Lee Brown Coye

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Lee Brown Coye
Lee Brown Coye
Born(1907-07-24)July 24, 1907
Syracuse, New York
Died September 5, 1981(1981-09-05) (aged 74)

Lee Brown Coye (July 24, 1907 – September 5, 1981) was an American artist.

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The United States of America (USA), commonly known as the United States or America, is a country composed of 50 states, a federal district, five major self-governing territories, and various possessions. At 3.8 million square miles, the United States is the world's third or fourth largest country by total area and is slightly smaller than the entire continent of Europe's 3.9 million square miles. With a population of over 327 million people, the U.S. is the third most populous country. The capital is Washington, D.C., and the largest city by population is New York City. Forty-eight states and the capital's federal district are contiguous in North America between Canada and Mexico. The State of Alaska is in the northwest corner of North America, bordered by Canada to the east and across the Bering Strait from Russia to the west. The State of Hawaii is an archipelago in the mid-Pacific Ocean. The U.S. territories are scattered about the Pacific Ocean and the Caribbean Sea, stretching across nine official time zones. The extremely diverse geography, climate, and wildlife of the United States make it one of the world's 17 megadiverse countries.

Artist person who creates, practises and/or demonstrates any art

An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse is a practitioner in the visual arts only. The term is often used in the entertainment business, especially in a business context, for musicians and other performers. "Artiste" is a variant used in English only in this context; this use is becoming rare. Use of the term to describe writers, for example, is valid, but less common, and mostly restricted to contexts like criticism.


Coye is probably best remembered for his black-and-white illustrations for pulp magazines and horror fiction, but he produced a variety of works in other media.

Pulp magazine magazine printed on cheap, wood-pulp paper

Pulp magazines were inexpensive fiction magazines that were published from 1896 to the 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges.

Horror fiction genre of fiction

Horror is a genre of speculative fiction which is intended to frighten, scare, disgust, or startle its readers by inducing feelings of horror and terror. Literary historian J. A. Cuddon defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". It creates an eerie and frightening atmosphere. Horror is frequently supernatural, though it can be non-supernatural. Often the central menace of a work of horror fiction can be interpreted as a metaphor for the larger fears of a society.


Coye was born in Syracuse, New York, and as a young man lived in nearby Tully. He spent his entire life in the Central New York area.

Syracuse, New York City in New York, United States

Syracuse is a city in and the county seat of Onondaga County, New York, United States. It is the fifth-most populous city in the state of New York following New York City, Buffalo, Rochester, and Yonkers.

He and his wife, Ruth, lived in Syracuse for many years where Coye's activities included teaching adult art classes; working under the Works Progress Administration to paint a mural in the Cazenovia High School in 1934 (since destroyed); advertising for the WSYR Broadcasting System in upstate New York, producing a variety of commissioned works.

Works Progress Administration largest and most ambitious United States federal government New Deal agency

The Works Progress Administration was an American New Deal agency, employing millions of people to carry out public works projects, including the construction of public buildings and roads. It was established on May 6, 1935, by Executive Order 7034. In a much smaller project, Federal Project Number One, the WPA employed musicians, artists, writers, actors and directors in large arts, drama, media, and literacy projects. The four projects dedicated to these were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP). In the Historical Records Survey, for instance, many former slaves in the South were interviewed; these documents are of great importance for American history. Theater and music groups toured throughout America, and gave more than 225,000 performances. Archaeological investigations under the WPA were influential in the rediscovery of pre-Columbian Native American cultures, and the development of professional archaeology in the US.

WSYR (AM) news/talk radio station in Syracuse, New York, United States

WSYR is a 5,000 Watt AM radio station licensed to Syracuse, New York and serving Central New York. Owned and operated by iHeartMedia, it broadcasts a Talk radio format under the moniker "Newsradio 570 WSYR." The station has simulcast on WSYR-FM since January 2011.

The Coyes settled in Hamilton, New York, in 1959 when Lee went to work for Sculptura, a small company that reproduced antique sculptures. The move to Hamilton allowed Coye to fulfill his ambition of returning to a small town and maintaining his own art studio.

Hamilton (village), New York Village = in New York, United States

The Village of Hamilton is a village located within the town of Hamilton in Madison County, New York, United States. It is the location of Colgate University and has a population estimated at 4,080 at the last census. The 2017 movie Pottersville starring Michael Shannon and Judy Greer was filmed here.

Coye was almost entirely self-taught as an artist, [1] and his entire life was devoted to art-related work. As a young man, he attended one semester of night art classes, but his artistic knowledge and abilities came from many years of work and a thorough study of nature. His astute knowledge of body parts developed from his studies of anatomy and his work as a medical illustrator. He spent time attending operations and autopsies, thus becoming extremely familiar with the human body assembled or not.

Autopsy surgical procedure that consists of a thorough examination of a corpse

An autopsy is a surgical procedure that consists of a thorough examination of a corpse by dissection to determine the cause, mode and manner of death or to evaluate any disease or injury that may be present for research or educational purposes.. Autopsies are usually performed by a specialized medical doctor called a pathologist. In most cases, a medical examiner or coroner can determine cause of death and only a small portion of deaths require an autopsy.

Recurring motifs

One recurring feature in Coye's work is the motif of wooden sticks, often in latticework-like patterns. [1] This was inspired by a 1938 discovery in an abandoned farmhouse.

Coye had returned to the North Pitcher, New York, area where he spent much of his childhood. While wandering deep in the woods, Coye discovered an abandoned farmhouse. Boards and pieces of wood which had been set perpendicular to one another surrounded the site. Neither inside nor out could Coye find an explanation for the presence of these crossed sticks. In the years following, Coye remained interested in the significance of his discovery.

When Coye returned to the site in 1963, there was nothing left of the building or the sticks (the area had suffered severe flooding), and he never found out why the sticks were there or who it was that had arranged them in such a manner. Because of the strangeness of the entire experience, these forms never left Coye, and they appear in many of his paintings and illustrations.

The incident also inspired Coye's friend Karl Edward Wagner to write the award-winning story "Sticks". A four-page portfolio of Coye's work accompanies the printing of Wagner's story in Gahan Wilson, ed. First World Fantasy Awards. NY: Doubleday, 1977, (between pages 168 and 169).

The crescent moon was an early Coye motif in paintings and illustrations. [1] The whale became a later signature motif. Coye fashioned wooden sculptures, silver pendants and pins, engravings, drawings, and a large painting of the whale. One very fine example is in the Morrisville State College Library collection the 3-foot-long (0.91 m) pine "Moby-Dick" sculpture created in 1965. Image of Moby Dick Sculpture

Illustrator of the macabre

Coye's cover for the Weird Tales Weird Tales July 1945.jpg
Coye's cover for the Weird Tales
Coye provided the cover for Robert Arthur's "The Mirror of Cagliostro " on the June 1963 issue of Fantastic Stories Fantastic 196306.jpg
Coye provided the cover for Robert Arthur's "The Mirror of Cagliostro " on the June 1963 issue of Fantastic Stories

Coye's fame as an illustrator of the macabre developed as a result of his drawings for three horror anthologies edited by August Derleth in the early 1940s, Sleep No More (1944), Who Knocks (1946), and The Night Side (1947). This subsequently led to additional work for Weird Tales , a popular pulp magazine. Coye's work first appeared in the March 1945 issue of Weird Tales, illustrating the story 'Please Go Way and Let Me Sleep" by Helen Kasson. This tale gave Coye the chance to show dead bodies in various states of decomposition. [2] From 1945 to 1952, his covers and interior work, in a long and fruitful association with the magazine, captured images of horror and the supernatural. [1] A review of Pulp Macabre: The Art of Lee Brown Coye's Final and Darkest Hour said his work for Weird Tales produced "some of the magazine's greatest covers and as well as some of the most memorable illustrations to ever appear in pulps". In the 1960s, Coye's work appeared in such magazines as Fantastic and Amazing.

Coye illustrated, as well as the H. P. Lovecraft collection, Three Tales of Horror (Arkham House, 1967), and two deluxe collections of pulp stories edited by Karl Edward Wagner and published by his imprint Carcosa  : Manly Wade Wellman's Worse Things Waiting (1975) and Hugh B. Cave's Murgunstrumm and Others (1978). Coye won the World Fantasy Award for best artist in 1975 and 1978. [3] Coye was in the midst of illustrating Cave's volume Death Stalks the Night, which would have been the fifth volume published by North Carolina publishing house Carcosa, when he suffered a crippling stroke and eventually died. The volume's editor, Karl Edward Wagner, abandoned plans to publish through Carcosa, however the volume was eventually issued, with the illustrations Coye had completed, by Fedogan and Bremer.

Other work

Although Coye is best known for his fantasy and horror illustrations, for more than fifty years his artistic output covered a much wider range. He was a watercolor, oil, and egg tempera painter, a muralist, a sculptor, a photographer, a silversmith, and an able builder of models and dioramas. From rats and beetles and disfigured bodies, to whales, mythic figures, and landscapes, Coye's subjects are as diverse as the media in which he worked. All of his work was executed with expert craftsmanship, and exhibits the originality that sprang from his renowned imagination and sense of humor. Coye created paintings, sculpture, and jewelry that are as beautiful as his illustrations are macabre. Image of Night Side cover Coye exhibited at the Whitney Museum and the Metropolitan Museum of Art. His work is represented in numerous collections including the Metropolitan Museum of Art in New York, [4] the Everson Museum in Syracuse, the Onondaga County Historical Society, Picker Art Gallery at Colgate University, the Morrisville State College Library, SUNY Oswego, Syracuse University, and private collections.

In 2015 Where Is Abby? & Other Tales was published. [5] The book features some stories from Coye's "Chips and Shavings" Coye's column printed by "Mid-York Weekly" newspaper between 1964 and 1970. [6] One of these tales (based on true stories) also appears (as "From Chips and Shavings") in Gahan Wilson, ed. First World Fantasy Awards. NY: Doubleday, 1977, pp. 277–78.

The book Pulp Macabre: The Art of Lee Brown Coye's Final and Darkest Era was published in 2015. [7] An article, with interviews by the editors of the book, described Coye's illustrations as "whimsical and cartoonish" at first glance but "spine-chilling" with a closer look. [8]


This article is based on "Lee Brown Coye:Illustrator and Artist", The Mage, Summer 1985. It is used and updated with permission of the copyright owner. Additional material is from Bill Drew.

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  1. 1 2 3 4 Squirek, Mark. "A Review of Pulp Macabre: The Art of Lee Brown Coye's Final and Darkest Hour". New York Journal of Books. Retrieved 12 September 2017.
  2. Gahan Wilson, "Lee Brown Coye: An Appreciation, in Wilson, ed. First World Fantasy Awards, NY: Doubleday, 1977, pp. 256-57.
  3. "Winners". World Fantasy Convention. Retrieved 12 September 2017.
  4. "Lee Brown Coye-Dark house". The Metropolitan Museum of Art. Retrieved 12 September 2017.
  5. "Where Is Abby? & Other Tales". Cadabra Records. Retrieved 12 September 2017.
  6. "Lee Brown Coye Where Is Abby? & Other Tales" . Retrieved 12 September 2017.
  7. "Pulp Macabre". Feral House. Retrieved 12 September 2017.
  8. Sokol, Zach (January 16, 2016). "'Pulp Macabre': The Art of a Guy Who Used to Bring Severed Heads to the Bar". VICE. Retrieved 12 September 2017.
This is the first full biography on this uniquely macabre and eccentric artist, and it will surprise many people unaware of his fine art, book illustrations, cartoon, and sculpture credentials. More than 350 illustrations, including never-before-published art." ISBN   1-933065-04-4 More Information
An interview of Lee Brown Coye conducted by Joseph Trovato.
Coye speaks of the development of his style of painting; painting murals in Utica, New York; Thomas Hart Benton's influence on him; the importance of the Federal Art Project on his career and on the lives and work of other artists. Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.