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Konstantin Nikolayevich Batyushkov
Portrait by unknown artist, 1810's
|Born||29 May 1787|
Vologda, Russian Empire
|Died||19 July 1855 68) (aged|
Vologda, Russian Empire
|Occupation||Poet, essayist, translator|
Konstantin Nikolayevich Batyushkov (Russian :Константи́н Никола́евич Ба́тюшков,IPA: [kənstɐnʲˈtʲin nʲɪkɐˈlajɪvʲɪtɕ ˈbatʲʊʂkəf] (
Russian is an East Slavic language, which is an official language in the Russian Federation, Belarus, Kazakhstan and Kyrgyzstan, as well as being widely used throughout Eastern Europe, the Baltic states, the Caucasus and Central Asia. It was the de facto language of the Soviet Union until its dissolution on 25 December 1991. Although nearly three decades have passed since the breakup of the Soviet Union, Russian is used in official capacity or in public life in all the post-Soviet nation-states, as well as in Israel and Mongolia.
Old Style (O.S.) and New Style (N.S.) are terms sometimes used with dates to indicate that the calendar convention used at the time described is different from that in use at the time the document was being written. There were two calendar changes in Great Britain and its colonies, which may sometimes complicate matters: the first was to change the start of the year from Lady Day to 1 January; the second was to discard the Julian calendar in favour of the Gregorian calendar. Closely related is the custom of dual dating, where writers gave two consecutive years to reflect differences in the starting date of the year, or to include both the Julian and Gregorian dates.
Naples is the regional capital of Campania and the third-largest municipality in Italy after Rome and Milan. In 2017, around 967,069 people lived within the city's administrative limits while its province-level municipality has a population of 3,115,320 residents. Its continuously built-up metropolitan area is the second or third largest metropolitan area in Italy and one of the most densely populated cities in Europe.
The early years of Konstantin Batyushkov's life are difficult to reconstruct. He probably spent the first four years of his life in Vologda; the exact place he lived from 1792 to 1796 is unknown: possibly with his father, possibly with his grandfather, Lev Andreyevich Batyushkov, on their family estate, the village of Danilovskoe, Bezhetski district, Tver province. However, it was Konstantin's youth spent in St. Petersburg which played the most important part in his development as a poet.
Vologda is a city and the administrative, cultural, and scientific center of Vologda Oblast, Russia, located on the Vologda River within the watershed of the Northern Dvina. Population: 301,755 (2010 Census); 293,046 ; 282,802 (1989 Census).
Tver is a city and the administrative centre of Tver Oblast, Russia. Population: 414,606 ; 403,606 ; 408,903 ; 450,941 (1989 Census). It is 180 kilometres (110 mi) northwest of Moscow.
Saint Petersburg is Russia's second-largest city after Moscow, situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, with 5 million inhabitants in 2012, part of the Saint Petersburg agglomeration with a population of 6.2 million (2015). An important Russian port on the Baltic Sea, it has a status of a federal subject.
Batyushkov's earliest extant letter from St. Petersburg is dated 6 July 1797. His first years there were spent in Pensionnats (private boarding schools). Contact with his relatives was restricted to correspondence and rare meetings. From 1797 to 1800 he studied at the Pensionnat directed by O.P. Jacquinot; it was a rather expensive school for children of good families. The curriculum included Russian, French, German, divinity, geography, history, statistics, arithmetic, chemistry, botany, calligraphy, drawing and dancing. In 1801 Batyushkov entered a Pensionnat run by an Italian, I.A. Tripoli; he graduated in 1802. It was here that Batyushkov began to study Italian. His first literary offering, however, was a translation into French of Metropolitan Platon's Address on the occasion of the coronation of Alexander I of Russia.
French is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the spoken Latin in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien) has largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the (Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French.
German is a West Germanic language that is mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, South Tyrol in Italy, the German-speaking Community of Belgium and Liechtenstein. It is one of the three official languages of Luxembourg and a co-official language in the Opole Voivodeship in Poland. The languages that are most similar to German are the other members of the West Germanic language branch, including Afrikaans, Dutch, English, the Frisian languages, Low German/Low Saxon, Luxembourgish, and Yiddish. There are strong similarities in vocabulary with Danish, Norwegian and Swedish, although those belong to the North Germanic group. German is the second most widely spoken Germanic language, after English.
In religion, divinity or Godhead is the state of things that are believed to come from a supernatural power or deity, such as God, the supreme being, creator deity, or spirits, and are therefore regarded as sacred and holy. Such things are regarded as divine due to their transcendental origins or because their attributes or qualities are superior or supreme relative to things of the Earth. Divine things are regarded as eternal and based in truth, while material things are regarded as ephemeral and based in illusion. Such things that may qualify as divine are apparitions, visions, prophecies, miracles, and in some views also the soul, or more general things like resurrection, immortality, grace, and salvation. Otherwise what is or is not divine may be loosely defined, as it is used by different belief systems.
1802 is conventionally considered the beginning of Batyushkov's poetic career. He wrote in a letter to Nikolai Gnedich on 1 April 1810 that he had composed his first poem at the age of fifteen. Batyushkov quotes two lines; he felt that their main idea — dissatisfaction with reality and a longing for "distant lands", both geographic and spiritual — anticipated his mature work: "Муза моя, ещё девственница, угадала" (My Muse, while still a virgin, had divined it).
Batyushkov began to write poetry seriously in 1804 (at least, the dating of his first works from 1802—03 is not documented). Two poems are conventionally regarded as having been written before the first published one. The first of these, "Bog" (God), is a direct imitation of Gavrila Derzhavin's spiritual odes (Echoes of Derzhavin continued to appear in Batyushkov's mature work, but as only one element of his own, highly individual, style). The other poem is "Mechta" (the title, usually translated as "Dream", can also mean "Fantasy" or "Imagination"). Never satisfied with the realization of his idea, Batyushkov reworked "Mechta" for the rest of his literary life; thus it is possible to illustrate the evolution of Batiushkov's versification and verbal style using only examples from successive wordings of this piece.Including both original and translated fragments, this piece became a manifesto of Batiushkov's own aesthetics: "Mechtan'e est' dusha poetov i stikhov" (Dreaming is the soul of poets and of verse). This brings him close to Nikolay Karamzin and the Vasily Zhukovsky, but even in "Mechta", the literary pose of an escapist and hedonist is already evident. It was most likely the programmatic nature of this, on the whole rather weak, poem that continued to hold the interest of its otherwise self-critical author.
Gavriil (Gavrila) Romanovich Derzhavin was one of the most highly esteemed Russian poets before Alexander Pushkin, as well as a statesman. Although his works are traditionally considered literary classicism, his best verse is rich with antitheses and conflicting sounds in a way reminiscent of John Donne and other metaphysical poets.
Nikolay Mikhailovich Karamzin was a Russian writer, poet, historian and critic. He is best remembered for his History of the Russian State, a 12-volume national history.
Vasily Zhukovsky was the foremost Russian poet of the 1810s and a leading figure in Russian literature in the first half of the 19th century. He held a high position at the Romanov court as tutor to the Grand Duchess Alexandra Feodorovna and later to her son, the future Tsar-Liberator Alexander II.
The journals, in which Batyushkov's first poems were published, are easy to link to his personal contacts. His first poetic offering was the satirical "Poslanie k stikham moim" (Epistle to My Verses); in January 1805 it appeared in "Novosti russkoi literatury", supplement to the periodical of Moscow University.
In the autumn of 1806 Napoleon occupied Berlin and most of Prussia, Russia's ally; Alexander I declared a mass levy. On 13 January 1807 Batyushkov, with the civil rank corresponding to the twelfth class, was attached to General Nikolai Nikolaevich Tatishchev's staff. On 22 February he enlisted in the Petersburg battalion of the Militia as sotennyi (a junior officer), and immediately set out for the West. On 2 March he was in Narva, on the 19 March in Riga, from where he sent letters to Gnedich, containing an impromptu and another verse epistle. When taking part in the Prussian campaign, he met Ivan Aleksandrovich Petin, an officer, who was to become another close friend. Batyushkov fought at the battle of Gutstadt (22—27 May); on 29 May he was seriously wounded at the battle of Heilsberg. (A year later, on 20 May 1808, he was awarded the Order of St. Anne, 3rd class, for bravery.) After the battle he was transported to hospital and then to Riga where he was convalescing during June and July 1807.
In Riga, Batyushkov was living at the house of a merchant, Müguel, with whose daughter Emilie he fell in love. This episode formed the background for two poems: "Vyzdorovleniie" (Convalescence, 1815—16?), considered by Pushkin one of Batyushkov's best elegies, and "Vospominaniia 1807 goda" (Recollections of 1807), whose popularity is also testified to by Pushkin's note in his epistle "To Batyushkov" (1814). Both works strongly influenced the Russian elegy of the 1810s and 1820s.
The idea of presenting the main works of world literature in the Russian language and making them part of Russian belles lettres is characteristic of the early nineteenth century. Batyushkov might have come to similar ideas under the influence of Gnedich who was already working on his translation of the Iliad. First and foremost in importance to the literati were heroic epopees. This is why in Batyushkov's correspondence with Gnedich, "your poet" and "my poet" are Homer and Tasso, although Batyushkov considered only two extracts from his incomplete verse translation of Torquato Tasso's Gerusalemme liberata worth publishing. In his translation Batyushkov ignored the metric and stanzaic form of the Italian original, octave, and used the "classical" alexandrine.
In July 1809, he wrote his famous "Videnie na bregakh Lety" (A Vision on the Shores of the Lethe). "Videnie..." soon became widely known and brought the author a certain notoriety. In October 1809 it was sent to Gnedich who allowed to make a copy, which rapidly multiplied. Batyushkov wrote the poem following the French satirical tradition, but its material was wholly Russian: it describes a dream in which all contemporary Russian poets have unexpectedly died and turned up in Elysium; their works are immersed in the waters of the Lethe: those found wanting sink into oblivion. The Russian writers of the eighteenth century were not the main concern of the satire. In the poem, it is not only the notorious Ivan Barkov who escapes oblivion, but also Vasily Trediakovsky who was generally despised at that time."Videnie" performs a balancing act between ridicule and obscenity, it is full of caustic allusions and offensively transformed or reinterpreted quotations. With "Videnie", Batyushkov's reputation was established; he began to regard himself as a mature and original poet, and started gathering material for a publication of his collected works.
On 22 April 1812 Batyushkov became an Assistant Keeper of Manuscripts at the Imperial Public Library.His colleagues included Gnedich, Krylov and Uvarov. In June he bought an apartment nearby. The quiet life ("thank God, I have wine, friends, tobacco...") was clouded only by ill-health ("I am so weak that shall not even outlive my verses").
But even now peace and calm denied Batyushkov: Napoleon invaded Russia on 12 June 1812. Batyushkov wrote to Pyotr Vyazemsky that had it not been for a fever, he would have immediately joined the army.
The scenes of destruction deeply affected him and determined his attitude to the war; he wrote to Gnedich of the French: "Barbarians! Vandals! And this nation of monsters even dares to speak of freedom, of philosophy, of philanthropy!". On 29 March Batyushkov entered military service, with the rank of junior captain. It was the events of 1812 that dictated the mood of an epistle-elegy, "K Dashkovu" (To Dashkov), a turning-point in Batyushkov's poetics and weltanschauung. The poem echoes his personal letters and expresses his feelings on seeing Moscow in ruins. The War becomes an incarnation of Evil: "Moi drug! ia videl more zla / I neba mstitel'nogo kary" (My friend! I saw a sea of evil / And wrath of the avenging heavens).
In January 1814 the Russians crossed the Rhine, entered France and moved in on the capital. The first month in Paris was an exciting time for Batyushkov. He even managed to attend a meeting of the Academy. Batyushkov's impressions were negative and he wrote on 25 April 1814 that the age of glory for French literature had passed. This letter was also a literary work; an abridged version was published by the poet's friends in 1827. In May Batyushkov fell ill, grew depressed and decided to return home. Batyushkov arrived in London in mid May and spent two weeks in England. On 25 May he was issued a passport to travel home via Sweden, and from 30 May to June was sailing from Harwich to Gothenburg. The crossing was described in a letter on 19 June 1814; Batyushkov later revised it as a traveller's sketch which was published in 1827.
In early January 1815 a crash of matrimonial hopes coupled with serious illness caused a nervous reaction. In March Batyushkov set off in search of spiritual healing. He spent the second week of Lent at a monastery in Tikhvin. It seems that Batyushkov experienced a religious conversion, evidence of which may be found in a poem of this year, "Nadezhda" (Hope). Apparently in the same year he composed a poem combining the motifs of love and fatal illness: "Posledniaia vesna" (The Last Spring), a free version of Charles-Hubert Millevoye's "La Chute des feuilles", one of the most popular elegies among Russian translators of the 1810s and 1820s. Another translation, "Mshchenie" (Vengeance) from Parny, was composed both as an addition to the earlier "Prividenie" (a "mirror image" of the same theme), and a possible sublimation of his disappointment in love, which was still eloquent in his poems.
In the first half of 1815 Batyushkov came to meet the young Aleksandr Pushkin at Tsarskoe Selo; in the eyes of later generations this meeting took on a historic or even symbolic meaning.
The verse volume of Opyty appeared in October 1817. It was divided into genre sections: "elegies" (opened by "Nadezhda" and concluded by a new version of "Mechta"); "epistles" (first, a "friendly" one, "Moi Penaty", and last, a "didactic" one to Murav'ev-Apostol); and "miscellanea" (a section with an undefined organizing principle, for some reason followed by three of Batiushkov's most recent works). Public recognition immediately followed. On 17 October 1817 Batyushkov became an honorary member of the "Military Society", on 18 November he was made an honorary librarian at the Public Library; and in April 1818 he became an honorary member of the "Free Society of the Lovers of Russian Letters".
During 1820 Batyushkov's depression grew. In August he applied for leave to go to Germany, which was confirmed only in April 1821. From December 1820 to May 1821 he lived in Rome, then went to Teplitz for convalescence; in November he moved to Dresden. The first signs of approaching insanity were a series of quarrels on relatively insignificant grounds. In 1820 an editor of "Syn otechestva" journal, Aleksandr Voeikov, permitted himself an unauthorized publication of an epitaph by Batyushkov. The author overreacted: Batyushkov, infuriated, sent Gnedich a letter intended for "Syn otechestva", claiming he had abandoned his writing forever. Pletnev, a genuine admirer of Batyushkov, attempted to palliate his "guilt" by publishing a panegyrical "inscription" to Batyushkov — who took it as yet another insult. Batyushkov's mind became clouded, and in a fit of depression he destroyed his latest manuscripts.
On 18 September and 12 December 1821 Batyushkov applied for retirement. Instead, the Emperor Alexander I granted him indefinite leave. He came to St. Petersburg on 14 April 1822 and travelled to the Caucasus from May to July; in August he arrived in Simferopol, where, over the following months, symptoms of persecution mania became obvious. He burnt his books and three times attempted suicide. On 4 April 1823 he was sent to St. Petersburg, supervised by a doctor. For a whole year his relatives and friends looked after him. In April 1824 he wrote a completely mad letter to the Emperor with a request to enter a monastery. After a word with Zhukovsky, Alexander I decided to send the unfortunate writer for treatment at state expense. From 1824 to 1828 Batyushkov was at the "Maison de santé" in Sonnenstein (Saxony), from 1828 to 1833 in Moscow; and from 1833 onward he lived in Vologda. On 9 December 1833 the incurable Batyushkov was at last released from service and granted a life pension.
When ill, he wrote only a few incoherent texts. His final poem was written in Vologda on 14 May 1853; it is a quatrain which concludes as follows: "Ia prosypaius', chtob zasnut', / I spliu, chtob vechno prosypat'sia" (I only wake to fall asleep / And sleep, to awake without end).
He died on 7 July 1855 from typhus.
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