Ernest George Palmer was a Hollywood cinematographer for more than 160 films. His earliest known credit was for a 1912 adaptation of Ivanhoe.
George S. Barnes, A.S.C. was an American cinematographer active from the era of silent films to the early 1950s.
William H. Daniels ASC was a film cinematographer who was best-known as actress Greta Garbo's personal lensman. Daniels served as the cinematographer on all but three of Garbo's films during her tenure at Metro-Goldwyn-Mayer, including Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie (1930), Grand Hotel (1932), Queen Christina (1933), Anna Karenina (1935), Camille (1936) and Ninotchka (1939). Early in his career, Daniels worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Charles G. Rosher, A.S.C. was an English-born cinematographer who worked from the early days of silent films through the 1950s.
Franz Planer, A.S.C. was an Austrian-American cinematographer.
John Francis Seitz, A.S.C. was an American cinematographer and inventor.
Arthur Edeson, A.S.C. was an American cinematographer. Born in New York City, his career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).
George Joseph Folsey, A.S.C., was an American cinematographer who worked on 162 films from 1919 to his retirement in 1976.
Arthur Charles Miller, A.S.C. was an American cinematographer. He was nominated for the Oscar for Best Cinematography six times, winning three times: for How Green Was My Valley in 1941, The Song of Bernadette in 1944, and Anna and the King of Siam in 1947.
Hal Mohr, A.S.C. was a famed movie cinematographer who won an Oscar for his work on the 1935 film A Midsummer Night's Dream. He was awarded another Oscar for The Phantom of the Opera in 1943 and received a nomination for The Four Poster in 1952.
Ernest Jacob HallerASC, sometimes known as Ernie J. Haller, was an American cinematographer.
Harold G. "Hal" Rosson, A.S.C. was an American cinematographer who worked during the early and classical Hollywood cinema, in a career spanning some 52 years, starting from the silent era in 1915. He is best known for his work on the fantasy film The Wizard of Oz (1939) and the musical Singin' in the Rain (1952), as well as his marriage to Jean Harlow.
Robert Lord was an American screenwriter and film producer. He wrote for more than 70 films from 1925 to 1940. He won an Academy Award in 1933 in the category Best Writing, Original Story for the film One Way Passage. He was nominated in the same category in 1938 for the film Black Legion. He was born in Chicago, Illinois and died in Los Angeles from a heart attack.
Bert Lawrence Glennon was an American cinematographer and film director. He directed Syncopation (1929), the first film released by RKO Radio Pictures.
Joseph Walker, A.S.C. was an American cinematographer who worked on 145 films during a career that spanned 33 years.
Joseph A. Valentine (July 24, 1900 in New York City, as Giuseppe Valentino – May 18, 1949 in was an Italian-American cinematographer, five-time nominee for the Academy Award for Best Cinematography, and co-winner once in 1949.
Ray June, A.S.C. was an American cinematographer during the early and classical Hollywood cinema. His best-known films are Babes in Arms and Funny Face. June attended Columbia University but did not graduate. His experience as a cameraman in the U.S. Army Signal Corps during World War I was instrumental to his success in Hollywood.
Barney McGill was an American cinematographer who was nominated at the 4th Academy Awards for Best Cinematography for the film Svengali. He was born in Salt Lake City, Utah in 1890. He was the cinematographer for more than 90 films from 1919 to 1941.
Ernest Miller was an American cinematographer who was nominated for an Academy Award at the 1939 Oscars for Best Cinematography for the film Army Girl, sharing the nomination with Harry J. Wild. He had nearly 350 film and television credits to his name, mostly Westerns, including some of the early episodes of Gunsmoke. Location work on Army Girl was done primarily at the Iverson Movie Ranch in Chatsworth, Calif., where Miller cut his teeth in B-Westerns and became one of the most prolific—and one of the best—of the site's shooters during the course of his career. His camera work at Iverson became identifiable for Miller's trademark use of the site's charismatic sandstone rock features as framing devices, as he incorporated the giant boulders into the artistry of the outdoor action shots in ways that few cinematographers could match.
Oliver T. Marsh was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone.
