Kick In | |
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Directed by | Richard Wallace |
Written by | Bartlett Cormack |
Based on | Kick In by Willard Mack |
Produced by | Adolph Zukor Jesse L. Lasky |
Cinematography | Victor Milner |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 75 minutes |
Country | United States |
Language | English |
Kick In is a 1931 American pre-Code drama film produced by Famous Players-Lasky and distributed by Paramount Pictures. The film, based on the 1914 Broadway play by Willard Mack which had starred John Barrymore, was directed by Richard Wallace and starred the legendary Clara Bow in her last film for Paramount Pictures.
The movie was filmed twice in the silent era: a version filmed in 1917 by Pathé and a 1922 version released by Paramount. The 1922 film, lost for over 80 years, was discovered to have been in the Gosfilmofond archive in Moscow and returned to the U.S. in 2010.
The 1931 version of Kick In is currently controlled by Universal Studios, who own or control all Paramount films made between 1929 and 1949. The 1931 Kick In has (as of 2011) never been broadcast on television. [1] [2]
uncredited
A one-hour radio adaptation was presented on Lux Radio Theatre on April 6, 1936, featuring Edmund Lowe and Ann Sothern. [3] It was the show's one-hundredth broadcast.
Clara Gordon Bow was an American actress who rose to stardom during the silent film era of the 1920s and successfully made the transition to "talkies" in 1929. Her appearance as a plucky shopgirl in the film It brought her global fame and the nickname "The It Girl". Bow came to personify the Roaring Twenties and is described as its leading sex symbol.
It is a 1927 American silent film directed by Clarence G. Badger and Josef von Sternberg, and starring Clara Bow. It is based on the serialised novella of the same name by Elinor Glyn, who adapted the story and appears in the film as herself.
Boston Blackie is a fictional character created by author Jack Boyle (1881–1928). Blackie, a jewel thief and safecracker in Boyle's stories, became a detective in adaptations for films, radio and television—an "enemy to those who make him an enemy, friend to those who have no friend."
Frank Wright Tuttle was a Hollywood film director and writer who directed films from 1922 to 1959.
Famous Players-Lasky Corporation was an American motion picture and distribution company formed on June 28, 1916, from the merger of Adolph Zukor's Famous Players Film Company—originally formed by Zukor as Famous Players in Famous Plays—and the Jesse L. Lasky Feature Play Company.
B. P. Schulberg was an American pioneer film producer and film studio executive.
The Big Broadcast of 1937 is a 1936 Paramount Pictures production directed by Mitchell Leisen, and is the third in the series of Big Broadcast movies. The musical comedy stars Jack Benny, George Burns, Gracie Allen, Bob Burns, Martha Raye, Shirley Ross, Ray Milland, Benny Fields, Frank Forest and the orchestra of Benny Goodman. It was in this film that Leopold Stokowski made his movie debut conducting two of his Bach transcriptions. Uncredited roles include Jack Mulhall.
Ladies of the Mob (1928) is a 1928 American silent crime drama film directed by William A. Wellman, produced by Jesse L. Lasky and Adolph Zukor for Famous Players-Lasky, and distributed by Paramount Pictures. The film is based on a story by Ernest Booth. This gangster-themed romantic thriller about a criminal's daughter who tries to reform a petty crook whom she loves featured Clara Bow, Richard Arlen, Mary Alden and Helen Lynch.
Louis Joseph Gasnier was a French-American film director, producer, screenwriter and stage actor. A cinema pioneer, Gasnier shepherded the early career of comedian Max Linder, co-directed the enormously successful film serial The Perils of Pauline (1914) and capped his output with the notorious low-budget exploitation film Reefer Madness (1936) which was both a critical and box office failure.
Bullets or Ballots is a 1936 gangster film starring Edward G. Robinson, Joan Blondell, Barton MacLane, and Humphrey Bogart. Robinson plays a police detective who infiltrates a crime gang. This is the first of several films featuring both Robinson and Bogart.
Leo Birinski was a playwright, screenwriter and director. He worked in Austria-Hungary, Germany and in the United States. As a playwright in Europe, he gained his biggest popularity from 1910 – 1917 but was ultimately forgotten. From the 1920s to 1940s he worked mainly as a screenwriter, first in Germany, later in the United States, to which he emigrated in September 1927. In the United States, he also returned to writing stage plays. He wrote in German and English. Until recently, only a minimal amount of information about his life has been available. Complicating matters, there have been many legends and rumours concerning Birinski's person, including the false report of his "suicide" in 1920 that found its way from newspaper obituaries into encyclopedias.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Kick In is a 1922 American silent crime drama film produced by Famous Players-Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
Keene Thompson was a story, scenario and screenwriter who worked in the film industry from 1920 to 1937.
Fascinating Youth is a 1926 American silent romantic comedy film directed by Sam Wood. It starred Charles "Buddy" Rogers, along with Thelma Todd and Josephine Dunn in supporting roles. Many well-known personalities made guest appearances in the film, judging a beauty contest in one scene, and Clara Bow makes a cameo appearance in her second film for Paramount Pictures.
The County Chairman is a lost 1914 silent film drama directed by Allan Dwan, produced by the Famous Players Film Company and distributed through Paramount Pictures. It is based on the 1903 stage play by George Ade that starred Maclyn Arbuckle, who reprises his role in this film. Also starring alongside Arbuckle is up-and-coming heartthrob Harold Lockwood. The story is typical of the stage plays Adolph Zukor brought to films for his Famous Players Company in its earliest years. This film was remade by Fox in 1935 with Will Rogers.
The Face in the Fog is a 1922 American silent film produced by Cosmopolitan Productions and distributed by Paramount Pictures. It was directed by Alan Crosland and starred Lionel Barrymore. An incomplete print is preserved at the Library of Congress.
Clara Bow (1905–1965) was a 16-year-old living in the New York City borough of Brooklyn when she won the 1921 nationwide "Fame and Fortune Contest" advertised in Motion Picture Magazine. After submitting their photographs with a completed entry form clipped from the magazine, finalists were given multiple screen tests. As the winner, she was cast in a small role in the silent era film Beyond the Rainbow. Although her part was eventually edited out, the contest inspired her to pursue an acting career. She relocated to Los Angeles and signed with producer B.P. Schulberg. Her 1927 starring role in It, about an attractive and charismatic young woman, led the public to label Bow the "It girl". Over the next two decades, she would make more than 40 silent era films, the majority of them under contract to Paramount Pictures.
Kick In is a lost 1917 silent film crime melodrama directed by George Fitzmaurice and starring William Courtenay. It is based on the 1914 Broadway play of the same name by Willard Mack.