Jules Furthman

Last updated
Jules Furthman
Jules Furthman & William Russell - May 1919 EH.jpg
Jules Furthman and actor William Russell in 1919
Born(1888-03-05)March 5, 1888
DiedSeptember 22, 1966(1966-09-22) (aged 78)
Oxford, Oxfordshire, England
Occupation(s)Screenwriter, director and producer
Years active1915–1959
Spouse(s) Sybil Seely (m. 1920-1966; his death); 1 child

Jules Furthman (March 5, 1888 – September 22, 1966) was an American magazine and newspaper writer before working as a screenwriter. Pauline Kael once wrote that Furthman "has written about half of the most entertaining movies to come out of Hollywood (Ben Hecht wrote most of the other half.)" [1]

Contents

Biography

Furthman was born in Chicago. His brother was the writer Charles Furthman. During World War I he wrote under the pen name "Stephen Fox" as he thought Furthman sounded too German. [2]

He wrote screenplays for a number of important or popular films, including The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946), and Nightmare Alley (1947). He wrote credited screenplays for eight films directed by Josef Von Sternberg and an equal number for Howard Hawks.

He was nominated for an Academy Award for Writing Adapted Screenplay for Mutiny on the Bounty. [3]

In 1920, he married the actress Sybil Seely, who played in five films directed by Buster Keaton. She and Furthman had a son in 1921, and she retired from acting in 1922. They remained together until his death.

Furthman died of a cerebral hemorrhage in 1966 in Oxford, Oxfordshire, United Kingdom. His remains were brought home and interred in Forest Lawn Memorial Park Cemetery in Glendale, California.

Legacy [4]

On the UK television program Scene By Scene, host Mark Cousins said, "Furthman wrote some of your best lines and he also wrote for her (Marlene Deitrich), those sort of, sexy and ambiguous lines." Lauren Bacall replied, "He did? Well, that I didn't know. I asked Howard Hawks once, why he used Furthman; as he didn't write the entire screenplay. And he (Hawks) said, 'If there are five ways to play a scene, he (Furthman) will write a sixth way.' And of course, that makes perfect sense and that's exactly what Furthman did. He always came around the back way and suddenly there was a little surprise there." [5]

List of screenplays

Related Research Articles

<span class="mw-page-title-main">Frank Lloyd</span> British film director (1886–1960)

Frank William George Lloyd was a British-born American film director, actor, scriptwriter, and producer. He was among the founders of the Academy of Motion Picture Arts and Sciences, and was its president from 1934 to 1935.

<span class="mw-page-title-main">Victor Varconi</span> Hungarian-American actor (1891-1976)

Victor Varconi was a Hungarian actor who initially found success in his native country, as well as in Germany and Austria, in silent films, before relocating to the United States, where he continued to appear in films throughout the sound era. He also appeared in British and Italian films.

<span class="mw-page-title-main">Harold MacGrath</span> American novelist, screenwriter

Harold MacGrath was a bestselling and prolific American novelist, short story writer, and screenwriter. He sometimes completed more than one novel per year for the mass market, covering romance, spies, mystery, and adventure.

<span class="mw-page-title-main">Marion Fairfax</span> American actress, playwright and producer

Marion Fairfax was an American screenwriter, playwright, actress, and producer.

<span class="mw-page-title-main">Richard Oswald</span> Austrian film director

Richard Oswald was an Austrian film director, producer, screenwriter, and father of German-American film director Gerd Oswald.

<span class="mw-page-title-main">Edwin Carewe</span> American actor and director

Edwin Carewe was an American motion picture director, actor, producer, and screenwriter. His birth name was Jay John Fox; he was born in Gainesville, Texas.

<span class="mw-page-title-main">William Farnum</span> American actor (1876–1953)

William Farnum was an American actor. He was a star of American silent cinema, and became one of the highest-paid actors during that time.

<span class="mw-page-title-main">Raymond Hatton</span> American actor

Raymond William Hatton was an American film actor who appeared in almost 500 motion pictures.

<span class="mw-page-title-main">Henry King (director)</span> American film director

Henry King was an American actor and film director. Widely considered one of the finest and most successful filmmakers of his era, King was nominated for two Academy Awards for Best Director, and directed seven films nominated for the Academy Award for Best Picture.

<span class="mw-page-title-main">Helen Jerome Eddy</span> American actress

Helen Jerome Eddy was a motion picture actress from New York City. She was noted as a character actress who played genteel heroines in films such as Rebecca of Sunnybrook Farm (1917).

<span class="mw-page-title-main">Lenore Coffee</span> American screenwriter, playwright, novelist

Lenore Jackson Coffee was an American screenwriter, playwright, and novelist.

<span class="mw-page-title-main">Beatrice Van</span> American actress

Beatrice Van was an American silent film actress. She was also a screenwriter for both silent and sound films.

<span class="mw-page-title-main">Jack Curtis (actor)</span> American actor (1880–1956)

Jack Curtis was an American actor of the silent era. He appeared in more than 150 films between 1915 and 1950. He was born in San Francisco, California, and died in Hollywood, California. Curtis performed on stage and in vaudeville before he began working in films in 1915.

<span class="mw-page-title-main">Waldemar Young</span> American screenwriter

Waldemar Young was an American screenwriter. He wrote for more than 80 films between 1917 and 1938.

Maurice Elvey was one of the most prolific film directors in British history. He directed nearly 200 films between 1913 and 1957. During the silent film era he directed as many as twenty films per year. He also produced more than fifty films – his own as well as films directed by others.

<span class="mw-page-title-main">Eliot Stannard</span> English screenwriter

Eliot Stannard was an English screenwriter and director. He was the son of civil engineer Arthur Stannard and Yorkshire-born novelist Henrietta Eliza Vaughan Palmer. Stannard wrote the screenplay for more than 80 films between 1914 and 1933, including eight films directed by Alfred Hitchcock. He also directed five films. During the early 1920s, he worked on most of the screenplays for the Ideal Film Company, one of Britain's leading silent film studios.

<span class="mw-page-title-main">C. Gardner Sullivan</span> American screenwriter

Charles Gardner Sullivan was an American screenwriter and film producer. He was a prolific writer with more than 350 films among his credits. In 1924, the magazine Story World selected him on a list of the ten individuals who had contributed the most to the advancement of the motion picture industry from its inception forward. Four of Sullivan's films, The Italian (1915), Civilization (1916), Hell's Hinges (1916), and All Quiet on the Western Front (1930), have been listed in the National Film Registry.

<span class="mw-page-title-main">Wallace C. Clifton</span> American screenwriter

Wallace C. Clifton (1871-1931) was a screenwriter in the United States. His wife Emma Bell Clifton was also a screenwriter.

<span class="mw-page-title-main">Jules Cowles</span> American film actor (1877-1943)

Jules Cowles was an American film actor. He was also billed as J. D. Cowles and Julius D. Cowles.

L. V. Jefferson was an American screenwriter and short story author. He claimed to be capable of automatic writing and was an influence on Jane Wolfe. He credited looking into a crystal ball with empowering him. He was born in Carthage, Missouri. He worked in the Western scenario department for Universal. He also wrote for Triangle and worked with Irvin Willat of Willat Studios.

References

  1. Kael, Pauline (October 13, 1967). "The Frightening Power of Bonnie and Clyde". The New Yorker .
  2. Thomson, David (May 6, 2014). The New Biographical Dictionary of Film: Sixth Edition. Knopf. p. 384. ISBN   978-1-101-87470-7.
  3. "The 8th Academy Awards (1936) Nominees and Winners". Oscars.org (Academy of Motion Picture Arts and Sciences).
  4. Kael, Pauline (October 21, 1967). "The Frightening Power of "Bonnie and Clyde"". The New Yorker .
  5. Cousins, Mark (2002). Scene by Scene: Film Actors and Directors Discuss Their Work. ISBN   9781856692878.