Luchino Visconti di Modrone, Count of Lonate Pozzolo was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. Critic Jonathan Jones wrote that “no one did as much to shape Italian cinema as Luchino Visconti.”
Italian neorealism, also known as the Golden Age, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation.
Ossessione is a 1943 Italian crime drama film directed and co-written by Luchino Visconti, in his directorial debut. It is an unauthorized and uncredited adaptation of the 1934 novel The Postman Always Rings Twice by American author James M. Cain, and stars Clara Calamai, Massimo Girotti, and Juan de Landa in the leading roles. It is often considered to be the first Italian neorealist film, though there is some debate about whether such a categorization is accurate.
Aci Trezza is a town in Sicily, southern Italy, a frazione of the comune of Aci Castello, c. 10 km north of Catania, with a population of around 5,000 people.
My Voyage to Italy is a personal documentary by acclaimed Italian-American director Martin Scorsese. The film is a voyage through Italian cinema history, marking influential films for Scorsese and particularly covering the Italian neorealism period.
Helmut Berger was an Austrian actor, known for his portrayal of narcissistic and sexually ambiguous characters. He was one of the stars of European cinema in the late 1960s and 1970s, and is regarded as a sex symbol and pop icon of that period.
Francesco Rosi was an Italian film director. His film The Mattei Affair won the Palme d'Or at the 1972 Cannes Film Festival. Rosi's films, especially those of the 1960s and 1970s, often appeared to have political messages. While the topics of his later films became less politically oriented and more angled toward literature, he continued to direct until 1997, his last film being the adaptation of Primo Levi's book, The Truce.
Walter Annicchiarico, known as Walter Chiari, was an Italian stage and screen actor, mostly in comedy roles.
I Malavoglia is the best known novel by Giovanni Verga. It was first printed in 1881.
Antonio Pietrangeli was an Italian film director and screenwriter. He was a major practitioner of the commedia all'italiana genre.
Giovanna Cecchi, known professionally as Suso Cecchi d'Amico, was an Italian screenwriter and actress. She was one of the first female Italian screenwriters and helped pioneer the Italian neorealist movement. Though her screenwriting career spanned sixty years, she won the 1980 David di Donatello Award for lifetime career as well as the Golden Lion for Lifetime Achievement at the 1994 Venice Film Festival.
Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.
Carusu is the Sicilian word for "boy" and is derived from the Latin carus which means "dear" In the mid-1800s through the early 1900s in Sicily, carusu was used to denote a "mine-boy", a labourer in a sulfur, salt or potash mine who worked next to a picuneri or pick-man, and carried raw ore from deep in the mine to the surface. As with other mining industries, the use of carusi declined as mines switched to other, more efficient methods of transporting minerals to the surface, and the use of children is said to have ended by the 1920s or 1930s, but teenagers were still employed to carry ore to the surface as late as the 1950s.
The 9th annual Venice International Film Festival was held from 19 August to 4 September 1948.
The list of the 100 Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Aldo Rossano Graziati was an Italian cinematographer.
Salvo D'Angelo was an Italian film producer. He also worked as an art director and production designer.
Lorenzo Muscoso is an Italian director, author and journalist.
Gente del Po, sometimes referred to in English as People of the Po Valley, is an Italian documentary short film directed by Michelangelo Antonioni in 1943 and released in 1947. It was Antonioni's debut film and is, together with Luchino Visconti's Ossessione, considered to be one of the earliest examples of Italian neorealism. Gente del Po documents people living on or near the Po river, including barge workers and fishermen.
