Lady Seated at a Virginal

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Lady Seated at a Virginal
Artist Johannes Vermeer
Year c. 1670–72 [1]
Medium Oil on canvas
Dimensions 51.5 cm× 45.5 cm(20.3 in× 17.9 in) [1]
Location National Gallery, London

Lady Seated at a Virginal, also known as Young Woman Seated at a Virginal, is a genre painting created by Dutch artist Johannes Vermeer in about 1670–72 and now in the National Gallery, London. [2]

Contents

Lady Seated at a Virginal

Another painting, probably also by Johannes Vermeer known as A Young Woman Seated at the Virginals , belongs to a private collection shows also a young woman seated at a Virginal. This painting and Lady Seated at a Virginal are quite separate works and are each known by alternate names and confusion between those two pieces may exist.

Description

The picture shows a woman facing left and playing a virginal. In the left foreground is a viola da gamba holding a bow between its strings. [2] A landscape is painted on the inside lid of the virginal, and the painting on the wall is either the original or a copy of The Procuress by Dirck van Baburen (now in the Museum of Fine Arts in Boston), which belonged to Vermeer's mother-in-law. [2]

Commentary

Because of its style, the painting has been dated to about 1670. It has been suggested that it and Lady Standing at a Virginal (also owned by the National Gallery) may have been created as pendants, because their sizes, date and subject matter are all similar. A recent study has shown that the canvas for the two paintings came from the same bolt. [3] In addition, the ground applied to the canvas appears identical to that used for both the Lady Standing and the New York Young Woman Seated . [4] However their provenances before the 19th century differ, and Vermeer sometimes varied a theme in otherwise unrelated paintings. In the 19th century, both paintings were owned by the art critic Théophile Thoré, whose writings led to a resurgence of interest in Vermeer starting in 1866. The painting entered the National Gallery with the Salting Bequest in 1910. [2]

The painting is one of several works by Vermeer featuring keyboard instruments, including The Music Lesson , The Concert , and Lady Standing at a Virginal . Scholars believe these may all be based on the same instrument, built by Johannes Ruckers. [5] [6]

See also

References

  1. 1 2 "Key facts: A Young Woman seated at a Virginal". National Gallery (London) web site. Retrieved 20 September 2009.
  2. 1 2 3 4 "A Young Woman Seated at a Virginal". National Gallery, London web site. Retrieved 20 September 2009.
  3. Liedtke, Walter; Johnson, C. Richard, Jr.; Johnson, Don H. "Canvas matches in Vermeer: a case study in the computer analysis of canvas supports" (PDF). Retrieved 5 May 2013.
  4. Sheldon, Libby; Costaras, Nicolas (2006). "Johannes Vermeer's Young Woman Seated at a Virginal". Burlington Magazine. 148: 89–97.
  5. Bennett, William Ralph Jr. The Science of Musical Sound. Springer. p. 82. ISBN   9783319927961.
  6. Huerta, Robert D. (2003). Giants of Delft: Johannes Vermeer and the Natural Philosophers : the Parallel Search for Knowledge During the Age of Discovery. Bucknell University Press. p. 105. ISBN   9780838755389.

Further reading