Julius Lessing (20 September 1843 – 14 March 1908) was a German art historian and the first director of the Berliner Kunstgewerbemuseum (Museum of Decorative Arts in Berlin).
Lessing attended university in Berlin and Bonn, after which he taught History of Decorative Arts in Berlin. In 1872 he was responsible for a large exhibition of decorative art in Berlin, which featured objects from the royal collection as well as privately held items, under the patronage of Crown Prince Frederick. The success of this exhibition led to the founding of the Museum of Decorative Arts in Berlin, which Lessing led until his death in 1908.
In 1894 he published his Neue Wege (New Ways) article in the journal Kunstgewerbeblatt, praising new materials in architecture. [1]
He was buried in the Jewish Cemetery in Friedhof Schönhauser Allee. He was the grandfather of photographer Marianne Breslauer.
William Reinhold Valentiner was a German-American art historian, art critic and museum administrator. He was educated and trained in Europe, first working at the Mauritshuis in The Hague and at museums in Berlin.
A design museum is a museum with a focus on product, industrial, graphic, fashion and architectural design. Many design museums were founded as museums for applied arts or decorative arts and started only in the late 20th century to collect design.
Martin Carl Philipp Gropius was a German architect.
Schloss Köpenick is a Baroque water palace of the Hohenzollern electors of Brandenburg which stands on an island in the Dahme River surrounded by an English-style park and gives its name to Köpenick, a district of Berlin.
The Great Industrial Exposition of Berlin 1896 was a large exposition that has also been dubbed "the impeded world fair".
The Kunstgewerbemuseum, or Museum of Decorative Arts, is an internationally important museum of the decorative arts in Berlin, Germany, part of the Staatliche Museen zu Berlin. The collection is split between the Kunstgewerbemuseum building at the Kulturforum (52°30′35″N13°22′03″E) and Köpenick Palace (52°26′38″N13°34′22″E).
The Museum of Applied Arts is a museum in Leipzig, Germany. It is the second oldest museum of decorative arts in the country, founded just six years after the Kunstgewerbemuseum Berlin. Today it is part of the Grassi Museum, an institution which also includes the Museum of Ethnography and the Museum of Musical Instruments, based in a large building on the Johannisplatz.
Otto Lessing was a prominent German Historicist sculptor whose work largely shaped the appearance of Berlin in the late 19th and early 20th centuries. He was the son of history and landscape painter Carl Friedrich Lessing and the great great nephew of poet Gotthold Ephraim Lessing.
Kurt Erdmann was a German art historian who specialized in Sasanian and Islamic Art. He is best known for his scientific work on the history of the Oriental rug, which he established as a subspecialty within his discipline. From 1958 to 1964, Erdmann served as the director of the Pergamon Museum, Berlin. He was one of the protagonists of the "Berlin School" of Islamic art history.

Emil Rudolf Weiß was a German painter, typographer, graphic artist and poet.
Carl Adolf Rosenberg was a German theater critic and art historian.
Richard Graul was a German art historian and museum curator.
Albrecht Alexander August Kurzwelly was a German art historian, Volkskundler and founding director of the Stadtgeschichtliches Museum Leipzig.
Max Friedrich Koch was a German history painter. Later as professor he taught art at the Unterrichtsanstalt des Kunstgewerbemuseums Berlin ; head of the academic master's studio for monumental painting, theatrical and decorative painting.

Mathilde Block was a German painter and embroiderer. Her artworks and paintings range from pencil portraits to embroidered quilts and have been exhibited in numerous art expositions throughout the world.
Carl Gehrts, also Karl Gehrts, complete name Karl Heinrich Julius Gehrts was a German painter, illustrator and academic scholar. As a professor, he taught at the Kunstakademie Düsseldorf.
Adolf Schill, often also Adolph Schill, was a German architect, interior designer, artisan, illustrator and painter of the historism. As a university lecturer he worked at the Kunstakademie Düsseldorf between 1880 and 1911, thus helping to shape the later phase of the Düsseldorf school of painting. Students of sculpture also studied with him.
Max Creutz was a German art historian and curator of the Museum für Angewandte Kunst Köln and the Kaiser-Wilhelm-Museum in Krefeld where he worked from 1922 until his death. In Cologne, in 1914 he was instrumental in the first exhibition of the Deutscher Werkbund, Deutsche Werkbundausstellung. In Krefeld, he succeeded in acquiring modern art exhibits, including works by Max Ernst, Wassily Kandinsky, and Alexej von Jawlensky. He included a substantial collection of art, crafts and design from the Bauhaus.

Theodor Gustav Alwin Adolf Maennchen was a German landscape and genre painter.
Margarete Oppenheim was a German art collector and patron. She was among the first personalities to collect works of modern art in Germany and owned one of the largest collection in Germany. She is also known as Margarete Oppenheim-Reichenheim.