Kodak Cine Special 16mm Cameras

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The Kodak Cine Special 16mm Cameras (CKS) were a family of precision, versatile, spring-wound 16mm silent movie cameras produced Eastman Kodak from the 1930s to the 1960s, and intended for advanced consumers and industry professionals. While its rectangular format was typical of earlier Kodak 16 mm cameras (such as Cine-Kodak, Kodak Models B, F and K), the CKS 'box' was formed by two joined sections: the spring motor half with the user controls, winding cranks, and gear work to the shutter. The other half was a film magazine which docked to the motor. This allowed the cinematographer to pre-load multiple magazines of film for quick interchange of film.

16 mm film film gauge

16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film; other common film gauges include 8 and 35 mm. It is generally used for non-theatrical film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a camera, projector, tripod, screen and splicer, for $335. RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935.

Cine-Kodak

The Cine-Kodak was the first 16mm camera, introduced in 1923. It was a leather covered rectangular cast aluminum box approximately 8.5" by 5" by 3", and was cranked by hand at two turns per second to achieve the necessary 16 frames per second. Hand turning meant that a tripod was essential while allowing varying speeds and single frames to be taken. Accessories such as lenses and a motor attachment became available later. In 1925, Kodak followed up with a spring motor-driven Cine-Kodak Model B, at which time the original Cine-Kodak was re-designated as Model A. Production of Models A and B ceased in 1930.

Cinematographer chief over the camera and lighting crews working on a film

A cinematographer or director of photography is the chief over the camera and light crews working on a film, television production or other live action piece and is responsible for making artistic and technical decisions related to the image. The study and practice of this field is referred to as cinematography.

Contents

Standard features included:

Optional features included:

Models

The first edition (CKS-1) appears in the early 1930s with a two-lens turret. The flat (planar) shape of the turret limited the types of lenses that could be mounted - long lenses would physically and optically interfere with the taking lens. The post-war innovation of the Cine Special II (CKS-II) beveled the turret face so the lens mounts were not parallel . Kodak also made a military version with black, non-reflective metal instead of chrome.

Lenses

The CKS-1 turret holds 2 lenses. Both positions secure a mounting bracket to connect to lenses. One position is the Cine-Kodak mount, with a fixed 25mm lens. The other position is the Kodak S-mount distinguished by an alignment pin and secured by a screw collar. The latter allows for insertion of interchangeable lenses. The mounting brackets have tilt-up viewfinders with masks according to the focal length.

The S-mount ciné lens mount was originally developed by Kodak. It was a mixture of bayonet and threaded mount. The S-mount was just used with a few Ciné-Kodak cameras, especially the Ciné-Kodak Special II from 1948-1961.

Additional Kodak lens information is on this page: "Kodak Cine Lenses"

Filters: The CKS family was able to utilize the Kodak TriColor Filter. A 1920s technology using special panchromatic film with a lenticular layer behind the emulsion. This filter separates and distributes the colors in a method analogous to pixels today. KodaScope Model B 16mm projectors reconstructed the original color distribution by placing counterpart tricolor filter places over the projection lens. Further explanation is available on this page: Kodacolor (filmmaking)

Lenticular lens

A lenticular lens is an array of magnifying lenses, designed so that when viewed from slightly different angles, different images are magnified. The most common example is the lenses used in lenticular printing, where the technology is used to give an illusion of depth, or to make images that appear to change or move as the image is viewed from different angles.

In motion pictures, Kodak's Kodacolor brand was associated with an early lenticular color motion picture process, first introduced in 1928 for 16mm film. The process was based on the Keller-Dorian system of lenticular color photography.

Accessories (Aftermarket)

Due to strong acceptance of the CKS in professional use a creative aftermarket of CKS extensibility grew.

Auricon

Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film as the image is photographed on, thus eliminating the need for a separate audio recorder. The camera preceded ENG video cameras as the main AV tool of television news gathering due to its portability–and relatively quick production turn-around–where processed negative film image could be broadcast by electronically creating a positive image. Additionally, the Auricon found studio use as a 'kinescope' camera of live video off of a TV screen, but only on early pre-NTSC line-locked monochrome systems.

Patents

This table identifies the patents covering CKS technologies, providing good date references.

PatentDate FiledInventorTitle
1,688,3701/11/1928O. WittelLens Attachment for Photographic Apparatus (The Tri-Color Filter)
1,942,8916/9/1932O. WittelMotion Picture Film Magazine
1,976,3046/30/1932J. StoiberCentrifugal Governor for a Motion Picture Camera
1,984,1037/29/1932O. WittelReflex Finder for Motion Picture Camera
1,997,3217/13/1932J. StoiberBrake for Motion Picture Apparatus
2,011,3507/30/1932O. WittelControl Arrangement for a Motion Picture Camera (Shutter interlock switch for the film magazine)
2,083,6467/30/1934A.B. FullerMotor Drive for Motion Picture Cameras
2,105,2508/11/1936D. F. Lyman, J. StoiberWarning Signal for Dissolving Shutters
2,487,9134/3/1948 (CKS-II)O. WittelLens Supporting and Focusing Mechanism for Motion-PIcture Cameras (offset mount for lenses)
D 133,6265/1/1942W. Bach (Auricon)Motion Picture Camera Motor Drive Casing

The following table identifies lens and filter patents of the CKS Series.

PatentDate FiledInventorTitle
1,620,3371/17/1923F.E. AltmanObjective
1,685,6007/20/1927W. FrederickOptical System for Color Processes (Tri-Color Filter)
1,688,3701/11/1928O. WittelLens Attachment for Photographic Apparatus (Tri-Color Filter)
1,405,4635/3/1920TessierFocusing Lens Mount (S-Mount)
2,019,7356/24/1934J.W. ScottFocusing Objective

Subsequent Camera History

Following the CKS Kodak introduced the synchronous, electric drive Kodak Reflex Special with a 400' magazine.

Bach-Auricon began delivery of electric, 16mm sound cameras in the early 1940s, and these were produced through the 1970s.

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Bolex

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References

    [1] [2] [3]

    1. How to Use the Cine-Kodak Special, Eastman Kodak Company, 1937
    2. Cine Kodak Special Promo Film (1933) https://www.youtube.com/watch?v=kh8useNjroo
    3. Threading the Kodak Cine Special (1955). Youtube