Kenneth J. Alford

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Kenneth J. Alford
RICKETTS Frederick J.jpg
Born21 February 1881
Died15 May 1945(1945-05-15) (aged 64)
Other namesKenneth J. Alford
OccupationBritish Army WO1 Bandmaster; Royal Marines Major Director of Music; composer, arranger
Known forBritish March King

Frederick Joseph Ricketts (21 February 1881 – 15 May 1945) was an English composer of marches for band. Under the pen name Kenneth J. Alford, he composed marches which are considered to be great examples of the art. He was a Bandmaster in the British Army, and Royal Marines Director of Music. Conductor Sir Vivian Dunn called Ricketts "The British March King". [1] Ricketts' frequent use of the saxophone contributed to its permanent inclusion in military bands.

Saxophone type of musical instrument of the woodwind family

The saxophone is a family of woodwind instruments. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. Although most saxophones are made from brass, they are categorized as woodwind instruments, because sound is produced by an oscillating reed, traditionally made out of woody cane, rather than lips vibrating in a mouthpiece cup as with the brass instrument family. As with the other woodwinds, the pitch of the note being played is controlled by covering holes in the body tube to control the resonant frequency of the air column by changing the effective length of the tube.

Contents

Early life and education

Ricketts was born on 21 February 1881, [2] the 4th child of Robert and Louisa (née Alford) Ricketts in the Thameside hamlet of Ratcliff, within the parish of Shadwell in London's East End. Born within the sound of Bow Bells (the Church of St. Mary-le-Bow in Cheapside), Ricketts had Cockney birthright. His London ancestry can be traced back to the early 18th century: his father was a coal merchant in Ratcliff on the north side of the Thames near Limehouse. On 9 December 1884, a 5th child, Randolph Robjent, was born to the Ricketts family, who, like his elder brother, was to become well known in military musical circles, under the pseudonym Leo Stanley. Ricketts' father died when he was seven and his mother when he was fourteen. His early musical training had been on playing the piano and organ and working as a church chorister in the parish church of St. Paul's, which still stands today. As a boy living in London's East End he would often hear street musicians and bands, including German bands and early Salvation Army bands. Fascinated by the sound of instruments, the orphaned Ricketts determined that the best course for his future would be to join an army band. Throughout his life, family and friends alike called the future composer "Joe".

London Capital of the United Kingdom

London is the capital and largest city of both England and the United Kingdom. Standing on the River Thames in the south-east of England, at the head of its 50-mile (80 km) estuary leading to the North Sea, London has been a major settlement for two millennia. Londinium was founded by the Romans. The City of London, London's ancient core − an area of just 1.12 square miles (2.9 km2) and colloquially known as the Square Mile − retains boundaries that follow closely its medieval limits. The City of Westminster is also an Inner London borough holding city status. Greater London is governed by the Mayor of London and the London Assembly.

Cockney dialect of English traditionally spoken by working-class Londoners

The term cockney has had several distinct geographical, social, and linguistic associations. Originally a pejorative term applied to all city-dwellers, it was gradually restricted to Londoners, and particularly to "Bow-bell Cockneys": those born within earshot of Bow Bells, the bells of St Mary-le-Bow in the Cheapside district of the City of London. It eventually came to be used to refer to those in London's East End, or to all working-class Londoners generally.

Ratcliff former hamlet in London, England

Ratcliff or Ratcliffe is a former hamlet lying by the north bank of the River Thames. It now remains only as a street called Ratcliffe Lane in Limehouse in the London Borough of Tower Hamlets and the old hamlet is now split between the modern day districts of Limehouse, Stepney and Wapping after being absorbed into both.

Enlistment

Ricketts joined the Royal Irish Regiment in 1895. He was enlisted as a Band Boy. It is generally believed that he lied about his age in order to be accepted, giving 5 March 1880 as the date of his birth. In 1895, Ricketts' true age would have been 14, certainly from 21 February. After the 1876 investigation into the status of Boy Soldiers, the Army's regulations had become more clearly defined. Boys were enlisted from the age of fourteen as musicians, drummers, tailors, shoemakers, artificers, or clerks. It would hardly seem necessary for Ricketts to have added a year to his age. But throughout his military service, 5 March 1880 was listed as his date of birth. Well-liked, ambitious, and a good student with natural ability, he was proficient enough on cornet within very few months and taken into the regimental band. The band went on postings with the regiment, first to Limerick in Ireland, then to India. Ricketts used every spare moment to learn to play all the instruments in the band. He was very popular with the regular soldiers because of his piano-playing ability in the various messes, as he was promoted. His first composition at the age of 15 was “For Service Overseas”. It has never been published. As he concluded seven years of man-service, in 1903, the Colonel Commanding the Royal Irish Regiment, and his bandmaster, Mr. J. Phillips, recommended Ricketts for entry into the Student Bandmaster Course at the Royal Military School of Music, (Kneller Hall) in Twickenham, Middlesex. As it was then unusual for a 23-year-old musician to be nominated for Kneller Hall, it is believed that this is proof of his skill.

Royal Military School of Music

The Royal Military School of Music (RMSM) trains musicians for the British Army's twenty-two bands, as part of the Corps of Army Music. The RMSM is based at Kneller Hall, in Twickenham, west London, but the Ministry of Defence has recently indicated that the site will be sold, with the School moving elsewhere.

Kneller Hall

Kneller Hall is a mansion in Whitton, in the London Borough of Richmond upon Thames. It houses the Royal Military School of Music, training musicians for the British Army, which acquired the building in the mid-19th century. It is also home to the school's Museum of Army Music. The Army is scheduled to vacate the site in 2020.

Twickenham suburban area in west London, England

Twickenham is an affluent suburban area of west London, England. It lies on the River Thames and is 10 miles (16 km) west-southwest of Charing Cross. Historically part of Middlesex, it has formed part of the London Borough of Richmond upon Thames since 1965.

Royal Military School of Music

Ricketts two-year course at Kneller Hall began in the summer of 1904. Studies at KH were rigorous: the first year consisted of a firm grounding in harmony, counterpoint, instrumentation, aural training, composition and arranging, carried out by a graduated senior student. Along with these studies, Student Bandmasters were required to learn the basics and pass playing tests on the five woodwind and five brass instruments normally found in the military band. Moreover, there were various band practices, public summer concerts, plus strict military discipline. The teachers in year two were highly qualified professors in each field, often from the Royal College of Music, or working professionals. This year culminated by sitting competitions in arranging, composition (concert band and brass band), conducting, and church service (conducting and composing organ preludes and psalms). All graduate Student Bandmasters then waited for their “tips” –- their appointments as Warrant Officer Class 1 Bandmasters to one of the line bands. Normally, those who placed highest in the examinations were the first to be appointed, but if there was a top line band which would lose its present bandmaster in several months' time or even a year, then the Director of Music might hold back the graduate whom he felt should have that band. Ricketts excelled at Kneller Hall, but did not win the March Competition. The student who did was W.V.Richards with a March titled Namur, the name of a battle honour of the Royal Irish Regiment (Richards was from the Royal Irish Regiment), and was published by Richards in 1908.

Graduating in 1906, so highly was he regarded that Ricketts stayed on at Kneller Hall as chapel organist and assistant to the Director of Music, Lieutenant (later Lieut. Colonel) Arthur Stretton, for two years. Though the post of School Bandmaster was not initiated until 1949, Ricketts may well have acted in a similar capacity during those two years. In 1929 Kneller Hall introduced an advanced certificate for already qualified bandmasters (though they had to sit another stringent set of exams to obtain it), but it was retroactively awarded to those who were deemed to have previously demonstrated achievement of the higher standard, or had been commissioned prior to 1929. Ricketts was one of those to receive the award, allowing him to use the letters "psm" (pass, school of music) after his name as a military qualification. (It was widely felt among British Bandmasters that the psm exam was also a screen by which those who did not fit the mold for becoming commissioned Directors of Music could be discretely failed on a subject, making them ineligible.) Ricketts' younger brother, Randolph, attended the one-year pupil's course at Kneller Hall, for advanced training on his instrument, and entered the Student Bandmaster course in 1900. He graduated in 1913 and became bandmaster of the 2nd Battalion, Essex Regiment, where he served until 1925. In 1926, he moved to the Band of the Royal Signal Corps, remaining with this group until his retirement in 1938. He composed marches and other band music under the pen name Leo R. Stanley.

Bandmaster

In 1908, Ricketts was finally given his own band. He was posted as Bandmaster to the Band of the 2nd Battalion of the Argyll and Sutherland Highlanders, joining them in the Orange River Colony (formerly the Orange Free State) in what is now the Republic of South Africa. The colonel asked him to write a new regimental march for the Argylls, and he responded with "The Thin Red Line", based on two bars of the regiment's bugle call. The title and term originated in a journalist's description (a "thin red streak tipped with a line of steel") of the appearance of the red-coated Argylls (under their alternate name of the 93rd Highland Regiment) as they stood before—and repelled -– a vastly superior force of Russian cavalry at the Battle of Balaclava during the Crimean War. Ricketts' march, The Thin Red Line, was not published for general use until 1925.

Argyll and Sutherland Highlanders former infantry regiment of the British Army

The Argyll and Sutherland Highlanders was a line infantry regiment of the British Army that existed from 1881 until amalgamation into the Royal Regiment of Scotland on 28 March 2006.

Ricketts had a desire to compose music. The problem was that it was frowned upon for commissioned officers and warrant officers class 1 to be engaged in commercial activities in the civilian world. The answer for Ricketts was to compose and publish under a nom-de-plume. The pseudonym Kenneth J. Alford was constructed from his eldest son's name (Kenneth), his own middle name (Joseph) and his mother's maiden name (Alford). The first march written under the new pen name was "Holyrood". In July 1911, the 2nd Battalion and Band of the Argylls were in Edinburgh, Scotland, performing guard duties at the Palace of Holyroodhouse (the Edinburgh residence of the Monarch) during the coronation-year visit to the Scottish capital of H.M. King George V and H.M. Queen Mary. Moved to commemorate the occasion, Ricketts sketched the march on the back of an envelope during one of the interminable waits these duties entail. It was published in 1912 by Hawkes and Son of London, the first to bear the Alford sobriquet.

First World War

A few weeks before the start of World War I, the 2nd Battalion of the Argylls and the Band were stationed at Fort George in North-East Scotland, nine miles from Inverness. It was here that Ricketts composed his most famous march, "Colonel Bogey". While there are several speculations of how the march was begun, the most accepted is probably from a note written by Ricketts' widow to the publishers in 1958.

World War I 1914–1918 global war originating in Europe

World War I, also known as the First World War or the Great War, was a global war originating in Europe that lasted from 28 July 1914 to 11 November 1918. Contemporaneously described as "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. It is also one of the deadliest conflicts in history, with an estimated nine million combatants and seven million civilian deaths as a direct result of the war, while resulting genocides and the 1918 influenza pandemic caused another 50 to 100 million deaths worldwide.

“While playing golf on the Fort George course, one of the members whistled the first two notes (B flat and G) instead of calling 'Fore!', and with impish spontaneity was answered by my husband with the next few notes. There was little sauntering—Moray Firth's stiff breezes encouraged a good crisp stride. These little scraps of whistling appeared to 'catch on' with the golfers, and from that beginning the Quick March was built up.” Was the original whistler the colonel? We'll probably never know for certain, but the title Colonel Bogey gives us a clue.

Shortly after hostilities began in August, the adult musicians of most line bands were pressed into service as stretcher bearers and medical orderlies. Ricketts and the Band Boys of the Argylls were posted to the 3rd Battalion (Reserve) in Edinburgh for the duration. During the war Ricketts wrote several marches dedicated to the fighting forces: "The Great Little Army" (1916), "On The Quarter Deck", "The Middy", and "The Voice of the Guns" (1917), and "The Vanished Army" (1919) which was subtitled "They Never Die". By the end of the war the Band Boys had matured into a group considered by many to be the finest regimental band in the British Army. Ricketts was given the unusual honour of being Mentioned in Despatches for Commendable Service.

The Voice of the Guns (1917) is a British military march composed by Kenneth Alford during World War I. It was written as a tribute to British artillerymen serving in the war, hence its name, though later became widely adopted by the entire British army.

A member of the armed forces mentioned in dispatches is one whose name appears in an official report written by a superior officer and sent to the high command, in which his or her gallant or meritorious action in the face of the enemy is described.

The 1920s were perhaps the high point for the 2nd Battalion Band. Under Ricketts, they had become a popular fixture in London parks, seaside holiday resorts and everywhere they performed. In 1925 the Band of the 2nd Battalion undertook a six-month tour to New Zealand, where it was the resident band for the New Zealand and South Seas Exhibition. It was there that Ricketts wrote "Dunedin" (published 1928), and returning to the United Kingdom aboard the New Zealand Shipping Company's S.S. Remuera via the Panama Canal, Ricketts was moved to compose the march "Old Panama" (published 1929). Such was his popularity with the public that when in 1927 Bandmaster Ricketts handed the baton over to his successor, Charles Smart Beat, 15,000 people turned up to wish him well. (Charles Beat was the father of Lieutenant Colonel Duncan Beat, Director of Music of the Scots Guards Band, 1974–1982, and later Director of Music at Kneller Hall, 1982-1988.)

From Army to Navy

In 1921 Ricketts' mentor at Kneller Hall, Lieutenant Colonel Arthur Stretton, announced his retirement from the army and as Director of Music at KH. Since Ricketts had sufficient years of service that he could have retired, he was also free to accept any musical appointments, either civilian or military, that were offered. Both Colonel Stretton and senior army officials, impressed by Ricketts' service record and compositions, felt that he was the best candidate to succeed Stretton, and he was invited to apply for the position of Director of Music at Kneller Hall. For reasons best known to himself, Ricketts declined. A possibly contributing factor has emerged: it would seem that Ricketts had held a desire for some time to conduct a band in the Royal Marines, though he held this in confidence. Consequently, in the same year, 1921, when the Royal Marines announced a vacancy for bandmastership of the Band of the Plymouth Division, Ricketts applied, turning down the Kneller Hall application. He was interviewed, and later informed that he was the successful candidate. But there was a complication: the sitting bandmaster of the RM Plymouth Division Band, P.S.G. O'Donnell, had applied to become the director of the Grenadier Guards Band, vacant because of retirement. O'Donnell had the support of HRH the Prince of Wales, for whom he had acted as band director on two royal tours. Assuming O'Donnell's appointment to the Grenadiers was a mere formality, the Marines had advertised the presumed upcoming vacancy for the Plymouth Division Band, for which Ricketts was approved. Then an objection was raised by a senior army bandmaster, quoting a piece of military legislation which stated that a member of the Senior Service (Royal Navy and Royal Marines) could not be commissioned into the Army. The objection was upheld, O'Donnell was blocked from the Grenadier Guards, and Ricketts' appointment was cancelled. The Kneller Hall vacancy had been filled by Captain Hector Adkins, so Ricketts remained with the Argyll and Sutherland Highlanders for another six years. To make the conductors of the Royal Marines Bands more satisfied in their positions, in June 1921 HM King George V decreed that all Royal Marine conductors would be commissioned as directors of music. This was a further incentive for Ricketts to bide his time.

But this 1921 incident reveals much about the character of Frederick Joseph Ricketts. If he had accepted the army's invitation to apply for Kneller Hall, he would have been assured of an immediate commission in the rank of lieutenant, and eventual promotions upward to lieutenant colonel. Such was his dedication to staying with a band that he was willing to forgo the position and prestige that would have come with the appointment to KH, instead preferring to accept a position with the Royal Marines as a bandmaster in the rank of Warrant Officer Class 1, exactly the same rank he had held through his 19 years with the Argyll and Sutherland Highlanders. It would appear that for Ricketts service with a band meant more than promotion or position.

In 1927 a Royal Marine vacancy occurred, and Ricketts again applied, was approved, and commissioned a lieutenant in the Royal Marines Band Service on 4 July 1927. He was posted to the Royal Marine Depot, Deal. When the headquarters of the Band Service was transferred to Deal in 1930, Ricketts was posted to the Band of the Plymouth Division, Royal Marines, the principal band of the Royal Marines. Under Ricketts' direction, this band became world-famous, traveling to Paris and Canada. Before and during World War II they made a series of 78 RPM recordings of Alford marches, which EMI reissued on an LP in 1970, and now available on CD. It was titled "The British March King --Alford conducts Alford". From 1935 to 1939 Ricketts conducted the Plymouth Band on a one-hour biweekly BBC Radio program, and the band was in constant demand to visit military camps and war production factories throughout the Second World War. The workload at that time put a temporary hiatus to his composing, but he resumed in 1941 with "By Land and Sea" and “Army of the Nile”, and in 1942 with “Eagle Squadron” dedicated to the Americans who were flying with the Royal Air Force. It was to be his final march.

Ricketts was promoted to Brevet Major on 31 December 1938 (an acting rank without the pay grade), and confirmed as a full Major on 4 July 1942.

Personal life

While on staff at the Royal Military School of Music, Kneller Hall (1906–1908), Frederick Joseph Ricketts was married to Miss Annie Louisa Holmes at the Parish Church of All Saints, Tooting Graveney, South London, on 5 September 1907. Annie (Nan) Holmes came from a musical background, her brother being a partner in the London music publishing house of Walsh, Holmes and Company. Ricketts met his bride-to-be over the counter of the firm's shop in Charing Cross Road while buying sheet music. Nan was his greatest fan, often stopping what she was doing (including sleeping) to play an idea on the piano for him or give an opinion on two options for a musical theme. They had six children, Kenneth (March 1909), Leo (April 1911), Sheila (May 1913), Paula (October 1916), Gordon (October 1918), and José (October 1922).

Death

Ricketts retired from the Royal Marines on 1 June 1944 because of ill health and died at his home in Reigate, Surrey, on 15 May 1945, after an operation for cancer. He had given almost 50 years of distinguished service to the Crown. From 1907 until 1930 Ricketts had never spent more than two years in one place, and this made his 14-year-stay in Plymouth all the more pleasant. He became well-known and well-liked as leader of the Band of the Royal Marines.

Legacy

Alford's marches have been favourably compared to those of Sousa, both having a thorough grounding in classical music. Although he is best known for his marches, he wrote many other pieces –- hymns, fantasias, humoresques, xylophone solos, and duets. He often combined well-known tunes with new compositions or juxtaposed one with another. His championing of the saxophone played its part in getting the instrument accepted in military bands, and he is also credited with the first arrangements for bagpipes with military band. Like Sousa, he had a remarkable memory and tended to conduct without scores. He had the ear of top brass and could use it to protect the band, something which was much appreciated. There was a great esprit de corps in his bands—even a family atmosphere. He was very well-liked, was very personable, and always made himself available for conversation after concerts. His life and works are remembered in many ways, not the least of which are his timeless marches. A memorial book was presented by a colleague to the Regimental Museum of the Argyll and Sutherland Highlanders called "A Collection of the Works of F.J. Ricketts". The Royal Marines Commando Training Centre at Lympstone, Devon, is named "Ricketts Hall", and the centenary of his birth in 1981 was marked by a series of concerts at the Albert Hall and in Plymouth—the latter triggering a three-column article in the Daily Telegraph. Sadly, Ricketts was not honoured by the British Establishment, neither by being admitted to the Order of the British Empire nor the Victorian Order, the personal order of the Monarch, yet he alone established British military music, causing it to be recognized throughout the world.

The Bridge on the River Kwai

There is some confusion about the march Colonel Bogey and its use in the film The Bridge on the River Kwai . While Sir Malcolm Arnold did use Colonel Bogey in his score for the film, it was only the first theme and a bit of the second theme of Colonel Bogey, whistled unaccompanied by the British prisoners several times as they marched into the prison camp, the whistled theme eventually supported by the first theme of Arnold's original “River Kwai March”, the opening theme of which was based on the same chord progression as the first theme of Colonel Bogey. From that point on it was pure Arnold, though in the movie sequence the complete Arnold march was not heard.

List of marches

Other published works

Unpublished works

Classical and Operatic Arrangements

Miscellaneous Works

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References

  1. "MarchDB". Archived from the original on 25 June 2010. Retrieved 18 May 2012.
  2. Paul E. Bierley, ed. (1991). "Ricketts, Frederick J.". The Heritage Encyclopedia of Band Music. 2. Integrity Press. p. 629. ISBN   978-0-918048-08-0.