Kenny Dorham

Last updated
Kenny Dorham
Kenny Dorham edit (cropped).jpg
Kenny Dorham at the Metropole Hotel in Toronto, 1954.
Background information
Birth nameMcKinley Howard Dorham
Born(1924-08-30)August 30, 1924
Fairfield, Texas, U.S.
DiedDecember 5, 1972(1972-12-05) (aged 48)
New York City, New York, U.S.
Genres Jazz, bebop, mainstream jazz, hard bop
Occupation(s)Musician, bandleader, composer
Instrument(s)Trumpet, vocals

McKinley Howard "Kenny" Dorham (August 30, 1924 – December 5, 1972) [1] was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with underrated." [2] Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album Page One.

Contents

Biography

Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. [1] He joined Parker's band in December 1948. [3] He was a charter member of the original cooperative Jazz Messengers. [1] He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet after Brown's death in 1956. [1] In addition to sideman work, Dorham led his own groups, including the Jazz Prophets [1] (formed shortly after Art Blakey took over the Jazz Messengers name). The Jazz Prophets, featuring a young Bobby Timmons on piano, bassist Sam Jones, and tenorman J. R. Monterose, with guest Kenny Burrell on guitar, recorded a live album 'Round About Midnight at the Cafe Bohemia in 1956 for Blue Note.

In 1963, Dorham added the 26-year-old tenor saxophonist Joe Henderson to his group, [1] which later recorded Una Mas (the group also featured a young Tony Williams). The friendship between the two musicians led to a number of other albums, such as Henderson's Page One , Our Thing and In 'n Out . Dorham recorded frequently throughout the 1960s for Blue Note and Prestige Records, as leader and as sideman for Henderson, Jackie McLean, Cedar Walton, Andrew Hill, Milt Jackson and others. [1]

Dorham's later quartet consisted of some well-known jazz musicians: Tommy Flanagan (piano), Paul Chambers (double bass), and Art Taylor (drums). Their recording debut was Quiet Kenny for the Prestige Records' New Jazz label, an album which featured mostly ballads. An earlier quartet featuring Dorham as co-leader with alto saxophone player Ernie Henry had released an album together under the name "Kenny Dorham/Ernie Henry Quartet." They produced the album 2 Horns / 2 Rhythm for Riverside Records in 1957 with double bassist Eddie Mathias and drummer G.T. Hogan. In 1990 the album was re-released on CD under the name "Kenny Dorham Quartet featuring Ernie Henry." [4] [5]

During his final years Dorham suffered from kidney disease, from which he died on December 5, 1972, aged 48. [6]

Discography

As leader

As sideman

Related Research Articles

<span class="mw-page-title-main">Max Roach</span> American jazz percussionist, drummer, and composer (1924–2007)

Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.

<span class="mw-page-title-main">Hard bop</span> Subgenre of jazz music

Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.

<span class="mw-page-title-main">Kenny Drew</span> American jazz pianist

Kenneth Sidney "Kenny" Drew was an American-Danish jazz pianist.

<span class="mw-page-title-main">Philly Joe Jones</span> American jazz drummer (1923–1985)

Joseph Rudolph "Philly Joe" Jones was an American jazz drummer.

<span class="mw-page-title-main">Oscar Pettiford</span> American jazz musician and composer

Oscar Pettiford was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom.

<span class="mw-page-title-main">Percy Heath</span> American jazz bassist

Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.

<span class="mw-page-title-main">Butch Warren</span> American jazz bassist

Edward Rudolph "Butch" Warren Jr. was an American jazz bassist who was active during the 1950s and 1960s.

<span class="mw-page-title-main">Art Taylor</span> American drummer

Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".

<span class="mw-page-title-main">Doug Watkins</span> American jazz double bassist

Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.

<span class="mw-page-title-main">Kenny Burrell</span> American jazz guitarist (born 1931)

Kenneth Earl Burrell is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 Billboard Top Twenty hit Verve album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.

<span class="mw-page-title-main">Jimmy Heath</span> American jazz saxophonist, composer, and band leader (1926–2020)

James Edward Heath, nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band leader. He was the brother of bassist Percy Heath and drummer Albert Heath.

Leroy Vinnegar was an American jazz bassist. Born in Indianapolis, Indiana, United States, the self-taught Vinnegar established his reputation in Los Angeles, California, during the 1950s and 1960s. His trademark was the rhythmic "walking" bass line, a steady series of ascending or descending notes, and it brought him the nickname "The Walker". Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison's 1972 album, Saint Dominic's Preview.

<span class="mw-page-title-main">Johnny Griffin</span> American jazz saxophonist

John Arnold Griffin III was an American jazz tenor saxophonist. Nicknamed "the Little Giant" for his short stature and forceful playing, Griffin's career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie "Lockjaw" Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music.

Wilbur Bernard Ware was an American jazz double bassist. He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others.

<span class="mw-page-title-main">Sam Jones (musician)</span> American jazz double bassist, cellist, and composer

Samuel Jones was an American jazz double bassist, cellist, and composer.

Wilbert Granville Thodore Hogan Jr. was an American jazz drummer. He used both Granville and Wilbert professionally, and is credited variously with names and initials on albums.

<span class="mw-page-title-main">Ernie Henry</span> American jazz saxophonist

Ernie Henry was an American jazz saxophonist.

<span class="mw-page-title-main">Sonny Rollins discography</span>

This article presents the discography of the jazz saxophonist and band leader Sonny Rollins.

<i>2 Horns / 2 Rhythm</i> 1957 studio album by Kenny Dorham

2 Horns / 2 Rhythm is an album by American jazz trumpeter Kenny Dorham, featuring performances with Ernie Henry. It was recorded in 1957 and released on Riverside Records. This was Henry's last recording session.

<i>Last Chorus</i> 1958 studio album by Ernie Henry

Last Chorus is a posthumous album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 and 1957 for the Riverside label.

References

  1. 1 2 3 4 5 6 7 Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. pp. 124/5. ISBN   0-85112-580-8.
  2. Freeman, Phil (January 15, 2013). "Spotlight: Doing the Philly Twist: Kenny Dorham's Whistle Stop". bluenote.com. Blue Note Records.
  3. Owens, Thomas (1996). Bebop . Oxford University Press. p.  111. ISBN   978-0-19-510651-0.
  4. Yanow, Scott (2000). Bebop. Miller Freeman Books. pp. 79–81. ISBN   0-87930-608-4.
  5. Listing of the 2 Horns/2 Rhythm album on Discogs.com, (accessed December 17, 2014).
  6. "Kenny Dorham". Bluenote.com. Retrieved July 26, 2021.