Lafayette Street in Lower Manhattan. In 1961 Mad moved its offices to mid-town Manhattan, and from 1996 onwards it was located at 1700 Broadway until 2018 when it moved to Los Angeles, California to coincide with a new editor and a reboot to issue #1.
Dave Simons was an American comic book artist known for his work on Conan, Ghost Rider, Red Sonja, and Spider-Man for Marvel Comics and Forgotten Realms for DC Comics. He is also known for commercial storyboard and games artwork work on The Secret Files of the Spy Dogs and Greyhawk Ruins.
Sergeant Barney Barker lasted only three installments, but featured some humorous artwork by war comics veteran John Severin.CS1 maint: Extra text: authors list (link)
Sojourn #1 (September 1977) featured Tor the Hunter on the front page and included work by Sergio Aragonés, John Severin, Lee Elias, Dick Giordano, and Doug Wildey. There were only two issues.
| Sgt. Fury and his Howling Commandos inker|