La Ronde | |
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![]() Theatrical poster | |
Directed by | Max Ophüls |
Screenplay by | Jacques Natanson Max Ophüls |
Based on | La Ronde 1897 play by Arthur Schnitzler |
Produced by | Ralph Baum Sacha Gordine |
Starring | Simone Signoret Serge Reggiani Simone Simon |
Cinematography | Christian Matras |
Edited by | Léonide Azar |
Music by | Oscar Straus |
Release date |
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Running time | 95 minutes |
Country | France |
Language | French |
Box office | 1,515,560 admissions (France) [1] |
La Ronde is a 1950 French film directed by Max Ophüls and based on Arthur Schnitzler's 1897 play La Ronde .
Set in Vienna in 1900, it shows ten amorous encounters across the social spectrum, from a street prostitute to a nobleman, with each scene involving one character from the previous episode. The French term 'La Ronde' can mean any of the following: circling around, doing the rounds, a round of drinks, a circular dance.
The film won the BAFTA award for Best Film and was nominated for two Academy Awards; for Best Writing and Best Art Direction. [2]
The master of ceremonies opens proceedings by telling the audience that they will see various episodes in the endless waltz of love. A prostitute takes a soldier under a bridge. The soldier picks up a chambermaid at a dance hall. The chambermaid willingly succumbs to the son of her employers. The young man starts an affair with the young wife of an older businessman. She then has an edgy discussion in bed with her husband. The husband takes a shopgirl to a private dining room and gets her drunk. The shopgirl falls for a poet, who is pursuing an affair with an actress. The actress invites a count to visit her in bed next morning. That evening, he gets drunk and ends up in the bed of the prostitute, so completing the circle.
In order of appearance:
Although at the time of production, Schnitzler's son was still enforcing his father's stipulation that the play — Reigen (or La Ronde) — should never be performed or adapted, Ophuls was able to secure the rights to it because of Schnitzler's additional stipulation that his French-language translator was to own the rights to the French version.
The film was classified by New York film censors as "immoral" and therefore unacceptable for public screenings. At the end of 1953, the film's producers appealed to the U.S. Supreme Court and, in 1954, La Ronde was approved for exhibition in New York without any cuts. [3]
On Rotten Tomatoes, the film holds an approval rating of 100% based on 15 reviews, with an average rating of 8.21/10. [4]
Simone Signoret was a French actress. She received various accolades, including an Academy Award, three BAFTA Awards, a César Award, a Primetime Emmy Award, and the Cannes Film Festival Award for Best Actress, in addition to nominations for two Golden Globe Awards.
Arthur Schnitzler was an Austrian author and dramatist.
Maximillian Oppenheimer, known as Max Ophüls, was a German-French film director who worked in Germany (1931–1933), France, and the United States (1947–1950). He made nearly 30 films, the latter ones being especially notable: La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de… (1953) and Lola Montès (1955). He was credited as Max Opuls on several of his American films, including The Reckless Moment, Caught, Letter from an Unknown Woman, and The Exile. The annual Filmfestival Max Ophüls Preis in Saarbrücken is named after him.
La Ronde may refer to:
The Blue Room is a 1998 play by David Hare, adapted from the 1897 play Der Reigen written by Arthur Schnitzler (1862–1931), and more usually known by the French translation La Ronde.
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La Ronde is a play in which ten people form an unwitting interpersonal circle with their secret, sexual relationships. It was written by Arthur Schnitzler in 1897 and was controversial at that time. It scrutinizes the sexual morality and class ideology of its day through successive encounters between pairs of characters. By choosing characters across all levels of society, the play offers social commentary on how sexual contact transgresses class boundaries. Printed privately in 1900, it was not publicly performed until 1920, when it provoked strong reactions. The play's two titles —in German Reigen and in French La Ronde— refer to a round dance, as portrayed in the English rhyme Ring a Ring o' Roses.
Hello Again is a musical with music, lyrics and book by Michael John LaChiusa. It is based on the 1897 play La Ronde by Arthur Schnitzler. It focuses on a series of love affairs among ten characters during the ten different decades of the 20th century.
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The Earrings of Madame de… is a 1953 romantic drama film directed by Max Ophüls, adapted from Louise Lévêque de Vilmorin's 1951 novel by Ophüls, Marcel Archard and Annette Wadement. The film is considered a masterpiece of the 1950s French cinema. Andrew Sarris called it "the most perfect film ever made". Ophüls said the story's construction attracted him, stating "there is always the same axis around which the action continually turns like a carousel. A tiny, scarcely visible axis: a pair of earrings".
La Vie en Rose is a 2007 biographical musical film about the life of French singer Édith Piaf. The film was co-written and directed by Olivier Dahan, and stars Marion Cotillard as Piaf. The UK and US title La Vie en Rose comes from Piaf's signature song. The film is an international co-production between France, Czech Republic, and the United Kingdom.
Julie & Julia is a 2009 American biographical comedy-drama film written and directed by Nora Ephron starring Meryl Streep, Amy Adams, Stanley Tucci, and Chris Messina. The film contrasts the life of chef Julia Child in the early years of her culinary career with the life of young New Yorker Julie Powell, who aspires to cook all 524 recipes in Child's cookbook in 365 days, a challenge she described on her popular blog, which made her a published author.
360 is a 2011 internationally produced drama thriller film directed by Fernando Meirelles and written by Peter Morgan as a loose adaptation of Arthur Schnitzler's 1897 play Reigen. The film stars an ensemble cast of Anthony Hopkins, Ben Foster, Rachel Weisz, Jude Law and other international actors. Following the stories of couples and their sexual encounters, 360 was selected to open the 2011 London Film Festival. Magnolia Pictures released the film on video on demand on 29 June 2012 and was released in United States theaters on 3 August 2012. The film reunited Weisz and director Meirelles, who worked together on The Constant Gardener.
The Chambermaid on the Titanic is a 1997 French-Italian-Spanish drama film directed by Bigas Luna, starring Oliver Martinez, Romane Bohringer and Aitana Sánchez-Gijón. It is based on the 1991 novel La Femme de chambre du Titanic by Didier Decoin. The film is known variously by its French title, La Femme de chambre du Titanic, and also by the shortened English title The Chambermaid, which was adopted in late August 1998 to avoid the impression that it was trying to cash in on the success of James Cameron's popular film, Titanic, which was released the year before The Chambermaid on the Titanic made its US debut.
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Hello Again is a 2017 American musical film directed by Tom Gustafson and Written by Cory Krueckeberg. Based on the Off-Broadway musical of same name by Michael John LaChiusa, the film stars Audra McDonald, Martha Plimpton, T. R. Knight, and Rumer Willis and follows 10 lost souls across 10 periods in New York City history. The daisy-chained musical explores love's bittersweet embrace as the pursued become the pursuer and slip in and out of one another's arms, spinning through 10 music-fueled vignettes which come together in one soulful circle.