Ernest George Palmer was a Hollywood cinematographer for more than 160 films. His earliest known credit was for a 1912 adaptation of Ivanhoe.
George S. Barnes, A.S.C. was an American cinematographer active from the era of silent films to the early 1950s.
William H. Daniels, A.S.C. was a film cinematographer who was Greta Garbo's personal lensman. Early in his career he worked regularly with director Erich von Stroheim.
Franz F. Planer, A.S.C. was a Czech-born cinematographer born in Karlsbad, Austria-Hungary,
John Francis Seitz, A.S.C. was an American cinematographer and inventor.
Arthur Edeson, A.S.C. was a film cinematographer, born in New York City. His career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).
Arthur Charles Miller, A.S.C. was an American cinematographer. He was nominated for the Oscar for Best Cinematography six times, winning three times: for How Green Was My Valley in 1941, The Song of Bernadette in 1944, and Anna and the King of Siam in 1947.
Alfred Junge was a German-born production designer who spent a large part of his career working in the British film industry.
Hal Mohr, A.S.C. was a famed movie cinematographer. He is known for his Oscar-winning work on the 1935 film, A Midsummer Night's Dream. He was awarded another Oscar for his work on The Phantom of the Opera in 1943, and received a nomination for The Four Poster in 1952.
Dale H. "Ted" Tetzlaff was an Academy Award-nominated Hollywood cinematographer active in the 1930s and 1940s.
Ernest Jacob Haller, sometimes known as Ernie J. Haller, was an American cinematographer.
Harold G. "Hal" Rosson, A.S.C. was an American cinematographer who worked during the early and classical Hollywood cinema, in a career spanning some 52 years, starting from the silent era in 1915. He is best known for his work on the fantasy film The Wizard of Oz (1939) and the musical Singin' in the Rain (1952), as well as his marriage to Jean Harlow.
Robert Lord was an American screenwriter and film producer. He wrote for 71 films between 1925 and 1940. He won an Academy Award in 1933 in the category Best Writing, Original Story for the film One Way Passage. He was nominated in the same category in 1938 for the film Black Legion. He was born in Chicago, Illinois and died in Los Angeles from a heart attack.
Bert Lawrence Glennon was an American cinematographer and film director. He directed Syncopation (1929), the first film released by RKO Radio Pictures.
Charles G. Clarke ASC an American cinematographer who worked in Hollywood for over 40 years and was treasurer and president of the American Society of Cinematographers.
Ray June, A.S.C. was an American cinematographer during the early and classical Hollywood cinema. His best-known films are Babes in Arms and Funny Face.
Barney McGill was an American cinematographer who was nominated at the 4th Academy Awards for Best Cinematography for the film Svengali. He was born in Salt Lake City, Utah in 1890. He was the cinematographer for more than 90 films from 1919 to 1941.
Ernest Miller was an American cinematographer who was nominated for an Academy Award at the 1939 Oscars for Best Cinematography for the film Army Girl, sharing the nomination with Harry J. Wild. He had nearly 350 film and television credits to his name, mostly Westerns, including some of the early episodes of Gunsmoke. Location work on Army Girl was done primarily at the Iverson Movie Ranch in Chatsworth, Calif., where Miller cut his teeth in B-Westerns and became one of the most prolific -- and one of the best -- of the site's shooters during the course of his career. His camera work at Iverson became identifiable for Miller's trademark use of the site's charismatic sandstone rock features as framing devices, as he incorporated the giant boulders into the artistry of the outdoor action shots in ways that few cinematographers could match.
Oliver T. Marsh was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone.
L. William O'Connell was an American cinematographer who worked in Hollywood for decades, beginning during the silent era. He frequently worked with directors Howard Hawks and William K. Howard.
